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Mini Reviews For The Week Ending 1/7

Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed. When that happens you’ll see a weekly feature compiling short reviews from the staff of the comics, or graphic novels, we just didn’t get a chance to write a full review for.

These are Graphic Policy’s Mini Reviews.


Moon Knight #10 (Marvel) Uh… yeah. I  want to love this, I really do. But Jeff Lemire’s take moon_knight__10on  Moon Knight seems to have lost me somewhere along the way, and I have no idea why. That said, if you’re enjoying the series, then there’s no reason you won’t enjoy this comic. Overall: 7.75  Recommendation: Read

Old Man Logan #16 (Marvel)** If you’ve ever wondered what it would be like to read a story with Wolverine in the Alien universe, then pick this issue up. It’s an atmospheric tour de force with some amazing artwork from Andrea Sorrentino and Marcelo Mialo – well worth checking out. Overall: 8.75 Recommendation: Buy

The Unworthy Thor #3 (Marvel) A series that started out very promising takes a bit of a stumble here. Although this wasn’t a bad issue, and will probably work very well when sandwiched between #2 and #4 in trade, it just failed to grab the goat by the horns and ride off into the sky. The art is spectacular, the story less so, but if you’ve been following Jason Aaron’s run on the Thor comics he’s been writing, then you’ll still find enough here to enjoy. Overall: 7 Recommendation: Read


Superman #14 (DC) – I really liked how crazy this issue got so quickly. We get multiple Supermen as well as other heroes from different earths as a new threat chases the Russian Superman (nice call back to Red Son), Chinese Superman, Earth 23 Superman, and more. We realize they are keeping all of the Supermen captive, and our Superman decides he wants to help Earth 23 Superman and his team rescue the others. It was a solid first issue of this short arc. Overall: 8.5 Recommendation: Buy

Batman #14 (DC) – Many of this run of Batman by Tom King has been controversial, and there are some who do not enjoy it. I get that. I have enjoyed the run, and I think he is playing the long game here and setting up quite a bit. I was shocked a little at this issue, and how far it went into the Bat and Cat relationship, but King further doubled down on the vulnerability of Batman. He is showing him giving more into impulses, and he bm_cv14_dscertainly does that in this issue. We also get Batman saying that Catwoman did not kill all of those people, so I am hoping for a payoff there as this series continues forward. Overall: 7.0 Recommendation: Read

The Unstoppable Wasp #1 (Marvel) – This was a fun comic filled with a lot of positivity and optimism. Nadia is fun and charming as heck. I liked the exchange with her and Ms. Marvel, as well as her and Mockingbird. There is a touching moment between them about Bobbi’s past that as she says, most forget about. Also, science! The tone and art style reminds me very much of a classic Archie book. This was a good first issue for a semi new character that we haven’t yet learned a ton about. Overall: 7.5 Recommendation: Read


Big Trouble in Little China/Escape From New York #4 (IDW)** – I should be loving this way more. On one level, I’m enjoying Greg Pak & Daniel Bayliss’ romp through the Plisskenverse – but deep in my Canadian soul, I’m all “enough with the Multiversal Snakes, let’s see post-apocalyptic John Carpenter Toronto already!” Also, there’s something that’s so awesome about Jack Burton’s dumb luck that I was disappointed to see it codified so neatly. I would like to see more disorder and chaos in a series like this. Overall: 7 Recommendation: read

Ryan C

Batman #14 (DC)** – Nice to see the creative team from “The Sheriff Of Babylon” reunited for this two-part “extended intermission” between arcs, and Mitch Gerads’ art is truly gorgeous — unfortunately, Tom King’s story is a four-pager spread out to cover 20, and Batman and Catwoman calling each other “Cat” and “Bat”? I’m sorry, but that’s just plain ridiculous. Worth looking at for the pretty pictures, but they tell the tale better than the actual script does. Overall: 5. Recommendation: Pass

The Flintstones #7 (DC)** – Mark Russell’s script for this one is a notch below his usual flint_7_dsstandard, but he still takes aim at the commercialization of religion with typically glorious results and greedy bosses come under fire, too, so — all in all, it’s still a very worthwhile read. Rick Leonardi (there’s a name you don’t see often anymore) and Scott Hanna fill in for Steve Pugh on the art, and it’s — okay, I guess, but far from the near-greatness we’re used to. Even a sub-par issue of “The Flintstones” is still better than just about everything else out there, though, and I’m very intrigued by next issue’s promised exploration of the origins of agriculture. Could Russell be transitioning from an anti-capitalist/anti-consumerist critique to an anti-civilization one? The prospect certainly seems exciting, and fans of “Green Anarchist” authors/philosophers like John Zerzan would do well to pay attention to where this book is going. Overall: 7.5. Recommendation: Buy

Unfollow #15 (DC/Vertigo)** – It’s nice to see Mike Dowling back on the art after a couple months off, but his style looks to have taken a turn for the “scratchier” and less defined, and Rob Williams appears to be moving into rather abrupt wind-up mode with his storyline. I haven’t heard anything about this book being cancelled (not that I pay a ton of attention to what passes for “news reporting” in today’s comics scene), but we go from 86 survivors at the beginning of this issue to 40 at the end with no explanation (as of yet), and events appear to be steamrolling toward a conclusion that I still hoped was a long way off. Overall: 6. Recommendation: Read.

Nailbiter #28 (Image)** – Speaking of books in wind-down mode, Joshua Williamson and Mike Henderson are concluding their long-form horror series in just two months (of their own volition, they both insist) which means that this issue has to move things along quickly — and it does, perhaps to its detriment, as the destruction of the entire fucking town of Buckaroo, Oregon feels forced and falls curiously flat. Consequently, what should have been a seismic read ends up registering barely a blip. Hopefully they close out with a couple of chapters that are much stronger than this one. Overall: 5. Recommendation: Pass


The Fall and Rise of Captain Atom #1 (DC) – When it comes to misunderstood superheroes, captamfr_cv1_open_order_varmany do not come more tragic than Captain Atom. In this series , we find a hero still searching for who he is while at the same time trying to change public perception. He saves a cruise ship from sinking but catches the attention of the Justice League. By issue’s end, his struggle becomes harder, and the reader finds a fight more human . Overall: 10 Recommendation: Buy

Guardians of The Galaxy Volume 2 Prelude (Marvel) – Popular culture has clung on to Comics like it has never done before and it looks like nothing will change soon.This never more evident when one talks about Guardians of the Galaxy. In this Prelude tot he upcoming movie, the reader pretty much pickups from when Peter Quill loses his mother. From what this first issue sets up, I think anyone familiar with their most popular storylines, will know now what the upcoming film will be about. Overall: 9.4 Recommendation: Read

Deadpool The Duck#1 (Marvel )- What happens when you put three of Marvel’s fan favorites in one space together? Seems to be a lot of crazy crap happening. In this series, Deadpool and Howard the Duck both get a call that a High value alien target is no its way to Earth . What they don’t know is that target is Rocket Raccoon, and he definitely isn’t himself, as he wreaks enough Havoc to mess with Deadpool’s teleportation device. By issue’s end, we find our heroes conjoined telling each other’s story. Overall: 10  Recommendation: Buy

Well, there you have it, folks. The reviews we didn’t quite get a chance to write. See you next week!

Please note that with some of the above comics, Graphic Policy was provided FREE copies for review. Where we purchased the comics, you’ll see an asterisk (*). If you don’t see that, you can infer the comic was a review copy. In cases where we were provided a review copy and we also purchased the comic you’ll see two asterisks (**).

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