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Review: The Forevers Vol. 1

The Forevers Vol. 1

To quote David Bowie: “Fame, it’s mine, it’s mine, it’s just his line to bind your time, it drives you to crime.” Although that quote probably has the song now stuck in your head, it also nicely sums up the plot to The Forevers. The first volume of this series from Black Mask Studios has been collected into a trade paperback, available now wherever comic books are sold. The quest for fame and the drive to stay famous are the two main themes of this series by writer Curt Pires. In The Forevers, a group of friends take part in a magic ritual that imbues them with mystic power. Power they then use to achieve their dreams of fame and lead glamorous lives. Ten years later, when one of them dies, the rest realize that her share of the power has been split between the rest of the group. Now one of them is killing off the others in an attempt to claim all the power for themself. It’s up to the others to figure out who the killer is before he succeeds in picking them all off.

In my opinion, crime thrillers and fantasy elements don’t mix that well. Often, I feel like either the mystery itself would be no match for the magic at play; or that the mystery could take place anywhere, thus making the fantasy world irrelevant. Neither of these is the case for The Forevers. Writer Curt Pires strikes an encapsulating balance between the elements of mystery and fantasy. The world Pires has created is an accurate mirror of our world and the magic is believable. He grounds the story with emotions and desires to which all readers can relate. Then he uses those emotions and desires as the blocks on which he builds the mystery and suspense throughout the story.

Pires employs an interesting storytelling technique throughout the book. Panels on one half of the page are dedicated to one character’s perspective while the panels on the other half are from a different character’s point of view. This storytelling device allows Pires to cover a lot of ground in a short amount of time, which keeps the story flowing at a fast pace. It also establishes connections and contrast between the various characters, making their development even more interesting.

The Forevers has some of the most realistic artwork I’ve seen in a long time. Eric Scott Pfeiffer’s illustrations look like he used real people as models. I wouldn’t be surprised if the main characters in this series are based on his real-life friends. Thanks to his art, reading the first volume of this series is almost like watching a television show. That’s how clear and real the characters look on the page. Pfeiffer’s color choices further add to the reality contained within his artwork. Using shades of color alone, he distinguishes background from foreground without having to use dark, bold outlines around the objects and characters he draws. This makes the focus of each panel abundantly clear and instantly draws the reader’s eye to the subject of that panel. Also, keep your eyes peeled for cameos by Leonardo DiCaprio and Robert Plant. Their likenesses expertly captured by Pfeiffer’s pen.

To quote Bowie one last time, “Fame, what you get is no tomorrow.” The Forevers is a very well-crafted mystery with just the right mix of fantasy elements. The story remains exciting throughout while examining the implications behind the quest for fame and the ramifications of achieving that status. The artwork is phenomenal. There need to be more books on the shelf that are drawn like this one. I enjoy “house style” as much as the next fan, but there’s something truly engaging about the realistic nature of the art in this series. If you missed this five-issue series when it was released, now’s your chance to check out this fantastic story.

Story: Curt Pires Art: Eric Scott Pfeiffer Letterer: Colin Bell
Story: 9.0 Art: 10 Overall: 9.5 Recommendation: Buy

Black Mask Studios provided Graphic Policy with a FREE copy for review


Purchase: comiXology – Amazon

ComiXology Has You Covered With Today’s New Digital Comic Releases

Transfomers: Escape #2

There are over 150 new comics available right now with a simple download courtesy of comiXology. Celebrate new comic book day with Marvel, Image, IDW, AfterShock, BOOM!, and more! Get shopping now or check out the new comics by the publisher below.

AAM-Markosia

A Wave Blue World

Ablaze

AfterShock

Albatross Funnybooks

American Mythology Productions

Archie Comics

AWA Studios

Black Mask Studios

BOOM! Studios

Cartoon Books Digital

Clover Press

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Dark Horse

DC Comics

Dynamite Entertainment

Harlequin

IDW Publishing

Image Comics

Keenspot

Marvel

Oni Press

Tidalwave Productions

Titan Comics

Valiant

Vault

Zenescope


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Preview: Black [AF] Devil’s Dye

BLACK [AF] DEVIL’S DYE

Writer: Vita Ayala
Artist: Liana Kangas
Letterer: David Sharpe / Editor: Sarah Litt / Cover Artist: Maika Sozo
Based on the universe created by Kwanza Osajyefo, Tim Smith 3, Jamal Igle, Khary Randolph
Mature / $16.99 / 112 pages

This latest BLACK [AF] collected mini-series is written by breakout star Vita Ayala (New Mutants, X-Men: Children Of The Atom, Morbius, Bitch Planet, The Wilds) and rising star artist Liana Kangas (She Said Destroy).  

When a new drug called VANTA hits the streets, word is it’s the hottest thing since Ecstacy. For regular people, it has all the highs and none of the lows of traditional drugs. There is some fine print, however – for empowered Black folks, the drug causes a total and violent loss of control. The Project sends Indigo to investigate, and it soon becomes apparent that this is more than just a new designer distraction for the masses. Indigo together with former Detective Ellen Waters race to find the source of the substance poisoning their people, before it’s too late!  

The superhero universe where only Black people have super powers continues to expand, for the first time with a new creative team building onto the exciting world created by Kwanza Osajyefo, Tim Smith 3, Jamal Igle & Khary Randolph. Collects issues 1-4.

BLACK [AF] DEVIL'S DYE

Preview: Critical Hit

CRITICAL HIT

Writer: Matt Miner
Artist: Jonathan Brandon Sawyer
Colorist: Doug Garbark / Letterers: Jim Campbell & Crank!
Mature / $16.99 / 116 pages

Sarah and Jeanette love animals with a vengeance.

Under cover of darkness, they don ski-masks and wield sledgehammers, rescuing abused animals from dog-fighting rings, illegal testing labs, and other abusers.  

When they wreak havoc on a rogue gang of hunters, though, the girls find themselves in over their heads. The gang they’ve stumbled onto aren’t hunters – they’re serial killers.
And soon the liberators become the prey!

Collects issues 1-4.

CRITICAL HIT

Destiny, NY is Coming from Black Mask Studios

What if there was a magical prophecy that you were destined to save the world, and you fulfilled it so young you don’t know what to do with the rest of your life?    

That’s the problem facing Logan McBride in Destiny, NY, the ongoing comic book series launching in March 2021 from Black Mask Studios. Together, writer Pat Shand, artist Manuel Preitano, and cover artists Elisa Romboli and Rosi Kämpe have created a grounded story about the magic of young adulthood, star-crossed modern romance, delayed coming of age, and finding your place in a world too busy to notice you.

In Destiny, NY, Logan grew up a “prophecy kid” attending the elite NYC boarding school DESTINY, NY for children with magical prophecies. At twelve years old, she faced down a cataclysmic crisis and rescued the entire planet… but hardly anyone even knows what she did, and since then she’s been directionless. There’s no prophecy for what Logan is supposed to do with the rest of her life… she’s having a midlife crisis despite being in her 20s. But when Logan falls for Lilith, the estranged daughter of a mystical crime family, their new love puts the entire school in jeopardy.

Destiny, NY #1 is a special double-sized issue and will feature a special, limited edition cover by Terry Moore.

Preview: X’ED

X’ED

written by Tony Patrick
illustrated by Ayhan Hayrula, Brian Level, Chris Peterson
colorists Doug Garbark, Dee Cunniffe
lettered by Jim Campbell
$16.99 | full color | 164 pages
MATURE

A sci-fi thriller about a next-gen form of psychiatry: ‘subliminal hitmen’ injected into your mind who hunt down the demons that haunt you. 

Ex-military sharpshooter Colin McClure is Mezign Corp’s most recent recruit for the still-experimental (and often deadly) job of subliminal hitman. McClure is the perfect candidate for two reasons: a- he’s a killing machine, and b- he lost his legs in the war, so subliminal-ops are his only way to see any action. But he’s also a dangerous candidate for one reason unknown to Mezign: Colin’s true motive is to enter the mind of his catatonic daughter and bring her out of a coma.

From writer Tony Patrick (Batman And The Signal) and artist Ayhan Hayrula.

X'ED

Review: The Forevers Vol. 1

The Forevers Vol. 1

To quote David Bowie: “Fame, it’s mine, it’s mine, it’s just his line to bind your time, it drives you to crime.” Although that quote probably has the song now stuck in your head, it also nicely sums up the plot to The Forevers. The first volume of this series from Black Mask Studios has been collected into a trade paperback, available now wherever comic books are sold. The quest for fame and the drive to stay famous are the two main themes of this series by writer Curt Pires. In The Forevers, a group of friends take part in a magic ritual that imbues them with mystic power. Power they then use to achieve their dreams of fame and lead glamorous lives. Ten years later, when one of them dies, the rest realize that her share of the power has been split between the rest of the group. Now one of them is killing off the others in an attempt to claim all the power for themself. It’s up to the others to figure out who the killer is before he succeeds in picking them all off.

In my opinion, crime thrillers and fantasy elements don’t mix that well. Often, I feel like either the mystery itself would be no match for the magic at play; or that the mystery could take place anywhere, thus making the fantasy world irrelevant. Neither of these is the case for The Forevers. Writer Curt Pires strikes an encapsulating balance between the elements of mystery and fantasy. The world Pires has created is an accurate mirror of our world and the magic is believable. He grounds the story with emotions and desires to which all readers can relate. Then he uses those emotions and desires as the blocks on which he builds the mystery and suspense throughout the story.

Pires employs an interesting storytelling technique throughout the book. Panels on one half of the page are dedicated to one character’s perspective while the panels on the other half are from a different character’s point of view. This storytelling device allows Pires to cover a lot of ground in a short amount of time, which keeps the story flowing at a fast pace. It also establishes connections and contrast between the various characters, making their development even more interesting.

The Forevers has some of the most realistic artwork I’ve seen in a long time. Eric Scott Pfeiffer’s illustrations look like he used real people as models. I wouldn’t be surprised if the main characters in this series are based on his real-life friends. Thanks to his art, reading the first volume of this series is almost like watching a television show. That’s how clear and real the characters look on the page. Pfeiffer’s color choices further add to the reality contained within his artwork. Using shades of color alone, he distinguishes background from foreground without having to use dark, bold outlines around the objects and characters he draws. This makes the focus of each panel abundantly clear and instantly draws the reader’s eye to the subject of that panel. Also, keep your eyes peeled for cameos by Leonardo DiCaprio and Robert Plant. Their likenesses expertly captured by Pfeiffer’s pen.

To quote Bowie one last time, “Fame, what you get is no tomorrow.” The Forevers is a very well-crafted mystery with just the right mix of fantasy elements. The story remains exciting throughout while examining the implications behind the quest for fame and the ramifications of achieving that status. The artwork is phenomenal. There need to be more books on the shelf that are drawn like this one. I enjoy “house style” as much as the next fan, but there’s something truly engaging about the realistic nature of the art in this series. If you missed this five-issue series when it was released, now’s your chance to check out this fantastic story.

Story: Curt Pires Art: Eric Scott Pfeiffer Letterer: Colin Bell
Story: 9.0 Art: 10 Overall: 9.5 Recommendation: Buy

Black Mask Studios provided Graphic Policy with a FREE copy for review


Purchase: comiXology – Amazon

Preview: The Forevers

The Forevers

Writer: Curt Pires / Artist: Eric Pfeiffer / Letterer: Colin Bell
Mature / $19.99 / 180 pages

Live fast. Live forever.
Five friends struggling on the brink of stardom sacrifice everything in a black magic pact that brings them all the wealth and glamour they ever wanted. But now, years later, the glow is fading. When one of them is killed in an accident, they each feel a pulse of magic rise in them. They realize the glow is spread evenly among the group, and if one dies that power is passed along to the rest. Suddenly, they are being hunted. One of them has decided to kill the rest and harness the remaining power.

As they search for the killer, each of The Forevers will be confronted by the macabre reality of the lengths people will go to be adored, to make sure the spotlight never fades.

From writer Curt Pires (Youth, Olympia, Wyrd, Pop) with Eric Pfeiffer and Colin Bell, the art team behind Arcadia, Curb Stomp, and Roche Limit.

The Forevers

Review: Twelve Reasons To Die TP

Twelve Reasons to Die

Twelve Reasons to Die acts as the source material for the 2013 concept album of the same title by Wu-Tang Clan member Ghostface Killah, and the record’s producer/composer Adrian Younge and executive producer RZA even get story and writer credits respectively on this comic, which is finally being released as a collected edition.A pre-4 Kids Walk Into A Bank/Marvel Matthew Rosenberg and Patrick Kindlon handle the brunt of the scripting though. The comic is a multi-generational crime saga in the mold of such classics like The Godfather Part II, Goodfellas, and Once Upon A Time in America with a horror spin. With the exception of the final one, each issue tells two parallel stories. The first is about the rise of African-American gangster Tony Starks (One of Ghostface Killah’s aliases.) from muscle for the DeLuca family to a kingpin in his own right, and it is drawn predominantly by artist Breno Tamura. Gus Storms handles the other story which features “crate digger” Michael Migdal looking for 9 rare records for Lucraze, the don of the DeLuca crime family, because he feels like they’re cursed and wants to destroy them.

The parallel structure of Twelve Reasons to Die allows Rosenberg, Kindlon, RZA, Tamura, Storm, colorist Jean-Paul Csuka, and the various guest artists to play with different genres, art styles, and palettes like Younge and Ghostface Killah play with different beats, instrumentation, samples, and deliveries on the album. Starks’ story is a crime saga while Migdal’s story is more horror, and both use elements from the blaxploitation genre. This really shows up in the artwork with Tamura’s work being looser with scratchy inks and Bronze Age era Ben-Day Dots while Storms’ art is softer and more grotesque with the mysterious “Ghostface Killer” lurking around the edges like something out of a bad dream waiting for the needle to drop and to bring vengeance.

The different guest artists, like Nate Powell, Joelle Jones, Edwin Huang, and Riley Rossmo, meld well with Storms and Tamura while bringing extra flair to key scenes like Starks torturing a racist DeLuca made man and framing him for having an affair with the boss’ wife, Logan (Who Starks is actually sleeping with.) or several night club and murder sequences. Csuka’s colors really tie everything together and control the mood of each sequence whether that’s the sleazy red and blue of the strip club where Starks gets his first assignment from the DeLuca (and later runs) to the pop art pink of a “masqua-rave” that Migdal goes to get one of the records from a DJ, who decides to play the record and gets devoured by ravers turned into insects. It’s a Kafka-esque acid trip that shows the decadence of the DeLuca “social club” (They’ve filed off the serial numbers of their criminal enterprises.), and of course, there’s a panel where Migdal vomits.

Twelve Reasons to Die doesn’t shy away from showing the racism that Tony Starks faces from his employers, the Delucas, who bar him from becoming a made man because of the color of his skin and hurl slurs and stereotypes at him throughout the entire comic. Starks gets passed over for the mob equivalent of a promotion even though he has killed, tortured, and general gone above and beyond the call of duty because of the color of his skin. Eventually, this causes him to band together with his colleagues from the Black community to take over the DeLucas’ turf and even have some DeLuca foot soldiers work for him. There’s a dark, cathartic glee to watching him topple an empire in twelve months that had been established 30+ years ago. (See the prologue featuring Mussolini, mainland Italy vs. Sicily, and double page map spreads.) Starks’ ruthlessness is magnetic, yet frightening as he goes from possibly negotiating with one of the DeLuca’s made men to pistol whipping him in an alley and then tying his neck to the back of a car and having him dragged. This comic definitely uses torture creatively a la “Method Man” from Wu-Tang Clan’s classic album, 36 Chambers.

Twelve Reasons to Die

However, Rosenberg, Kindlon, and RZA also take time to develop Tony Starks’ softer and more vulnerable side through his relationship with Logan, who he genuinely cares about and basically uses as a spy for the DeLucas (Although she betrays him because femme fatale trope.) and especially for his love of records. There’s a touching scene where Starks says that his only dream is to get his hands on the most “hype” records, and he uses his organized crime money to build a factory where he can press his own wax. This is why his demise in that same factory is so tragic, and his vengeance via the drop of a needle is so satisfying as the Ghostface Killer slays the men who betrayed him in new and fucked up ways, or just a single page beheading. (I guess that’s pretty messed up though.) The exception is the noble fencer Batiato, who gets an epic sword fight complete with Ghostface in samurai armor and some fun, blocky cartooning from Edwin Huang.

I haven’t really touched much about Migdal in this review, and initially he seems quite distant from sex, violence, and racism-tinged world of Tony Starks and the DeLucas. He’s just a guy with a sarcastic sense of humor, who you’d see digging through the crates at your local record store, probably every day. However, as he continues to be treated like shit by the aging DeLuca crime bosses and see more horrific things, Migdal seems more attuned to this grindhouse movie of a world even though he doesn’t lose his innocence making the high energy Chris Hunt-drawn finale have a tinge of sadness. He really just wants to get paid so he can buy more records.

Even though it has an entire restaurant of chefs in its proverbial kitchen, Twelve Reasons to Die is a damn good fusion of the crime and horror genre with a charismatic protagonist and a social conscience in the midst of all the schlock. However, it never gets preachy. For three decades, Ghostface Killah has been one of hip hop’s best storytellers, and his vision translates really well to the comic book page thanks to Matthew Rosenberg, Patrick Kindlon, RZA, Breno Tamura, Gus Storms, Chris Hunt, Jean-Paul Csuka, and the guest artists that are the visual equivalent of that perfect drum sound or soul sample that raises a track from skippable to total earworm. Finally, and it goes without saying, but this comic pairs really well with the 12 Reasons to Die album.

Story: Ghostface Killah, Adrian Younge, C.E. Garcia
Story/Script: Matthew Rosenberg, Patrick Kindlon with RZA

Art: Breno Tamura, Gus Storms, Chris Hunt
Guest Art: Kyle Strahm, Joe Infurnari, Tim Seeley, Nate Powell,
Tyler Crook, Toby Cypress, Joelle Jones, Edwin Huang, Russell Roehling,
Ryan Kelly, Riley Rossmo Colors: Jean-Paul Csuka
Letters: Jim Campbell and Nic J. Shaw
Story: 8.0 Art: 8.7 Overall: 8.4 Recommendation: Buy

Black Mask Studios provided Graphic Policy with a FREE copy for review


Purchase: Amazon – comiXology

Comics Deserve Better Episode 16: 4 Kids Walk Into A Bank by Matthew Rosenberg, Tyler Boss, and Thomas Mauer

On this episode of Comics Deserve Better, Brian and Logan geek out about the darkly comedic, crime comic 4 Kids Walk Into A Bank by Matthew Rosenberg, Tyler Boss, and Thomas Mauer.

They break down the cast of annoying, yet endearing middle-school-aged characters, their favorite sequences, and the connections that this Black Mask Studios masterpiece has to other works of pop culture. Brian and Logan also discuss the latest indie comics news, including Graham Coxon‘s comic Superstate from Z2, the announcement of Vault‘s queer monster love story Hollow Heart and Geoff Johns and Gary Frank‘s creator-owned series Geiger, and a new ordering format from Scout Comics. They also talk about the upcoming Black Hammer: Visions and their dream creators on the miniseries. Other comics mentioned on the show are We Only Find Them When They’re Dead, Getting It Together, A Girl Walks Home Alone at Night, and 12 Reasons to Die. (Episode art by Tyler Boss)

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