Tag Archives: elizabeth breitweiser

Brubaker, Phillips, and Breitweiser’s Kill or be Killed to the Big Screen

The John Wick team of director Chad Stahelski and producer Basil Iwanyk are working to bring the comic Kill or Be Killed to the big screen. Dan Casey is attached to write the script. The comic is by Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser, and published by Image Comics. Casey has previously adapted Icognito by Brubaker.

Producers for the film include Iwanyk, Erica Lee, Jeff Waxman, and Brubaker will be an executive producer.

The story revolves around a college student who survives an attempted suicide due to a demon. The demon informs the student for every life he takes he may live for one more month.

(via The Hollywood Reporter)

Review: Kill or Be Killed #11

Killed or Be Killed #11 kicks off with a tantalizing flash-forward of our protagonist Dylan as a millennial Charles Bronson in the Death Wish sequels in a brutal action sequence that the series opened up with. However, this is just a tease from Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser, and the comic settles down to poke around Dylan’s mental state and hint at the tiniest slivers of redemption before taking a sharp, violent left turn in its final scenes. This lull, then storm plot structure makes for entertaining reading as Brubaker and Phillips make Dylan a likable young man trying to get his friend Kira back, pass grad school, and find some semblance of normal in his life until he decides to kill again.

Kill or Be Killed #11 definitely looks at the “psychological” part in psychological thriller, and there’s an extended scene where Dylan half lies and half tells the truth to his therapist, who reprimands him for going off his meds. Breitweiser’s colors sink to a nice medium palette, and Phillips draws Dylan’s body language as moving away from his therapist instead of listening to what he has to say. It’s nice to see Dylan working on his mental health, but his lack of engagement with his therapist and lies to him makes it seem like he’s just trying to tick off a box on a list and return to “normal” without dealing with the consequences of his murders. Dylan isn’t contrite at all; he just wants to avoid the consequences of his actions, which is why it’s hilarious that he wears a Richard Nixon mask to his friend Kira’s Halloween party towards the end of the issue.

Brubaker, Phillips, and Breitweiser continue to make the reality of the demon that supposedly saved Dylan’s life and forces him to kill fairly ambiguous with a couple pages done in pulpy, painted art style showing that his father’s artwork of the creature. Nonetheless, like clock work, Dylan gets deathly ill two months after he killed a Russian mob member and his drug dealer, and the cause isn’t just undercooked falafel. But he doesn’t immediately go into vigilante mode until he hears a young man in a Russian accent asking for his friend Kira and her “boyfriend” Dylan at a coffee shop, and the demon never speaks to him in Kill or Be Killed #11. The ending of the issue started to really make me question the “devil made me do it” motivation for Dylan’s actions and returns to the desperate final issues of the second arc where Dylan was just out to save his own ass through violent, yet sloppy means. Just when readers start to like Dylan more, he goes off and murders someone.

Ed Brubaker continues to treat Dylan’s mental health with empathy without justifying his actions in the slightest. Sean Phillips and Elizabeth Breitweiser kick in a little romance and add more light to their usual shadowy art when Dylan interacts with Kira, and the story shifts gears from Death Wish meets Zodiac to a less insufferable early Zach Braff film with two young people rekindling a spark in Greenwich Village after dealing with a host of relationship issues. That tone is short lived when Dylan gets sick, and the art becomes more painterly and apocalyptic. There’s a tension between wanting Dylan to feel better, not wanting him to kill again , and a third, liberating door that it’s an imbalance in brain chemistry telling him this. It’s a moral muddle, and Dylan’s own internal struggle is more riveting and infinitely more relatable than the Russian gangsters on his tail.

After an insanely compelling and action master class of a cold open, Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser so straight slice of life for most of Kill or Be Killed #11 examining Dylan’s post-vigilante motivation and relationship with Kira. But cue the last few pages, and the comic is back to be one hell of (a heavy on the anti) an antihero with a Richard Nixon mask starring thrill ride. (Fingers crossed that he runs into someone in a Hunter S. Thompson outfit at next issue’s costume party.

Story: Ed Brubaker Art: Sean Phillips Colors: Elizabeth Breitweiser
Story: 8.0  Art: 9.5 Overall: 8.8  Recommendation: Buy 

Image Comics provided Graphic Policy with a FREE copy for review

Review: Kill or Be Killed #8

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*MINOR SPOILERS BELOW*

Kill or Be Killed #8 brings us back to following the misadventures of Dylan. We get to watch the insecurities and realities begin to surround and almost smother him, and paranoia sink in. Sure, there is still some part of him that thinks he will get away with this, and while I don’t know the ending to the tale, the chips are certainly stacked against him.

As with most of the issues in this fantastic series, the end always sets up something huge for the next issue, and this is no different. This story has been an awesome slow burn that has added so many layers that you can tell will all certainly start intertwining soon, and that is what makes Ed Brubaker such an incredible writer, and storyteller.

Of course, a comic book is not just words, and the art is just as important as the script. Thankfully, Sean Phillips and Elizabeth Breitweiser draw and color the hell out of this series. They are some of the most consistent creators in comics, and together with Brubaker, make this one of the best comics out there.

As I have pointed out in my previous reviews of this series, Kill or Be Killed is something everyone should be reading. It is one of my favorite comics every month, and I don’t expect this to change anytime soon. I have the highest expectations for this story going forward, and the ending we will someday get to. I don’t expect it to be a happy ending, but I do expect it to be brilliantly written, and beautifully drawn.

Story: Ed Brubaker Art: Sean Phillips Colors: Elizabeth Breitweiser
Story: 9.0 Art: 9.0 Overall: 9.0 Recommendation: Buy

Image provided Graphic Policy with a FREE copy for review

Graphic Policy Celebrates Women’s History Month: Our Favorite Women in Comics

patsy walker aka hellcat 1 featuredLogan: Kate Leth, Brittney Williams, Megan Wilson, and Rachelle Rosenberg’s Hellcat has been a joyful celebration of superheroes, young people, and queerness. I will miss its humor, chibi style art, and especially my bi bae Ian Soo when it ends in a couple months.

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Alex: Faith (Valiant) I really can’t understate just how enjoyable this series is. There have definitely been some issues stronger than others, but each and every one in the ongoing series (and preceding miniseries) has been nothing short of a pleasure to read.

Jody Houser, Marguerite Sauvage and the revolving cast of artists have taken Faith to stunning heights in an effortlessly charming and warm series that will make you fall in love with comics all over again.

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Shay: Gail Simone brings me LIFE! As does Roxane Gay! And I’m really loving Amanda Conner and her hubby’s direction for Harley Quinn! Also, loving Marguerite Bennett for the realistic portrayal of lesbians in Batwoman!

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Joe: One of the best titles in the last year is Animosity from Aftershock. This fantastic story is written by Marguerite Bennett who has taken the comic book world by storm lately, and drawn by Rafael de Latorre. Basically, society has collapsed when animals can talk and decide to take over the world from humanity. Instead of a boy and his dog adventure like we’ve seen so many times, we get a girl and her dog. Jesse and her hound, Sandor are not only an awesome pair, but the story is about Jesse’s growth into womanhood without a mother figure. Sandor knows he cannot help like her mother could, but he learns to rely on the other female animals to guide her. It’s brilliant, and everyone should be reading it.

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Patrick: Ann Nocenti’s run on Daredevil blew my mind when it was coming out. It was so different from what I’d been used to seeing from Denny O’Neil and Frank Miller – a strange urban poetry that was as close to magic realism as I’d ever seen in mainstream comics. With an off-kilter humor – the Human Torch showing up in a tight t-shirt reading “Bad!” – twisted romance, and psychodrama. Her writing was like nothing else on the stands.

A huge thanks to the editors and publishers behind the scenes who made a ton of great comics happen: Jenette Kahn, cat yronwode, Diana Schutz, Louise Jones/Simonson, Ann Nocenti, Shelly Bond, Alisa Kwitney, and most especially the inestimable Karen Berger.

Troy: It was a bit short lived, but I think there was a Defender’s title by Cullen Bunn about Valkyrie being tasked with assembling Midgard’s Valkyrie. Fear Itself the Fearless was kind of the prelude series to that. I really would have loved to see this series fleshed out.

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Madison: It’s no secret that I’m obsessed with Monstress and Bitch Planet. They’re not for everyone, but they’re two of my go-to recommendations for people who love science fiction or fantasy. Elizabeth Breitweiser, Rachelle Rosenberg, and Jordie Bellaire consistently blow me away with their incredible colors.

Brett: I’m slightly obsessed with M. Goodwin’s Tomboy which is published by Action Lab: Danger Zone. The series follows a teenage girl whose best friend is murdered in a corrupt cop/conspiracy and she gets posessed by an avenging ghost in a way. Think Kick-Ass but a teenage girl in the lead and a manga influence to it all. An amazing mix of horror, action, and manga the hero Addison is a teenager that can kick ass and get some vengeance.

Review: Kill or Be Killed #6

img_0487Kill or Be Killed #6 fires off a shotgun blast of craziness and moves much quicker compared to the slower paced issue #5. That isn’t to say #5 wasn’t good because it was. It was just a slower paced book that ended with a big cliffhanger. That cliffhanger is where we start this issue obviously, and it doubles down by adding a few other levels of intensity and claustrophobia to what used to be a guy who was in over his head, thinking he is doing the right thing, and killing bad people because “a demon is telling him to”. Yes, I wrote that in quotes, because I wonder if the demon is a real demon at all, or something Dylan is either seeing or his brain is manifesting as either a self-defense mechanism or another condition. I trust Ed Brubaker as a writer and am excited to how far he takes this. This book explores what would happen if an everyday civilian tried to be The Punisher. Spoilers: it isn’t sustainable.

Just as Dylan thinks he is actually pulling this whole crazy vigilante plan off, a new detective is on the case. Enter Lily Sharpe, a young female detective who is beginning to connect the dots to random murders across New York City. Now that a masked vigilante made the front page of the paper, Detective Sharpe begins to put the pieces together to a previous case she worked on, the unsolved murder of man that had a laptop filled with child porn. If you’ve been reading this series, you should know who that man was, since it was Dylan’s first target. It’s funny how one thing can lead to another, and then all of a sudden a young, hungry detective is connecting murders that you committed. This is going to get crazy, very, very soon.

img_0486Sean Phillips and Elizabeth Breitweiser do such a good job to make a modern story feel classic. Like the rest of this series, the all-star pair give this issue the pulp noir treatment, but with a bigger color palette. They have both worked with Brubaker on his other books, and it shows. They are a fantastic team that only continue to get better. They not only compliment the story, they are a large part of it. The panel work gives the feeling of scenes from a cop television drama and helps keep the narration spell out the plot clearly and give the book a nice easy to read flow and pace. Whether it’s original ideas like using first person viewpoints on evidence or a newspaper or the believable portrayal of human emotion on the characters, they do a great job making everything believable.

If you have not read Kill or Be Killed, you should check it out. The first volume is out containing issues #1-4 and it would be a great story to read in trade. Dylan is relatable in so many ways, well he was at least. Now you just want to yell “STOP!” at the book with every decision he makes, but I still feel like I am rooting for him. Even with the things he is doing, I believe he thinks he is doing the right thing. However, Dylan is no longer the man we knew in the first arc. He is becoming some super confident version of himself, and it definitely reads more and more like a cautionary tale. I can’t see a good way out of any of this for him, but as we know with good writers, not everything is as it seems, so let’s see where this book and Brubaker take us. For right now, there’s someone who is convinced he has to kill someone on a regular schedule to keep himself from dying because of what a demon told him. Also, there is a determined detective and an angry Russian mob after him as well. Everything is coming home to roost for Dylan. Maybe. Will he continue to kill or will he be killed?

Story: Ed Brubaker Art: Sean Phillips Color: Elizabeth Breitweiser
Story: 9 Art: 9 Overall: 9 Recommendation: Buy

Image provided Graphic Policy with a FREE copy for review

Review: Kill or Be Killed #5

killorbekilled_05-1It feels like too long since we have followed the nail-biting and tense adventures of Dylan. Thankfully, Kill or Be Killed #5 gives us a new entry in the fantastic crime drama from the best team in the business. If you have not read the first four issues, this week also gives us the release of the first volume, collecting those. So if you have not caught up yet, you should, because this series is fantastic.

This issue is good, I just do not think it was as good as the first four. That isn’t a bad thing, as it does a lot to set up the next arc within the overall story, and it does cover some solid ground. The story is moved ahead a few months, and we see Dylan training to defend himself, how his relationships have changed with his friend and the girl that he loves, an old flame, and his next target. Overall, this issue is a solid entry in the series and moved things forward a bit. We will see how much that pays off, but I trust Brubaker as a storyteller.

The story is told by Dylan as the narrator as if he was telling a friend everything that had happened the last few months. There are a lot of oh and then this happened moments that makes the story hop around, and I felt it didn’t have the usual flow of the comic that I enjoy. Again, it isn’t a bad thing, it just felt different, and I had gotten used to the intensity and the craziness that Ed Brubaker has given us so far. That isn’t to say there isn’t any of those moments because the book-ending moments of this comic left me with my jaw hanging open. Things ramp up very quickly for Dylan, and you get left with a cliffhanger. I need to know what happened here, and I do not want to wait.

killorbekilled05-review3Sean Phillips and Elizabeth Breitweiser continue the rock solid artwork in their pulp style which surprisingly really works well in this modern setting. The layout is fantastic too, as there are pages that allow Brubaker to write some prose down the sides of the artwork. It is a nice detraction from how the traditional comic page can be and makes the book stand out aside from the fantastic story. The panel work is also fantastic and helps show emotion or action from our characters sometimes without the need for dialogue or narration. It is effective storytelling and compliments Brubaker as they have so many times before.

Kill or Be Killed is a series that you should check out. If you like crime dramas, thrillers, and gritty street justice, then this book is for you. You are following the story of a man who is figuring everything out as he goes along, and you feel like you are on the journey with him. He makes mistakes, especially in this issue, and the reader can vicariously live through him. How long can he keep this up? And if he stops, will he truly die like the demon told him? If that last question makes no sense to you, then you should buy the first volume that releases the same day as this issue and catch up.

Story: Ed Brubaker Art: Sean Phillips Color: Elizabeth Breitweiser
Story: 8 Art: 8.5 Overall: 8 Recommendation: Buy

Image provided Graphic Policy with a FREE copy for review

Review: Kill or Be Killed #3

kill-or-be-killed-3Ed Brubaker and Sean Phillips are one hell of a team. They have worked on a ton of books together and they just keep going.  Thank god that they do, because we are getting another classic in the making here. The kings of crime pulp are at it once again in Kill or Be Killed #3.  This story deals with the protagonist, Dylan being forced to take justice into his own hands.  Our main character has been through a lot in just the first two issues alone, and this issue slows things down a bit.  That’s a good thing. If you do not know the premise of Kill or be Killed, you should start at the first issue, because it is fantastic.  The story follows a young man who is forced to kill bad people, and how he tries to keep it all a secret from everyone around him.

Speaking of love, this issue deals with the uncomfortable tension between Dylan and Kira.  While her boyfriend and Dylan’s roommate, Mason is still out of town, she wants to talk about her and Dylan’s relationship.  Much like the need to murder people, Dylan is trying to fight his impulses with Kira as well.  This doesn’t mean just kissing her, or letting her play with his heart, but confiding in her about who he really is.

This issue has a couple of moments straight out of a Poe story, where we see Dylan’s paranoia coming out as he tries to accept what he did.  He spends his days searching for articles on his last victim and seeing if anyone has pinned him to the murder.  There is a big moment here that I won’t spoil that causes something in Dylan to change, and we see a new side of him we have not seen yet.  Now a more confident man at the end of this issue than when we first saw him, Dylan starts giving into those impulses he tried to fight.  He begins to rationalize his dark thoughts, both with Kira and with murdering people.  What will happen now that he begins to see people only as labels, and not more?  Child molesters.  Rapists.  Bigots.  You get the idea.

We also get a peak at Kira’s past, which tells us a lot about her character and why she is the way she is.  Her manipulative ways now make more sense as she walks us through some dark moments from her childhood and her therapy sessions.  Could she be manipulating Dylan even here?  Absolutely.  She is a very interesting character, and a big part of what this book, and Dylan are about.

I think this series begs to ask the question, is this what a real life vigilante would look like?  Most people love seeing The Punisher take down a gang of bad guys.  Is Dylan so different? He doesn’t look as cool, or have the skull shirt, but does that matter?  Is it okay to justify killing someone simply because they are bad?  How would you be so certain that they are?  I cannot wait to find out what Dylan discovers as he goes through these questions in his own head, and we get a front row seat.

Story: Ed Brubaker Art: Sean Phillips Color: Elizabeth Breitweiser
Story: 9.5 Art: 9 Overall: 9.5 Recommendation: Buy

Image provided Graphic Policy with a FREE copy for review

Image Comics Announces 20 Comics and More at Image Expo

Today at the Showbox Market Theater in Seattle, Washington, Image Comics kicked-off Emerald City Comicon with Image Expo and a slew of exciting creator-owned announcements.

They also announced a new initiative Creators for Creators as well.

Image Comics revealed the following creator-owned projects set to launch in the coming year and beyond.

AFAR by Leila del Duca & Kit Seaton

Critically-acclaimed, Russ Manning nominated SHUTTER artist Leila Del Duca teams up as co-creator and writer alongside artist, colorist, and letterer Kit Seaton (THE BLACK BULL OF NORROWAY, EVE OF ALL SAINTS) for an original graphic novel, AFAR.

In AFAR, Boetema suddenly develops the ability to astrally project to other worlds, unintentionally possessing the bodies of people light years away. Inotu, her inquisitive brother with a pension for trouble, finds himself on the run after he’s caught eavesdropping on an illegal business deal between small town business tycoons and their cyborg bodyguard. When Boetema accidentally gets someone hurt while in another girl’s body, the siblings are forced to work together to solve the problems they’ve created on their planet and others.

AFAR hits shelves this Fall 2016.

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BLACK CLOUD by Jason Latour, Ivan Brandon, Greg Hinkle, Matt Wilson, Aditya Bidikar, Tom Muller, edited by Maria Ludwig
Co-creators Jason Latour (SOUTHERN BASTARDS, Spider-Gwen), Ivan Brandon (DRIFTER, VIKING) and Greg Hinkle (AIRBOY, THE RATTLER), team up with colorist Matt Wilson (THE WICKED + THE DIVINE), letterer Aditya Bidikar, designer Tom Muller, and editor Maria Ludwig for an all-new series called, BLACK CLOUD.

Once upon a time…They built a world where dreams come true… And those dreams went to war. In BLACK CLOUD, we meet Zelda: exiled to Earth, her dreams of revolution are gone, but she still holds the key to the world she left behind. And it’s for sale.

BLACK CLOUD is set to launch in Fall 2016.

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THE BLACK MONDAY MURDERS by Jonathan Hickman & Tomm Coker 
All hail god money! From Jonathan Hickman (EAST OF WEST, Secret Wars, Avengers) and Tomm Coker (Undying Love) comes a mythical reinterpretation of modern global economics.

THE BLACK MONDAY MURDERS is classic occult indoctrination where the secret schools of magic are actually clandestine banking cartels who control all of society—a hidden world where vampire Russian oligarchs, Black Popes, enchanted American aristocrats, and hitmen from the International Monetary Fund work together to keep ALL OF US in our rightful place.

Each issue contains world-expanding bonus content like maps, corporate organization charts, decoded apocrypha, and stock tips to die for.

THE BLACK MONDAY MURDERS is a brand new, crypto-noir series about dirty, filthy, money… and what kind of people you can buy with it. Set to launch in Fall 2016.

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THE DIVIDED STATES OF HYSTERIA by Howard Chaykin
Howard Chaykin (SATELLITE SAM, BLACK KISS, AMERICAN FLAGG!) with the able assistance of Jesus Aburto on coloring, and Ken Bruzenak on lettering, unleashes THE DIVIDED STATES OF HYSTERIA.

THE DIVIDED STATES OF HYSTERIA is set in the aftermath of a dirty bomb that wipes New York City off the map, as what will come to be known as the Second American Civil War shatters the domestic landscape in isolated pustules of violence…and a team of five private contractors is charged with stemming this tide of rage and bringing the bombers to justice.

THE DIVIDED STATES OF HYSTERIA launches in Winter 2016.

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GLITTERBOMB by Jim Zub & Djibril Morissette-Phan & K. Michael Russell & Marshall Dillon
Fan-favorite writer Jim Zub and newcomer Djibril Morissette-Phan come together with colorist K. Michael Russell and letterer Marshall Dillon for GLITTERBOMB.

“Probably the only thing I love more than comics is cinema,” said Morissette-Phan. “Which makes Glitterbomb a dream project since it’s a perfect blend of both.”

Set in Hollywood, GLITTERBOMB is a horror story about failed fame and blood-soaked revenge.

GLITTERBOMB is set to launch in late Summer 2016.

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HORIZON, by Brandon Thomas, Juan Gedeon & Frank Martin (Skybound)
Writer Brandon Thomas, artist Juan Gedeon, and colorist Frank Martin team up for an all-new series from Image/Skybound titled, HORIZON.

In HORIZON, Zhia Malen thought she’d fought her very last war, until she learned her planet was targeted for occupation…by a desperate world called Earth. The people of Earth will be told that her arrival on our planet means invasion. These are lies. This is retaliation, and Horizon explores what happens when our planet finally runs out of second chances. And when we meet an alien race just as committed to survival as we are…

HORIZON is set to launch from Image/Skybound in July 13, 2016.

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THE HUNT by Colin Lorimer, Jim Campbell, and Joana Lafuente (Shadowline Comics)
Critically acclaimed writer/artist Colin Lorimer (Harvest) teams up with letterer Jim Campbell and colorist Joana Lafuente for THE HUNT.

At her father’s deathbed, Orlaigh Roche came face to face with the age-old myth of The Slaugh; a group of soul-stealing spirits so evil that not even hell would take them. Years later, and with the belief that her father’s soul is still trapped in some form of the netherworld, she goes looking for answers—beginning a journey that leads her down a path to discover what really happens to us after we die.

THE HUNT begins in 2016 from Image/Shadowline Comics.

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ISOLA by Brenden Fletcher & Karl Kerschl 
Bestselling creators Brenden Fletcher (Batgirl of Burnside, Gotham Academy) and Karl Kerschl (Gotham Academy, The Abominable Charles Christopher) re-team for ISOLA—an epic fantasy adventure series with the scope of Game of Thrones and the spirit of Princess Mononoke.

ISOLA is set in a mystical land where the queen’s brother enacts a treacherous plot to transform her into a tiger. The captain of the guard, a woman of great skill, brings swift and lethal vengeance, unaware the wicked prince alone has the power to reverse the spell. The two women—one on two legs, one on four—must undertake a perilous journey halfway across the globe to the fabled island of ISOLA, gateway to the underworld, where they hope to find the spirit of the queen’s late brother and return her to human form.

ISOLA is set to launch in Spring 2017.

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KILL OR BE KILLED by Ed Brubaker, Sean Phillips, Elizabeth Breitweiser
Bestselling writer Ed Brubaker (THE FADE OUT, FATALE), artist Sean Phillips (THE FADE OUT, FATALE), and colorist Elizabeth Breitweiser (THE FADE OUT, FATALE, OUTCAST BY KIRKMAN & AZACETA) reunite for KILL OR BE KILLED, the ultimate pulp crime comic.

KILL OR BE KILLED is the story of a troubled young man who is compelled to kill bad people, and how he struggles to keep his secret, as it slowly begins to ruin his life and the lives of his friends and loved ones.

Both a thriller and a deconstruction of vigilantism, KILL OR BE KILLED is unlike anything Brubaker and Phillips have done together in their long partnership.

KILL OR BE KILLED is set to launch in Summer 2016.

kill or be killed

LAKE OF FIRE by Nathan Fairbairn & Matt Smith
Co-creators Nathan Fairbairn (Scott Pilgrim, Batman Incorporated) and Matt Smith (Barbarian Lord) come together for an all-new series titled LAKE OF FIRE.

In LAKE OF FIRE it is 1220 AD, and the gears of the Albigensian Crusade grind on. When an alien mining craft infested with legions of bloodthirsty predators crash-lands in the remote wilderness of the French Pyrenees, a small band of crusaders and a Cathar heretic are all that stands between God’s Kingdom and Hell on Earth.

LAKE OF FIRE is set to launch in Summer 2016.

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MOONSHINE by Brian Azzarello & Eduardo Risso, edited by Will Dennis
From Brian Azzarello and Eduardo Risso—the Eisner award-winning creative team behind the crime classic, 100 Bullets—comes the brutal new series, MOONSHINE.

MOONSHINE is set during the Prohibition Era, deep in the backwoods of Appalachia and tells the story of Lou Pirlo, a city-slick “torpedo” sent from New York City to negotiate a deal with the best moonshiner in West Virginia, one Hiram Holt. Lou figures it for milk run—how hard could it be to set-up moonshine shipments from a few ass-backward hillbillies? What Lou doesn’t figure on is that Holt is just as cunning as ruthless as any NYC crime boss and Lou is in way over his pin-striped head. Because not only will Holt do anything to protect his illicit booze operation, he’ll stop at nothing to protect a much darker family secret…a bloody, supernatural secret that must never see the light of day… or better still, the light of the full moon.

MOONSHINE #1 will hit stores in Fall 2016 and marks the first time Azzarello and Risso have worked together with Image Comics and reunites the acclaimed creative team that defined modern crime comics with 100 Bullets… and now puts a horror-twist on a classic gangster tale.

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MOTOR CRUSH by Brenden Fletcher, Cameron Stewart, & Babs Tarr
From the creative team behind the popular, New York Times bestselling Batgirl of Burnside—Brenden Fletcher, Cameron Stewart, and Babs Tarr—comes MOTOR CRUSH—is a stylish, neon-soaked, revved up science-fiction action series.

By day, a Domino Swift competes for fame and fortune in a worldwide motorcycle racing league. By night, she cracks helmets of rival gangs in brutal, illegal bike wars on the city streets to gain possession of a rare and valuable contraband: an engine-boosting “machine narcotic” known as MOTOR CRUSH. But the origins—and ultimate purpose—of this mysterious substance are unknown, and could put her on a collision course with danger…

MOTOR CRUSH rides into town this December 2016.

motor crush

PRIMA by Jen Van Meter, Rick Burchett, Eric Newsom, edited by Jeanine Schaefer
Spies.
Thieves.
Ballerinas.
PRIMA.
You don’t always see who’s standing in the spotlight.

Creators Jen Van Meter and artist Rick Burchett team up to tell an all-new story about a dance company—comprised entirely of former spies—righting the wrongs of the Cold War in a series called, PRIMA.

PRIMA follows Sophia Forais and Pauline French are the soloist and Managing Director of a dance company that once served as a front for a Resistance cell in France. Engaged for a long run in New York, the dancers have turned their attention and unique skills to aiding a veteran of the Romanian underground now being blackmailed by her American husband. The small operation should prove simple, but Sophia, Paulina and their colleagues will quickly learn that the war has not really ended, and the world is no less ruthless than it was when they were smuggling information and refugees during the Occupation.

An espionage/romance adventure set in the arts world just after WWII, PRIMA is a warm-hearted series of intrigues: To Catch a Thief goes to the ballet.

On stands in FALL 2016.

prima

PRINCE OF CATS by Ron Wimberly 
PRINCE OF CATS written and drawn by Ron Wimberly, lettered by Jarred Fisher, and featuring design by Jorden Haley returns to print from Image Comics.

PRINCE OF CATS was first released from Vertigo to critical acclaim in the summer 2012. It was out of print before the following summer. After three years, it will be returning to print through Image Comics.

PRINCE OF CATS is Rosencrantz and Guildenstern are Dead meets The Warriors meets Sword of Doom. PRINCE OF CATS sets Shakespeare’s Romeo and Juliet in an alt-universe, mid-eighties New York where dueling with live blades evolved as a cultural phenomenon alongside New York’s other street cultures; it eschews the story of the titular star-crossed lovers to follow the tragic story of Tybalt, the Prince of Cats.

PRINCE OF CATS, the definitive remastered author’s edition, is set to release in Fall 2016.

prince of cats

ROCKSTARS by Joe Harris & Megan Hutchison
Fan-favorite Joe Harris (THE X-FILES, SNOWFALL) teams up with artist Megan Hutchison for an all-new, ongoing series a la Almost Famous meets Supernatural called, ROCKSTARS.

ROCKSTARS follows a pair of young, rock ‘n roll investigators as they uncover a mystery involving a legendary band, dead groupies, human sacrifice and a supernatural undercurrent connecting so many famous—and even more undiscovered—secrets, myths and conspiracies peppering rock music throughout the ages.

When a pattern of unsolved ‘groupie’ murders dating back to the 1970s resumes in present-day Los Angeles, nobody makes the connection except for Jackie Mayer, a young rock nerd who not only knows everything about music history, trivia and its myriad secrets and factoids, but also harbors a mysterious, almost magical ability to ‘see’ what most people miss, and determine and divine what’s going unreported.

Joined by a music writer and aspiring investigative reporter named Dorothy Buell, and his loyal cat, Skydog, they soon uncover a vast mystery involving a legendary band’s exploits, their mercurial guitarist’s occult associations, demonic possession, and sacrifices to the dark gods of rock.

Each story arc will feature a case sprung from a different rock n’ roll era—British Invasion, Punk, 80s Heavy Metal, etc.—and draw on Jackie’s unique connection, knowledge, and darkly magical associations to crack them.

The series will launch in Fall 2016.

rockstars

ROMULUS by Bryan Hill & Nelson Blake II (Top Cow Productions)
Fan-favorite writer Bryan Hill (POSTAL) and Nelson Blake II come together for an all-new Image/Top Cow series in ROMULUS.

Set in the near future, ROMULUS follows the last in a line of near-mystical martial artists wages a revolutionary war against The Order of Romulus, the ancient secret society that trained her—a global organization, hidden in plain sight, that’s controlled the world since the days of Ancient Rome.

Their plan? Cull the population with genocide and rule a New World Order. Her plan? Kill them all or die angry.

Romulus launches from Top Cow/Image in Fall 2016.

romulus

SEVEN TO ETERNITY by Rick Remender & Jerome Opeña
Writer Rick Remender reteams with collaborators Jerome Opeña (Uncanny X-Force, Fear Agent) and Matt Hollingsworth (TOKYO GHOST, WYTCHES) to bring readers a modern fantasy series following Adam Osidis, a dying knight from a disgraced house, on a mission to rid his world of an insidious God who ensnared him in a Faustian deal.

Gharils Sulm, The God of Whispers is a Machiavellian warlord who holds sway everywhere in the world of Zhal. He’s spread an omnipresent paranoia to every corner of the kingdoms; one of his spies hides in every house, every family, every hall, spreading mistrust and fear.

Adam must choose between joining a hopeless band of magic users in their desperate bid to free their world of the evil God’s burden or give in to the The God of Whispers’ promises of salvation and safety.

The series is set to launch in the Fall of 2016.

seven to eternity

SURGEON X by Sara Kenney & John Watkiss, James Devlin, & Jared K. Fletcher, edited by Karen Berger 
Writer Sara Kenney and artist John Watkiss come together for an all new series, SURGEON X, and join forces with the award-winning Karen Berger, founding editor of DC’s Vertigo imprint.

Set against the backdrop of an antibiotic apocalypse in near future London. Rosa Scott, a brilliant and obsessive surgeon becomes Surgeon X, a vigilante doctor who uses experimental surgery and black market drugs to treat patients. But as Surgeon X, Rosa soon develops a godlike-complex, deciding who will live and who will die. Ultimately, she believes that to survive in this compromised world her own warped moral code is the one she must follow—even if it endangers those closest to her.

The comic is informed by hundreds of conversations with scientists, physicians, historians, economists, ethicists & philosophers to create this deeply disturbing, yet authentic future world.

SURGEON X was funded by a Society Award from Wellcome Trust, an independent global charitable foundation dedicated to improving health. They support bright minds in science, the humanities and the social sciences, as well as education, public engagement and the application of research to medicine.

SURGEON X will launch in Fall 2016.

surgeon x

VS by Ivan Brandon, Esad Ribić, Ive Svorcina, Aditya Bidikar, Tom Muller, edited by Sebastian Girner 
Writer Ivan Brandon (DRIFTER) and Esad Ribić (Secret Wars) team up with colorist Ive Svorcina, letterer Aditya Bidikar, designer Tom Muller, and editor Sebastian Girner for a futurist drama in, VS.

VS follows the rise and fall of Satta Flynn, a wildly popular soldier in a time when War has been privatized and is a form of entertainment.

Armies financed and equipped by super-corporations. War medics that double as Pit Mechanics. Satta’s every move is LIVE on TV. And for the first time, Satta finds out what it’s like to lose.

VS is set to launch in Fall 2016.

vs

WINNEBAGO GRAVEYARD by Steve Niles & Alison Sampson
Writer Steve Niles teams up with artist Alison Sampson, colorist Stéphane Paitreau, and letterer Clem Robins in WINNEBAGO GRAVEYARD.

Sampson used 1970s horror films for inspiration on the artwork and described the book’s overall look as: “about 70% Americana, slightly heightened, like True Blood, and about 30% ripping off of heads.”

A horror-adventure story, WINNEBAGO GRAVEYARD follows a family with a teenage son and what happens when their road-trip goes wrong and they find themselves stuck in a town full of satanists.

WINNEBAGO GRAVEYARD is set to launch in Fall 2017.

winnebago graveyard

Preview: The Fade Out #7

The Fade Out #7

Story By: Ed Brubaker
Art By: Sean Phillips
Art By: Elizabeth Breitweiser
Cover By: Sean Phillips
Cover Price: $3.50
Digital Price: $2.99
Diamond ID: FEB150606
Published: June 24, 2015

Charlie is falling for the replacement blonde…but is he working her for information, or is she playing him for her own ends?

FadeOut07_Cover

Preview: The Fade Out #6

The Fade Out #6

Story By: Ed Brubaker
Art By: Sean Phillips
Art By: Elizabeth Breitweiser
Cover By: Sean Phillips
Cover By: Elizabeth Breitweiser
Cover Price: $3.50
Digital Price: $2.99
Diamond ID: JAN150684
Published: May 20, 2015

BRUBAKER and PHILLIPS’ best-selling series ever just keeps hitting! Charlie and his blacklisted friend Gil hunt Hollywood’s back alleys for answers to Valeria Sommer’s murder and cover-up, but the one man who might know something, ex-child star “Flapjack” Jones, has gone into hiding…unless he’s dead in a ditch by the side of the road.

FadeOut06_Cover

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