Tag Archives: documentary

Director Glenn Fleming Discusses the upcoming Jack Kirby: My Personal Journey

Glenn Fleming is the director of the upcoming documentary Jack Kirby: My Personal Journey which will be available through his website. I had a chance to talk about the film and legendary creator.

Graphic Policy: Congratulations Glenn, on reaching your goal, so please tell us how you got into filmmaking?

Glenn Fleming: Thanks. As of this writing the Kickstarter project has reached almost £2,000 and 101 backers. This is well over my goal and I’m grateful to everyone who has backed the project. In answer to your question, I suppose i got ‘into’ filmmaking the same day I saw my dad filming us on holiday with his Super 8mm cine camera – when I was about six years old! I dabbled in photography at Art College many years later, movies and still, and I’ve produced many short films which are on You Tube, but I wouldn’t say I was a professional ‘film maker’; I’m really an artist and writer.

GP: Is this your first documentary? If not, where have we seen your work before?

GF: This film is not really a ‘documentary’ of sorts. As it says in the title, the film is about my journey to meet Jack.

GP: So, what inspired you initially to do this film?

GF: In the mid 80s, having not read a comic for 15 years, I found Kirby’s ‘Silver Star’ and ‘Captain Victory’. I also bought ‘The Comics Journal’ and read about Jack’s efforts to get his original art back from Marvel. I was surprised, but glad, he was still alive and thought wouldn’t it be cool to meet him. From there I met some Californians on holiday who lived near Jack. One thing led to another and I ended up knocking on Jack’s door. This is all covered in the film!

GP: Can we expect any interviews with some comic book writers or artists?

GF: Maybe. I would do it, of course, but my passion for the work of others is not the same; Jack was the best of the best, the most innovative comics creator in history. Everyone else just copies his blue print. I have interviewed other creators and published those interviews in my magazines ‘Crikey! The Great British Comics Magazine’, hard copies of which are still available and more recently in my on-line magazine, ‘Comics Unlimited’. Readers can still get all this stuff, should they wish it.

GP: At what point growing up and going to their house, did you realize just how much of a star, Jack Kirby was?

GF: I knew he was a star the first time I read those Marvel comics. They were, and remain, the best. No-one has come forward with Jack’s eye for storytelling, character deigns, layout or just sheer imagination. You can never say never, but I have to doubt there will ever be a force like him again.

GP: Please tell us one of your fondest memories of Jack and Roz Kirby?

GF: I have a lot of memories! I went to his house twice, so I was with him around 12 hours in total. Not long enough! My first memory is of how small he was; such a small frame, but so powerful and upright. His imagination was the size of a planet, but such a small man. My main memory of Roz was how beautiful she was. And such a lovely woman, you couldn’t help but fall in love with her. And strong – she protected her man and family. Roz Kirby is the reason we have Jack Kirby; she stood behind him every step of the way and let him get on with telling his stories. Another memory that brings a smile to my face was his grandson, Jeremy. Jeremy was about 12 at that time and he came around for his lunch when I was there. I remember Roz telling us he liked his pizza ‘napalmed’. Funny things stick in your head!

GP: Were you ever at their house, at the genesis of one of his characters that we all know?

GF: No! I was there in the late 80s and Jack had retired from the mainstream by then. It would have been cool to stand behind him and watch him draw Galactus for the first time – but no, I wasn’t there for any of that.

GP: Do you remember any characters that he created that did not quite work out, but he spent inordinate amount of time working on it?

GF: I think some of his peripheral characters could have been some of his best. This is my opinion and Jack never mentioned any of this: the character ‘Him’ from the FF was going to be better than the Surfer; the guy was incredible, another ‘god’ (and Jack was full of gods!). I don’t imagine Jack spent a lot of time on that character, but his potential, like all of Jack’s creations, was incredible. Sadly, the character didn’t go the way Jack would have taken him, by any means. Another character I always liked who never went as far as he should, was ‘Mantis’ from ‘The New Gods’. I always liked that character. I thought there was a lot of potential in ‘Silver Star’, but that only lasted six issues.

GP: When you were at their house, did you meet any famous writers/artists?

GF: No – it was just another day at the Kirby household! Jack talking about the war, Roz making lunch and me open jawed, in total awe and wanting to stay there for the next ten years.

GP: Do you remember any specific issue of his, you held, that is now considered classic?

GF: Many. I had them all. FF, Spidey, Avenger, X-Men – I had all the first issues. Unfortunately, my mother had me throw them away. Yep – she made me get rid of them when I was sixteen. Six hundred of them. Six hundred. I have a few that I managed to keep hold of, but not the full series that I could have, and should have, saved. Imagine if Jack had signed that FF #1 for me!!

GP: In your interview with Mr. Kirby, what was his favorite book when he worked at Marvel?

GF: I didn’t ask him specific questions. Jack had been ill and I didn’t want to pressure him or upset him. I just let him talk. The results are, I think, better than a set of questions. The best interviewers are the people who let people talk, let them go where they want to go. It’s more revealing that way.

GP: In your interview with Mr. Kirby, what was his favorite book when he worked at DC?

GF: Jack said DC were a fine company to work for, though he didn’t mention specific books or characters. I think he was honoured to draw Superman, but he preferred to write and draw his own characters. If you look at his ‘Jimmy Olsen’, an established DC character, you can see Jack taking that character way and above anything that had gone before. The same with ‘Superman’ – such a famous, iconic and powerful character, with a long and great history, pushed almost into the background, almost a secondary character, when he appeared in ‘Forever People’. That’s how good Jack was; he took established things and did things that pushed it further and further.

GP: In your interview with Mr. Kirby, what was his favorite book when he did not work at DC or Marvel?

GF: I think Jack enjoyed whatever he was working on at the time. I truly believe that.

GP: In your interview with Mr. Kirby, what was his favorite book that he worked on, period?

GF: I don’t know if he had any ‘favourite’ book, but my money would be on ‘Captain America’.

GP: Do you remember where you were, when you heard of his passing?

GF: I do. I was about to go into my office when a colleague of mine blurted out, “Jack Kirby’s dead.” Talk about sensitivity. I didn’t do much work that day.

GP: Before he passed, when was the last time you saw him? And do you remember what was the last thing he told you?

GF: I last saw Jack in October 1991. As I shook his hand, his last words were, “Thanks for coming by.” I wish I’d said what I had said the first time I was leaving. I said, “I hope we meet again.” Jack replied, “We will.” And we did. I wish I’d said that again and maybe it would have happened.

GP: What was your favorite book that he worked on?

GF: ‘The Fantastic Four’ and ‘The Eternals’. Going back to a previous question, ‘The Eternals’ should have been Jack’s second hundred issue series; what a ride that would have been.

GP: What was your favorite character that he created?

GF: Again, too many, but if you held me down… Captain America. The proof is longevity. Cap is as iconic as Superman and Batman. They are the three most enduring characters in comic history. And will continue to be.

GP: What can we expect from this documentary?

GF: Just Jack talking about his life, his service in the Army and general chat. As I said, I didn’t go armed with specific questions. I wanted the talk to be free and easy for Jack. Jack liked to talk and was a funny guy. This is revealed in the film. I often think about him; how such a simple, loving and talented man could pull entire universes from his imagination, draw them out and entertain us all. In realty, Jack was entertaining himself. All we had to do was watch while he had a great time. And, the more people watched, the happier he was and the further into his mind he ventured. Maybe he was trying to get away from us all!

GP: Is there anything in the documentary that the public and even die hard Kirby fans, would be surprised to find out about?

GF: A fifteen-year-old Jacob Kurtzburg flying upside down in a small aircraft over the skyscrapers of Manhattan! That would make anybody’s hair stand on end – guaranteed!

GP: This week, which would be his 100th birthday, what do you think he would say about the state of comics today? The state of his creations?

GF: I haven’t read a ‘new’ comic in thirty years and I know Jack didn’t look at his after they were published. He told me so. As for the ‘state’ comics are in today… well, I see a lot of exaggerated posing, exaggerated chests pushed out and exaggerated bad anatomy and, to top it all, very poor storytelling. Sure, Jack’s anatomy was exaggerated, but he knew the real stuff, so he was able to exaggerate; his woman were beautiful, though not semi pornographic, and his storytelling was… well, second to none. Jack knew how to tell a story. Without good, dynamic and clear storytelling it doesn’t matter how well the figures are drawn, how much ‘shine’ is shown on armour and how great the explosions are rendered. The story is everything. Jack Kirby was the master of that. He was the master at storytelling. And pretty good at drawing, too!

GP: Do you think he would still be making comics?

GF: No. I think he had said all he had to say and left enough for us to mine for the next hundred years. I think any sadness he may have had was that someone else hasn’t come forward to pick up his ‘pencil’ and move the medium on, rather than simply rehash his work. Tall order, though!

GP: Lastly, what do you think is the biggest misconception of Mr. Kirby?

GF: In my opinion, the biggest misconception of Jack Kirby is that people still believe, too many people still believe, that he was ‘just’ a penciler. As he told me, he created them all and he wrote them all. To me, this is plain to see, take a long look at his career time line. Jack Kirby was a genius, and, like all true genius’, he was a simple and honest person, doing his best and, in his words, “Having a great time!”

Movie Review: Saving Banksy

savingbanksyposterfnlSaving Banksy is the true story of one misguided art collectors attempts to save a painting by the world’s most infamous Street Artist from destruction and the auction block. A rare look inside the secretive world of Graffiti and Street Art. Saving Banksy asks the question, “What would you do if you were offered a small fortune for a painting the artist didn’t want sold?”

Directed by Colin Day, Saving Banksy focuses on the true story of one misguided art collectors attempt to save Banksy’s famous “Haight Street Rat” from destruction and the auction block. His efforts to save the Rat are met with threats from city officials, snubs from museums and a flurry of six-figure offers from art dealers who cannot wait to get their hands on the painting. Having seen a couple of documentaries about the mysterious artist Banksy, I wondered what new this documentary would reveal and say. And, coming out the other end, it’s not only a fresh look at the art world, but also feels like a fresh take on the discussion about street art.

Saving Banksy isn’t really about Banksy the artist. The film focuses on his time in San Francisco and the impact of his art on the area, but also about street art as a whole. Interesting topics like causing fines for building owners over graffiti and how the art can “raise the value” of a building are discussed, but the bigger discussion is street art as a whole and it’s fragility and finality.

“This will look nice when it’s framed.” Courtesy of Candy Factory Films and Parade Deck Films

“This will look nice when it’s framed.” Courtesy of Candy Factory Films and Parade Deck Films

Featuring interviews with numerous artists like Ben Eine, Risk, Revok, Niels ‘Shoe’ Meulman, Blek Le Rat, Anthony Lister, Doze Green, Hera and Glen E Friedman the concept of street art is discussed. The ideas that it’s supposed to be enjoyed by the masses, in the open, and that it’ll be destroyed down the road either through further graffiti or time. But, what if it can be saved? Should it be saved? That’s part of the conflict at the heart of the film.

One individual undertakes the task of saving one of Banksy’s work with hopes of donating it to a museum where it can be forever enjoyed by the masses. But, art leads to money which leads to greed. What happens when that individual is offered large sums of money for the piece he saved? Enter the vultures of the art world who say they have Banksy’s best interests in mind, but as shown, dollars are what’s on their mind. Greed rears it’s ugly head and the love of art versus art collecting and profit versus the public good becomes a theme of the film.

Fully restored rat on display in San Francisco. Courtesy of Candy Factory Films and Parade Deck Films

Fully restored rat on display in San Francisco. Courtesy of Candy Factory Films and Parade Deck Films

That core theme was something I was very interested in and how it applies to the comic industry. Disposable entertainment, there’s debates within the comic community in how to “save” its history. Collectors (like myself) not only build large collections of floppy monthly comics, but some (like myself) also collect original art. Does my personal collection deprive others of viewing the original work? Am I saving it for future generations? Am I just doing it for profit? For anyone who enjoys are or collects, these are questions that apply to our community as much as the art collectors presented in this documentary.

The film also explores the idea of Banksy. This are works of art meant to be enjoyed by the public and to make one think. By removing them from their initial location you can destroy the meaning of the picture. By assigning value and selling them you absolutely destroy Banksy’s original vision and intention… or do you?

Through interviews and the documentary’s storytelling all of this is discussed and debated in a movie that’s engrossing and entertaining to watch. From the framing, the music, the flow of the narrative, Saving Banksy is an excellent discussion about street art and the value of art as a whole.

A documentary that makes you think Saving Banksy challenges you to think about art, museums, and collecting. By showing off differing viewpoints it doesn’t provide answers, only questions and opinions, letting the viewers make up of their own opinion.

Overall Rating: 9.35

Graphic Policy was provided a FREE screener for review

Movie Review: Accidental Courtesy

accidental-courtesyDaryl Davis has an unusual hobby. Though primarily known as an accomplished musician who has performed all over the world with legends like Chuck Berry and Little Richard, in his spare time he likes to meet and befriend members of the Ku Klux Klan. Daryl has built his relationships person by person and his campaign has proved remarkably effective. Many members of the KKK he has connected with have been forced to reconsider their beliefs, with some even leaving the organization as a result.

Davis has collected hoods, robes and other artifacts from friends who have left the Klan, building a collection piece by piece, story by story, person by person in hopes of eventually opening a “Museum of the Klan.”

Accidental Courtesy is a rare and powerful portrait of a man who has truly embodied the idea that real and profound change happens one person at a time. He also shows that grassroots movements work when they embrace in person one-on-one interactions. It is a controversial concept that not everyone agrees with, but one that seems particularly important in the wake of the recent election.

Directed by Matt Ornstein, Accidental Courtesy is a fascinating documentary focusing on one man’s interesting life as he wins over one racist at a time. While Daryl Davis is the main focus on the film it also is a bigger look at race relations through the years and especially today. Davis is followed as he seeks out old friends he inspired to leave the Klan and those still active in the organization today, as well as academics, civil rights activists, and neo-Nazis as he attempts to answer his lifelong question: “How can you hate me when you don’t even know me?”

That final question is a theme of the film and it asks that question not to racists but also to Black Lives Matter activists who Davis meets. And that sit down is one of the most interesting of the film and really pivots it in many ways. Where was Davis during recent rallies and protests? Is he a traitor to his own race? Is his work really having an impact? There’s no clear answers and the viewer is left to make up their own mind but Ornstein examines Davis’ world much like Davis examines the world around him.

Davis explores his mission with a sort of anthropological glee as an outsider and the film explains what in his history led to this. Agree or disagree with Davis, his mission and interactions comes off as either really brave or really naive. But, what’s clear is that Davis has changed hearts and minds in his work. We see it on the screen. We meet some of the people.

I have no idea how long this film has been in the works but with the veil lifted in America and racism and racists out and proud, the documentary is timely and provides one route by which we can make the world better and a person who’s doing it. Davis shows it’s possible to change the world one person at a time.

Overall Rating: 9.5

Graphic Policy was provided with a FREE screener for review

Movie Review: Neil Gaiman: Dream Dangerously

Neil Gaiman Dream DangerouslyNeil Gaiman: Dream Dangerously offers viewers a fly-on-the-wall look at Neil Gaiman on the road, interacting with fans and experiencing the struggles and joys of being an acclaimed public speaker and in-demand personality. One of the best “comic” events I went to in recent years was watching Gaiman at his Washington, DC stop on this tour and listening to him wax poetically about his career, life, and philosophy. His personality is magnetic and if you ever get a chance to see him speak in person, jump at it.

The film delves deeply into Neil’s writing process, exploring the childhood origins of his love of mythology, up to his struggles to keep his writing fresh after 25 years of successful storytelling. It’s a fascinating exploration and peak behind the curtain of a man who is one of the few rockstar writers in the world. Having crossed over from prose to comics, back and forth, again and again, Gaiman gives a very honest look at a person who enjoys writing but recognizes the role his fans play in it all. It’s apparent through his interactions, and his musings, this is a creator who appreciates the fandom that has arisen around him, but at the same time is still uncomfortable with it all, because it’s not what he his, which is a writer first and foremost.

The film includes unique interviews with Amanda Palmer, George RR Martin, Grant Morrison, Bill Hader, Michael Sheen, Kirsten Vangsness, Lenny Henry, Will Wheaton and many more key figures in Neil’s creative and personal life. Each brings a unique perspective due to their personal knowledge of the man, or their own experiences being touched by his writing.

The movie is about a fantasy writer who is in a way living in a fantasy world of his own creation. This doesn’t mean he doesn’t live in reality. As the movie shows, he is living a life that many of us would dream about. He gets to daydream and create stories about those dreams, and by doing so is adored across the world. And by evidenced by the film, adored is an understatement as individuals gush and melt when meeting him. He is very much creating his own reality and that in a way is touched upon as Gaiman discusses his career and the choices he’s made to get in the position he now finds himself. It’s a story about a writer as well as the underlying philosophy that has driven his life and touched upon everything from job choices to fatherhood.

It’s an interesting look at Gaiman, and one that is as much about him as it is his fans around him. This is a documentary on tour as he crisscrosses nations showing the wear and tear such touring he has on him as he longs to sit down and do what he loves which is write.

And I think that’s what’s fascinating about the film. By doing such a tour he can’t write. But, by writing, he can’t tour. There seems to be a lack of balance between the two, and it’s clear everyone he surrounds himself with recognizes that. By giving back to fans, he in a way is holding back more that the fans can enjoy.

Dream Dangerously is a fascinating documentary and one I’d recommend not just for fans of Gaiman, but also those interested in the writing process.

Overall Rating: 8.45

Respect! Films provided Graphic Policy with a FREE copy for review

Kino Lorber to Release SXSW Grand Jury Prize Winning Documentary Tower

Kino Lorber announced today that they have acquired the U.S. distribution rights to Keith Maitland’s animated documentary, Tower. The film explores the tragic story of America’s first mass school shooting, where a lone gunman climbed a clock tower at the University of Texas in 1966, shooting 49 people and killing 17.

Executive Produced by Meredith Vieira and Luke Wilson, the film had its world premiere at SXSW 2016, winning the Grand Jury Prize and Audience Award for best documentary feature. TOWER has won awards at numerous festivals including Dallas International, Montclair, RiverRun, and DeadCenter Film Festival.

Kino Lorber will release Tower theatrically on October 12th at New York’s prestigious Film Forum, to be followed by a national rollout, marking the 50th anniversary of the shooting. The company is also mounting an aggressive awards campaign for the doc, as the issue continues to be as urgently pressing as ever…

On August 1st, 1966, a sniper rode the elevator to the top floor of the University of Texas Tower and opened fire, holding the campus hostage for 96 minutes. When the gunshots were finally silenced, the toll included 17 dead, three dozen wounded, and a shaken nation left trying to understand.  Director Keith Maitland mixes archival footage with rotoscopic animation to create a dynamic, never-before-seen combination. An action-packed and humanistic film, TOWER reveals the untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others.

Tower

Roseanne For President! Opens on July 1

roseanne for president 2In 2012, Roseanne Barr ran for president of the United States.  Although she enjoyed calling herself “the only serious comedian in the race,” the campaign was not a joke. Roseanne for President! is the hilarious, remarkable, moving, and illuminating film that documents how one of the most influential and controversial comedians of all time boldly and passionately extends her legacy as an advocate and symbol for everyday Americans. While peering behind the curtain to see the unusual and highly entertaining world of “other” party politics, Roseanne for President! is also a revealing look at Roseanne’s life and career, and how this bold, brash, Jewish grandmother from Utah made herself into a working class hero.

Her family and friends all attest that Roseanne’s run for president is very real.  Now living in Hawaii with her longtime boyfriend, Roseanne has restricted most of her public appearances over the last few years to the political and social causes that move her:  justice and opportunity for the working class, tax fairness, women’s rights, ending the war, and the legalization of marijuana. Roseanne’s passion and her skill with a crowd prompted former Green Party candidate Cynthia McKinney to recruit Roseanne to consider running on the Green Party ticket in 2012. Roseanne seizes the opportunity to continue what she sees as her lifelong mission – to represent the interests of people like her, hard-working, compassionate, and independent.

As Roseanne files her paperwork and undertakes her unconventional nationwide campaign – her spirited campaign manager is a young woman from Minnesota named Farheen – the film also reflects on Roseanne’s life and career, from a childhood where she was first motivated by politics and social justice, to her skyrocketing to fame as stand-up comedy’s “domestic goddess” and her groundbreaking television show. The goal for Roseanne is never to “win,” exactly, but to find a way to speak her truth and encourage others to do the same:  the message behind Roseanne’s work is always that ordinary people should not only be heard, but empowered. Roseanne for President! is the next chapter in Roseanne’s very public life:  as imperfect as she reveals herself to be, she continues to empower herself and make herself a force on behalf of others. And she does so in a way that is, of course, hilarious, outrageous, and completely unique.

Roseanne for President! is directed by Eric Weinrib and distributed by IFC Films. It’ll be released July 1 in New York and on video on demand/digital platforms.

Enter the Battlefield, The Magic: The Gather Pro Tour Documentary

Enter the Battlefield is a feature-length documentary that follows the stories of seven Magic players across a season: Reid Duke, Owen Turtenwald, William Jensen, Shahar Shenhar, Patrick Chapin, Melissa DeTora, and Chris Pikula. While their goal for every game is to defeat their opponent, their life on the Pro Tour is about personal goals. More than anyone, they compete with themselves.

Streaming debut on Twitch.tv/Magic on April 25.
Released on Netflix and YouTube on April 26.

Movie Review: Vintage Tomorrows

Vintage TomorrowsVintage Tomorrows, a new documentary by Byrd McDonald, examines the steampunk movement’s explosive growth, origins, and cultural significance. It explores the fundamental question: what can we learn about tomorrow from steampunk’s playful visions of yesteryear?

“Steampunk” started as a sub-genre of science fiction typified by a fascination with steam-powered machinery and alternative histories, with stories frequently set in Victorian England. Today, Steampunk has grown into an aesthetic movement all its own, with influence in art, fashion, design and music.

Vintage Tomorrows examines the subculture via interviews with the writers and artists credited with galvanizing the movement, and the cultural historians and social scientists investigating the phenomenon. The documentary analyzes the spike in Steampunk cultural activity and poses the question: What can Steampunk tell us about history, humanity and our complicated relationship with technology?

My understanding of steampunk is having read some comics, seen some movies, and the numerous booths that dot conventions around the country. My view was limited. Enter this film which not only provides a great introduction to the genre and culture, but also challenges the viewer to think about that culture at the same time.

McDonald presents a welcoming community that loves to tinker, build, and learn. They also seem to a very positive community, even with issues presented by the culture itself. McDonald explores that and more, worts and all. But, the documentary also waxes philosophical and looks into what steampunk can mean for the world.

McDonald teaches, engages, and shows a community that comes off as positive and welcoming, looking towards the past to figure out our future.

Overall rating: 9

I Am Chris Farley Trailer

Chris Farley lived his life full speed and committed to make everyone around him laugh out loud, and I Am Chris Farley will tell his hilarious, touching and wildly entertaining story for the first time ever – from his early days in Madison, Wisconsin, and at Marquette University, through his work at the legendary Second City to his rapid rise to the top of the comedy world on “Saturday Night Live” and in hit films like Tommy Boy and Black Sheep.

The film by Brent Hodge and Derik Murray features Farley’s co-stars and colleagues such as Christina Applegate, Dan Aykroyd, Mike Myers, Adam Sandler, Molly Shannon, David Spade, and many others. It will open theatrically in New York and Los Angeles on July 31st, 2015. The film will be available nationwide on VOD and across all digital platforms on August 11th, following it’s airing on Spike TV.

Movie Review: Gaming in Color

Gaming_In_Color_movie_posterGaming in Color is a documentary exploring the story of the queer gaming community, ‘gaymer’ culture and events, and the rise of LGBTQ themes in video games. A lesbian, gay, bisexual, transgender, or otherwise queer gamer has a higher chance of being mistreated in an online social game. Diverse queer themes in storylines and characters are still mostly an anomaly in the mainstream video game industry. Gaming In Color explores how the community culture is shifting and the industry is diversifying, helping with queer visibility and acceptance of an LGBTQ presence.

Filmed in between GamyerX 1 and GaymerX 2 conferences, the film examines the LGBTQ gaming community, the good, the bad, and the future. The documentary begins focused on the issues within the gaming community and experiences of the gay individuals as gamers. It throws you in the deep end, jumping right into the subject. Each person comes off as very relateable in their experience, no one is abrasive, or comes off bitter or angry. Instead there’s a fine mix of experiences that doesn’t really paint anything negatively, instead it shows things honestly. Personal experiences are hard to refute, and the documentary going that route was a smart decision that changes the tone from an academic one to a human one.

The second part of the movie shifts to focus more on where things stand now. It does show progress from where things were, to where they are today. Again, the positive is emphasized not just showing off some of the LGBTQ games out there, but also why they’re important. The sense of community is strong, and that community is emphasized by a positive tone. They come off as a group that you should want to game with, whether you’re LGBTQ or not. But, while there’s positive advancement in representation, it’s not all the way there, and that’s how the movie ends, where things need to go.

My only knock at all, and it’s minor, is the documentary uses gaming as a general term, shows images of tabletop games, but primarily talks video games. It’s a weird mix, and a distinction between the board game community and video game community might have been good to do.

The documentary is a fine introduction to the LGBTQ game community. We’re not talking a deep academic look, or go too deep into the history or issues. Instead the documentary puts human faces to the experience, showing there’s a real person you’re interacting with through technology.

The documentary is available on iTunes, Amazon, Google Play, PlayStation, Xbox, Vudu, VHX, Gumroad, and Vimeo. The film will also be coming to steam at a date to be announced. For those interested in LGBTQ issues, or gaming culture, it’s a film that’s an absolute watch.

Overall rating: 8.75

Graphic Policy was provided a FREE copy for review

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