Tag Archives: batwoman

Batman: Bad Seeds begins August 26

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As the sun sets on Gotham City, something ancient wakes beneath its streets! In Batman: Bad Seeds, the next major Batman event kicking off in August and running through October, Poison Ivy unleashes a desperate act of eco-terror that transforms Gotham into a hostile landscape of prehistoric plant life. Told across one long, dark night, the event unfolds as Gotham’s heroes, villains, and civilians fight to survive.

Led by showrunners Matt Fraction and G. Willow Wilson, Batman: Bad Seeds is a Gotham-wide comic book crossover that pulls every corner of the city into the crisis. While Fraction (Batman) and Wilson (Poison Ivy) steer the event’s core narrative, the writers and artists behind Detective Comics, Batgirl, Batwoman, Catwoman, Nightwing, and Harley Quinn each deliver pivotal chapters that track Gotham’s transformation as the night deepens. Across ten weeks, readers will follow the crisis as it spreads from block to block, title to title.

As Ivy’s plants spread, Gotham begins to mutate—buildings swallowed by vines, streets overtaken by carnivorous flora, and entire neighborhoods reverting to a primordial state. With the Bat-Family hunted, the GCPD fractured under Commissioner Vandal Savage’s militarized rule, and civilians trapped in a city turning against them, Gotham City becomes a living battleground where every chapter brings a new evolution.

On August 26, DC will publish a Batman: Bad Seeds prelude in Poison Ivy #47.Written by G. Willow Wilson with art by Leandro Fernandez, a main cover by Jessica Fong, and variant covers by Noobovich, Kyuyong Eom, and Manny Vincent Carbonilla, this prelude issue reveals that Gotham City is done with Mayor Pamela Isley—there’s just one problem for everyone there: she’s not done with them.

Then, also on August 26, the Batman: Bad Seeds event officially begins with Batman: Bad Seeds – Sunset #1. Written by Matt Fraction and G. Willow Wilson with art and cover by Giuseppe Camuncoli, Cliff Rathburn, and Tomeu Morey, plus variant covers by Dan Mora, Marcio Takara, Jorge Jiménez, and Jeff Spokes (Glow-in-the-Dark), this unforgettable first chapter opens as the sun goes down and Gotham loses power, showing that the only thing scarier than the night…might just be the morning sun. Gotham City’s mayor, Pamela Isley—deserted by her allies both political and arcane—is about to make a last-ditch power play that will leave Gotham decimated by daybreak. Having already declared war on the Bat-Family and flooded the streets with his private, paramilitarized police army, Police Commissioner Vandal Savage sees an opportunity to solve two problems at once!

Following August’s prelude and kickoff, the event continues across September and October in the pages of Batman, Poison Ivy, Detective Comics, Batgirl, Batwoman, Catwoman, Nightwing, and Harley Quinn, alongside several new event titles. More details on these chapters will be revealed in the coming months as DC unveils the full scope of Batman: Bad Seeds.

Preview: Batwoman #3

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Batwoman #3

(W) Greg Rucka (A) Dani

TO FIND THE ANSWERS, RUCKA AND DaNI NEED THE QUESTION! In the aftermath of Batwoman’s brutal showdown with the Monks of the Stone, Jacob Kane fears his daughter may have crossed the point of no return. If there’s any chance of pulling Kate back from the brink, he’ll need the help of Renee Montoya, a.k.a. the Question — but neither of them may like the answer they find. The sparks will be flying in more ways than one when Greg Rucka and DaNi’s Next Level tale continues!

Batwoman #3

Mini Reviews: Inglorious X-Force #4, Super Creepshow #2, Batwoman #2, Lobo #2

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Lobo #2

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Inglorious X-Force #4 (Marvel) – Inglorious X-Force is a fun, kick-ass 90s throwback of a comic, especially with Philip Tan taking over art duties. He and writer Tim Seeley throw in a million concepts and lore references, but still have time for genuine bonding and emotions between the team of Cable, Boom Boom, Archangel, Akihiro, and Ms Marvel. I live for the Warren/Tabby/Akihiro love triangle. Inglorious X-Force #4 isn’t essential reading and is more Simonson/Liefeld New Mutants than Ellis/Immonen Nextwave, but finds its footing by the time the final page rolls around. This team is a good hang for sure, but lacking in the bad guy department until that cliffhanger. Overall: 7.5 Verdict: Read

Super Creepshow #2 (Image) – Super Creepshow is another solid installment of this superhero/horror anthology featuring a story that will make you lose your lunch, and the return of the legendary Marv Wolfman to writing vampire hunters. Gerry Duggan, Scott Buoncristiano, and Mike Spicer lead off the comic with the disgusting “The Creepshow Two-In-One”. A standard issue Midwest superhero parody (I’m here for the Keg ; I wonder if he likes PBR.) turns into body horror comedy, and Buoncristiano pulls the limits of a “Mature” rating while Duggan pokes at fragile masculinity. This one definitely isn’t for the squeamish. Up next is Wolfman, Michele Rubini, and Miquel Muerto spinning a tale of violent vampires and fraught friendships in “Be Careful What You Wish For”. Wolfman hasn’t lost a step in this kind of story giving it personal (Pun intended) stakes and letting Rubini draw some savage, very unsexy bloodsuckers. This team could write one hell of a Blade series, but an action-packed story of kill or be killed is the next best thing. If you like your superheroes a little sick and twisted, then Super Creepshow is the comic for you. Overall 8.1 Verdict Buy

Batwoman #2 (DC) – The second issue of Batwoman is another case of strong visuals from Dani and Matt Hollingsworth, but below average writing from Greg Rucka. Seriously, this feels like reheated nachos from Elegy with a splash of tzatziki sauce. Rucka and Dani do attempt to raise the stakes with the appearance of Jake Kane, but his fate and Batwoman’s subsequent crash out feels rushed and unearned. It’s a reveal or a sake of a reveal not something honest and true to the character. Overall: 5.8 Verdict: Pass

Lobo #2 (DC) – The fun and a a network minimum amount of “frags” keep flying in Lobo #2 from Skottie Young, Jorge Corona, and Jean-Francois Beaulieu. This issue shows the day-to-day of Lobo as reality TV star, and it’s about as pretty as the truly terrible costume the network makes the Main Man wear. Lobo vs AI network suit is the battle royale we need in the age of layoffs, focus groups, and algorithms. Lobo #2 even pulls off a crossover/guest star moment with a delightful caricature of a famous, but not too famous DC hero. I can’t wait to see what comes out of Lobo’s mouth next or his latest fit. Overall: 8.8 Verdict: Buy

Batwoman #2 delivers a brutal ending

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Batwoman #2

Batwoman engages the enemy, drawing Master Slay and his acolytes onto the field. But can her father, Jacob Kane, reach her before the streets of Petalon become a kill zone? Batwoman #2 is an interesting issue picking up from the debut but feeling like you’ve been dropped into a story going on for years.

Written by Greg Rucka, this new series focuses a lot on Kate Kane/Batwoman’s past, especially her sister and a cult she was involved in. I read that run, and I’m still not 100% sure exactly what’s going on. Kate is sort of in therapy for everything that’s happened, but can still sneak out and do her Batwoman thing?

That’s what this issue focuses on, as Batwoman draws out the cult obsessed with her and drags her father back into the action. The comic visually looks great with an interesting flow to the action and a somewhat brutal delivery of it. But, the delivery so far feels rather choppy. It never feels quite established Kate knows about this cult, but suddenly is confronting them.

But, that’s not really the point of the comic, it’s the ending of it which attempts to be shocking. It’s a pretty crazy moment that points to where Kate’s head is at and also potentially sets something interesting up.

The art by Dani is good and absolutely nails the tone of what Rucka is going for. Matt Hollingsworth colors deliver a darker tone to it all but still makes the comic easy to follow. It’s dark but not to a point that it negatively impacts the issue. Hassan Otsmane-Elhaou‘s lettering too mixes cold emotion with shock.

Batwoman #2 feels like the first two issues really were to get us to the end of this issue. It will drive what comes next in the near term, and possibly the long term, for the character. There’s a lot of small details that show off the potential and how big a moment this might be. The issue overall feels like we’re well into the story, that last few pages make it feel like things are just beginning.

Story: Greg Rucka Art: Dani
Color: Matt Hollingsworth Letterer: Hassan Otsmane-Elhaou
Story: 7.75 Art: 8.0 Overall: 7.75 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics – Kindle

Mini Reviews: Lobo #1, Batwoman #1, Sentry #1, Dead Teenagers #1, Super Creepshow #1, Wrestle Heist #4, Infernal Hulk #5

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Super Creepshow #1

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.

These are Graphic Policy’s Mini Reviews and Recommendations.

Logan

Lobo #1 (DC) – Almost in time for his big screen debut, Skottie Young, Jorge Corona, and Jean-Francois Beaulieu put together a comic that understands why the Main Man is such a fun character. Lobo #1 is equal parts satire and over-the-top violence with Corona going for a hard PG-13 version of the shenanigans that go on in Young’s indie comic, I Hate Fairyland. The code and origin story is intact (In a gorgeous double page spread), but the plot fits a society that is oversaturated with content so why not add bounty hunters to the docket. (Dog, who.) I love the jabs that Skottie Young and Jorge Corona take at Disney, Warner Brothers, and all the megacorps, but it’s because they have jester privilege. Most folks with an HBO Max/Paramount Plus/Disney Plus subscription are unlikely to read this comic. I’m very here for Lobo’s trying very hard not to sell out era, but of course, he does because late capitalism, and wow, I’m overintellectualizing this book. There are lots of funny one liners and excessive violence, and somewhere Simon Bisley is smiling at Corona and Jean-Francois Beaulieu’s over a bottle of Johnnie Walker. Overall: 8.9 Verdict: Buy

Batwoman #1 (DC) – Kate Kane relives past trauma in a mental hospital in Greece in a gorgeously drawn comic that also feels like a retread of a book from 19-20 years ago. Much of the book’s page count is Greg Rucka and Dani retelling the story of the relationship between Kate and her deceased villainous twin sister Alice. It’s cool to see Dani’s take on some iconic layouts and panels from JH Williams, but her and Matt Hollingsworth’s work resonates more in the present day scenes as Kate struggles with her past guilt and mental health. In the last few pages, Batwoman #1 does break new ground so I’ll give the next couple issues a shot especially since the book hasn’t looked this good since the Williams days. Overall: 7.5 Verdict: Read

Sentry #1 (Marvel) – Paul Jenkins is back writing Sentry, and he and artist Christian Rosado really put the titular character through the wringer. Seriously, Watchdog is involved, super creepy Void stuff, and it feels like Bob Reynolds’ story is progressing for the first time time in years. Jenkins just *gets* Sentry’s voice and thoughts, and his insightful captions pair well with Rosado and Matt Milla’s epic-meets-psychologically disconcerting art style. We don’t know how much damage the Void has done, and that’s a frightening thing for this story and the Marvel Universe as a whole. Overall: 8.3 Verdict: Buy

Dead Teenagers #1 (Oni Press) – Dead Teenagers #1 is a clever, nostalgic postmodern sci-fi slasher from Jude Ellison S. Doyle and Caitlin Yarsky. True to its title, it’s about a diverse group of teens trying to escape the worst life of their night. Each scenario riffs on fictional tropes, and Doyle and Yarsky revel in the references and especially the 90s fashion. This first issue also gives a nice handle on the key cast of characters before the status quo shifting twist. I thought I knew what this book was about, but I don’t and I love Dead Teenagers more for it. Overall: 8.1 Verdict: Buy

Super Creepshow #1 (Image) – In Super Creepshow #1, two of mainstream comics’ finest writers, Kieron Gillen and Ryan North, get to put their own sick and twisted spin on the superhero genre with artists Rossi Gifford and Derek Charm. Up first is Gillen and Gifford’s body horror twist on Spider-Man, The Creep. The hormones and gore are turned up to 11, and the female of species is deadlier than the male. I love the Sam Raimi energy of this 10-pager. The second story “Speed Freak” from North and Charm shows the frightening consequences of super speed with bullied Ron going from ersatz Flash to cosmic menace haunting his town and the only girl who was nice to him. Derek Charm’s Archie-style art especially works for the horror bits as Ron’s body breaks and bends with the the copyright friendly Speed force. Clever superhero and horror from some of the best talents in the industry means that Super Creepshow is a no brainer to pick up this week. Overall: 9.4 Verdict: Buy

Brett

Sentry #1 (Marvel) – The Sentry is back and Paul Jenkins is back at the helm with artist Christian Rosado and Matt Milla. The debut issue brings up the interesting dynamic of superheroes who do so much damage and destruction while also trying to do good. What’s the balance? It’s an intriguing concept that uses the Sentry to examine the concept of modern superheroes. Overall: 8.0 Verdict: Buy

The Infernal Hulk #5 (Marvel) – Written by Phillip Kennedy Johnson, with art by Kev Walker, ink by Cam Smith, and color by Matthew Wilson, The Infernal Hulk #5 is an interesting one that feels a little out of left field, but feels like a key chapter in building toward whatever comes next. It’s a massive battle with heroes standing witness and key ramifications. The series has been a fantastic mix of traditional superhero comics but deeply infused with horror. The art and colors add to the vibe of the overall comic, making this a series that shouldn’t be missed. Overall: 8.0 Verdict: Buy

Wrestle Heist #4 (Image Comics) – Kyle Starks‘ style, with colors by Vlad Popov, is on full display here with a gonzo issue where things go so right and so wrong at the same time as the heist begins. We learn far more about the evil promoter in a series that brings the fact and fiction together for a world we want to see more of. This is one you can appreciate at the surface level though those with wrestling knowledge will love it more. The backmatter is absolutely fantastic as always. Another great issue in a series that’s a hell of a lot of fun. Overall: 8.25 Verdict: Buy

Batwoman #1 takes things to “Next Level” as it focuses on the past

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Batwoman #1

Batwoman. Daughter. Sister. Soldier. Hero. But since she was 10 years old, Kate Kane has lived in the shadow of a prophecy and the machinations of a religion devoted to the end of all things. How do you fight the devil when the devil is real? And how do you win? Batwoman #1 kicks off the next era for Kate Kane and Batwoman as it focuses on the past.

“Next Level” is here for DC Comics with new series debuting to guide the comic universe into its next phase. It’s an interesting mix of releases and Batwoman #1 provides an intriguing start that’s a new chapter that’s neck deep in its past relying heavily on the trauma of Kate’s past, focused on her sister and the cult she was a part of. If you really want to catch up with what’s going on you’ll want to pick up Batwoman: Elegy which recently got a DC Compact Comics edition (some nice planning by DC there). That series, also written by Greg Rucka, dove deep in Kate’s history focusing on her sister who “died” when they were children and returned as a villain and part of a doomsday cult. Batwoman #1 picks up from that, with Kate in therapy trying to process her life and that same cult in the background looking to fulfill its prophecy which involves Darkseid and the anti-life.

Batwoman #1 is an interesting story that explores trauma and PTSD though showing off a victim who seems to be pushing back on the fact she is traumatized. While previous volumes focused a lot on Kate’s personal relationships, this first issue doesn’t explore it, instead really narrowing it down to her and her sister. It’s tie-in with the greater Darkseid stuff in the DC Universe is interesting, bringing the character a bit more into the greater meta story and the fact Darkseid will be back for the next “Crisis” event. For those who followed the finale of DC K.O., you can see some of the threads teased her, putting Kate Kane and Batwoman as part of the center of whatever comes next.

Batwoman has had some amazing artists attached in the past and DaNi puts their mark on the series and character with a style that feels like it fits right in to what has come before. There’s a certain sadness that fits the story that Rucka has constructed with a bit of a throwback feel, fitting the pulp-like cult story the first issue teases. Matt Hollingsworth color helps set the mood with a muted choice that adds to the sadness Kate has experienced. Hassan Otsmane-Elhaou handles the lettering and the team together paints a visual style that’s familiar but definitely their own.

Batwoman #1 is an interesting start that focuses on the past but also sets up the future, tying in the character and her mystery into the bigger picture of the DC Universe. It does feel like those who have read previous volumes might enjoy it a bit more but it does a good job of catching readers up with what they need to know. Overall, an intriguing start and direction for the character.

Story: Greg Rucka Art: DaNi
Color: Matt Hollingsworth Letterer: Hassan Otsmane-Elhaou
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics – Kindle

Preview: Batwoman #1

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Batwoman #1

(W) Greg Rucka (A) Dani

EISNER AWARD-WINNER GREG RUCKA AND VISIONARY ARTIST DANI BRING ON THE NEXT LEVEL FOR BATWOMAN!

Batwoman. Daughter. Sister. Soldier. Hero.

But since she was 10 years old, Kate Kane has lived in the shadow of a prophecy and the machinations of a religion devoted to the end of all things. How do you fight the devil when the devil is real? And how do you win?

Acclaimed writer and co-creator of the modern Batwoman, Greg Rucka, returns to the story of Kate Kane alongside visionary artist DaNi for a DC Next Level series that will redefine Batwoman and her mission for a new generation.

Batwoman #1

ComicsPro 2026: DC Next Level Reveals Teen Titans and More for Summer 2026

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ComicsPro 2026 is going on and DC is rolling out what we can expect in the year to come. During the conference, retailers were shown a new trailer for DC Next Level, highlighting the initiative’s rollout through the first half of the year. Lobo #1, Batwoman #1, and Deathstroke: The Terminator #1 will all launch on March 18, followed by The Fury of Firestorm #1 on April 8 and Zatanna #1 on April 29.

DC then spotlighted two newly announced Next Level titles arriving this summer: Barbara Gordon: Breakout by Mariko Tamaki and Amancay Nahuelpan in May, and The Deadman by W. Maxwell Prince and Martín Morazzo in June.

Barbara Gordon: Breakout

The Deadman

Retailers were also provided a look at DC’s upcoming slate of Next Level titles ahead of solicitation, including Legion of Super-Heroes, Doom Patrol, Jonah Hex, The Demon, and Batman: Shadow of the Bat. Creative teams and launch dates will be announced soon.

DC’s ComicsPro presentation further revealed the next major Next Level series: Teen Titans, launching this summer from Kyle Higgins and Daniele Di Nicuolo, the acclaimed team behind Power Rangers: Shattered Grid. In Teen Titans, Red Hood uncovers a network of missing powered teens and reluctantly joins forces with a new generation of plugged-in, hyper-capable young heroes to find them and expose the lie dividing their world.

DC All In goes Next Level with its Second Arc Starting March 2026!

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After DC’s brawling DC K.O. comic book event series concludes on March 4, 2026, Scott Snyder and Joshua Williamson are helping to take “DC All In” to the “Next Level,” beginning a second act of the publishing initiative that began with the DC All in Special and the launch of DC’s Absolute universe.

DC: Next Leve is a series of bold, creator-forward #1s, starring fan-favorite characters, and helmed by some of the best talent in comics. These new Next Level titles will launch alongside bold new storylines in DC’s ongoing and limited series as DC All In begins its second act.

NEXT LEVEL IS LOBO’S ONLY LEVEL WITH SKOTTIE YOUNG AND JORGE CORONA RIDING SHOTGUN!

The Eisner-nominated creative team that brought you a fantastic parable of adolescence in the Midwest, the story of an artist who embraces darkness a little too closely, and the tale of a gunslinger with too much grit to stay buried, brings you a classic yarn spun in the star-kissed threads of the cosmic DC Universe.

Vrrrrroooooommmmmmmm! The Main Man’s back, baby! And his ride is a motorcycle that moves at the speed of sound, but only if that sound is a rippin’ guitar solo, and you better hop on before he leaves you in the dust with all the bastiches he’s fragged for money or convenience!

It’s a guts-soaked path from DC K.O. to the end of the universe, where Lobo is going to scratch his name and number in the Source Wall with a cool knife. Don’t miss the mayhem, special guests, or tasty, tasty continuity! Don’t you do it!

Lobo, a new DC Next Level comic book series written by Skottie Young with art and main cover by Jorge Corona, debuts on March 4, 2026. The first issue features open-to-order card stock variants by Lee Bermejo, KyuYong Eom, and Corona, priced at $3.99 US ($4.99 US for card stock; $6.99 US for foil). Juan Ferrerya contributes a 1:25 incentive variant, while Bermejo’s cover will also be available as an open-to-order foil edition, alongside a blank sketch cover.

EISNER-WINNER GREG RUCKA AND VISIONARY ARTIST DANI JOIN FORCES TO CANCEL THE APOCALYPSE!

Acclaimed writer and co-creator of the modern Batwoman, Greg Rucka, returns to the story of Kate Kane alongside celebrated artist DaNi for a DC Next Level series that will redefine Batwoman and her mission for a new generation.

Batwoman.

Daughter. Sister. Soldier. Hero.

But since she was 10 years old, Kate Kane has lived in the shadow of a prophecy and the machinations of a religion devoted to the end of all things. How do you fight the devil when the devil is real? And how do you win?

Batwoman, a new DC Next Level comic book series written by Greg Rucka with art and cover by DaNi, debuts on March 11, 2026. The debut issue includes open-to-order cardstock variant covers by artists including Stanley “Artgerm” Lau, Stjepan Šejić, Jorge Corona, and more, priced at $3.99 US ($4.99 US for cardstock; $6.99 US for foil). Joshua “Sway” Swaby contributes a 1:25 incentive variant, while Artgerm’s variant will be offered as an additional open-to-order foil cover, alongside a blank sketch cover.

THE WORLD’S DEADLIEST ASSASSIN LEVELS UP WITH TONY FLEECS AND CARMINE DI GIANDOMENICO!

Prepare for brutal violence with over-the-top action and intrigue from the twisted mind of writer Tony Fleecs with pulse-pounding art by Carmine Di Giandomenico. DC’s contract killing bogeyman is back and bloodier than ever!

Soldier-turned-superhuman assassin for hire, Slade Wilson, has made hundreds of enemies in his day, and now one of them is taking his world apart piece by piece. The hit is out on Deathstroke, as he evolves into his purest form…a terminator out for revenge and ready to kill anyone who stands in his way.

Deathstroke: The Terminator, a new DC Next Level comic book series written by Tony Fleecs with art and cover by Carmine Di Giandomenico, debuts on March 18, 2026. The first issue features open-to-order card stock variants by Dan Panosian, KyuYong Eom, and Jorge Corona, priced at $3.99 US ($4.99 US for card stock; $6.99 US for foil). Tony Fleecs provides a 1:25 incentive variant, while Panosian’s cover will also be available as an open-to-order foil edition, alongside a blank sketch cover.

DC NEXT LEVEL INTRODUCES FRESH FACES AND FAN FAVORITES

DC Next Level, part of the second act of DC All In, is a new publishing initiative spotlighting characters like Batwoman, Deathstroke, The Demon, Firestorm, Lobo, Barbara Gordon, Zatanna, the Teen Titans, and more. The creative roster includes Jeff Lemire, Greg Rucka, Javier Rodríguez, Jamal Campbell, Skottie Young, Mariko Tamaki, James Harren, Kyle Higgins, Joshua Williamson, Daniele Di Nicuolo, Michael Walsh, Carmine Di Giandomenico, Rafael De Latorre, Jorge Corona, Tony Fleecs, Amancay Nahuelpan, Deniz Camp, DaNi, and others. The initiative promises fresh perspectives and dynamic storytelling across the DC Universe.

While the new series will be independent reads and not heavily tied to other books, they will exist alongside DC’s ongoing comic book series like Superman, Batman, Justice League Unlimited, and more. The focus is creating new-reader friendly debuts that roll out over time creating easy jumping-on point.

In the announcement, Snyder and Williamson teased this is just the second phase of what is planned with a legion of stories still to be told.

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