Review: Supergirl S2E21 “Resist” is the Cat Grant/Kara Power Hour
Beginning with an action prologue showing the Daxamites putting National City under siege, writers Jessica Queller and Derek Simon literally bring out the heavy guns in Supergirl Season 2’s penultimate episode “Resist”. The core plot is simple: the main cast of characters plus special guest stars Cat Grant (Callista Flockhart slaying everything.) and President Olivia Marsdin (Lynda Carter) are fighting back against the Daxamite occupation. President Marsdin (Whose alien secret is revealed early on.) introduces the equivalent of the nuclear solution pretty on by authorizing Alex Danvers and the DEO to disintegrate the Daxamite flagship with Mon-El and Lena Luthor on it. They are arranged to be married and have a “perfect” Daxamite/human child because Rhea is basically a space Nazi. Katie McGrath’s side eye reactions to all things have to do with Lena’s arranged marriage to Mon-El are priceless.
Because her boyfriend and best friend are on the ship, Supergirl has a personal connection and decides to team up with Lillian Luthor and Cyborg Superman to save them, which goes pretty well… They might be the Big Bads of Supergirl Season 2, but they’re definitely bad guys. It’s not a Professor X teaming up Magneto in X2 situation, but more like being cool with the “bigger fish” in The Phantom Menace for five seconds or so so your submarine survives to be a part of yet another inane subplot.
It’s an understatement to say that Callista Flockhart steals every scene she’s in as Cat Grant, and that someone at the CW should move heaven and Earth to get her back on Supergirl as a regular or recurring guest star. There’s her reintroduction scene riding shotgun in Air Force One where Cat says that she could broker peace because she fixed Kanye and Taylor Swift’s relationship, and she even comments on the fact that James Olsen made her office smell like a gym locker room. But she’s not just comic relief in a relatively dark episode of Supergirl. Cat brings a high level of inspiration and direction to “Resist” and gives a great pep talk while sitting on a trash outside an alien dive bar. It definitely seems like the writers try to pack in a half season of interactions between her and Kara, but the scene where she talks to her about the importance of human relationships and connection stands on its own. And it pays off later with Kara and Lena kicking ass together on the Daxamite ship and definitely with Alex and Maggie infiltrating the DEO. Also, Flockhart gets to share the screen with Lynda Carter and Teri Hatcher that turns a rote disaster movie plane crash into three strong women verbally sparring with Cat Grant playing referee to the political posturing of Rhea and President Marsdin. As a journalist, she truly wants to follow the path of peace and truth.
In its last few episodes, Supergirl has definitely rekindled its political allegories and is definitely not shy at taking potshots at Donald Trump, or using the Daxamites as a metaphor for his administration. Cat’s “resist” speech pinpoints all the problems with his campaign promises, including basically selling his supporters up the river with false promises and con artistry while taking away their healthcare and some basic social services, like Meals on Wheels or PBS. And there are broader themes of resisting fascism represented by the faceless Daxamite goons, who try to subjugate National City.
Supergirl‘s treatment of President Marsdin is interesting too as she protects extraterrestrial refugees because she is one too. However, she is also perfectly okay with firing upon civilians (Lena, Mon-El) for the greater good. Marsdin represents the problems I had with former president Obama and Hillary Clinton’s foreign policy with their liberal social conscience meets hawk-ish foreign policy. It’s nice to see a sociopolitical critique in a superhero show in 2017 that doesn’t just go for the obvious target.
Millicent Shelton, who has directed episodes of Empire and Black-ish along with the first Earth-2 episode of The Flash, brings a visually muscular style to “Resist” that matches its subject material. The cold open of the episode is quite epic and filled with whip cuts culminating in Supergirl catching Alex in slow motion. It’s the kind of action scene that immediately raises the stakes of the episode and is worthy of a Warner Bros blockbuster and not just a CW show. It’s good storytelling too as it introduces the conflict between human and alien by centering on Maggie Sawyer and the National City P.D. and not Supergirl or the comatose Martian Manhunter. There are good aliens and bad aliens just like there are good and bad humans, and this keeps the conflict messy and nuanced as Supergirl Season 2 rounds its final bend. Also, Maggie Sawyer should use shotguns more often.
“Resist” is a visual treat from director Millicent Shelton (See the slow-mo action sequence where Cat deduces Guardian’s secret identity.) , is packed to the gills with action and moral conflict as Supergirl teams up with Lillian Luthor to save her friends, and has a season stealing performance from Callista Flockhart as Cat Grant. Add a fun/weird cliffhanger, and I can’t wait for the season finale.
Overall Rating: 8.5