Tag Archives: graphic novel

Comics Herstory: Miriam Katin

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Miriam Katin was born during World War II to Hungarian parents. With her father fighting for the Hungarian army, Katin and her mother fled the Nazi invasion of Budapest. She immigrated to Israel in 1957 and then as a graphic artist in the Israel Defense Forces for three years. She has also worked as a background designer for Ein Gedi Films, Jumbo Pictures, MTV Animation, and Disney.

Katin released her first graphic novel, We Are On Our Own, in 2006, when she was sixty-three. It was published in the midst of the rise of graphic memoirs, and detailed her and her mother’s harrowing escape from Hungary. We Are On Our Own was followed by Letting It Go in 2013. A memoir about her later life, Letting It Go jumped ahead some years to Katin’s son’s move to Berlin and her reluctance to help him move to a city that, for her, is tainted by its history.

We Are On Our Own is a tale of survival, told with the incomprehension of a child. Because she was a child when she left Budapest, Katin doesn’t fully understand why they must get rid of the family dog or the reasons for her mother’s crying. The pages are split between black and white and color panels, with memories depicted in black and white and Katin’s adult life drawn in full color. Katin’s unique style consists largely of beautifully drawn people rendered with pencil. The sketchy pencil lines give the characters expression and movement on the page, which complements Katin’s honest, direct writing.

41u1vd2bzlil-_sx258_bo1204203200_Letting It Go is, as the title suggests, about letting go of the past. In this story, a middle-aged Katin grapples with the idea that her son has decided to move to Berlin, a city that, for her, is burdened by the sins of its past. While she recognizes that she cannot keep him from moving, she has difficulty approving of his decision. After he moves, she and her husband visit twice; the first time is ruined by a sudden illness, but both Katin and her husband enjoy the second visit, which is brought about when a museum in Berlin opens a gallery featuring some of her work. Like We Are On Our Own, Letting It Go is illustrated in lively colored pencil and narrated with an honest voice.

Katin’s work is important in the memoir genre. Both of these works are a way for Katin to work through the traumas of her early life, but some of the themes are universally applicable, and force the reader to think through difficult questions of life, survival, and when it is appropriate to let go of the past.

Comics Herstory: Belle Yang

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Belle Yang was born in Taiwan, and immigrated to America at the age of seven. Though she graduated from University of California Santa Cruz with a degree in biology, she then pursued art, studying in both Pasadena and Beijing.

Her first novel, Baba: A Return to China Upon My Father’s Shoulders recounts Yang’s father’s memories of growing up in the 1930s and 1940s. Yang opens each chapter with beautiful watercolor illustrations, which complement the musicality of her writing. Baba (1994) was followed by The Odyssey of a Manchurian in 1996 and several children’s books, including Chili-Chili-Chin-Chin and Hannah is My Name. She was awarded Chinese American Library Association Best Picture Book of 2008 for Always Come Home to Me, a symbolic book about two children who run away to chase runaway pet birds.

Yang’s first graphic novel, Forget Sorrow: An Ancestral Tale, was published in 2010. It’s the perfect book for, well, everyone, but might be especially relevant to lost millennials, because while Yang does use the medium to explore her ancestry, she also struggles to find her calling within the narrative.

412bqcccqqulAt the beginning of the book, she has returned home to avoid an abusive stalker ex-boyfriend (called onlily “Rotten Egg”) and is unsure what career path to follow. She moves to Beijing for three years to study painting, and returns after the Tiananmen Square Massacre. The story is primarily about making the effort to recount family history and recognizing its importance, and it unfolds naturally in the pages. Though Forget Sorrow is a graphic memoir, Yang does not place herself at the center of it. She could have done so with ease by framing the story as her family history, but defers to her father’s stories. It is a family history, and told as such, with Yang and her father present as characters more for context.

Forget Sorrow is similar in structure to Art Spiegelman’s Maus, with pages of story bookended by real-life interactions with Yang’s father. However, Yang’s writing is graceful, with a lyrical quality to it even when describing the heartbreaking and painful toll that communism and political upheaval had on her family. Yang’s talent in crafting a story is a gift, and Forget Sorrow is a subtle coming of age story, exceptionally well done for a first graphic novel, and bears relevance to readers of all ages.

Review: Test Tube

Test Tube 1At first I was thinking Test Tube is just random kinda words and images thrown together to make it interesting, I think the right word here is juxtaposition? I’m not sure exactly, what i mean is that seeing two different things together, can form a different idea. For example let’s imagine putting an image of a dog and the word traitor together. That makes a connection in our mind, and leads to ideas that the image or word, on their own might not might. Unless your own pet has eaten your favorite comic book or chewed on the controller for your X-Box or something, then sure you imagine traitor already when you see a dog. But anyways….

This book is filled with seemingly random things, on my first read through of the comic i was floored by how everything works and makes up a complete and total story. Often times comics labeled as “art comix” or “avant-garde” or whatever fancy words are out there, can be pretty hard to penetrate. Artists might use images in ways that are meaningful to them, but hard to see the intended idea without actually climbing inside their brain and understanding things exactly how they do. And though I could see little smudges and doodles in the sidelines of Test Tube that I feel could fall into that definition, the main part of this is not so abstract as to render the comic as impenetrable. No this is something to let soak into my brain for a little bit

Test Tube 2The review copy was a digital file and though I really enjoyed it, numerous times laughing or squirming with disgust, I feel that ultimately the best way to appreciate this is in printed form. This is one of the books that I’m going to make my non-comics friends read, even the ones who avoid me because I have tracked them down at odd hours of the night insisting they just have to read Jim Woodring or Meatcake or whatever latest DeForge book I have. This falls in the same category of a comic that is just pure mind bending, when certain themes and characters resurface throughout the story I felt compelled to go back and see if there were clues as to what they were doing, and why. And the clues were there, not just haphazard but serious thinking has gone into creating this

Somehow, I also have to confess that I have not seen Carlos Gonzalaz‘s work before, and so won’t attempt to tell you about him or his story because basically it’d just be me googling him and reading the articles and interviews with him that i could find and regurgitating them for you folks, and really what good is that gonna do? All that I should say is that he used to hang out at Fort Thunder, makes music that I want to listen to and he’s always found inspiration in the work of Jack Kirby. Although it is an entirely different discussion, I am always amazed by how far reaching the King’s influence is. So go check it out at the publisher Floating World Comics

by Carlos Gonzalez

144 pages, 6″ x 9″, B&W, Softcover $14.95 ISBN: 978-1-942801-92-4

Floating World Comics provided Graphic Policy with a FREE copy for review

Diamond Announces February Top Sellers. DC Gains Ground.

dollar-shareDiamond Comic Distributors has released its initial information for sales in February. The top selling comic for the month was DC ComicsDark Knight III: The Master Race #3 while Image Comics found success with The Wicked + The Divine Vol. 3 which was at the top for trade paperbacks and graphic novels.

Marvel Comics continued to be the top publisher with a 42.19% dollar share and a 40.78% unit share. DC Entertainment was the month’s number two publisher with a 29.01% dollar share and a 26.00% unit share. January’s number three publisher was Image Comics with a 10.13% dollar share and a 9.18% unit share. In fourth was IDW Publishing with a 4.14% dollar share and a 4.78% unit share. Dark Horse Comics placed fifth for the month with a 2.59% dollar share and a 3.07% unit share.

unit-shareCompared to January in the top five publishers Marvel and Image lost ground while DC and IDW gained. Dark Horse remained relatively the same. Both dollar and unit share dropped for Marvel. The dollar share decreased 3.6 percentage points for a 18.11% decrease and unit share decreased 5.98 percentage points for a 12.41% decrease compared to the previous month. Image saw their dollar share decrease by 0.49 percentage points and 5.07% and unit share decrease 0.86 percentage points for a 7.83% decrease. DC on the other hand saw their dollar share increase 3.84 percentage points for 17.33% and units increase by 4.99 percentage points and 20.77%. IDW saw dollar share increase 0.67 percentage points for 16.30% and unit share increased 0.66 percentage points for a 18.97% increase.

Marvel shipped fewer items decreasing their titles shipped by 19, Image decreased theirs shipped by 3, while DC increased theirs by 9 and IDW increased theirs by 11.

Marvel Comics had seven of February’s top ten best-selling titles, led by Star Wars #16 at #2, last month they had 8. DC Entertainment had three titles in the top ten where in the previous month they had 1. Image Comics’ best-selling book in February was The Walking Dead #151 at #13. The penultimate issue of Fight Club, Fight Club 2 #9, was Dark Horse Comics’ top book at #63. IDW Publishing’s Back to the Future #5 was their top book at #102. February’s best-selling non-premier comic book was Oni Press’ Invader Zim #7 at #90.

The Wicked and the Divine Volume 3: Commercial Suicide from Image Comics was the best-selling graphic novel of February and one of the publisher’s four titles among the month’s top ten. Marvel Comics had two titles in the top ten. BOOM! Studios had one in the top ten. Rounding out the top ten, DC Entertainment had three titles.

TOP COMIC BOOK PUBLISHERS

PUBLISHER DOLLAR

SHARE

UNIT

SHARE

MARVEL COMICS 40.78% 42.19%
DC ENTERTAINMENT 26.00% 29.01%
IMAGE COMICS 9.18% 10.13%
IDW PUBLISHING 4.78% 4.14%
DARK HORSE COMICS 3.07% 2.59%
BOOM! STUDIOS 2.12% 1.94%
DYNAMITE ENTERTAINMENT 2.09% 1.68%
ONI PRESS INC. 1.04% 0.85%
VIZ MEDIA 0.94% 0.38%
TITAN COMICS 0.92% 0.82%
OTHER NON-TOP 10 9.09% 6.29%

NEW TITLES SHIPPED

PUBLISHER COMICS SHIPPED GRAPHIC NOVELS SHIPPED MAGAZINES SHIPPED TOTAL

SHIPPED

MARVEL COMICS 80 32 0 112
DC ENTERTAINMENT 78 28 1 107
IMAGE COMICS 53 13 0 66
IDW PUBLISHING 41 22 0 63
DARK HORSE COMICS 27 16 0 43
BOOM! STUDIOS 23 13 0 36
DYNAMITE ENTERTAINMENT 20 6 0 26
TITAN COMICS 14 6 1 21
ONI PRESS 7 3 0 10
VIZ MEDIA 0 2 0 2
OTHER NON-TOP 10 142 134 31 307

COMPARATIVE SALES STATISTICS

  DOLLARS UNITS
FEBRUARY 2016 VS. JANUARY 2016
COMICS 0.14% -5.26%
GRAPHIC NOVELS -0.63% 8.21%
TOTAL COMICS/GN -0.10% -4.24%
FEBRUARY 2016 VS. FEBRUARY 2015
COMICS -6.73% -14.62%
GRAPHIC NOVELS 12.00% 18.12%
TOTAL COMICS/GN -1.69% -12.54%
YEAR-TO-DATE 2016 VS. YEAR-TO-DATE 2015
COMICS -5.32% -9.52%
GRAPHIC NOVELS 1.13% 2.92%
TOTAL COMICS/GN -3.43% -8.63%

TOP 10 COMIC BOOKS

RANK DESCRIPTION PRICE ITEM CODE VENDOR
1 DARK KNIGHT III: THE MASTER RACE #3 $5.99 NOV150155-M DC
2 STAR WARS #16 $3.99 DEC150866-M MAR
3 BATMAN #49 $3.99 DEC150271-M DC
4 SPIDER-MAN #1 $3.99 DEC150723-M MAR
5 DEADPOOL: THE MERCS FOR MONEY #1 $3.99 DEC150741-M MAR
6 DEADPOOL #7 $9.99 DEC150853-M MAR
7 DARTH VADER #16 $3.99 NOV150919 MAR
8 POWER MAN AND IRON FIST #1 $3.99 DEC150732-M MAR
9 AMAZING SPIDER-MAN #7 $3.99 DEC150809-M MAR
10 JUSTICE LEAGUE #48 $3.99 NOV150171-M DC

TOP 10 GRAPHIC NOVELS & TRADE PAPERBACKS

RANK DESCRIPTION PRICE ITEM CODE VENDOR
1 THE WICKED & THE DIVINE VOLUME 3 TP (MR) $14.99 NOV150702 IMA
2 STAR WARS: CHEWBACCA TP $16.99 NOV150951 MAR
3 LUMBERJANES VOLUME 3 TP $14.99 NOV151165 BOO
4 BATMAN: THE DARK KNIGHT RETURNS TP $19.99 NOV150279-M DC
5 BATMAN: HARLEY AND IVY DELUXE EDITION HC $24.99 OCT150255 DC
6 SUNSTONE VOLUME 4 OGN SC (MR) $14.99 OCT150579 IMA
7 NEW SUICIDE SQUAD VOLUME 2: MONSTERS TP $14.99 NOV150280 DC
8 THE FADE-OUT VOLUME 3 TP (MR) $12.99 DEC150644 IMA
9 AMAZING SPIDER-MAN: EDGE OF SPIDER-VERSE TP $15.99 FEB150860 MAR
10 SAGA VOLUME 5 TP (MR) $14.99 JUL150565 IMA

TOP 10 BOOKS

RANK DESCRIPTION PRICE ITEM CODE VENDOR
1 BATMAN CHARACTER ENCYCLOPEDIA HC $16.99 JAN161900 DK
2 THE ELTINGVILLE CLUB HC $19.99 OCT150048 DAR
3 DOCTOR WHO COLORING BOOK $14.99 DEC151808 PUT
4 THE SHADOW DOUBLE NOVEL VOLUME 103 SC $14.95 NOV151874 SAN
5 WONDER WOMAN: AMAZON WARRIOR SC $5.99 DEC151804 SCH
6 BATMAN & ROBIN ADVENTURES: THE JOKER’S MAGIC MAYHEM TP $5.95 DEC151798 CAP
7 BATMAN TALKING BUST & ILLUSTRATED BOOK KIT $12.95 OCT151888 RUN
8 BATMAN & ROBIN ADVENTURES: TWO-FACE FACE OFF TP $5.95 DEC151795 CAP
9 BATMAN & ROBIN ADVENTURES: THE SCARECROW’S NIGHTMARE MAZE TP $5.95 DEC151797 CAP
10 BATMAN & ROBIN ADVENTURES: CLAYFACE’S SLIME SPREE TP $5.95 DEC151796 CAP

TOP 10 TOYS

RANK DESCRIPTION ITEM CODE VENDOR
1 GHOSTBUSTERS SELECT SERIES 1 ACTION FIGURES MAY152168 DST
2 MARVEL SELECT: DEADPOOL ACTION FIGURES MAR101468 DST
3 MOVIE REALIZATION STAR WARS: SAMURAI DARTH VADER “DEATH STAR” ACTION FIGURE AUG158041 BLU
4 ALIENS WARRIOR COOKIE JAR AUG152314 DST
5 THE FLASH STATUE PAPERWEIGHT AUG152807 ICO
6 STAR WARS: THE FORCE AWAKENS: FIRST ORDER STORMTROOPER ARTFX+ STATUE 2-PACK NOV152451 KOT
7 MARVEL NOW: MAGNETO ARTFX+ STATUE AUG152630 KOT
8 STREET FIGHTER: POISON BISHOUJO STATUE MAY158417 KOT
9 DC COMICS SUPER HEROES: WONDER WOMAN BUST JUL150356 DC
10 BATMAN 1966: BATMOBILE WITH ACTION FIGURE JUN158643 MAT

TOP 10 GAMES

RANK DESCRIPTION ITEM CODE VENDOR
1 DC HEROCLIX: WORLDS FINEST BOOSTER BRICK DEC152576 NEC
2 MAGIC THE GATHERING TCG: OATH OF THE GATEWATCH BOOSTERS NOV158284 WIZ
3 DC HEROCLIX: DAWN OF JUSTICE DEC152574 NEC
4 CTHULHU MONOPOLY JAN162797 USA
5 DUNGEONS & DRAGONS DICE MASTERS: FAERUN UNDER SIEGE DEC152567 NEC
6 DC HEROCLIX: WORLDS FINEST FAST FORCES 6-PACK DEC152578 NEC
7 DC HEROCLIX: DAWN OF JUSTICE FAST FORCES 6-PACK DEC152575 NEC
8 STAR WARS: THE FORCE AWAKENS CHESS GAME OCT158185 HAS
9 CTHULHU YAHTZEE JAN162798 USA
10 STAR WARS: THE FORCE AWAKENS MONOPOLY OCT158186 HAS

DC Super Hero Girls Get a Second Graphic Novel

DCSHG_HaM.cv.r2[2][2]After increasing anticipation from fans about the upcoming original graphic novel DC Super Hero Girls: Finals CrisisDC Entertainment has announced that volume two is not far behind!

DC Super Hero Girls: Finals Crisis is the first publishing product for the new superhero universe for girls from DC Entertainment, and will be available everywhere books are sold on July 5. To satisfy the excitement of fans, the publisher has greenlit a second volume, DC Super Hero Girls: Hits & Myths due out on November 2. Writer Shea Fontana and artist Yancey Labat will reprise their roles for the second volume.

While learning about The Odyssey in Mister Etrigan’s poetry class, Wonder Woman, Batgirl, Supergirl and their friends go on their own Odyssey-inspired journey where they face off with a Cyclops, seek help from a Witch, and evade the Siren before journeying to the underworld. Can they help their teacher escape from Trigon’s prison and return home? Find out in DC Super Hero Girls: Hits & Myths.

For a sneak peek of DC Super Hero Girls: Finals Crisis, pick up a copy of the first two chapters at your local comic book shop on Free Comic Book Day, May 7.

Review: Lucky Penny

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Lucky Penny, a new graphic novel from Oni Press, is the ironically-titled tale of Penny Brighton, who is a complete and utter human disaster. The story spins out of Johnny Wander, an ongoing webcomic by writer Ananth Hirsh and artist Yuko Ota.

Lucky Penny began as a webcomic in 2012. The print edition collects all of Penny’s misadventures as Penny tries to figure out where to go and what to do after losing her job and her apartment in the same day. The story bears some resemblance to Brian Lee O’Malley’s Scott Pilgrim series in terms of bumbling, young main characters, but that’s about where the comparison ends. All of the characters are charmingly dorky and relatable, and Penny is unflaggingly optimistic despite her poor luck. Her narrative is chuckling-under-your-breath-in-public funny. We’ve all been Penny at some point or another, where nothing is going right and you get kicked out of your apartment and are forced to live in a storage unit. You know. The usual.

The characters in Lucky Penny work so well because they’re quirky, but the narrative highlights these quirks rather than putting characters down for them. One of her definitive traits is her penchant for reading romance novels, and instead of looking down the nose at her for reading steamy romance, Penny herself celebrates the romance novels (one of two things she inherited from her grandmother, she says) and the other characters do (or learn to) as well.

This novel is appropriate for young adults and up, and readers of all ages will likely find it humorous. It’s a fun, lighthearted read. Readers will be rooting for Penny within the first few pages, because we all know someone with her abysmal luck. This is partly what makes the book so enjoyable–the desire to see Penny succeed, but it’s also in large part due to the visual humor and the art.

Yuko Ota’s art is consistently good throughout the whole book. All of the art is black and white, but the shading gives the characters dimension and the style is very clean. Ota and Hirsh work incredibly well together in terms of storytelling, and it shows in the finished product. All of the characters are wonderfully expressive, giving them another element of relatability.

Lucky Penny is a fast but uplifting read, and readers of all ages will be able to relate to the characters and their respective quirks.

Story: Ananth Hirsh Art: Yuko Ota
Story: 7.5, Art: 9.5 Overall: 8.5 Recommendation: Buy

Oni Press provided Graphic Policy with a FREE copy for review

Comics Herstory: Mariko Tamaki

413lbcn6frl-_sy344_bo1204203200_Mariko Tamaki is a Japanese Canadian and Jewish Canadian author who has been publishing graphic novels since 2000. Her two most popular novels, Skim and This One Summer, were co-created with her cousin Jillian Tamaki. Mariko has also written a variety of other works, including fiction novels Cover Me and (You) Set Me on Fire, a book of essays titled Fake ID, and a graphic novel with artist Steve Rolston called Emiko Superstar.

Mariko and Jillian work particularly well together. Both Skim and This One Summer are critically acclaimed. Skim won an Ignatz Award, a Joe Shuster Award, and a Doug Wright Award, which are all awards for excellence and outstanding achievements in comics and cartooning. This One Summer won the Michael L. Printz Award (recognizing best young adult literature), and the Caldecott Honor (recognizing best picture book for children).

However, what makes these two graphic novels special isn’t the recognition, though the recognition isn’t undue. Skim, released in 2008, is set at an all-girls Catholic school in Toronto in 1993. The main character, Kimberly Keiko Cameron, is called “Skim” because “she is not.” The book’s plot is centered on relationships. Part of this involves Skim experiencing a drift away from her best friend, Lisa, but developing feelings of attraction toward an older woman. Some reviewers have argued that little happens in the way of plot, and while Skim isn’t Die Hard, Tamaki subtly conveys the oft-overlooked message that relationships change. Friendships fade. And that’s okay. It’s an important message for younger readers especially to hear.

thisonesummer-220This One Summer is also a subtle masterpiece. It tells the story of Rose and Windy, two friends who meet at the beach every year. It takes place in summer, a liminal period in which Rose and Windy find themselves suddenly more at odds with each other. Tamaki doesn’t shy away from the hard stuff, broaching uncomfortable topics with Rose’s parents’ frequent disagreements, the difficult secret Rose’s mother has been keeping from her daughter, and, of course, adolescence.

Although Skim, Rose, and Windy are closer to children than adults, Tamaki doesn’t maintain a bubble-like separation between an unrealistically sunshine-filled child’s world and a drab, tax-filled adult world in her novels. Instead, she favors more subtle but realistic emotions. This seems to be partly because the characters are in such transitional points in terms of age in their lives, but also partly because it gives the characters, and therefore the readers, a chance to study the adults through the eyes of a child. They are young, but not without depth, something that is certainly a valuable quality in Tamaki’s writing and an important kind of narrative in the genre.

Preview: Mandrake the Magician Vol. 1

MANDRAKE THE MAGICIAN VOL. 1

Writer: Lee Falk
Artists: Phil Davis
PUBLISHER: TITAN COMICS
PAGE COUNT: 160 PP
PRICE: $39.99
RELEASE DATE: March 2

Introducing the world’s first comic book super hero, predating Superman by almost four years. Created by the legendary Lee Falk (creator of the Phantom) and drawn by Phil Davis, Mandrake the Magician and his ever-trusty man-servant, Lothar, first appeared to battle crime in 1934. This collection reprints the first 2 & 1/2 years worth of full-colour Sunday newspaper strips that debuted in 1935 – from The Hidden Kingdom of Murderers to Prince Paulo the Tyrant.

Mandrake-(1)

Listen to Royden Lepp Talk Rust with Graphic Policy Radio on Demand

On demand: iTunes ¦ Sound Cloud ¦ Stitcher

This Monday was a brand new episode of Graphic Policy Radio at a special time. Joining us was first time guest Royden Lepp who came on to discuss Rust: The Boy Soldier out March 23 from Archaia and BOOM! Studios.

Rust tells the story of a mysterious boy with a jet pack who shows up on a farm while the world heals from a devastating war. Boy Soldier collects the never-before-seen prelude to the upcoming Rust Vol. 4 plus the preludes to the three existing volumes, which are being reprinted in softcover as well.

Lepp was born and raised on the Canadian prairies. He was kicked out of math class for animating in the corner of a textbook, and he failed art class for drawing comics instead of following the class curriculum. He now draws comics and works as an animator in the video game industry.

Comics Herstory: Marjane Satrapi

PersepolisMarjane Satrapi is one of the few women who has been regularly recognized at the Angoulême festival, and with good reason. Satrapi is an Iranian artist and writer and her debut comic, Persepolis, was originally published in four parts in French. Fifteen years after its initial publication, Persepolis remains one of the most famous examples of graphic memoir, leaving an impact not only on the comic community, but also on American culture.

Satrapi’s art is simple, and her writing is straightforward and humorous. Not only does this make for an incredibly honest story, but it offered a window, a chance for Americans to gain insight into Iranian culture and politics during a time of escalating tensions between America and Iran. Persepolis is the story of a child told with adult wisdom, and part of Satrapi’s great skill lies in her ability to tell her story without losing little Marji’s narrative or the deep, political context of the story.

marjane satrapiSatrapi has also proved herself to be a versatile artist. Shortly after Persepolis was published, she published two biographical stories. The first, Embroideries, is an entertaining look at the sex lives of Iranian women. The second, Chicken With Plums, is based on the last few days in the life of Nasser Ali Khan, who was related to Satrapi. Though she is most known for Persepolis, she has also published two graphic novels aimed toward a younger audience: a children’s book titled Monsters Are Afraid of the Moon and a fairy tale called The Sigh.

Satrapi has also written and co-directed animated films based on Persepolis and Chicken With Plums, and directed Gang of the Jotas (which she also acted in) and The Voices.

Though she has proved herself capable in areas beyond comic writing, Marjane Satrapi’s honest writing and knack for digging into difficult subjects has made quite a mark on the genre. She offers one woman’s perspective, but it is also a bridge.

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