Tag Archives: Brittany Peer

Preview: Misfit City #7

Misfit City #7

Publisher: BOOM! Box, an imprint of BOOM! Studios
Writer: Kiwi Smith and Kurt Lustgarten
Artist: Naomi Franquiz
Colorist: Brittany Peer
Letterer: Jim Campbell
Cover Artist: Naomi Franquiz

Wilder, Macy, Karma, and Dot are struggling to keep from attracting any more unwanted attention on their search for the Captain’s would-be killer, not to mention the fortune he’d promised to help them uncover.

Preview: The Amazing World of Gumball 2017 Grab Bag #1

The Amazing World of Gumball 2017 Grab Bag #1

Publisher: KaBOOM!, an imprint of BOOM! Studios
Writers: Brittany Peer, Terry Blas, Gustavo Borges, Max Davison, Ted Anderson, and Kate Sherron
Artists: Brittany Peer, Terry Blas, Gustavo Borges, Jordan Gibson, Jen Hickman, and Kate Sherron
Cover Artist: Naomi Franquiz
Price: $7.99

It’s a brand-new collection of hilarious shorts from Cartoon Network’s The Amazing World of Gumball!
Elmore Junior High dig up a time capsule from 1987 that unleashes a cloud of germs that turn people into…the 1980s! Plus, Gumball, Darwin, and Anais experience a snow day in the middle of summer, Nicole and Richard’s date night goes horribly awry, and more!

Review: America #5

America #5 1America takes a break from time and portal jumping to give us the Amerikate team-up that many fans have wanted since Ms. America first called Kate Bishop aka Hawkeye “princess” in Kieron Gillen and Jamie McKelvie’s Young Avengers. It’s spring break and America is visiting Kate in Venice Beach to catch some sun, drive fast cars, and also get some moral support when she meets her childhood friend, Magdalena, outside of Las Vegas. Their Gabby Rivera  and Kelly Thompson penned banter is quick witted, and Kate’s P.I. skills start connecting some of the dots in the larger plot. But the main event of America #5 (America and Magdalena use to be sparring partners as pre-teens.) is the art of Ramon Villalobos and the colors of Tamra Bonvillain with Brittany Peer.

Villalobos uses texture and body language to create the rapport between Kate and America, which is like two old friends instantly picking up where they left off.  They spend an entire page chatting hilarious about comfy pillows, and Kate is definitely there to empathize and accommodate with pizza and a pull-up bar that helps America think and process. Villalobos draws them in a variety of relaxed poses in the early going because it’s basically a big sleepover complete with Bonvillain’s welcoming, orange Southern California twilight. Re-establishing this bond definitely makes the tight and close car chases, punching, explosions, and killer final page more urgent and riveting.

America #5 is awesome because it’s an action romantic comedy starring two queer and one questioning woman. Rivera, Thompson,  Villalobos, and Bonvillain aren’t afraid to surrender to melodrama a little bit in sepia toned flashbacks that show the deep bond between America and Magdalena. These scenes are intense like any teenage crush, and it’s seriously relatable to see Kate “translate” Magdalena’s current day texts to America. America definitely has that feeling in the pit of her stomach about someone she cares about deeply and romantically even her words about Magdalena seem guarded. But she has always been more of an action and reflection person, and a close-up of her holding Magdalena’s flowers tells us everything we need to know about her feelings. Bonvillain’s colors for them is pretty too.

The conflict in America #5 is definitely driven by the metaphorical bandages of America #5 5America and Magdalena’s long simmering romance being torn off, but Rivera, Thompson, and Villalobos keep the comic centered in the friendship between America and Kate. It’s honestly one of the best ones in the Marvel Universe. Who needs complex space/ex-girlfriend/boxing plots when you could have a “Just A Girl” car karaoke complete with Kate and America’s smiling faces and hair blowing in the wind. This scene is a moment of pure exuberance and relief in the midst of traffic and drama and is immediately undercut by a biker in the rearview mirror. This image nicely transitions America #5 from the chilling to the action portion of the story though instead of going for a cheap page turn reveal. Villalobos builds suspense and then lets Kate and America cut loose. He fills the page with plenty of helicopters, bikers, and cyborgs for them to punch until they ‘splode.

Action, romance, opening up, friendship, and quips on quips on quips, America #5 is the team-up comic that we deserve. Gabby Rivera and Kelly Thompson’s writing for America and Kate is so entertaining that I could read an entire comic of them eating pizza and chatting, and their bond also allows America to open up and be vulnerable just a little bit in the quiet moments where she thinks no one is watching. Ramon Villalobos continues to be the master of body language and non-verbal cues to craft characters, and his car chases are a thing of a beauty. Tamra Bonvillain and Brittany Peer go both hot and desolate with their color palette like America’s feelings and the Nevada desert respectively.

To quote the comic itself, if you like “slaying monsters, the patriarchy, and extra large pizzas” plus heart wounding feelings and art that is the polar opposite of house style, America #5 is the book for you.

Story: Gabby Rivera and Kelly Thompson Art: Ramon Villalobos
Colors: Tamra Bonvillain with Brittany Peer

Story: 8.5 Art: 9.5 Overall: 9.0 Recommendation: Buy

Review: Slam #1

slam_001_main_pressModern roller derby is a growing phenomenon. In consideration for the 2020 Summer Olympics and the focus of the 2013 film Whip It, it’s not hard to find multiple leagues skating in major cities these days. In fact, one of my roommates has competed as “Halting Problem” in men’s leagues in both Atlanta and Austin.

Which is why it’s surprising that there hasn’t been a comic series with a focus on derby until now. Sure, Harley Quinn has Harley skating derby in Coney Island sometimes and A-Force introduced Dazzler playing derby down in Florida, but there’s been no stories revolving around derby in the sense of Whip It. Lucky for all of us though, Pamela Ribon, Veronica Fish and Brittany Peer have brought us Slam! through BOOM! Studios’ BOOM! Box imprint.

Slam! #1 follows Jennifer Chu and Maisie Huff as they finish up their training for the East Side Roller Girls and get drafted to teams. The issue zips back and forth chronologically, showing how the two were drafted to the league and their individual lives before and after they were drafted to derby. Specifically, how derby has helped their lives. For Jennifer, it’s given her more connections outside of her originally lonely life getting her masters. For Maisie, it’s a sense of life and purpose after being dumped by her fiance, believing her to be “debateable.” Which, of course, doesn’t help when Maisie is put on a probational draft to a different team than Jennifer.

After one issue, I already love Jennifer and Maisie. Their loving and supportive friendship is one that is often hard to find in comics and to see it flourish over the first issue is such a joy, especially when Jen reaches her hand out to Maisie while she’s having pre-first bout anxiety. Friendship between women, especially in terms of competitive sports, is such an important thing to portray and one that should be portrayed more often.

Another breath of fresh air in the first issue is Fish’s art. The variation on athletic bodies is something that can easily be observed in derby and seeing it portrayed in comics form is pretty amazing. She also gets down to the nitty gritty, with bruised muscled backs, wedgies from derby shorts, and shaking nerves. Peer’s colors especially give life to this bright new world of violence and camaraderie in a way that I can’t imagine another colorist doing.

While roller derby is its own world, Slam! #1 gives a glimpse into how that world can have positive effects on the people in it. Following the journey of Maisie and Jen as they first start out and heading into their new lives on teams is absolutely joyful and should absolutely set precedent for how women’s sports comics handle competition and friendships. Of course, now that Jen and Maisie are no longer on the same team, how will they handle flying on their own?

Story by: Pamela Ribon Art by: Veronica Fish and Brittany Peer
Story: 8.0 Art: 8.5 Overall: 8.25 Recommendation: Read

BOOM! Studios provided Graphic Policy with a FREE copy for review.