Tag Archives: purgatori

Preview: Purgatori TP

Purgatori TP

writer: Aaron Gillespie
artist: Javier Garcia-Miranda
cover: Nei Ruffino
FC • 152 pages • $17.99 • Teen+

Behold… Purgatori, the vampire goddess! Born a slave in ancient Alexandria, she refused the life of servitude, rising up against her masters and claiming an unnatural power as her own. In her long life, she has dined on kings and queens, and toppled countless empires across the globe… but now, she finds herself again on her knees, a slave to her unquenchable thirst!

Lucifer, the lord of Hell, has stripped Purgatori of most of her power and exiled her to Earth, where her insatiable need for blood threatens to overwhelm her sanity. Her only hope for regaining her full stature is by acquiring the Chalice of Regeneration, a cup from antiquity lost to the desert sands. But Purgatori has a rival for the prize, an old enemy with an intense grudge. And even if the vampire goddess can once again attain her former glory, can she withstand the machinations of Lucifer, the weaponsmith Cremator, and Purgatori’s own blood clone?

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The Supernatural Lesbian Kiss Power Grab

kissThe reign of bad girls in comics never really happened, even if comics have always been a little bit rooted in the concept of the bad girl.  One can argue that comics have some of their origins in the seedy “Tijuana Bibles” from the period before comics became an accepted mainstream medium.  At the very least though, there are the foundations for the bad girl idea in comics which goes back as far as at least Vampirella in the 1960s.  This was seen as a niche interest by many for a long time, an outsider in a medium dominated by superpowered individuals, but the niche did finally almost make it to mainstream in the 1990s with the rise of bad girl art in comics and bad girl characters.  This era saw the introduction of a number of characters that rose to fame though mostly also as quickly disappeared into the background.

With the rise of the independents in recent years, some of them came to specialize in material that was in the public domain or whose rights could be easily obtained.  Dynamite in particular could be noted for its recycling and retooling of material from other times and places, and it is in this way that through various avenues that it acquired Vampirella and a handful of other bad girls characters from the 1990s including Purgatori and Lady Demon.  While the characters are rooted in the supernatural, being either part-demon or part-vampire, or a combination of both, they are nonetheless presented as heroines, or at the very least anti-heroes.

supkissThis background provides them with at least something else as well, if not necessarily by the stories that born them then at least by association, and that is an overtly sexual nature.  Of course to be considered bad girl art, the characters would have to be inherently sexualized in one way or another, which mostly revolves around them wearing not a lot of clothes.  One of the same representations of female sexuality, especially in the era of “Girls Gone Wild” is a representation of women in same-sex relationships, specifically instantaneous manifestation thereof.  Thus for characters that is inherently sexual it might not be surprising that of the three Dynamite bad girls in question, that two of them in the past year have had the immediate impulse to lock lips with other female characters.

The depiction of homosexuals in culture is one which has been an evolving trend towards respectability, where even normal behaviour becomes stereotypical in one way or another, but the depiction of these bad girls in the midst of “Girls Gone Wild” moments is even weirder and worse.  The problem with the depiction is that it goes a long way past just run-of-the-mill gratuity, and goes some place else.  In both cases the characters (Vampirella and Purgatori) were not kissing out of passion but rather to draw power from characters that were their foes, as short lived as they were on panel.  There is no real precedent showing that vampires or the demonic have to suck powers out of people in such a way, and furthermore, I have never seen or heard of such a transfer of power between two male characters.  It thus superimposes the image of a lesbian encounter on another action where there is in fact no need.  No worth was given to either the character or the story and the image is one which is out of place by a sizable margin.

The role of these bad girls in the modern medium seems to be one that is somewhat out of place and still not entirely on solid ground.  While there have been moments of pure exploitation in the titles, there have also been times when the characters have been portrayed at least as well as any other female character in comics.  If the bad girls are going to have a chance at sticking around though, it might be time that they give up on gratuitous thrills and stick to solid character development and storytelling.

Preview: Purgatori #5

Purgatori #5

Aaron Gillespie (w)
Javier Garcia Miranda (a)
Nei Ruffino, Joyce Chin, Tony Fleecs (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Teen+
FANS, ASK YOUR RETAILER FOR THE:
Nei Ruffino B&W Art retailer incentive cover
Joyce Chin B&W Art retailer incentive cover

Back in hell, Purgatori must find Lucifer and force him to return her powers. But she’s going to have to take a number because there are other denizens of hell with designs on killing the Lord of Lies. If the vampire goddess can overcome these obstacles, how will she ever get Lucifer to return her powers?

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Review: Purgatori #5

Purgatori05-Cov-A-RuffinoThus far this series has had its share of ups and downs, despite being only four issues into the series.  At times there has been little to distinguish this series from any number of other low production supernatural horrors on the comic shelves, as the main character has been a bit flat in her presentation, and her settings have been a bit too generic to really care that much about what will happen to her.  As much can be said about this series at least until this issue, as finally the character seems to be getting a more focus on who she is as opposed to what was before.

The story follows Purgatori as she has returned to the underworld, keen on revenge, but also still not fully whole in her own self, still lacking her powers.  While previous issue have attempted to establish some tension or supposition that things will not work out for her, this issue throws that aside and finally gives her a chance to cut loose.  This issue is far more about action than it is about character development, but strangely more of the character comes out in this way.  After she finishes with her enemies, the anti-hero comes out in how she treats them afterwards.

This comic is by no means a masterpiece, by at the very least it has finally captured something about the character which has been missing thus far.  An attempt to build an Indiana Jones style arcane story for her return to Hell was met with a lot of false starts, but once she got back on home turf she finally made a stand, both in the story and out.  If the writers can continue to capture the same gritty and sassy nature of the character, there might be a chance to make this work as an ongoing, but so far their record is about one out of five issues for having done so, so while this might leave the character pointing in the right direction, it took a long and twisted route to get there.

Story: Aaron Gillespie Art: Javier Garcia-Miranda
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Dynamite provided Graphic Policy with a FREE copy for review.  

Preview: Purgatori #4

Purgatori #4

Aaron Gillespie (w)
Javier Garcia Miranda (a)
Nei Ruffino, Joyce Chin, Tonly Fleecs (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Teen+
FANS, ASK YOUR RETAILER FOR THE:
Nei Ruffino B&W Art retailer incentive cover
Joyce Chin B&W Art retailer incentive cover

With the chalice of regeneration in her hot red hands, Purgatori is one step closer to regaining her powers. But in order to get them back, she’s going to have to return to the fiery pits of hell…this time as a mere mortal. Don’t miss the Hell and Back story arc’s action-packed penultimate issue!

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Review: Purgatori #4

Purgatori04-Cov-A-RuffinoOne cannot read a single issue in this series so far and figure out in any way where it is heading or what the general level of quality will be.  So far the series has had issues that focus primarily on gore, others that focus on a change to an Indiana Jones type of template, and now only on the fourth issue and out of this confusion might finally come some real direction in this series.  This issue is broken almost in two with two separate but related settings.  In the first Jade and Purgatori must deal with the magical threats of the temple as they attempt to secure the cup of Lucifer.  In the second Purgatori is sent to Hell to battle the dark lord, only to find him already under attack.

One of the best developments so far in this series was the reintroduction of the the background of the character to that of the Egyptian slave Sakkara.  As opposed to most of the resurgence in the demonic bad girls of the 1990s, this puts a bit of a twist on the regular character.  Instead of just being some female bloodsucker, she has a story which helps to define her more than just by her revealing costume.  Equally though, this series has still not really found a place where it can absolutely define itself, and although this issue flows better than others, one still has to wonder just where it is going and how long it will last.

This is still likely the best single issue in the series so far, and if the series can continue with story lines similar to what is being shown here then at least this series could turn into something dependable.  At the moment though this is the only issue so far which has shown this potential, so maybe the series will get there and maybe it will not.  For the time being, the remainder of this first story arc is at least well set up for the character to explore her past and her future, but it also feels like this series is running out of time to establish itself.

Story: Aaron Gillespie Art: Javier Garcia-Miranda
Story: 6.8 Art: 6.8 Overall: 6.8 Recommendation: Pass

Dynamite provided Graphic Policy with a free copy for review.

Preview: Purgatori #3

Purgatori #3

Aaron Gillespie (w)
Javier Garcia Miranda (a)
Nei Ruffino, Joyce Chin, Tony Fleecs (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Teen+
FANS, ASK YOUR RETAILER FOR THE:
Nei Ruffino B/W retailer incentive cover
Joyce Chin B/W retailer incentive cover

An ancient relic may be the answer to quenching Purgatori’s unnatural thirst. But if she wants it, she’ll have to defeat Jade and her Yakuza goons. It’s a fight Purgatori would normally savor, but with one foot in the grave, it won’t be easy.

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Review: Purgatori #3

purg-03-covPurgatori’’s Dynamite adventures are already at the third issue, but the character and the series are still very much looking for some kind of definite direction.  The first issue re-introduced the character, the second took a turn into a lot more gore without really advancing the plot, and in the third … she becomes Indiana Jones?  After the events of the previous issue, Purgatori convinces Jade that in fact she does know where the artefact is that Jade is looking for.  After an inexplicably short time they are in Egypt trying to find the lost item, and find their way into a temple loaded with traps, trying carefully to navigate them so as to make it back out alive.

The issue manages to succeed in a few of ways where it hasn’t succeeded thus far in this series.  Despite the continual focus on the gory aspect of Purgatori’s feeding, this feels a lot more natural in this issue as the character does so out of need, and not in a gratuitous manner.  More so, the character background is fleshed out somewhat, introducing a sub-story involving her as a slave in ancient Egypt.  As the adventure and action unfolds, the series for a few minutes seems to forget what it has been doing thus far, but then again that is probably to the benefit of the story as Jade and Purgatori have to deal with an assortment of dangers in the temple.

The end result is a not entirely coherent issue, but one which is at least a lot more fun than the two which preceded it.  It might be a bit of a cheap trick to get some kind of momentum going in the storyline, but at least it works to a degree as the characters for the first time seem to be living up to their potential.  At the same time after such a weak start to the series it is hard to recommend this issue solely based off on one better issue out of three, but this one ended up being somewhat self-contained and can be appreciated even by itself to a degree.  If the writers had jumped right into the action as it is here, instead of two previous issues, the series might have a different tone.  As it is, it is still a series looking for an identity, but at least finds itself on better footing after this issue.

Story: Aaron Gillespie Art: Javier Garcia-Miranda
Story: 7.6 Art: 8 Overall: 7.6 Recommendation: Read

Dynamite provided Graphic Policy with a free copy for review.

Preview: Purgatori #2

Purgatori #2

Aaron Gillespie (w)
Javier Garcia Miranda (a)
Nei Ruffino, Joyce Chin, Tony Fleecs (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Teen+
FANS, ASK YOUR RETAILER FOR THE:
Nei Ruffino B&W Art retailer incentive cover
Joyce Chin B&W Art retailer incentive cover

Doomed to spend her days as a mindless ghoul, Purgatori struggles to keep her sanity. As if that’s not enough for the vampire goddess, an ancient and mysterious enemy wants her dead. Purgatori will have to rely on her wits to get out of this one… but how will she survive if she can’t think past her  overwhelming thirst for blood?

Purgatori02-Cov-Chin

Review: Purgatori #2

purgatori cover 002Purgatori represents an attempt by Dynamite Comics to revive an almost forgotten character from the bad girl days of mid-90s.  In the first issue the character was roughly introduced, offering enough of a jumping off point for either old fans or new fans to know what was going on.  In this issue Purgatori continues in her mission to free herself from the control of her bloodlust while also trying to figure out what has happened to her.

The issue kind of plays out in two distinctive parts.  The first half is more focused on mostly gratuitous blood and gore, as Purgatori is revealed to have sucked the blood dry out of numerous animals as well as the lecherous truck driver from the previous issue.  While this part of the story is maybe necessary to establish her as a character, it is equally difficult to read as it seems mostly superfluous, especially as some parts of it seem particularly unrealistic, especially as a random family looks at her writhing in pain and only comments something to degree that she is sick.  The second half of the issue finally advances the story, but it is once again with the somewhat unnecessary addition of blood and gore.  After she is rescued, her group is soon ambushed and killed, but the artist would have maybe been wiser to go with the “less is more” approach as the images of exploding heads is not really necessary from a storytelling standpoint.  It is only at the end where the story finally moves forward, but it is too late to save what the issue was after.

The end result of the issue is one that feels mostly unnecessary.  While the story is moved forward, it feels mostly as an afterthought to the gratuitous violence.  For fans eager to see the return of the character, perhaps some of this violence is what they after, but for a new reader, it feels as though this issue missed the mark.  Indeed, an issue two synopsis at the beginning of issue #3 would reveal little more than what transpired in the last three or so pages.  This promise of a story sounds intriguing enough, but the question becomes how long will it take to tell this story with all the other disturbances.

Story:  Aaron Gillespie Art: Javier Garcia-Miranda
Story: 6.5 Art: 6.0  Overall: 6.5  Recommendation: Pass

Dynamite provided Graphic Policy with a FREE copy for review

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