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Exclusive Preview: Star Wars: Han Solo – Hunt for the Falcon #2

Star Wars: Han Solo – Hunt for the Falcon #2

(W) Rodney Barnes (A) Ramon Rosanas
(C) Guru-eFX (L) Joe Caramagna
(CA) Ramon Rosanas, Guru-eFX (VCA) Carlo Pagulayan, Jason Paz and Rain Beredo, Ken Lashley and Juan Fernandez

HOT ON THE TRAIL OF THE FALCON! HAN SOLO and CHEWBACCA continue their search for the Falcon and face RAPTOR DROIDS along the way! DUCAIN is in for a beating when Han and Chewie find him! And how are the IRVING BOYS wrapped up in this intergalactic chase?!

Star Wars: Han Solo - Hunt for the Falcon #2

Exclusive Preview: Power Man: Timeless #2 (of 5)

Power Man: Timeless #2 (of 5)

(W) Collin Kelly, Jackson Lanzing (A) Bernard Chang
(C) Marcelo Maiolo (L) Travis Lanham
(CA) Ario Anindito (VCA) Chris Allen and Guru-EFX, Doaly
RATED T+
In Shops: Mar 12, 2025
SRP: $3.99

HE IS UNSTOPPABLE. INDESTRUCTIBLE. INCORRUPTIBLE. IMMORTAL.

  • Our solar system has never known a being as mighty as POWER MAN before, but another has just arrived.
  • What has brought AEON THE KNIFE to the Milky Way?
  • Can Power Man stop him without letting the VOID loose?
  • And if Luke won’t risk that, will the acid clouds of Venus be his tomb?
Power Man: Timeless #2 (of 5)

TVA #1 falls flat in its debut

TVA #1

The Time Variance Authority has long watched over the timeline, protecting it from dangerous variations that could cause the end of EVERYTHING. Now, as the organization begins to expand its tolerance of variants, it’s enlisted some new recruits from timelines that have been wiped from existence: Captain Peggy Carter, Super-Soldier of her world; Gambit, despondent and aimless from the loss of his lady love; and… this can’t be right… Spider-Gwen?!? Has her world been destroyed?!? TVA #1 delivers a confusing first issue that’s full of variant ideas.

Written by Katharyn Blair, TVA #1 is a frustrating comic in multiple ways. While the idea of the TVA goes back decades in comics, this version of the TVA looks more like what has recently been seen in the Marvel Cinematic Universe. Is this comic a spin-off of the MCU or is it in the comic universe? Is it both? Who knows and that’s part of the frustration. As a whole, the TVA in the Marvel comic universe makes little sense considering how many times the universe has been reset or timelines shifted around. But, this TVA has plucked character from defunct timelines to solve problems. In concept, it could be fun and feels like an echo of the beloved Exiles team.

In this story, nightmares are cropping up across timelines and giving people visions of the TVA that they shouldn’t know as well as having them confront personal nightmares. It could be interesting and all points to the character Nightmare behind everything. But the execution of this story feels like being dropped into a new season of a show after a reboot and new characters being introduced. While you think you should be able to dive in and get it, you feel rather lost and you’re missing something.

The art by Pere Pérez with color by Guru-eFX and lettering by Joe Sabino is good. Everything looks good and some scenes with Spider-Gwen as she crawls around are interesting visually. But, like the story itself, the visuals feel a little disconnected at times. There’s a choppiness visually that matches a choppy narrative.

TVA #1 isn’t a bad comic and there’s potential for the concept but overall it’s a frustrating comic in far too many ways.

Story: Katharyn Blair Story: Pere Pérez
Color: Guru-eFX Letterer: Joe Sabino
Story: 6.0 Art: 7.0 Overall: 6.0 Recommendation: Pass

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

X-Men #35 is a bit of a mixed bag as one era ends and a new one begins

X-Men #35

All good things must come to an end, and as good of a thing as the Krakoan era has been for mutantkind…its time has come at last. The tragedy and triumph of Fall of the House of X, the madness and mystery of Rise of the Powers of X…they have all come to their end and led to this moment that will change the future of mutantkind for years to come. X-Men #35 officially closes the Krakoan era and teases what’s to come.

Just because a series ends, doesn’t mean the story is officially over. X-Men #35 celebrates 700 issues on Uncanny X-Men as it also wraps up the Krakoan era of the X-Men’s story. And, it does so with a choppy over-sized issue that has its ups and downs. From the beginning, I wasn’t a fan of the new take on the X-Men as I felt it took them too far from their roots fighting for their rights. It made them nationalists and statements in the first few issues were at times cringe showing a belief of superiority. It took Professor X and Magneto’s visions and mashed them together for a chimera of a monster. While there were some good ideas and moments, overall, it took the X-Men in too far of an extreme direction. It was Utopia on steroids. All of that came crashing down and from the teases within X-Men #35 and the Free Comic Book Day issue, it looks like the X-Men are getting back to a more traditional take.

X-Men #35 wraps things up and moves things along as it gives us one final look at Krakoa and a battle with Apocalypse who isn’t taking what has happened too well. It’s a choppy story that feels like it’s an unnecessary fight, giving the X-Men one final battle of the old era. That choppy storytelling isn’t helped by the rotating artists who at times only take a page and foster a disjointed look along with a disjointed narrative. It feels like it’s almost too many cooks in the kitchen and the team didn’t know how to end things beyond… fight.

Chris Claremont gives us some family bonding time as Nightcrawler, Rogue, Mystique, and Destiny have a picnic and hash things out. While it’s nice to see this storyline continue, and not just dropped now lineage has been established, the dialogue is eye rolling at times where it feels like some things just repeat over and over. I had to pause and go back and reread pages to make sure that there wasn’t a mistake that’s how repetative the back and forth is.

The comic wraps up with a focus on Professor X who is now in custody but has his freedom too in a way. The comic as a whole teases his redemption but also what’s to come is the natural extension of his ideas. His children going off on their own. It teases the villainy of the character, the manipulative nature, but also that there’s reasons for his actions and he’s here to do good, though through at times evil means.

X-Men #35 will likely make fans of the era both happy and sad. There are some cheery moments and it reveals that Krakoa lives on and we might again see the island’s return in the future. It closes one door, leaves more opens, and begins whole new paths to take.

Story: Al Ewing, Gerry Duggan, Kieron Gillen, Chris Claremont
Art: Joshua Cassara, Phil Noto, Lucas Werneck, Leinil Francis Yu, Walter Simonson, Mark Brooks, John Romita Jr., Scott Hanna, Jerome Opena, Luciano Vecchio, Stefano Caselli, Sara Pichelli, Salvador Larroca
Color: Romulo Fajardo Jr., Phil Noto, David Curiel, Laura Martin, Sonia Oback, Marcio Menyz, Matt Hollingsworth, Matthew Wilson, Guru-eFX
Letterer: Clayton Cowles
Story: 7.0 Art: 7.0 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Deadpool #1 Has Plenty of Heartbreak and Humor

Deadpool #1

Everyone’s favorite unkillable merc with a mouth, Deadpool, returns in a new title. Following a breakup with his partner, Valentine, Wade returns to his mercenary life with his symbiote dog, Princess, at his side. While hunting a low-level criminal, he encounters a new villain impressed with his immortality. Deadpool #1 by Cody Ziglar and Rogê Antônio sets up a fun and exciting adventure that will appeal to long-term Poolheads and new fans alike.

The essential aspect of Deadpool lies in the balance of humor with his more sad emotional core, which Ziglar perfectly expresses. Also, each new creative team brings a different sense of humor when it comes to writing Wade Wilson, where Ziglar’s writing evokes the classic strokes of the character while bringing his sensibilities. A great gag-evoking Chainsaw Man got an excellent laugh out of me. Humor serves as a shield for Wade to hide away from his self-pity and hatred, and I feel the writing struck a solid balance between them. I emotionally felt for Wade as he tried to get his life together after breaking up with Valentine. However, I wish we got to see it on the page instead of it being referenced in his narration boxes. I do hope Valentine pops up later in the series, considering how Princess from the previous run has a significant role, along with Ellie, his daughter, who will be a major part of it. 

Ziglar also establishes a new villain by introducing Death’s Grip, which provides a more supernatural angle for the upcoming series. Despite not learning much about him, the reader is given plenty of interesting crumbs about him, which makes him instantly fascinating. He is a different antagonist to Wade, who is intensely interested in the mercenary. With Wade focusing on the isolation caused by his immortality, I cannot wait to see how Death’s Grip will tie into it. 

Antônio’s great art enhances Ziglar’s humor and action. He provides the right amount of zaniness and violence by depicting Deadpool’s attitude and presence. Specifically with a fourth-wall-breaking joke as Deadpool and Princess travel across portals on a double-page spread. I do appreciate Antônio not showing away from the violence but embracing it. Deadpool loves guns and swords, after all. Guru-eFX’s coloring brings a punchy action feel while delivering the perfect shade of red for his costume. VC’s Joe Sabino lettering expertly switches between Wade’s narration boxes and other minor comedic details in the dialogue.

Deadpool #1 is a solid first issue for what to expect from Ziglar and Antônio. Filled with humor and action, it will satisfy fans of the character. I cannot wait to see where the pair takes the regenerating degenerate in the future.

Story: Cody Ziglar Art: Rogê Antônio
Color: Guru-eFX Letterer: VC’s Joe Sabino
Story: 8.3 Art: 8.6 Overall: 8.5 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Wolverine: Snikt feels like a bland regular Wolverine comic

Wolverine is the lone hope of the last remaining humans in a ruined dimension as they fight to survive against robotic organisms.

Story: Tsutomu Nihei
Art: Tsutomu Nihei
Color: Guru-eFX
Letterer: Cory Petit

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Kindle
Zeus Comics
Bookshop


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An exiled T’Challa strikes from the shadows of Wakanda in the Black Panther #1 trailer

A new reign has begun! Following John Ridley’s acclaimed run of Black Panther, award-winning author Eve L. Ewing and artist Chris Allen will launch a brand-new Black Panther ongoing comic series next month. The new saga will see Black Panther serve Wakanda in a bold new way after he’s exiled from the throne. A king without a crown and a fugitive in his own homelands, T’Challa journeys deeper into Wakanda than ever before as he finds new purpose striking from the shadows of the Wakandan city that bears his father’s name, Birnin T’Chaka. Operating as an undercover vigilante, Black Panther vows to remain the Wakandan people’s sworn protector by defending this broken city from danger. But as he tries to understand the heart of this city that feels it has been forgotten by the Black Panther, he’ll discover it has challenges unlike any he’s faced before, including powerful crime families and corruption that go against all that Wakanda stands for. 

Fans can get their first taste of this daring new direction in the all-new Black Panther #1 trailer, featuring never-before-seen artwork. The thrilling trailer takes fans to the streets of Birnin T’Chaka for the very first time! The city pulses with both beauty and danger as Black Panther leaps into action against the forces of its criminal underworld, including a new adversary, Beisa! This alluring thief is more than willing to teach T’Challa the ways of her city and fans can catch her harsh first lesson right in the debut issue!

The trailer also spotlights Black Panther’s stunning new costume design by series artist Chris Allen.

Get in on the ground floor of Black Panther’s all new era when Black Panther #1 hits stands on June 14. It features covers by Taurin Clarke, Elena Casagrande and Jordie Bellaire, Rahzzah, Skottie Young, Steve Rude and Chris O’Halloran, Sanford Greene, Matteus Manhanini, Chris Allen, Mr Garcin, and Chris Allen and Guru-eFX.

X-Force #39 ushers in a bright new age for the team

X-Force #39

The fallout of the Beast’s crimes! A new X-force! And a new Wolverine? All this and more in X-Force #39! Benjamin Percy and Robert Gill bring their A-game in X-Force #39, the latest issue in Percy’s epic ushers in a new chapter for the titular X-Force.

X-Force #39 comes off the heels of the “Beast Agenda” arc of Wolverine. When Beast’s crimes finally catch up to him, he goes on the run, abandoning X-Force. The team is left to pick up the pieces and redefine what X-Force means in the wake of these events. X-Force #39 firmly expects you to have been keeping up with Wolverine, also by Percy. X-Force and Wolverine are two sides of the same coin. They are two books heavily intertwined in plot. I can’t recommend reading one without the other.

X-Force #39 is mostly set up, but Percy and Gill keep it lively and fun. Much of the issue is spent on the politicking of the governing body of Krakoa, The Quiet Council, over Beast’s vile machinations. It’s a surprising and engaging dialogue that gets to questioning the utility of his actions. Percy uses the Quiet Council as an analog to real-world governments and how they justify the crimes of agencies like the CIA.

Gill brings spectacular art aided by the always wonderful coloring of Guru-eFX and the lettering of VC’s Joe Caramagna. The art is bright and colorful but has an undeniable edge to it. That edge is on display when it comes time for Gill to deliver a gloriously gorey action sequence.

X-Force #39 is a great first chapter to a new age. It gives closure to Beast’s plot (for now!) while establishing the foundations for a bright new future. Overall, I’m excited to see where Percy and Gill take the book next!

Story: Benjamin Percy Art: Robert Gill
Color: Guru-eFX Letterer: VC’s Joe Caramagna Design:  Tom Muller w/ Jay Bowen
Story: 9.0 Art: 8.5 Overall: 9.0 Recommendation: Buy 

Marvel provided Graphic Policy with a FREE copy for review


Purchase: TFAWZeus ComicscomiXology/Kindle

Captain America: Cold War Alpha feels like being dropped in the middle of a story

Captain America: Cold War Alpha

I’ll admit, I haven’t been keeping up with the two Captain America series currently being released. While I enjoyed the first few issues of each, I fell off regularly reading them, as there’s so much coming out and only so much time. But, I tried to keep up with a general idea of what’s going on. And, as expected, the two series have come together for a crossover event, “Cold War” which kicks off here with Captain America: Cold War Alpha.

Written by Jackson Lanzing, Collin Kelly, and Tochi Onyebuchi, the comic and event brings together plot lines from each series. Bucky Barnes is now the Outer Circle’s New Revolution. He’s now teamed up with the White Wolf who he has freed from prison. Steve Rogers’ adopted son, Ian, A.K.A. Nomad, is abducted which has him bringing together his friends and allies Sam Wilson, Sharon Carter, and Misty Knight to help figure out what’s going on. Steve thinks Bucky is still on his side but playing a game they can’t figure out, but what’s shown throws so much into question.

If you haven’t been reading things up to this point, you might be lost starting with Captain America: Cold War Alpha. The issue does what it can to catch readers up but there’s a lot to pack into one issue. The very basics are laid out and you can limp your way through the issue but it’s a tough read and it feels like you’ve come into a film a missed the first half hour. Still, there’s some solid action and the comic captures a good action vibe.

That’s helped by the art by Carlos Magno. With color by Guru-eFX and lettering by Joe Caramagna, the comic has a big screen picture vibe about it. The scenes are over the top, settings feel grand, and the action is on a pretty big scale. None of this comic feels small or intimate, this is a big swing for entertainment.

Captain America: Cold War Alpha has its moments and feels like a summer popcorn action film, but, it also feels like a story that you really need to know what has been going on before. The issue does what it can to catch readers up but it doesn’t quite nail that down and might leave readers even more confused. If Dimension Z or Ian are completely foreign to you, this is a kick off that might fall a bit flat.

Story: Jackson Lanzing, Collin Kelly, Tochi Onyebuchi Art: Carlos Magno
Letterer: Joe Caramagna Color: Guru-eFX
Story: 7.0 Art: 7.75 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: TFAWZeus ComicscomiXology/Kindle

X-Force #37 finally reveals the Man with the Peacock Tattoo

X-Force #37

Since X-Force #1, we’ve been wondering one thing, who is the man with the Peacock Tattoo? It’s a mystery that has run all of these issues with teases and hints throughout. Now, we finally have our answer in X-Force #37 and it’s rather… underwhelming.

When X-Force debuted with its latest volume, it introduced one of the more intriguing new characters in the X-universe, the Man with the Peacock Tattoo. The leader of XENO, he came across as a nice mix of some of the X-Men’s solid villains of the past. Fueled by hatred of mutants with a mysterious agenda, the character has been a thorn throughout this run, but who is he? Writer Benjamin Percy delivers that answer in X-Force #37 and it’s just ok.

Part of the issue is that the mystery has been set up for so long. There’s little chance that anything delivered would live up to the anticipation of the reveal. Then, there’s the reveal itself. While not bad, and lots of potential, it ties back to continuity so long ago. Unless you’re a diehard fan, it’s a reveal that might not resonate as to its importance. Then there’s the tragic backstory itself which as presented is so twisted and all over, it doesn’t quite land as far as pathos or motivation. It has the building blocks there but just doesn’t stick the landing.

But, the issue does have its moments. The team is the usual dysfunction one would expect and an impatient Deadpool pestering Omega Red almost makes the comic worth it.

The art by Robert Gill is good. The characters all look solid and the detail and page layouts deliver a comic that has hints of horror. With color by Guru-eFX and lettering by Joe Caramagna, the art is intriguing as it hints at what the Man in the Peacock Mask has been up to and working on. Horrors pepper panels and pages begging the reader to dive in and try to guess what has been going on off panel and off page.

X-Force #37 is a piece to the overall story and in that way it’s good. But, on it’s own, it’s just ok delivering a reveal that doesn’t land partially because it’s been dragged out so long. There’s little chance it could have delivered the excitement that’s been built up to this point, a story that works against itself in that way.

Story: Benjamin Percy Art: Robert Gill
Color: GURU-eFX Letterer: Joe Caramagna
Story: 7.0 Art: 7.8 Overall: 7.0 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicscomiXology/Kindle

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