Tag Archives: marcio takara

Preview: Detective Comics #950

Detective Comics #950

(W) James Tynion IV (A) Marcio Takara, Alvaro Martinez, Raul Fernandez (A/CA) Eddy Barrows, Eber Ferreira
RATED T
In Shops: Feb 08, 2017
SRP: $3.99

“League of Shadows” prologue! Celebrate 950 issues of the original Batman series with this extra-sized extravaganza! Cassandra Cain has stayed out of the spotlight on Batman’s team as she slowly comes to terms with the civilized world she was kept away from all her life…but the time for her to step up is fast approaching! Will she ever learn how to fit in among the masses, or will she always be more weapon than woman? Plus: a primer on the history of the League of Assassins, and an adventure with the team’s newest recruit: Azrael, the Avenging Angel!

dtc_cv950_ds

Review: Detective Comics #950

dtc_cv950_dsIt’s an oversized anniversary special for Detective Comics #950 this week, and what we get in this issue is a lot of setup for some upcoming arcs, some solid backstory and character development for characters that need it, and a huge revelation about all of the moving pieces Batman has set up. We learn from a flashback conversation between Batman and Red Robin in the last story, that Batman is preparing for something big. He is preparing for war. With everything this team is doing, it had seemed Batman had a bigger plan, but it was never fully revealed. Not only do we know now, that he is preparing for war, his forming of The Justice League of America, and even what Duke, Nightwing, and The Red Hood have been involved with, may be part of a much bigger plan. Could this be about the upcoming League of Shadows arc? Or something much bigger. It sounds like 2017 is going to be an exciting year for the bat-family.

This issue begins the new League of Shadows story arc. The issue is split up into three stories. The first two are larger, with the final being just a few pages. We begin with our first story, aptly named The League of Shadows. In this story, we follow Orphan, Cassandra Cain. She never says a lot in Detective Comics and is the strong silent type. She is damaged, as are many in the bat-family, including Batman, and this story spends it’s time in her head. At first I thought the telling and not showing writing style of explaining what was in Cassandra’s head was too much, but then I remembered that perhaps narration like this was needed for a silent character. James Tynion IV did a great job making me feel like I know Orphan more as a character now, and also gave her even more of an edge. She is a killer, and like other characters, Batman has taken his wing, like Spoiler, she can turn at any moment. That kind of mystery to a hero makes for a fun story. The idea that this team is hanging by a thread is the opposite to how organized and planned out Batman is, and his newly formed Justice League of America challenges that notion even more. By the end of the issue, Orphan has learned to express herself through dance, and you truly see an innocence to an otherwise masked killer. She may be on the good side, but even Cassandra herself fears herself losing control, and how far she takes her violence, even to criminals.

There is also some solid character development to Basil Karlo as not only Clayface but in his human form, and Bat-Wing. I find that Tynion writes most of his heartfelt moments when he writes about Clayface. He truly has made him a wonderful and tragic character, and I would love to see this done with more characters like that in Batman’s rogue gallery. Not all of them, as we want some villains to truly be villains, but this book has really made me sympathize with this character in a way I didn’t expect. The ending of this story sets up the upcoming League of Shadows arc for this book in an interesting way. Marcio Takara has some really nice painted art in this story, even if I am more used to Eddy Barrows and Alvaro Martinez styles on this series, who do pencils on the second, and third story. Dean White has some fantastic color work that make Takara’s pencils shine even brighter.

In our second tale, titled Higher Powers, we get a deeper glimpse at Azrael, and Bat-Wing once again. This deals with an interesting fight against giant bat-robots and Bat-Wing asking Azrael how he defeated them as quickly as he did, as well as some solid philosophical debates and discussion on religion and faith. Azrael talking about being a man-made angel with high tech armor was interesting, and it was fun to visit the classic character in a new way. I have always thought he was a solid character, and he proves in this story he will be a great addition to the team. I feel this way about Bat-Wing as well, and while we may not get the same character depth for him that we get on Orphan, and Azrael, I still feel like I saw deeper into the cocky and witty tech genius. You can see as he worked with Basil in the first story that he truly cares about helping and curing Clayface, and here, he is truly interested in learning from Azrael, not only about his strategy, but about his blind faith. It was refreshing, and gives another layer to a character that is known just for his confidence. That is what Detective Comics does. For a team book, it really takes it’s time to develop great members of this team, and while I said they are hanging by a thread because of how broken many of them are, there are some, like Bat-Wing, that I think can keep them together. This story ends much like the previous one with something that looks to set up a future arc, with someone else being brought to life like Azrael, but only time will tell if this being will be human or completely artificial intelligence. Alvaro Martinez on pencils, Raul Fernandez on inks, and Brad Anderson on colors give some artwork that is more traditional to what you can expect in this run of Detective Comics. That isn’t a bad thing, as I have always loved what this book has done with page layouts and panels, and this story continues that fashion.

In the final and third story of the issue, we have a few pages between Red Robin and Batman in the Robin’s Nest. This is a private conversation that happened between these two heroes as the team was newly formed. Tim is very blunt with his final question to his mentor, why are you preparing for war? We don’t see an answer, but we do get the words at the bottom of the page “Dark Days Are Coming – 2017.” Could this be the big summer event we have heard Snyder is writing? I cannot wait to find out. This was a nice moment between Batman and Red Robin, and more Tim Drake in this series is always a good thing. The art in this story, is more of what you can expect like the previous story. Eddy Barrows on pencils, Eber Ferreira on inks, and Adriano Lucas on colors give some of the best panel work and layout in the entire issue, and they only have four pages to work with. As Red Robin is questioning Batman, Nightwing, Red Hood, and more are painted in the background on monitors and it gives a real sense of paranoia to what is really going on. I found myself waiting for Batman to answer and almost demand “Yeah! What are you doing Bats?”, but I am patient, and I cannot wait to see where this series takes us by the end of 2017. As I said in the opening paragraph, Tim put the pieces together that none of the things Batman is doing are accidental, and he is planning for something big. What is he so worried about? And what is coming to either Gotham City, or the world that has him juggling so many of his protégées, former enemies, and new teams? There is a reason Detective Comics is one of DC’s best books, it simply delivers.

League of Shadows Story: James Tynion IV Art: Marcio Takara Color: Dean White
Higher Powers Story: James Tynion IV Art: Alvaro Martinez
Inks: Raul Fernandez Color: Brad Anderson
The Big Picture Story: James Tynion IV Art: Eddy Barrows
Inks: Eber Ferreira Color: Adriano Lucas
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

DC provided Graphic Policy with a FREE copy for review

Detective Comics Celebrates #950 this February

It’s a major milestone for Detective Comics this February when issue #950 hits the shelves. From the first appearance of the World’s Greatest Detective until now, the past and present are united in one of the greatest, and longest lasting comic books in history.  A love letter to your favorite Caped Crusader, Detective Comics #950 is an extra-large issue filled with Batman Family action and will serve as a prologue to an exciting new story arc, “League of Shadows,” which begins late February from writer James Tynion IV.

The lead story puts Cassandra Cain in sharp focus, setting the stage for the next epic spring storyline, “The League of Shadows,” with art by the phenomenal Marcio Takara. There are a lot of questions left unanswered about Orphan—her past, her mind and her silence. They’re going to start answering them here, and opening up a whole new world of questions that will open up all sorts of new, exciting stories.

But that wasn’t enough. This issue celebrates this landmark with the artists who have defined the Rebirth run of Detective…all in the same single issue, for the first time. There’s a Batwing/Azrael story by Alvaro Martinez and Raul Fernandez, which really introduces Jean-Paul Valley into the fold of the series, setting the stage for some tremendous threats emerging from his past…and a third story by Eddy Barrows and Eber Ferreira that’s so secret DC can’t even hint at what you might find in it. It is a short that sets the stage for the next year of Batman stories, not just in Detective, but for the entire line. 

Detective Comics #950 is out February 8th.

Check out the artwork below.

Page 1 by artist Marcio Takara and Dean White

dc-950-pg-01Page 25 by Alvaro Martinez, Raul Fernandez, and Brad Anderson

dc-950-pg-25

Page 35 by Eddy Barrows, Eber Ferreira, and Adriano Lucas

dc-950-pg-35

Preview: Nightwing #9

Nightwing #9

(W) Tim Seeley (A/CA) Marcio Takara
In Shops: Nov 16, 2016
SRP: $2.99

“FACING DESTINY”! In this single-issue tale, Nightwing is being attacked in his dreams by Dr. Destiny, and the only person who can help him is Superman! But following Nightwing’s confrontation with Raptor and the aftermath of “Night of the Monster Men,” can Nightwing trust a Superman he doesn’t know – or will his lack of trust get them both killed?!

ntw_cv9_ds

Preview: Nightwing #8

Nightwing #8

Written by: Tim Seeley
Art by: Marcio Takara
Cover by: Marcio Takara
Variant cover by: Joe Prado, Ivan Reis

“FACING DESTINY”! In this single-issue tale, Nightwing is being attacked in his dreams by Dr. Destiny, and the only person who can help him is Superman! But following Nightwing’s confrontation with Raptor and the aftermath of “Night of the Monster Men,” can Nightwing trust a Superman he doesn’t know—or will his lack of trust get them both killed?!

ntw_cv8_ds

Review: Wonder Woman 75th Anniversary Special #1

ww75as_cv1_dsWhen it comes to Wonder Woman, it never surprises me, that although her stature in the comics world is as immense as it is, that she has never had a solo movie until next year. This character who, has inspired women of all ages for decades, and has even been on Ms. Magazine, never truly has gotten her due. Her life in the comics world, is as just as big as her contemporaries, Batman and Superman. Her backstory is also just as interesting, if not more, as she ascends from royalty, revealing a long extenuating misogyny within the fandom.

Surprisingly, most people still don’t know that she was created by a doctor, who researched bondage and other depravities, but also sought to understand the human condition. Wonder Woman, is the perfect example of the human experience, as she does take the hero’s journey, becoming a stronger character by leaving her home. Since her inception, her character has grown with society, as she initially followed tropes but eventually came to challenge each one. She even challenges the trope of relationships, where she takes the more dominant roles in her relationships with Batman and Superman.

In the Wonder Woman 75th Anniversary Special, several writers and artists collaborate to create stories in which makes us all look at Diana different. “Big Things One Day Come” has Diana and a new superhero by the name of Star Blossom take on a kryptonite powered gorilla, which is both funny and action packed. “Gives Us Strength” follows Diana as she fights some Nazis and actually helps liberate France during World War II. The last piece that stands out is the interview Lois Lane does with Wonder Woman, which answers some questions, but brings up even more.

Altogether, this special is more a love letter to this character which has inspired millions and continues to every day. The writers all bring their love to the story. The artist more so as they see her in each, a different light. Overall, a fun tribute to an icon.

Story and Art by: Liam Sharp, Rafael Scavone and Rafael Albuquerque, Brenden Fletcher and Karl Kerschl, Fabio Moon, Hope Larson and Ramon Bachs, Renae De Liz and Ray Dillon, Jill Thompson, Annie Wu, Yanick Paquette and Nathan Fairbairn, Sebastian Fumara, Claire Roe and Jordie Bellaire, Marcio Takara and Marcelo Maiolo, Phil Jimenez and Romulo Fajardo Jr, Brian Bolland, Marguerite Bennett and Marguerite Sauvage, Jenny Frison, Gail Simone and Colleen Doran
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Review: Detective Comics #46

Detective Comics 46Batman continues to work with the Justice League in order to solve a murder mystery. A 200 foot tall skeleton is resting in the snow and it is up to Batman’s detective expertise to figure out what happened.

Detective Comics #46 has a lot of problems. The first being the nature of the story. The entire issue feels like nothing more than a filler, trying to cash in by having the Justice League involved. The entire story centers around a monster of the month premise. The first half of the issue, slowly unravels the mystery of what happened to the creature this large skeleton they find belongs to. This does not have a lot of weight to it. There’s no real reason for the reader to be invested in the crime. It does nothing to build Batman, or the Justice League, as characters. It becomes a lumbering crime procedural that does little to build excitement.

Oddly enough, the second half of the issue is the complete opposite. The Justice League cameo still feels forced but, once the monster responsible arrives, the story gains a lot of heart. The backstory of the creature is legitimately heart breaking and sad. The tale actually become pretty engrossing. The ending of the narrative is very somber and also, shows an interesting personal side of who Batman is.

The artwork falls into the same issues of being hit or miss. When there is a closeup of any character, the models and facial features look very impressive. But, as soon as the panel pulls away, the models become bland and smudged. The backgrounds are also very bare but, that is more of a result of the setting than the actual artist.

Overall, Detective Comics is nothing more than a filler issue and Justice League cash in. But, once the monster of the months story progresses, albeit at a slow pace, there is some heart and tragedy to the tale. The problem is, it becomes too little too late to redeem this comic book.

Story: Peter J. Tomasi Art: Marcio Takara
Story: 5 Art: 6 Overall: 5.5 Recommendation: Pass

Review: Detective Comics #45

DetectiveComics45The current and former Batman meet with the Justice League, who are searching for someone with enough detective skills to solve a crime they have been baffled by. All the while, the current Batman is still trying to master being Gotham’s guardian angel.

Detective Comics #45 opens with a very gruesome water themed murder of a group of people in a luxury sweet at a Kings’ game, which is presumably cricket since they mention wickets. This is never built on further but, the brutal and mystical nature of the crime sets up an interesting mystery. The rest of the issue deals with the two Batman and their interactions with the Justice League. The Justice League is trying to see if there is any memory they can pull from the former Batman, Bruce Wayne, to see if he can help them with a case they are working. There is a lot of good characterization in this section, particularly Alfred, as you can see the pain he is in trying to allow Bruce to move on from Batman but, knowing the good he can do under the cowl. After this meeting, the League moves to the new Batman, James Gordon Jr., to seek his help with their dilemma. The dichotomy between the new and old Batman’s interaction with the Justice League is very well done. Bruce, even with his lost memory, is not intimidated or impressed by the Justice League. He treats them as if he was meeting an old friend. This is interesting and hints at his past memory still buried deep in his psyche. James on the other hand is completely star struck and feels almost unworthy to be working with them.

While the characterization is very strong, the narrative itself does drag in the middle. There is a story involving the Mad Hatter but, the urgency of the situation is so low and the resolution so quick and easy, it almost feels like filler so the story can continue to build the mystery of why the Justice League are here. Most of the second act of the comic feels little more than shoehorning in a recognizable Batman villain to meet the bad guy quota of the month.

The artwork is also hit or miss in parts. The action scenes are very solid and well paced. The backgrounds are also very detailed and the lighting accentuates the surroundings appropriately, adding a nice layer of atmosphere. The only real issue arises in certain slower scenes where faces become smudged at a distance. It looks as if a few times they were rushed, leading to some uneven facial proportions.

Overall, the issue a decent filler story to what is building to an interesting cross over between the new Batman and the Justice League. The mystery at the beginning, and the interesting tease at the end of what the Justice League are really trying to solve, keeps Detective Comic a worthy follow going forward. But, it is hard to justify a story where the beginning and end are the only highlights, making this issue a read at best.

Story: Peter J. Tomasi Art: Marcio Takara
Story: 6 Art: 7 Overall: 6.5 Recommendation: Read

Blevins, Isherwood, Jordan, St. Pierre, and Takara Coming to Baltimore

Buy your tickets nowBret Blevins and avoid lines for the Baltimore Comic-Con on September 25-27, 2015. The annual comics pop culture event returns to the Baltimore Convention Center for our 16th annual show in Baltimore’s Inner Harbor. The Baltimore Comic-Con welcomes to this year’s show Bret Blevins, Geof Isherwood, Justin Jordan, Joe St. Pierre, and Marcio Takara.

Beginning his comic book career in 1981, Bret Blevins began a decade of working almost exclusively for Marvel Comics on many of their most famous characters, including Spider-Man, Wolverine, The X-Men, The Hulk, Captain America, Thor, Daredevil, Dr. Strange, The Fantastic Four, The New Mutants, Sheena, Ghost Rider, Conan, Solomon Kane, The Inhumans, the Punisher, Sleepwalker, Clive Barker’s Nightbreed, The Bozz Chronicles, Cloak and Dagger, The Trouble with Girls, The Destroyer, Terror Inc., and various licensed properties, including graphic novel length adaptations of the films The Dark Crystal, Indiana Jones and the Last Crusade, Krull, and The Last Starfighter. Moving primarily to DC in 1993, Bret drew Batman, Superman, Supergirl, Starman, and Vigilante, and along the way drew Star Wars, Tarzan, John Carter of Mars, and Bettie Page for Dark Horse. A 146-page graphic of novel of Brian Jacques’ Redwall illustrated by Bret was published by Philomel Books in 2007. In the mid-90’s, Geof IsherwoodBret began working for Warner Bros. animation and won two Emmy awards while creating storyboards for the acclaimed Batman, Superman, Batman Beyond, Justice League, Static, Batman Brave and Bold, and Ben 10 cartoons. For Disney, Blevins has drawn storyboards for Tarzan and Atlantis, and copious artwork for various other Disney projects including Pirates of the Caribbean, The Scarecrow of Romney Marsh, Tinkerbell, Toy Story, Tron, and Wreck-it-Ralph. In addition to other miscellaneous advertising and illustration work, Bret is always busy drawing and painting from life, writing instructional articles for DRAW! magazine, and occasionally teaching.

Geof Isherwood drew comics for Marvel, DC, Broadway, and Heroes Of The North starting in 1982. Major title runs include Dr. Strange, Suicide Squad, Conan the Barbarian, Conan The King, Namor, and The ‘Nam. Geof has also worked on over 60 film and TV productions, including X-Men: DOFP and X-Men: Age of Apocalypse, Being Human (US), and The Fountain. Geof teaches in the Concept Art and Illustration program at Algonquin College in Ottawa, Ontario. Geof is now working for Renegade Media, drawing the final issue of the soon-to-be-released Necromatics.

Justin JordanJustin Jordan first came to the attention of the comic-buying pubic writing his creator-owned The Strange Talent of Luther Strode (with Tradd Moore on art) published through Image Comics. That title was followed up with two sequels, The Legend of Luther Strode and The Legacy of Luther Strode. He has also worked on DC Comics’ Green Lantern: New Guardians as well as runs during the “New 52” initiative on Superboy, Deathstroke, and Team 7. At Valiant Comics, he wrote the relaunch of Shadowman, and co-created Deep State at BOOM! Studios, Spread and Dead Body Road at Image Comics, and Dark Gods at Avatar Press. In 2012, he received a Harvey Award nomination for Most Promising New Talent, and contributed to the Eisner-nominated In the Dark: A Horror Anthology from IDW.

Joe St.Pierre graduated from the School of Visual Arts in New York City, and began his professional career in 1992 as a penciller for the fledgling comic book publisher Valiant, taking on writing responsibilities in time as well. His best Joe St.Pierreknown work at Valiant was a 10-issue run of the title Secret Weapons, which he wrote and drew. In addition to his work in commercial art and as a storyboard artist for just over 20 years, he has worked on titles at major publishers, including DC’s Aquaman, Batman, Green Lantern, Superboy, and Superman, Marvel’s Fantastic Four, Wolverine, X-Men, and he has the distinction of being the artist who most probably worked the most first issues featuring Spider-Man or Spidey family characters. He is currently working on his own title, New Zodiax.

Amongst the seasoned luminaries, Marcio Takara is a relative newcoming, having worked in comics since 2006. His art has graced the pages of Marvel Comics’ Marvel Adventures Super Heroes, Captain Marvel, and Armor Wars, Image Comics’ Dynamo5, BOOM! Studios’ The Incredibles and Incorruptible, and DC Comics’ Blue Beetle, The Flash, and Smallville: Lantern. He has also launched a successful Kickstarter project with writer Bryan Q. Miller called Earthward, and provided artwork for the game League of Legends.

Suit Up in the Warzones! Your New Look at Armor Wars #1!

This June, suit up and strap in as the Secret Wars bring you to a tecno-utopia, with a dark and sinister secret! Today, Marvel is pleased to present your new look at Armor Wars #1 – a brand new Secret Wars series from Eisner-award winning writer James Robinson and artist Marcio Takara! Deep in the heart of Battleworld lies Technopolis. A shining beacon of progress for all Battleworld to see. Full of science and wonder created by the two genius brothers – Tony and Arno Stark. Yet shadows fall over this armored paradise. A unique disease that forces EVERYONE to wear armor just to live and breathe! And when an unexpected murder strikes his domain, Baron Tony Stark must race against the clock to identify the culprit. But is he too late to stop more bodies from showing up? The mechanical murder mystery that will have readers guessing to the very last page kicks off this June!

ARMOR WARS #1 (APR150787)
Written by JAMES ROBINSON
Art by MARCIO TAKARA
Cover by PAUL RIVOCHE
Variant Covers by STEVE PUGH (APR150788), VANESA DEL REY (APR150789),
And SKOTTIE YOUNG (APR150793)
Iron Gwen Variant by DAVID LAFUENTE (APR150790)
MAOS Variant by MARCOS MARTIN (APR150791)
Ant-Sized Variant by PASQUAL FERRY (APR150792)
Blank Variant Also Available (APR150794)
FOC – 05/11/15, On-Sale – 05/27/15

Armor_Wars_1_Cover

« Older Entries Recent Entries »