Category Archives: Television

The Boys’ Final Season gets a Teaser Trailer

It’s Homelander’s world, completely subject to his erratic, egomaniacal whims. Hughie, Mother’s Milk, and Frenchie are imprisoned in a “Freedom Camp.” Annie struggles to mount a resistance against the overwhelming Supe force. Kimiko is nowhere to be found. But when Butcher reappears, ready and willing to use a virus that will wipe all Supes off the map, he sets in motion a chain of events that will forever change the world and everyone in it. It’s the climax, people.

Big stuff’s gonna happen April 8 on Prime when The Boys‘ final season debuts.

Warner Bros. Discovery and Netflix Cut a Deal. The Least Terrible of Options?

Netlfix

In September, rumors swirled that Paramount Skydance and the Ellisons were looking to purchase Warner Bros. Discovery. WBD was in the process of splitting back into two distinct companies. From there, more suitors entered the picture with Netflix and Comcast both stepping in with their own proposals. Netflix has (currently) won the process, announcing in a press release the details of the deal.

Warner Bros. Discovery and Netflix have announced an agreement that would see a deal involving cash and stock, at $27.75 per WBD share ($23.25 in cash and $4.50 in shares of Netflix stock per WBD share). The total deal is about $82.7 billion and expected to close in the third quarter of 2026.

In the announcement, Netflix highlighted franchises and shows such as The Big Bang Theory, The Sopranos, Game of Thrones, The Wizard of Oz, and the DC Universe. It also highlighted Casablanca, Citizen Kane, Harry Potter, and Friends. It was believed Netflix was pursuing the purchase as its future was unclear when it came to franchises it controls. Stranger Things‘ final season recently released, and beyond K-Pop Demon Hunters, big blockbusters are elusive. WBD would give Netflix a deep bench to add to its streaming platform as well as spin out into new films and series.

The deal is far from done as it would need regulatory approval and there’s already alarms being raised with the word “monopoly” being thrown around. It would have Netflix acquiring HBO Max, which is reported as the third largest streaming service, with Netflix being first. In the announcement it mentioned how the new properties would be available to Netflix subscribers playing into rumors that Netflix would fold HBO Max into its streaming service, consolidating that market and leaving fewer choices for consumers.

While it would “save” consumers money in that they wouldn’t need to purchase two streaming services, it would also be a “captured” audience allowing to Netflix to eventually raise their prices claiming the “value” with the added content. Netflix increased the cost to its subscriptions earlier this year after raising prices in 2024 when it eliminated its cheapest ad-free option.

Warner Bros. Discovery’s global networks division, Discovery Global, would still spin out into a new publicly-traded company, so Netflix’s deal isn’t for all of WBD.

While the boards of both Netflix and WBD voted “unanimously” to approve the deal, the Ellisons and Paramount Skydance are not giving up and have been going with a full court press to sour the deal.

Paramount claimed the deal was unfair and tilted towards Netflix:

…sales process has been tainted by management conflicts, including certain members of management’s potential personal interests in post-transaction roles and compensation as a result of the economic incentives embedded in recent amendments to employment arrangements.

The deal is the best of the worst. It consolidates the media landscape further, always a loss for consumers and individuals in the industry who will have fewer choices and options. Mergers tend to lead to mass layoffs to help with savings, decreasing the debt load by decreasing operational costs.

But, there are some bright spots. DC Comics, which would be picked up by Netflix in the deal, is likely safter with Netflix in charge. Netflix has made it clear it’s looking for properties and franchises as its current landscape of original movies and series is unclear. DC Comics, its characters, and newly launched revamped movie universe, provides endless stories and characters to adapt for television and films.

In 2017, Netflix bought Mark Millar‘s Millarworld in hopes of turning it into a franchise machine with films, series, and kids’ shows exclusively on the streaming platform. The result has been a trickle of projects and I think most would agree the deal was a bust for Netflix. While Millarworld comics were originally released by Image, in 2023 they shifted over to Dark Horse where releases have been steady. With the acquisition of DC, it’s not a stretch to see the imprint moving again to that publisher. Netflix and Dark Horse have had a two way partnership. They extended an agreement that granted the streaming service priority rights to intellectual property from Dark Horse. While a few properties were mentioned, little has come of it post the announcement and a few projects were released under a previous agreement. However, Dark Horse has been the publisher of comics based on Stranger Things which streams on Netflix. It’s unknown what the future holds when it comes to that and Netflix owning DC could change things in the far future.

Netflix has also been at arms length when it comes to theaters. It’s unclear how this deal will impact that after the deal closes and obligations wrap up. Netflix has had limited theater engagements and then had those films only be available on their platform. But, they’ve also had a property like K-Pop Demon Hunters blow up on their platform and then release in theaters for limited engagements. Things will shift if this deal closes but it’s unknown exactly how. Theaters will likely be a loser in the deal. Netflix will likely keep what it thinks will be a draw for subscribers but go to theaters for films it’s less sure about and will need theatrical releases to help cover costs.

In a win for consumers, it prevents the Ellisons from bringing their current dark cloud to more media. Under their recent purchase, they have quickly tilted the media to a more conservative bent including appointing controversial individuals to oversee news divisions like CBS. Bari Weiss is now the editor-in-chief of CBS News and her conservative media company The Free Press was purchased by Paramount Skydance in a $150 million deal. There was concern the Ellisons taking over WBD would tilt news channels such as CNN as well as other media channels with Weis overseeing them as well.

Paramount appointed Trump’s former ambassador to Japan and conservative Kenneth Weinstein to oversee CBS News as “an independent, internal advocate for journalistic integrity and transparency, reviewing concerns raised by employees and viewers, addressing questions about news coverage, and upholding the organization’s longstanding commitment to accuracy and accountability.” That appointment was part of the agreement from Trump’s FCC to approve the Skydance and Paramount merger. They also agreed to pay $16 million to Trump’s foundation to settle a lawsuit he brought against the company last year. The company is also under fire for agreeing to provide free airtime to Trump. There’s also the canceling of The Late Show With Stephen Colbert which is believed to have been done to appease the Trump administration.

The Netflix WBD acquisition will need to get approved by the Trump administration. That might be difficult. Netflix gaining HBO Max will raise concerns of consolidation in the streaming market. The Ellisons could also go scorched earth leaning into their contacts in the Trump administration which they are very friendly with and throw a wrench into the process. Still, Netflix has deep pockets and could push back.

V for Vendetta and DC Crime featuring Jimmy Olsen series in the works for HBO

DC logo

There’s two stories out there concerning television series based on DC properties.

A television series based on V for Vendetta is in the works for HBO. Pete Jackson is attached to write the adaption with James Gunn and Peter Safran of DC Studios set to executive produce it. Also executive producing is Ben Stephenson via Poison Pen and Leanne Klein of Wall to Wall Media, which is part of Warner Bros. Television Studios UK. Warner Bros. Television will produce.

V for Vendetta was written by Alan Moore with art by David Lloyd and originally released in 1982 in the British anthology Warrior before being published by DC in 1988.

The story is set in a Britain dystopia where a fascist government has taken over. An anarchist known as V who wears a Guy Fawkes mask attempts to topple the government.

The series was made into a film which was released in 2005 starring Hugo Weaving and Natalie Portman. There’s been previous attempts to adapt the comic to television and the television series Pennyworth was to be a prequel to V for Vendetta but that was never fleshed out before the series was canceled according to showrunners Danny Cannon and Bruno Heller with the series going into the British Civil War that would give rise to the fascist government.

While it might seem like an odd choice for a television series, Watchmen which was also created by Moore with Dave Gibbons got a television series that was praised upon its release.

There’s also news that DC Studios is working on another series, DC Crime, that would be a “true crime docuseries” hosted by Jimmy Olsen played by Skyler Gisondo. The first season would focus on Gorilla Grodd, mostly known as a villain of The Flash.

Tony Yacenda and Dan Perrault would serve as writers, executive producers, and showrunners on the series. James Gunn and Peter Safran of DC Studios would also executive produce, with DC Studios’ Galen Vaisman overseeing production.

(via Variety and Variety)

Kodansha launches Kodansha Studios to Adapt Manga into Live-Action

Kodansha

Chloé Zhao and Nicolas Gonda have opened up Kodansha Studios, a studio focused on creating live-action movies and television series based on manga.

Projects will be based on Kodansha’s library and will feature numerous genres including romance, drama, horror, action, and fantasy. The plan is to connect manga authors with filmmakers to develop and package adaptations.

Nomadland filmmaker Zhao will serve as Chief Creative Officer, while Gonda is President and Chief Operations Officer. Zhao and Gonda’s existing production company Book of Shadows, founded in 2022, will continue to operate as a separate entity.

Kodansha was founded in 1909 and publishes in over 40 countries and features more than 4,000 titles.

Something is Killing the Children Lands at Blumhouse for Film and Animation

BOOM! Studios and Blumhouse Productions have announced that Blumhouse has secured the film and television rights to James Tynion IV and Werther Dell’Edera’s record breaking, award-winning, and global best-selling series Something is Killing the Children. Set in a world where children can see monsters, but adults cannot, Something is Killing the Children tells the story of Erica Slaughter, a monster hunter from a mysterious organization more concerned with keeping the secret of monsters from the world than saving their victims.

Blumhouse is set to simultaneously develop the property as a live-action feature film and an adult animated television series, with the animated series to be adapted and executively produced by co-creator James Tynion IV, with fellow co-creator Werther Dell’Edera serving as Co-Executive Producer and visual development consultant.

BOOM! Studios’ Stephen Christy, along with James Tynion IV will produce the feature film, with Adam Yoelin and Mette Norkjaer serving as Executive Producers. Werther Dell’Edera will co-produce.

The overwhelming success has allowed BOOM! Studios to commit to at least a 100-issue run for Something is Killing the Children, and at New York Comic-Con in 2025 it was announced that a new event series Fall of the House of Slaughter leading up to the release of the landmark 50th issue in 2026.

Something is Killing the Children Vol. 1

Get a First Look a Star Trek: Strange New Worlds Season 4

In the upcoming fourth season, the crew of the U.S.S. Enterprise—led by Captain Christopher Pike—embarks on a series of thrilling and emotional adventures across the stars. As they journey to strange new worlds, they will battle inner demons and external threats, encounter colorful new characters, reunite with familiar faces and confront terrifying aliens. Through it all, they strive to embrace a bright, hopeful future.

NYCC 2025: Star Trek: Starfleet Academy’s Trailer is Revealed

Star Trek: Starfleet Academy premieres January 15, exclusively on Paramount+.

This new chapter follows a fresh class of cadets as they train under the watchful, demanding eyes of Starfleet’s finest. Together, they’ll face the highs and lows of academy life: forging unbreakable friendships, clashing in explosive rivalries, experiencing first loves, and stepping into their destiny as the next generation of Starfleet officers. When a mysterious new enemy threatens both the Academy and the Federation itself, these cadets must rise to the challenge or risk losing everything they’ve just begun to fight for.

Starring Sandro Rosta, Karim Diané, Kerrice Brooks, George Hawkins, Bella Shepard, and Zoë Steiner, as well as Holly Hunter, who plays the captain and chancellor of Starfleet Academy. Additional cast members include Tig Notaro and Robert Picardo, reprising their roles as Jett Reno and The Doctor, and guest stars Oded Fehr and Mary Wiseman, reprising their roles as Admiral Vance and Sylvia Tilly, as well as recurring guest stars Gina Yashere and Paul Giamatti.

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