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Review: Berserker Unbound #3

Berserker Unbound #3

In Berserker Unbound #3, the warrior known as the Mongrel King, trapped in a modern world with no one but a sympathetic homeless man to keep him company, finds himself confronted by new dangers and old threats from his homeland.

Berserker Unbound #3 is an odd comic. The majority of the issue revolves around the Mongrel King and a homeless man drinking at night in Central Park. Each talks to each other in a language that neither can understand. You would think that this would leave the comic a mess with little progression. The two men essentially have separate conversations with the other, making an assumption as to what the other is saying.

You’d think that this would lead to the comic taking itself in a circle. There’s an oddly endearing feeling to the two men’s dialogue. Jeff Lemire allows a natural flow to the two conversations. It does more to develop the characters than one would expect. The barbarian and the homeless man reveal their vulnerabilities to the audience and themselves. Though because of the language barrier, not to each other.

Berserker Unbound #3 rebounds from the slower pace of the previous issue as the story finds a direction. I’m not going to say “once again” because I don’t think it ever lost its direction. The direction wasn’t as obvious at the end of the second issue as it is at the end of the third. This brings me back to a point I made in last month’s review; that Jeff Lemire is one of the preeminent writers in comics. His ability to twist expectations with the way he commands a story and the dialogue used can be some of the most exciting things in a comic book – when he’s on form.

And holy shit, is he ever on form.

Mike Deodato Jr.‘s artwork captures both the feel of the Silver Age sword and sorcery comics without ever feeling dated. Put simply, this is a gorgeous book. But it’s also more than that; with the characters essentially talking to themselves for the entire issue, what we have, for all intents and purposes, is a silent issue. While the characters can’t understand each other verbally, their body language is plain as day, allowing the Mongrel King and Joe Cobb the communicate visually. Deodato Jr. is able to show his storytelling chops with a powerful scene near the climax of the comic that will hit you with an emotional gut-punch all with barely a handful of words on the page.

It’s a great sequence and one of the many joys that readers of this series will get to experience.

I thoroughly enjoyed this comic, with its mixture of fantasy and the modern world working together in a way that adds a unique twist to a well used trope. I’d expect nothing less from a writer of Lemire’s caliber.

Story: Jeff Lemire Art: Mike Deodato Jr. Color: Frank Martin
Story: 9.3 Art: 9.6 Overall: 9.4 Recommendation: Buy

Dark Horse provided a FREE copy for review. I’ve added this to my pull list.

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