The latest episode of Supergirl begins with Mon-El being uncertain about and then giving himself a pat on the back for his sexual prowess, and things can only go up from there. When he’s not being the worst boyfriend ever and not listening to or empathizing with Kara, writers Caitlin Parrish and Derek Simon focus the plot of “Homecoming” on the return of Jeremiah Danvers (Dean Cain) in an overly easy opening set piece. The circumstances of his return are pretty sketchy from the get go as he pops into the DEO with the knowledge of Cadmus’ nuclear fusion bomb, but Kara, Alex, and J’onn are so emotional about the return of their father and friend that they don’t see it. A big kudos to Melissa Benoist, Chyler Leigh, and David Harewood for selling the emotional part of what is a staple superhero/genre show plotline.
I usually wait until the end to start throwing shade on the Kara/Mon-El moments in Supergirl, but decided to lead off with them because “Homecoming” is bookended by them wanting to snuggle. First off if you want to be a terrible boyfriend, do everything that Mon-El did in this episode. It starts small with him shrugging off Supergirl’s morning activities when he wants to cuddle/have sex longer instead of letting her help people. (Honestly, I don’t buy Mon-El as a cuddler.) And then, it goes to terrible lengths when he immediately starts accusing Jeremiah of being suspicious instead of being there for Kara when her father returns after 15 years. Yeah, it’s obvious that there’s something up with Jeremiah, but the big family reunion margarita shindig isn’t the time to voice your opinion about this. It does give Melissa Benoist a chance to trot out that acting range as he goes from trembling and happy about her dad coming back to just pure, measured rage when Mon-El starts being foolish. But, of course, since Parrish, Simon, and probably most of Supergirl”s writing room has them as star-crossed lovers, they’re all cuddly and supportive at the end as Kara gives Mon-El a millionth chance to be a decent human being.
To not completely dump on Mon-El in “Homecoming”, it is nice to see him play an active role in the plot investigating and collaborating with Winn to find out what really is going on with Jeremiah’s return. He isn’t just a horny goof, but is a little bit savvy even if it’s just from binge watching 24 on Netflix. Unfortunately, the main storyline of “Homecoming” relies on the main characters being idiots, and that’s never good for suspense or characterization. Simon and Parrish even shoehorn some pointless sibling drama from Alex and Kara with Alex barking ultimatums at her sister and even being a little microagressive about her being adopted. Saying “my dad” makes it feel like Alex is saying Kara is a lesser status than her, which gets really problematic once we find out that Jeremiah Danvers has stolen the registry of all aliens on Earth for Cadmus.
Speaking of Cadmus, Lillian Luthor, who gets minimal, yet powerful screen time, is a true chess master in “Homecoming” playing the entire DEO for fools. She plays on the family bond of the Danvers and J’onn keeping less than a weather eye on Jeremiah to get the alien database, which is like having all the cheat codes to her anti-extraterrestrial game. It’s clever and involves minimal goon punching (Except for the truck sequence during the cold open.) and destroys Team Supergirl’s morale when they realize the low trick that they’ve fallen for. Lillian Luthor and Cadmus now have the upper hand and even though a random (Possibly Dominator) ship doesn’t frighten or excite me, Supergirl is back to having a real antagonist to focus on instead of beatable villains of the week.
Director Larry Teng creates a sense of visual continuity in the bad guys this week through the cybernetic elements of both Hank Henshaw and Jeremiah Danvers. Teng’s fights that involve him are simple with lots of punches and hooks unlike the complicated, cutting everywhere, and trying to save the budget moves of Supergirl, who gets a nice close-up of her welding a railroad together with her heat vision. It’s incidental to the plot, but shows that she’s still a pure hero in the midst of all this family/Cadmus drama. Dean Cain’s performance as Jeremiah Danvers is also a tad on the underrated side as he strains at trying to be the man he once was for his family. Helen Slater as Eliza Danver’s usual warmth exposes this fake side pretty early on in the episode as she is distant and cold to him. Eliza is smart woman so maybe she thought something was up with him. If anything, “Homecoming” has crafted a tortured family man turned Cadmus toadie in Danvers, and he is vastly more interesting than the one note Cyborg Superman and still is solid muscle for Luthor.
The tender moments that Maggie Sawyer and Alex Danvers share are becoming more and more fleeting as the writers start to focus on the more volatile, toxic melodrama friendly relationship between Mon-El and Kara. (A good love/hate relationship can be fun, but there’s no spark to Kara and Mon-El; they are definitely not Spike and Buffy.) But Teng shoots an almost silent scene where Maggie comforts Alex after the hard news about her dad. They just hold each other while Alex cries, and Leigh pulls out the emotional floodgates. Their relationship is sweet, strong, and honestly a big reason why I tune in each week.
Larry Teng, Derek Simon, and Caitlin Parrish telegraph Jeremiah’s heel turn worse than a deer in the headlights freshman making their first bounce pass in a varsity basketball game. Most of the plot of “Homecoming” is utterly predictable, and the only positive of his return is seeing Benoist, Leigh, and Harewood emote on a powerful level. J’onn and Jeremiah used to be buddies, and they have a casual ease in the early scenes that turns into raw anger when it’s revealed Jeremiah works for Cadmus. The relationship between Kara and Mon-El continues to consume all too much screen time as it’s revealed that he doesn’t care about her until the last scene of the episode yet again. But fighting against an even more fortified Lillian Luthor sounds like a good season endgame for Supergirl, and hopefully, the writers, directors, and cast pull it off.
Overall Rating: 6