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The Ultimates #1 puts the focus on the grand conspiracy

The Ultimates #1

Six months ago, Tony Stark sent Peter Parker a radioactive spider to set him back on the course to become Spider-Man. Since then, Iron Lad (Stark), Captain America, Doom, Thor and Sif have begun to do the same for other lost heroes, building a network of super-powered heroes hungry for change… Now they must band together to destroy the Maker’s Council and restore freedom and free will to a world ruled from the shadows! The Ultimates #1 is the latest addition to Marvel’s relaunched “Ultimate” line and stands out as a unique series.

Marvel’s new Ultimate line of comics has been interesting so far in that each series has a unique voice and fills a role. Ultimate Spider-Man gives us Peter as a dad who becomes a hero and fills the everyman space. Ultimate Black Panther is packed with conspiracies and takes things to the nation level. Ultimate X-Men is a horror tinged mystery. Written by Deniz Camp, The Ultimates #1 kicks off the “group” book that’s more traditional superhero comic than any of the other three.

The Ultimates #1 is a solid start. Out of the now four released series, this one has the most to do with the meta story. It directly focuses on righting the wrongs of the Maker and toppling the ruling class that controls and manipulates the world. This is a group that’s more revolutionaries than superheroes and it knows that’s what it is. The group is ragtag in a way, attempting to figure out the best route to achieve their goals.

What truly works in The Ultimates #1 is the small details. Camp focuses on the character interactions, giving us an intriguing Captain America who’s inspiration meets “I told you so,” and leaders in Iron Lad and Doom who don’t have the answers. They make mistakes. Big ones. That deliver small humorous details. For those that read the comic, you most likely will know what I’m talking about. The issue also lays out why certain plans won’t work to help rid of those “but why don’t you just” from the readers.

The comic is helped by Juan Frigeri who handles the quieter moments and action scenes perfectly. Along with Federico Blee on color and Travis Lanham on lettering, the comic has a summer action movie vibe about it with grand sequences and tight character focused moments. It delivers the action and drama well but also does so in a fun way that feels like popcorn shenanigans.

The Ultimates #1 is a solid start. It fills a role that’s much needed and gives us an idea of the bigger world and answers some questions readers might have had. It most importantly entertains, delivering a debut that’s perfect to sit back with and enjoy as the temperatures heat up.

Story: Deniz Camp Art: Juan Frigeri
Color: Federico Blee Letterer: Travis Lanham
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

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X-Men Forever #1 Bridges the Gap of Gillen’s Krakoan Work

X-Men Forever #1

Trapped in the White Hot Room, most Krakoa survivors are trying to find a way to leave this prison. Simultaneously, Charles Xavier is still dealing with the guilt that the exiled mutants are dead while working with Mr. Sinister’s consciousness, who is still trapped inside his head. Unraveling the plans of the Enigma dominion, Xavier and Sinister, along with others, work in the No-Place to save the timeline from the timelines. Kieron Gillen and Luca Maresca pell back the layers of how this unique team formed in X-Men Forever #1.

Although not one of the original writers of the Krakoa age, Gillen’s Immortal X-Men has been one of the big titles that pushed the overarching narrative forward in impressive and thought-provoking ways. X-Men Forever #1 serves as the final issue for the series as he wraps up the plot points and arcs he seeded throughout it. The decisions feel earned as he ties a lovely ribbon around it. Starting with a flashback from the first issue of Immortal X-Men, Gillen gives more context to what Destiny said to Sinister and why. We understood what scared Destiny and why she had allowed this path. Considering how Irene and Raven have been the main focus of the previous title, the acknowledgment of the events in X-Men Origins: Blue not only provides greater cohesion across the titles but complicates their relationship further. Can their love be immortal, or will it be tested too hard this time? As mutant-kind gets more desperate in their fight against the machines, this focus on Irene and Raven helps ground this vast conflict.

In addition, X-Men Forever #1 satisfactorily fills in the crucial details left unanswered in The Rise of the Powers of X. Instead of simply solving, Gillen bridges the gap between his two series as he showcases the decisions and choices made by the characters, which leads to The Rise of the Powers of X. The mystery serves the characters, their arcs, and their choices, and it never comes across as plugging up plot holes or tying loose ends, but it demonstrates the transitioning of the characters to the endgame. Although this issue drops in the middle of the Fall of X, I appreciate these choices being left hidden and having the readers speculate since the answers are incredibly satisfying in both the plot and characterizations. 

Maresca’s art serves in tandem with Gillen’s writing while aligning with the visual style of Immortal X-Men, which allows this issue to serve as a proper finale for the series. The one-page splash of Irene’s future visions is a real highlight, only strengthened by Federico Blee’s coloring. I also appreciate Maresca putting his spin on the flashback scenes, which feel distinct and not derivative of what came before. Lettering by VC’s Clayton Cowles also provides excellent cohesion to the previous series. 

X-Men Forever # 1 serves as a crucial story for Fall of X, not only filling readers in on what has happened between Immortal X-Men and Rise of the Powers of X but also closing out the former series. As a big fan of Gillen’s Krakoan work, I am sad that it has to end, but I am happy that he consistently demonstrates his planned ending. X-Men Forever #1 once again demonstrates the impact he made on the series as a whole. 

Story: Kieron Gillen Art: Luca Maresca
Color: Federico Blee Letterer: Clayton Cowles
Story: 8.8 Art: 8.8 Overall: 8.8 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review

NYCC 2023: Avengers Assemble and more during Marvel’s Avengers Assemble panel!

At New York Comic 2023, Marvel revealed what’s coming for the Avengers in the next few months during the Avengers Assemble: A This Week in Marvel Special Event. The panel was held on Thursday and revealed teases of art and more for issues coming out between now and February 2024.

Avengers United

Avengers United #1 is out now on Marvel Unlimited having launched during the panel. The start of a new Avengers epic as Earth’s Mightiest Heroes assemble in response to an impending interstellar disaster! Avengers United is by writer Derek Landy, art by Marcio Fiorito, and color by Erick Arciniega.

Avengers #7

Out on November 1, interior artwork for Avengers #7 was revealed. Avengers #7 is from writer by Jed MacKay, art by C.F. Villa, and color by Federico Blee.

Avengers #9

The Avengers battle the Twilight Court…for the sake of Kang the Conqueror? The Twilight Court wishes to bring Kang to justice, but the Avengers still have need of the comatose conqueror. Which side can claim to truly be just? 

Avengers #9 arrived January 10 from writer Jed MacKay, art by C.F. Villa, and a cover by Stuart Immonen you can see below.

Avengers #9

Avengers #10

As the Avengers battle the Twilight Court, the mysterious Myrddin has his rival within reach. With Kang being the only source of information the Avengers have regarding the Tribulation Events, can the Avengers save him before Myrddin strikes? 

Written by Jed MacKay, with art by C.F. Villa, and cover by Stuart Immonen you can see below, Avengers #10 comes to shops on February 7.

Avengers #10

Vengeance of the Moon Knight #2

Khonshu VS. Khonshu! Fist of Khonshu fights Fist of Khonshu as the new Moon Knight brings the fight to the Midnight Mission and Hunter’s Moon – but what could drive brothers to battle? And with the Mission a battleground, what of those who seek aid? 

Vengeance of the Moon Knight #2 arrives February 14 from writer Jed MacKay, art by Alessandro Cappuccio, and cover by David Finch which you can see below.

Vengeance of Moon Knight #2

Immortal Thor #3

Interior artwork from Immortal Thor #3 was revealed. You can get it October 25 with the issue from writer Al Ewing, art by Martín Cóccolo, and colors by Matt Wilson.

Immortal Thor #6

A LEGEND FROM THE PAST! The All-Father sought answers to his new troubles in memories of old. And to refresh those memories, he consulted his Skald… to tell a tale of when Young Thor and Young Loki journeyed out beyond Asgard – on a quest that would determine the fate of all the Realms. This is the story of the IMMORTAL THOR…and of his first Journey Into Mystery. 

Immortal Thor #6 arrives January 24 from writer Al Ewing, art by Martín Cóccolo, and a cover by Alex Ross.

Immortal Thor #6

Immortal Thor #7

THE TRIALS OF UTGARD! Young Thor faced the tricks of the Utgard-Loki, with all that lived at stake – in a tale twice-told and now told again. Yet the teller was the Skald of Realms, in their aspect as Thor’s enemy. And thus, the tale could twist upon itself – and if Thor faltered, it could make a new end. This is the story of the IMMORTAL THOR…and the story may yet destroy us all. 

From writer Al Ewing, art by Martín Cóccolo, and a cover by Alex Ross, Immortal Thor #7 comes to shops on February 28.

Immortal Thor #7

Doctor Strange #11

In the aftermath of the war with General Strange, Stephen and Clea must set things to rights. But what about Clea’s new sister? Will they really return her to her warlord parents? Can the Stranges reckon with the legacy of the Faltine? 

Doctor Strange #11 arrives January 3 from writer Jed MacKay, art by Danilo S. Beyruth, and a cover by Alex Ross.

Doctor Strange #11

Doctor Strange #12

Doctor Strange is a busy man — sometimes, it seems like the busiest man. But that man has a best friend. So when there’s something strange haunting the Sanctum Sanctorum, who can we turn to? Why, BATS THE GHOST DOG, of course! But can Bats solve the mystery on his own, or is this good dog in over his head? 

From writer Jed MacKay, art by Danilo S. Beyruth, and cover by Alex Ross, Doctor Strange #12 conjurs itself into shops on February 7.

Doctor Strange #12

The Avengers Assemble In Avengers #1

Avengers #1

There is a question at the heart of Avengers #1 by Jed MacKay and C.F. Villa, the core of the question is this, why be an Avenger? It’s a good question that varies from character to character. In asking that fundamental question we get some interesting answers. Avengers #1 sets out to be a mission statement for the team and this new run more largely.

Avengers #1 is about as good of a jumping-on-point as you can find. It’s an entirely new story with a fresh status quo for the team. The issue focuses on a battle between the Avengers and a giant foe intercut with flashbacks to days before when Captain Marvel — the new leader of the Avengers — assembles her team. That team being Iron Man, Thor, Black Panther, Captain America (Sam Wilson), The Vision, The Scarlet Witch, and Captain Marvel herself. It’s a good lineup of solid players, all extremely well-written. There is an underlying feeling of hope to the whole issue, the Avengers are Earth’s best heroes and Mackay is intent on showing you that fact. 

The art’s no slouch either. Villa with colorist Federico Blee and letterer Cory Petit brings lively and energetic art. The Panel layouts are dynamic and the action fierce. There are times when the art comes together to create breathtaking pages. I mentioned an underlying feeling of hope within the writing of the issue earlier, that same feeling can be found in the art. Something about Villa’s bright, expressive faces strikes me with this feeling of fun and joy. 

It’s a fantastic first issue that establishes a good team and sets out a mission statement for what the Avengers mean as a whole and as individuals. This run is partly spinning out of the events of Timeless (2022) #1, how that one shot will affect this story isn’t entirely clear yet but part of me does worry it’ll become necessary reading to understand the following issues. With that being said It’s still a great first issue which I can highly recommend.

Story: Jed MacKay Art: C.F. Villa
Color: Federico Blee Letterer: Cory Petit
Story: 9.0 Art: 9.0 Overall: 9.5 Recommendation: Buy

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Review: X-Men Red #5

X-Men Red #5

A.X.E.: Judgement Day opened with a bomb being dropped. Planet Arakko was devastated as Uranos was unleashed by the Eternals. In Uranos’ wake we get hints of powerful omega level mutants swept aside and murdered by this being of pure destruction. But, what are the details? X-Men Red #5 fills that in showing us some of what Uranos did and how he did it.

Written by Al Ewing, X-Men Red #5 really just fills in that gap expanding on the death and destruction. We see the Eternals’ full assault beyond Uranos giving us an idea of his power and how easily he swiped the mutant defense to the side. What’s more interesting is we see how many different ways Uranos was able to defend himself setting up a villain and force that feels like a true threat. Not only do the Eternals have this beast of a being who sees anything not Eternal as not worthy of existing but also other forces that bring just as much destruction. We also see how planned out the assault was hitting Arakko in multiple ways and on multiple fronts, each with a devastating effect.

While Ewing gives some interesting small details and a lot of intriguing moments of confrontation, the issue as a whole really just expands on what we already have read and experienced. The exception to that is the ending which definitely should have folks buzzing. But, unless you really care about those details, there’s not a whole lot added. We get a better idea of who was wiped out and we see how tough Uranos is, but we already knew that. And let’s face it, our imagination of how tough he is already made him an unstoppable force.

The art by Stefano Caselli is nice. It doesn’t quite have the impact of the previous iteration of events but there’s memorable moments visually. Caselli is joined by Federico Blee on color and Ariana Maher on lettering. The visuals of X-Men Red #5 are interesting in that there’s a desperation about them, it’s chaotic. That is captured quite well. You get a sense that the attack is swift and the individuals of Arakko have been caught off-guard and unprepared. But, what isn’t present is a connection. I didn’t feel the “holy shit” that I did when first witnessing events. That might be due to the fact I knew what was happening. But, there’s an emotional punch that doesn’t quite feel there.

X-Men Red #5 isn’t bad in any way but it’s mostly a repeat of events from a different perspective. It’s a case where showing doesn’t really add a ton to the story. Uranos is still a badass. Arakko is devestated. We have more details. It’s the last few pages that really stand out as being a big deal. And all of that could be handled in the main series in a page or two. Imagine that ending as an opening and then moving on. The impact would be amazing. Still, if you want to know exactly how Uranos defeated everyone, X-Men Red #5 drops the details and fleshes out that aspect of A.X.E.: Judgement Day’s opening salvo.

Story: Al Ewing Art: Stefano Caselli
Color: Federico Blee Letterer: Ariana Maher Design: Tom Muller, Jay Bowen
Story: 7.75 Art: 7.75 Overall: 7.75 Recommendation: Read

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Review: Devil’s Reign: Omega #1

Devil's Reign: Omega #1

One of the things I give the finale of Devil’s Reign credit with is that it didn’t attempt to do the teaser add on. There’s been a habit of events to not deliver a true finale but follow it up with kickers that show off what’s next and spinning out of it all. Some times it works, but that feels like the exception and not the rule. Instead, Devil’s Reign: Omega #1 has that honor featuring three stories that spin out of the event and tease more of what’s to come.

Fall and Rise” focuses on the funeral for “Matt Murdock”. The world thinks Matt is dead but we know it was really his brother. There’s a lot of interesting interactions between the characters and we get a better sense of who knows the truth and who does. Writer Chip Zdarsky uses the story to debate the moral and ethical aspects of all of that while also teasing the direction for the next volume of Daredevil. With art by Rafael De Latorre, color by Federico Blee, and lettering by Clayton Cowles, the story looks great and gives a nice rollercoaster of emotion leaving things in an awkward place overall.

One of the more intriguing aspects of Devil’s Reign is where it left Luke Cage. He’s now the Mayor of New York City forced to pick up the pieces.

Mayor for Hire” has Luke thinking about all of that but focusing a lot on where he’s been and where he is now. Written by Rodney Barnes with art by Guillermo Sanna, color by Dijjo Lima, and lettering by Cowles, it’s a great reminder about the character’s history. It also leaves you realizing there’s a lot to tell as this grassroots hero must balance his careers as well as fix the mess left for him.

Cleaning House” by Jim Zub, art by Luciano Vecchio, color by Carlos Lopez and Java Tartaglia, and lettering by Joe Sabino is the introduction to the new Thunderbolts. Fisk used the classic team name to deputize villains to attack heroes. This issue lays out why they’re still around and Mayor Cage’s vision as to where he should take the team.

Like Devil’s Reign itself, this “Omega” issue does a fantastic job of just being entertaining while also being a sly reflection of our reality. At the core throughout the issue is a new elected official being left a mess of an office that he has to fix after it was run by a corrupt individual. Sound familiar? But, beyond that clear parallel, the comic is just entertaining and sets things up nicely for what’s to come. If you’re interested it’s well checking out and a nice coda to the event series.

Story: Chip Zdarsky, Rodney Barnes, Jim Zub Art: Rafael De LaTorre, Guillermo Sanna, Luciano Vecchio
Color: Federico Blee, Dijjo Lima, Carlos Lopez, Java Tartaglia
Letterer: Clayton Cowles, Joe Sabino
Story: 8.0 Art: 8.0 Overall: 8.0 Recommendation: Buy

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Review: Legion of X #1

Legion of X #1

With Krakoa being a nation, some law and order must exist for it to survive. A nation of individuals with often times immeasurable power could easily get out of hand and things do happen. Who will enforce that order? Enter Nightcrawler and his Legionnaires (yes, that’s used). Legion of X #1 kicks off a new focus on that aspect to Krakoa, who watches the… mutants. It’s a police procedural mixed with spandex for a start that’s full of potential.

Written by Si Spurrier, Legion of X #1 is a decent start. It introduces us to the “laws” and vision that Nightcrawler and Legion have. It also sets up around 4 or so different plotlines and cases for characters to enjoy. It also both narrows down the cast while keeping the possibilities open for an interesting rotation of characters.

It does all of that well and does so in a way that’s entertaining. There’s a nice mix of seriousness and humor that the comic never feels too heavy and weighted down. A murder suspect is balanced by a mutant whose power is that people forget who he is. That’s played out over and over to a point it becomes groan inducing and then becomes funny again. There’s also a lot of focus on Nightcrawler’s case which ropes in Arakko, and interesting situation for that new society to fall under the arm of the “law” of Krakoa.

And Arakko is what stands out about the comic. There’s levels of thought and detail into that society that feels like it hasn’t been discussed. There’s a clear division between the mutant nations and one looks down on the other, or is at least perceived to. This potential is huge. It’s been danced around in other comics but here, it’s front and center.

The art by Jan Bazaldua is solid. Federico Blee’s color stands out and Clayton Cowles provides the lettering. The comic bounces between the real world and Legion’s created one with two styles that are very different but work so well together. Blee’s colors really stand out in the astral world Legion has created. Bazaldua also packs in a lot of characters into the issue making it all feel very lived in and busy.

Legion of X #1 is an interesting start. It has a lot of potential and hopefully as it focuses in on each plotline things get more intriguing. It fills a niche that’s needed in the world of X and the conflict to come hinted at should keep things very interesting.

Story: Si Spurrier Art: Jan Bazaldua
Color: Federico Blee Letterer: Clayton Cowles
Story: 7.25 Art: 7.4 Overall: 7.35 Recommendation: Read

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Review: X-Men Red #1

X-Men Red #1

When it comes to dual X-Men teams, it often feels like one of the teams is the “also rans”. Two teams of heavy hitters has happened but even then, there feels like a bit of a rivalry between them. Too often it’s just the personalities that really define the difference. X-Men Red #1 is an intriguing entry in the “Destiny of X” line of X-Men comics in that its focus is not on the X-Men of Earth, instead it’s a terraformed Mars, dubbed Arakko. Lead by Storm, the planet features mutants from Krakoa and Amenth, a combination that opens things up to a literal world of new characters.

With a world of possibilities, writer Al Ewing does a nice balance of old and new. There’s classic X-Men characters like Sunspot and James Proudstar (aka Warpath), newer X-Men like Vulcan, and then members of Amenth, generally new to readers. But, at the center of it all is Storm and Magneto, two heavy hitters who have shaped the X-Men throughout the decades and look to do so again in X-Men Red #1.

What’s interesting is Ewing’s focus. A world so knew has lead both Storm and Magneto to reflect on their past. Infinite possibilities of what to build has caused each to think about what they’ve done, what they’ve shaped, and how they’re viewed. Magneto, going by Max, is the most interesting of all the characters. His weariness shows a man who has recognized his failures and short comings and in many ways tired of the struggle. He’s the battle hardened vet shaped by years of abuse, torture, and hate, and forged from the horrors of what mankind can do. In his journey he meets a member of the Amenth who also was forged from bars and torture. The duo together bond over their pain and suffering. Ewing presents a Magneto who’s almost poetic in his musings, far displaced from his much more focused and planned statements during his leadership of Krakoa. The debut also directly takes on the opening of House of X/Powers of X when it comes to Storm and Magneto who both showed off nationalist tendencies. Max is directly confronted about his beliefs and views by his new friend who challenges a lot of the status quo.

Stefano Caselli‘s artwork is fantastic. Along with Federico Blee on color and Ariana Maher‘s lettering, the comic is a blend of fantasy and future. It’s a strange new world that doesn’t feel too alien to connect with. A bar fight involves a simple table being smashed over an individual that looks like a normal table. But, that bar is full of characters who look like something out of a sci-fi adventure. That sits side by side as Max and his new friend talk in fields that look straight out of feudal times as Max builds a castle of his own. The juxtaposition of it all is not lost and quite nice as worlds combine to forge something new, a brotherhood.

The question going into X-Men Red #1 is whether it can be more than just “X-Men on Mars”. The debut issue sets a groundwork that’s intriguing and interesting with conflict to come and political machinations and drama to keep things interesting. It’s a solid debut that promises a bright future for the once red planet.

Story: Al Ewing Art: Stefano Caselli
Color: Federico Blee Letterer: Ariana Maher Design: Tom Muller, Jay Bowen
Story: 8.35 Art: 8.5 Overall: 8.4 Recommendation: Buy

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Review: Daredevil: Woman Without Fear #3

Daredevil: Woman Without Fear #3

When it comes to events, the spin-off comics are often of lesser quality. They tend to feel like cash-ins squeezing in characters or just milking the event. Devil’s Reign feels like the exception with the spin-offs often standing on their own without the event and each adding to their characters in some way. It doesn’t feel like side quests as much as it does fully formed storylines by themselves. Daredevil: Woman Without Fear #3 wraps up Elektra’s journey setting up a lot to come and possibly spoiling Devil’s Reign.

It’s Elektra versus Kraven the Hunter as ghosts of Elektra’s past come to haunt her. Through the action, writer Chip Zdarsky delivers a rather haunting tale of a woman dealing with her past. She had a mission when it came to Matt Murdock, she was a tool of an organization. What is she now? What’s the path forward? There’s an interesting mix of reflection, regret, and acceptance. Zdarsky delivers a comic full of fights and action but also one that feels like its true focus is its main character front and center.

The only knock on the storytelling is it possibly spoils Devil’s Reign which comes out the following week and when you get to the end, it feels a bit like it loses its standalone nature. We’ll have to see about that spoiler but it’s the end that makes the comic feel like a piece of the bigger story arc still to come as opposed to a three issue series that can be read on its own. It almost pulls that off.

The art by Rafael De Latorre is fantastic. The fights feel brutal but have a flow about them. Federico Blee‘s colors add to the atmosphere. Clayton Cowles‘ lettering is the cherry on top. Visually the comic is an interesting one as the battle goes from brute strength to something more subtle and “quiet”. That change in fighting styles is nailed down in the art where punches give way to tactical attacks. It also perfectly fits the sadness that permeates the story Zdarsky has spun.

Daredevil: Woman Without Fear #3 is a solid finale. It continues an event tie-in that has stood out and is one of the best I’ve read in a long time. It also has me wanting to go back and see what I missed in Elektra’s story but also excited about what’s to come.

Story: Chip Zdarsky Art: Rafael De Latorre
Color: Federico Blee Letterer: Clayton Cowles
Story: 8.25 Art: 8.5 Overall: 8.4 Recommendation: Buy

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Review: Daredevil: Woman Without Fear #2

Daredevil: Woman Without Fear #2

Event spin-offs are an interesting mix. They often feel like cash grabs, delivering a quality that’s rather… lacking. The current Devil’s Reign feels different though. The main title is excellent so far and the tie-ins have all been really good. It’s the rare event that hasn’t disappointed in any way (so far). A prime example of that is Daredevil: Woman Without Fear #2 which picks up from the fantastic debut and has Elektra facing down Kraven the Hunter.

Written by Chip Zdarsky, what really stands out about Daredevil: Woman Without Fear #2 is his focus on the character. Sure, there’s a lot of solid action and fight scenes, but most of the comic is really Elektra thinking about her current situation and the past that got her there. This is someone that has done horrible things in her past and hasn’t faced them all. She’s unsettled and still debating on her actions.

As someone who has issues getting that sort of reflection out of my own head, this is a comic that just feels like reality. It’s the actions, at least the reflection, of a real person who is thinking about their past. What could they have done differently? How might have things changed? Should they do anything now? It’s that focus on a single event and dissecting it 20 different ways that hits home. It’s a very realistic and human thing to do for some people. It’s something I regularly experience. It’s something a lot of people experience. Zdarsky has taken the real reflection people do and put it all down on paper for our entertainment.

Rafael De Latorre‘s art is fantastic. With color from Federico Blee and lettering by Clayton Cowles, the art and design is top notch. This doesn’t feel like an event cash-in, it feels like the main event. The battle has a brutality in it that’s subtle. You never quite know when either combatant will strike which makes the art deliver a tense aspect about it all. It’s just fantastic to look at.

Daredevil: Woman Without Fear #2 is a tie-in but it’s a comic that can stand on its own. It feels like the event is almost secondary as Elektra reflects on her life. It’s a hell of an issue for a fantastic miniseries that has me begging for more. Even if you’re not reading Devil’s Reign, which you should, this is well worth picking up on its own.

Story: Chip Zdarsky Art: Rafael De Latorre
Color: Federico Blee Letterer: Clayton Cowles
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

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