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Review: Age of Conan: Valeria

Head to the Hyborian Age in a story set before the classic Conan tale “Red Nails.” Meet Robert E. Howard‘s Valeria, a young woman out for justice and revenge.

Age of Conan: Valeria collects issues #1-5.

Story: Meredith Finch
Art: Aneke
Color: Andy Troy
Lettering: Travis Lanham

Get your copy in comic shops now and bookstores on February 25! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Kindle/comiXology
TFAW
Zeus Comics

Marvel provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Superman: Heroes #1

Superman: Heroes #1

I’m totally okay with Brian Michael Bendis finally allowing Superman to reveal his secret identity as Clark Kent. It seems like a sales gimmick or one that will be walked back in a couple years. It’s remarkably in-character and makes up for the half-assed “mystery” that was Event Leviathan. Superman: Heroes #1 shows the reactions to the big reveal. It does so from a variety of perspectives from Lois Lane to the Justice League. Drawn by the fantastic Kevin Maguire! to Clark Kent’s high school chemistry teacher in a sweet story by Matt Fraction and Scott Godlewski. Fraction also pens Jimmy Olsen’s reaction to his “pal” losing the secret identity. That features slick, emotive art from his Superman’s Pal Jimmy Olsen collaborator Steve Lieber.

And wait, that not’s all. After being terse in the Maguire 12 panel grid sequences, Batman gets to open up to Wonder Woman about his true feelings in regards to Superman’s reveal. It’s a powerful story written by Greg Rucka and drawn in atmospheric shadows by Mike Perkins. However, there’s room for comedy too. Booster Gold finally gets to shout that Superman is Clark Kent after keeping it in for so long because he’s from the future. This comic is a true marriage of different tones. Art and writing styles from Bendis and Maguire set up a running Plastic man gag to Batman coming up with legit, devil’s advocate style arguments for why Superman revealing his secret identity to the world is a terrible idea.

Bendis, Fraction, Rucka, Maguire, Perkins, Lieber, Mike Norton, and Godlewski use Superman: Heroes to show how important Superman is to the both the community of heroes in the DC Universe and the superhero genre as a whole. They also show his roots in Smallville, connections to Lois Lane and Jimmy Olsen, and the consequences of his actions. The best parts of this comic are connected to Smallville. The opening scene features a great conversation between Ma and Pa Kent and young Clark about feeling different or weird and having a greater responsibility to the world because of his abilities.

Superman: Heroes #1

The Fraction/Godlewski Superman and his chemistry teacher scene is really Eisner-worthy. From Godlewski’s clean line and the vivid colors to the underlying theme that it’s been Clark’s work ethic and moral compass that made him a great hero and man and not his superpowers. I also love how he draws Superman’s smile. Even if this means he got a C- in molecular chemistry. Clark Kent is the kid at the end of the bench who hustles for every loose ball, or the student that stays up late and goes to extra tutoring sessions that just happens to have the power of a god. Matt Fraction demonstrates his understanding of Superman’s moral character that pervades the “Truth” storyline as well as his, Rucka, and Bendis’ take on the Metropolis side of the DC Universe.

As evidenced by the “King Superman” plotline brewing over in Superman, Bendis isn’t afraid to look at the negative consequences of Superman revealing his secret identity. That extends to the moral dilemma he’s in as the Daily Planet is owned by Marisol Leone. However, that will be covered in later stories. Maybe Action Comics once the “Year of the Villain” shenanigans are over.

As I’ve mentioned a few times, Rucka and Perkins dig into it immediately in the form of the other 2/3 of the Trinity have a spirited conversation where neither Bruce or Diana is in the right. I really love the panels at the end of scene where Perkins’ heavy shadows lighten, and Diana tells Bruce that maybe he’s jealous that Superman can live his life out in the open and whole. The specters of Tom King’s botched Bat-marriage hang in the shadows of this one. Rucka’s dialogue gets to the core of Batman’s identity issues that have pervaded his best stories. He can’t retire or be a public-facing, but must strike fear into criminals as an archetype of fear.

Superman: Heroes #1 is a high note for Brian Michael Bendis’ current run on the Superman titles. It also features insightful writing from Matt Fraction as well as Greg Rucka reminding readers that he’s one of the greatest Batman and Wonder Woman writers. On the visual side, Mike Perkins shows a conversation can have just as much power as a good fight scene. Kevin Maguire is still the master of the superhero group shot. Steve Lieber’s comedic timing and use of beats works for friends being open and vulnerable together. Even if you aren’t current on Bendis’ Superman comics, Superman: Heroes #1 is worth picking up and dropping $5.99 on. It’s an intelligent and heartwarming take on the first superhero.

Story: Brian Michael Bendis, Matt Fraction, Greg Rucka
Art: Kevin Maguire, Mike Perkins, Steve Lieber

Art: Mike Norton, Scott Godlewski Colors: Paul Mounts, Gabe Eltaeb
Colors: Andy Troy, Nathan Fairbairn
Letters: Clayton Cowles, Troy Peteri, Simon Bowland
Story: 9.5 Art: 8.0 Overall: 8.8 Recommendation: Buy

Review: Marvel’s Avengers: Hulk #1

In the lead up to the Marvel Avengers video game, Marvel Comics takes a look at the Hulk!

Story: Jim Zub
Art: Ariel Olivetti
Color: Andy Troy
Letterer: Joe Caramagna

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW
Zeus Comics

Marvel provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Second Coming #6

Second Coming #6

Second Coming #6 channels The Last Temptation of Christ and Superfriends and is a solid season finale despite the occasional whiplash in tone from funny and satirical to earnest to maybe serious. Mark Russell, Richard Pace, Leonard Kirk, and Andy Troy spin the story of Sunstar’s wedding and Jesus’ final showdown with Satan that may have some people of faith have similar reactions as some Superman fans did to the ending of Zack Snyder’s Man of Steel.

The best part of this comic and probably of the whole miniseries is how Russell and Pace riff on how Jesus, God the Father, and Satan are portrayed in both the Hebrew Bible and the New Testament. (My favorite one is Jesus’ reaction to the writings of St. Paul.) With callbacks to changing water to wine, the Last Supper, and even Abraham’s sacrifice of Isaac, the interrogate the nature of faith as well as the temptations of money and power that Jesus rejected according to the New Testament narrative. Pace’s scratchy inks and sepia color palette versus the cleaner lines, bright colors, and classical proportions of Kirk and Troy’s art in the Sunstar scenes create tension and doubt in these flashbacks.

Russell sometimes undercuts this by going for the easy, obvious joke (i.e. his description of circumcision), but from his work on the page and in the letters column, he seems to have a desire to grapple with the relationship between faith and religion, Instead of going the route of Christian philosopher Soren Kierkegaard and seeing Abraham as a “knight of faith”, Russell and Pace point out the absurdity of his actions and especially the naivete of Isaac, who despite being a teenager, lets his father kill because God “said so”.

However, there is a positive side to this dig as Jesus shares with his new “followers” that they need to think carefully about what they choose to trust and believe and not just blindly do something or follow someone because they think a higher power told them to. Pace is great at showing the quick reactions to these ideas from Jesus’ new followers, who have a knee jerk reaction instead of listening and asking questions. Then, Leonard Kirk and Andy Troy jump back in when Sunstar comes to save the day to show the futility of the outwardly heroic, yet inwardly flawed superhero to bail him out. Jesus has to make a sacrifice, and in Second Coming, he makes an ideological one that raised the stakes higher than any crucifixion/resurrection redux or superhero slugfest.

Speaking of superheroes, these elements are the weakest in Second Coming, and the conspiracy theorist in me thinks that they were inserted to make the pitch more initially palatable to DC Comics/Vertigo. The superhero genre is so well-trodden, and Russell, Pace, Kirk, and Troy don’t really break new ground with Sunstar’s struggle to balance relationships with crime fighting. However, earlier issues created a nice contrast between Jesus’ pacifism and Sunstar’s violence. Russell and Pace unfortunately don’t have Jesus and Sunstar after Jesus gives into violence in the conclusion of Second Coming and just have him and Sheila be Jesus and God’s bowling partners. It’s a fun joke, but shows that the superhero part of Second Coming was just kind of there and didn’t really enhance the narrative except for the aforementioned visual contrast or a joke or two.

The final sequence of Second Coming #6 is both profound and banal. There are a few more fun jokes like God sucking at bowling and the “+” of the pregnancy looking like a cross. Russell and Pace are also trying to create some kind of meaning out of Jesus choosing to be a killer and not a martyr and land on “You messed up. There will be a fresh start next day/bowling frame.” There is a dark layer of irony to these statements because they’re delivered by God, who basically took this approach to the Earth and its inhabitants during Noah’s flood and was about to destroy the world again if Jesus was killed by modern humans. There’s a whole “I’m all powerful. I don’t give a shit.” attitude air to the gestures and body language that Richard Pace gives whereas Jesus is much more tense, angsty, and heavily inked. Life goes on, and there are no consequences. Oh, and look, here’s a miracle baby for the “faithful” Sheila and Sunstar because that’s something I’ve done in the past.

Second Coming #6 is a comic that is both entertaining and attempts at wrestling with the big questions in life, and Mark Russell, Richard Pace, Leonard Kirk, and Andy Troy succeed at the first part more than the second one. However, there’s also a level of humility to not trying to wrap up a tale of gods and humans, faith and doubt in an easily packaged takeaway. Just like God’s bowling game and metaphor, humans are flawed and messed up, but we have our moments and can find friendship and community like Jesus did with his superhero roommate in Second Coming.

Story: Mark Russell Art: Richard Pace with Leonard Kirk
Colors: Andy Troy Letters: Rob Steen
Story: 7.0 Art: 8.5 Overall: 7.3 Recommendation: Read

Ahoy Comics provided Graphic Policy with a FREE copy for review

Logan’s Favorite Comics of 2019

2019 was an interesting year for me comics-wise as I did not get to read as widely or deeply as I liked because of a variety of factors, including my final two semesters of graduate school, working two library jobs (Where ordering and promoting comics were part of my duties.), and an impending move. Also, I decided to catch up on some “classic” comics like Miracleman, Ghost in the Shell, Junji Ito‘s Tomie, and most of Brian Michael Bendis‘ and Michael Oeming‘s Powers, and Gail Simone‘s run on Secret Six.

However, I did have the opportunity to read some fantastic comics in 2019 as two of my favorite series of all time reached their conclusion. I also branched out a little bit, and this is the first time my year-end list has featured books from Ahoy and Harper Collins as well as a self-published comic.

Umbrella Academy: Hotel Oblivion

10. Umbrella Academy: Hotel Oblivion (Dark Horse)

Gerard Way, Gabriel Bá, and Nick Filardi‘s Umbrella Academy: Hotel Oblivion is as wild and anarchic as the Netflix show was tame and Muggle-friendly. Hotel Oblivion is a love letter to Silver Age supervillains while actually taking time to deal with the relationships between the Hargreaves siblings. Bá and Filardi’s visuals are a chaos magic-shaped bullet to the head and especially sings in the world and city-rending set pieces towards the end of the miniseries that I read in trade paperback format.

Dreamers of the Day

9. Dreamers of the Day (Self-published)

Beth Barnett‘s self-published graphic memoir-meets-historical biography Dreamers of the Day is one of the most unique comics I’ve read in recent years. It chronicles the author’s trip to England as she conducts research on a graphic biography about T.E. Lawrence aka Lawrence of Arabia and is educational while being emotionally compelling. If there’s one word to describe this comic, it is “enthusiastic” as Barnett’s passion for making art, studying history, and making it relevant to contemporary readers shines through in her iconic, Herge-esque art style and accessible prose.

Winter Soldier

8. Winter Soldier #2-5 (Marvel)

Kyle Higgins and Rod Reis create a redemptive narrative for the sidekick-turned assassin-turned superhero and occasional black ops agent, Bucky Barnes in their Winter Soldier miniseries. The comic’s beating heart is the flawed relationship between Bucky and RJ, a child assassin, that Bucky sees a lot of himself in. There is both humor and tragedy in their interactions. Reis’ lush pencils to color art style works for both the emotional breakdowns and action beatdowns.

Steeple

7. Steeple #1-4 (Dark Horse)

The fantastic John Allison (Giant Days) both writes and draws this miniseries about an Anglican priest in training named Billie, who is assigned to a parish in the kooky village of Tredregyn, Cornwall. Steeple has an “anything but the kitchen sink” tone as its plots include fights against sea monsters, a charismatic Christian cult connected to windmills, and an ongoing conflict against the Church of Satan. (Billie also strikes up an unlikely friendship with the Satanic priestess, Maggie.) Allison mines a lot of humor out of the idiosyncrasies of different religions and small town life as well as the melodrama of good versus evil, and his art is expressive as always with the help of colorist Sarah Stern.

Second Coming

6. Second Coming #1-5 (Ahoy)

Speaking of religious satire, Mark Russell, Richard Pace, Leonard Kirk, and Andy Troy do an excellent job of showing how the historical figure Jesus would be received in the modern world with the twist of having an “edgy” superhero named Sunstar as a roommate. Beginning with a retelling of the creation of the world, Russell and Pace walk a tightrope between reverence and irreverence touching on a variety of issues, including megachurches, homophobia, and Pauline theology. Another enjoyable part of Second Coming is Leonard Kirk’s inking when the story decides to be a traditional superhero comic for a second, or there’s a flashback to Satan tempting Jesus as he plays a complex role in the narrative.

Once and Future

5. Once and Future #1-5 (BOOM! Studios)

I knew Kieron Gillen, Dan Mora, and Tamra Bonvillain‘s Once and Future would be my cup of tea when it featured Arthurian legends and the town of Bath where I studied abroad in summer 2014 as plot points as well as having a complicated relationship between a grandmother and grandson at its core. Once and Future is action-packed read steeped in Arthurian lore with dynamic art from Mora and a mystical color palette from Bonvillain. It’s a straightforward adventure/dysfunctional family/romance comic that also plays with the symbols (Excalibur, Holy Grail etc.) and tropes of these kinds of stories, and I’m glad that it’s an ongoing and not just a mini.

Giant Days

4. Giant Days #46-54, As Time Goes By (BOOM! Studios)

Esther, Daisy, and Susan finally go their separate ways in the final issues of John Allison, Max Sarin, and Whitney Cogar‘s Giant Days plus a reunion one-shot where Daisy and Susan tag-team and rescue Esther from the clutches of Type A London publishing types. The final year of Giant Days had a lot of pathos to go with its usual comedy with several issues focusing on the strained relationship between Susan’s boyfriend McGraw and his father and his reaction to his sudden death. There is also all the usual college shenanigans with moments of reflection to show that these women have come a long way from randomly sharing a room back in far off 2015.

House of X and Powers of X

3. House of X #1-6, Powers of X #1-6 (Marvel)

In their ambitious twelve-issue House of X/Powers of X “event”, Jonathan Hickman, R.B. Silva, and Pepe Larraz made the X-Men relevant again thanks to a heavy dose of speculative fiction, geopolitics, and good old fashioned superhero soap opera. Hickman gave B-list characters like Goldballs, Doug Ramsey, and of course, Moira MacTaggert and the sentient island of Krakoa pivotal roles in his story of a rise of a mutant nation as well as the usual suspects like Magneto, Professor X, the Summers family, Jean Grey, and Emma Frost. He created a fantastic sandbox for these fan-favorite characters to play in as well as leaving some intrigue open for the spinoff stories. (The whole Moira X thing, Kitty Pryde being unable to enter Krakoa, Apocalypse and Sinister’s intentions.) I haven’t been this excited to read the X-Books as a line since Jason Aaron and Kieron Gillen were writing Wolverine and the X-Men and Uncanny X-Men respectively. Plus the Hickman designed diagrams add great depth to the story and area visual treat.

New Kid

2. New Kid (HarperCollins)

New Kid is a middle-grade graphic novel by cartoonist Jerry Craft that was recommended to me by my supervisor at the public library I worked at. Itis about an African-American teenager named Jordan, who transfers from a diverse public middle school to a less diverse private one. Over the course of the book, Craft fleshes out Jordan and his relationships with his old friends from his neighborhood to his new ones at the private school as he navigates playing soccer, racial microaggressions, crushes, and bonding over art and video games. The comic deftly navigates race and class issues while being an enjoyable slice of life story with Craft adding some fun visual flourishes like making the title page of each chapter a pop culture homage. New Kid‘s clear storytelling and a relatable storyline about not fitting in at a new school make it a book that I would recommend to kids and adults, comics and non-comics readers.

The Wicked + The Divine

1. The Wicked + the Divine #41-45 (Image)

Kieron Gillen, Jamie McKelvie, and Matthew Wilson really stuck the landing in the final arc of The Wicked + the Divine, which was titled “Okay” and followed the surviving Pantheon members as they gave up divinity and lived normal lives. Basically, they grew up, and so did I. The last issues of WicDiv are peppered with powerful moments as Gillen and McKelvie connect flashbacks of the millennia past to the Pantheon’s reality and let Ananke/Minerva be a manipulator, Luci be wicked, Baal be a protector, and Laura be human one last time. The final issue is an epilogue set in the future and filled with love and emotion with McKelvie and Wilson nailing the look of the elderly, former Pantheon members. It’s sad to see WicDiv go, but it had a beautiful ending and was my favorite comic, both of 2019 and of the decade as a whole.

AHOY Comics’ Fourth Wave of Releases Has Been Revealed!

Comic book creators Mark Russell and Steve Pugh, Mariah McCourt and Soo Lee, and Tom Peyer and Alan Robinson are launching three all new series for the fourth wave of AHOY comic book magazines. The three series all tackle 21st century fears and anxieties with a heavy dose of humor. The new wave of titles from the Syracuse-based company will launch next spring.  

AHOY Comics’ fourth wave includes three all-new titles:

  • BILLIONAIRE ISLAND, a 6 issue mini-series by acclaimed writer Mark Russell (Second Coming) and artist Steve Pugh (Harley Quinn: Breaking Glass), and colorist Chris Chuckry, with lettering by Rob Steen. Issue 1 features a cover by series artist and co-creator Steve Pugh and a variant cover by bestselling artist Pia Guerra (Y The Last Man). 

Debuting in March 2020.

Welcome to Billionaire Island, where anything goes…if you can afford it. But the island’s ultra-rich inhabitants are about to learn that their ill-gotten gains come at a VERY high price. BILLIONAIRE ISLAND is a savage satire that reunites the creative team behind DC’s The Flintstones

BILLIONAIRE ISLAND tells the story of Freedom Unlimited (FU Island), a private island created and populated by billionaires hoping to wait out the end of the world,” said writer and co-creator Mark Russell. “But because they are in international waters and not subject to any law, their haven is a nightmarish police state for anyone on the island who crosses them. In a broader sense, it’s a series that asks the question: how do we save the world when all its resources are partying offshore?”

BILLIONAIRE ISLAND
  • ASH & THORN, a 5 issue mini-series by bestselling writer Mariah McCourt (True Blood, Stitched), artist Soo Lee (Mine!, Charlie’s Angels vs. the Bionic Woman), and colorist Pippa Bowland, with lettering by Rob Steen and covers by legendary artist Jill Thompson (Scary Godmother, Wonder Woman: True Amazon). 

Debuting in April 2020.

The apocalypse is nigh! The world needs a Champion, and the only heir to a sacred mystical lineage is…a little old lady? Meet Lottie Thorn, reluctant savior of the world, and her also-elderly trainer Lady Peruvia Ashlington-Voss. They might not look it, but these women are prepared to take on any Big Bad that comes along. But first, perhaps a nice cup of tea? 

“Everyone knows Chosen Ones are supposed to be young and extremely expendable, but even the Universe makes mistakes sometimes,” explained McCourt. “And sometimes the mistakes are big ones. Like when it taps an 80+ year old retired art teacher to be the Champion who fights the next Apocalypse. Can an octogenarian overcome age and arthritis to save the world from cosmic monsters, world eaters, and gross creepy crawlies?”

ASH & THORN
  • PENULTIMAN, a 5 issue mini-series by writer Tom Peyer (The Wrong Earth), artist Alan Robinson (Planet of the Nerds), and colorist Lee Loughridge, with lettering by Rob Steen and covers by Robinson. 

Debuting in May 2020.

Penultiman is the greatest, best-looking, and most admired superhero in the world. Penultiman is The Next-To-Last-Stage In Human Evolution. So how can he stop hating himself? Only Penultiman’s android understudy, Antepenultiman, knows the answer. Or, at least, he thinks he does!

“Penultiman, The Next-To-Last Stage in Human Evolution, is hailed as the godlike epitome of beauty, power, and compassion in the year 2020,” said Peyer. “In the far-future century he came from, however, his more advanced contemporaries saw him as a brutish evolutionary throwback and exiled him to our era. Paragon or primitive? His one chance for peace is to deny the haters and admirers alike, and discover who he really is–if he only knew how to begin.”

PENULTIMAN

AHOY Comics’ fourth wave also includes 2 trade paperback collections:

  • SECOND COMING: Volume One trade paperback by Mark Russell, artists Richard Pace and Leonard Kirk, and colorist Andy Troy, with lettering by Rob Steen and a cover by Richard Pace. The book will be released timed to Lent and will be on sale in comic shops on February 26th and in bookstores on March 10, 2020.
SECOND COMING: Volume One
  • DRAGONFLY & DRAGONFLYMAN: NIGHT & DAY trade paperback by Tom Peyer, artist Peter Krause, and colorist Andy Troy, with lettering by Rob Steen. The book will be released timed to dragonfly season on the east coast and will be on sale in comic shops on May 27th and in bookstores on June 9th, 2020. 
DRAGONFLY & DRAGONFLYMAN: NIGHT & DAY

Since its debut in September of 2018, AHOY Comics has pledged for readers to “expect more” from its line of comic book magazines and graphic novels with full length comic book stories, accompanied by “extras” including short prose fiction, the occasional recipes, and even a crossword puzzle. 

Review: Dragonfly & Dragonflyman #1

Dragonfly & Dragonflyman #1

The Wrong Earth introduced us to Dragonfly and Dragonflyman. Similar heroes from very different Earths. Each represented an era of superhero comics. One is innocent with some levity while the other is dark and gritty. Dragonfly & Dragonflyman #1 picks up their adventures in a funhouse mirror version of each.

Writer Tom Peyer continues to nail the two different worlds and able to flow from one tone to another without issues. One version of the character is friendly and nurturing while the other is a jerk.

The adventures of the two heroes are interesting as they each deal with a different version of the same villain. The two depictions is fascinating as it emphasizes how much has changed in the depiction of comics in the twenty-ish years between these two styles (60s vs 80s). The storytelling style too is slightly different in their pacing and focus.

Peter Krause handles the art with Andy Troy on colors and Rob Steen on lettering. Like the dialogue and story itself, the art shifts effortlessly between the two eras. The Dragonfly/Dragonflyman characters have so many subtle differences between the two, many of them visual. The artistic team captures the body language along with the details of each world. It’s impressive to be able to change styles like this and the visuals really enhance the story and is key in making it work.

With it being an AHOY comic, Dragonfly & Dragonflyman #1 is packed with extras. Writers Matt Brady, Tyrone Finch, and Kek-W along with illustrations by Joe Orsak and Shawn Crystal deliver a wide range of topics and prose to enjoy. It’s a bonus as the main comic itself is solid and a draw by itself.

AHOY Comics continues to deliver a series that celebrates and examines the superhero genre. It’s a must for fans who like the concept of deconstruction and those who just enjoy an entertaining tale.

Story: Tom Peyer, Matt Brady, Tyrone Finch, Kek-W
Art: Peter Krause, Joe Orsak, Shawn Crystal
Color: Andy Troy Letterer: Rob Steen
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

AHOY Comics provided Graphic Policy with a FREE copy for review

Preview: Second Coming #3

Second Coming #3

Writer: Mark Russell
Artists: Richard Pace and Leonard Kirk
Colorist: Andy Troy
Lettering: Rob Steen
Cover: Amanda Conner

Searching for his missing grandmother, Sunstar is forced to confront the shortcomings of his super-powers. Jesus, left on his own for the day, runs afoul of street preachers. Also: the usual assortment of AHOY prose stories and extra features.

Second Coming #3

Preview: Second Coming #2

Second Coming #2

Writer: Mark Russell
Artist: Richard Pace
Inker: Leonard Kirk (for the Earth sequences)
Colorist: Andy Troy (for the Earth sequences)
Letterer: Rob Steen
Cover: Amanda Conner and Paul Mounts
August 14, 2019
$3.99

The book everyone’s talking about! When a weirdo stalks and threatens Sunstar’s girlfriend, Jesus tries to prevent the superhero from succumbing to rage—but God has other plans. Plus AHOY’s customary offerings of illustrated short prose fiction.

In addition to the main story, this comic book magazine features two extras:

“The Fare” by writer J. Endress, featuring an illustration by Ameilee Sullivan 

“Important NYC Checklists” by writer Matt Buechele, featuring an illustration by Dan Schoeneck

Second Coming #2

AHOY Comics’ Third Wave of Releases Including more Dragonfly, Intergalactic Cats, and Edgar Allan Poe!

AHOY Comics has announced its third wave of titles, featuring more literary parodies of Edgar Allan Poe, the return of a fan-favorite superhero satire, and the latest installment of an intergalactic space epic featuring cats and dogs.

AHOY Comics’ third wave of titles include:

EDGAR ALLAN POE’S SNIFTER OF TERROR Season Two

By Various, featuring covers by Richard Williams
Debuting in October, 2019

Once upon a midnight dreary, AHOY Comics assembled acclaimed comic book creators to mangle Edgar Allan Poe’s classic gothic tales and create brand new stories in the tradition of Tales from the Crypt and Drunk History. Just in time for Halloween, EDGAR ALLAN POE’S SNIFTER OF TERROR Season Two kicks off with writer/artist Dean Motter and inker Alex Ogle’s ultimate Poe mash-up —“The Tell-Tale Black Cask of Usher”—in which the drink-addled writer falls prey to his own horrific imagination. Upcoming issues will include a new spooky, sugary cereal story by Mark Russell and artist Peter Snejbjerg as well as stories by Alisa Kwitney, Paul Constant, Carol Lay, Linda Medley, and Greg Scott. Each and every issue of EDGAR ALLAN POE’S SNIFTER OF TERROR features Hunt Emerson’s slapstick “Poe and the Black Cat” backup story as well as a cover by legendary Mad Magazine artist Richard Williams.

AHOY will publish the EDGAR ALLAN POE’S SNIFTER OF TERROR Volume One trade paperback in comic shops on October 2nd and in bookstores on October 15th. EDGAR ALLAN POE’S SNIFTER OF TERROR Season Two debuts on October 9th.

EDGAR ALLAN POE’S SNIFTER OF TERROR Season Two

DRAGONFLY & DRAGONFLYMAN

By writer Tom Peyer, artist Peter Krause, and colorist Andy Troy
Debuting in November, 2019

Springing from the pages of the breakout hit THE WRONG EARTH by writer Tom Peyer and artists Jamal Igle and Juan Castro, comes DRAGONFLY & DRAGONFLYMAN by Peyer, artist Peter Krause and colorist Andy Troy. This stand-alone prequel to THE WRONG EARTH features the adventures of everyone’s favorite new superheroes—when they were on the right earths. On Earth-Alpha, the cheery caped campaigner Dragonflyman must foil the diabolical schemes of the criminal Devil-Man. Meanwhile, on Earth-Omega, gritty vigilante The Dragonfly battles the dangerous psychopath known as the Devil-Man. Will our heroes be tempted into wrongdoing by their respective versions of their dastardly foe? Tune in this November!

DRAGONFLY & DRAGONFLYMAN

CAPTAIN GINGER Season Two

By writer Stuart Moore, artists June Brigman and Roy Richardson, and colorist Veronica Gandini
Debuting in January, 2020

Cats running a starship? At AHOY, that’s only the beginning! In CAPTAIN GINGER Season Two, Ginger and his crew must decide whether to make contact with the other survivors of Earth—unaware that they’re all scampering into a deadly cosmic trap. Writer Stuart Moore, legendary POWER PACK comic book artist June Brigman, Roy Richardson and colorist Veronica Gandini reunite for CAPTAIN GINGER Season Two, in which cats come face-to-face with the creatures formerly known as man’s best friend. Meow meow RUFF RUFF!

CAPTAIN GINGER Season Two
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