Tag Archives: cris peter

Preview: Hellmouth #5

Hellmouth #5

Publisher: BOOM! Studios
Writer: Jordie Bellaire and Jeremy Lambert
Artist: Eleonora Carlini
Colorist: Cris Peter
Letterer: Ed Dukeshire
Cover Artists:
      Main Cover
: Jenny Frison
    Connecting Variant Cover: Vanesa R. Del Rey
     Variant Cover: Jenny Frison
Price: $3.99

THE EVENT OF THE YEAR ENDS HERE!

Angel and Buffy finally confront the enemy in the heart of the Hellmouth, but the journey has already taken its tolls. Beaten in body and spirit, they might not have enough power between them to save the world. With more allies than they know, Buffy and Angel will make their final stand… and not everyone will make it out alive.

Hellmouth #5

Review: Shadow of the Batgirl

Cassandra Cain is on the run from her past and is on a mission to discover who she truly is.

Story: Sarah Kuhn
Art: Nicole Goux
Color: Cris Peter
Letterer: Chanice Chiang, Saida Temofonte

Get your copy in comic shops now and in bookstores on February 4! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Kindle/comiXology
TFAW
Zeus Comics

DC Comics provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Preview: Hellmouth #2

Hellmouth #2

Publisher: BOOM! Studios
Writers: Jordie Bellaire & Jeremy Lambert
Artist: Eleonora Carlini
Colorist: Cris Peter
Letterer: Ed Dukeshire
Cover Artists:  
    Main Cover: Jenny Frison
    Variant Cover: Goñi Montes
Price: $3.99

THE EVENT OF THE YEAR CONTINUES! 

Buffy and Angel must find a way to work together as the Hellmouth begins to open and evil spreads across Sunnydale. But can Angel keep his true identity a secret from Buffy, or will the Hellmouth force him to reveal the monster within?

Hellmouth #2

A First Look at Hill House Comics; The Dollhouse Family #1

The Dollhouse Family #1

Written by M.R. Carey
Art by Peter Gross and Vince Locke
Colors by Cris Peter
Lettering by Todd Klein
Cover by Jessica Dalva
Variant Cover by Jay Anacleto
In Shops: Nov 13, 2019
Final Orders Due: Oct 21, 2019
SRP: $3.99

Playtime Never Ends.

Hill House Comics welcomes its deeply disturbing second series, The Dollhouse Family! On Alice’s sixth birthday, her dying great-aunt sent her the birthday gift she didn’t know she always wanted: a big, beautiful 19th-century dollhouse, complete with a family of antique dolls. In no time at all, the dollhouse isn’t just Alice’s favorite toy…it’s her whole world. And soon, young Alice learns she can enter the house to visit a new group of friends, straight out of a heartwarming children’s novel: the Dollhouse family. But while the Dollhouse family welcome her with open arms, in the real world, her family life is becoming much more complicated…and deep within the Dollhouse’s twisting halls, the black room waits, with an offer to Alice. The house can fix all this, the black room says. All she has to do is say the words… 

Longtime collaborators Mike Carey and Peter Gross (Lucifer, The Unwritten) are joined by Vince Locke (The Sandman), to bring their most horrifying vision yet to the Joe Hill-curated Hill House Comics pop-up—a story that echoes into centuries past, into Alice’s tormented future, and into the beating heart of the madness that makes up our world…literally. 

Plus, in chapter two of the “Sea Dogs” backup story (continued from Basketful of Heads #1) written by Joe Hill and illustrated by Dan McDaid, spymaster Benjamin Tallmadge’s monstrous scheme is underway as his coerced crew of bloodthirsty colonial lycanthropes prepare to gut the Royal Navy from within!

The Dollhouse Family #1

The Sandman Universe Presents Hellblazer #1 Gets a First Look

DC presents the first look at The Sandman Universe Presents Hellblazer #1, an oversized one-shot which kicks off the second year of the acclaimed Sandman Universe line by putting it on a collision course with one of horror’s most iconic characters… John Constantine, Hellblazer!

In this ten-page preview, Constantine is seen in an expanded version of a critical scene from Neil Gaiman’s classic Books Of Magic miniseries. After getting tangled up in a magical war waged across countless futures, Constantine was murdered by an all-powerful adversary: a twisted version of the promising young magician Timothy Hunter, bloated with evil. But over the past year strange forces have conspired to restart Tim Hunter’s tale, and somehow—amid sorcery, insanity and secret agendas—this older, wiser, wilier shade of Constantine has been dragged back with it. Now he must ask himself why he, the last person in the world to deserve a second chance, has been given one. Is John Constantine here to put Tim Hunter on the right track and avert a terrible outcome? Or is it because he’s the only person in existence with the guts to do what really must be done? After all, he’s a nasty piece of work, chief…ask anybody. 

This one-shot provides the lead-in to the November-debuting monthly ongoing John Constantine, Hellblazer series, by Si Spurrier and artist Aaron Campbell. The Sandman Universe Presents Hellblazer #1 is by Spurrier with art by Marcio Takara, colors by Cris Peter, and a cover by Bilquis Evely.

The Sandman Universe Presents Hellblazer #1 will carry DC’s Black Label content descriptor (for mature readers) and will retail for $4.99 and is out on October 30, 2019.

The Sandman Universe Presents Hellblazer #1

Preview: Hellmouth #1

Hellmouth #1

Publisher: BOOM! Studios
Writer: Jordie Bellaire and Jeremy Lambert
Artist: Eleonora Carlini 
Colorist: Cris Peter
Letterer: Ed Dukeshire
Cover Artists:   
     Main Cover: Jenny Frison  
     Variant Cover: Kyle Lambert 
     Connecting Cover: Kelly and Nichole Matthews 
     Unlocked Foil Variant Cover: Kyle Lambert
     Black and White Variant Cover: Jenny Frison
Price: $3.99

THE FIRST EVENT OF THE ALL-NEW BUFFY UNIVERSE STARTS HERE! 

Buffy Summers, the Slayer, has one job—keep the forces of hell from coming to Earth through, uh, Hellmouth. Here’s the bad news—she might have failed.

The Mistress Drusilla and her ally, Spike, have found a weapon to open the Hellmouth and unleash unspeakable evil across the town and the world. 

With time running out, Buffy must team up with a new ally that she doesn’t fully trust—the vampire vigilante known as Angel! Can these two find a way to work together before the Hellmouth opens – or will they decide they might be each other’s greatest enemy?

From Eisner Award-nominated writer Jordie Bellaire, rising star Jeremy Lambert (Doom Patrol), and Eleonora Carlini (Saban’s Go Go Power Rangers) comes the first massive event of the Buffyverse—one that threatens to shake the entire fabric of reality. This is an absolute must-read from the mind of creator Joss Whedon! 

Hellmouth #1

Review: Collapser #1

Collapser #1

What if that empty feeling you have inside was a literal black hole? That’s the premise of Collapser #1, a new comic from writers Mikey Way and Shaun Simon, artist Ilias Kyriazis, and colorist Cris Peter. The book starts with a cosmic cold open before spending most of the issue in slice of life mode. It shows the life of Liam James. James works at an old folks’ home during the day. At night, he’s a DJ with a penchant for songs by Mancunian musicians like Morrissey and The Chemical Brothers. He’s also insecure and freaks out a lot. This is known thanks to Way and Simon’s internal captions. It intensifies as the book gets weirder ramping up to a fantastic final page.

Collapser #1 succeeds as a first issue because it focuses on establishing Liam as a protagonist and keeps the space stuff on the backburner for the most part. After the rush of the first few pages, Way, Simon, and Kyriazis slowly introduce more hazy cosmic jive into the story when it needs mystery or tension. Kyriazis and Peter equally excel at drawing the effects of the black hole and Liam going through his daily life. A nine-panel grid to shows the mundane nature of his day job although Liam genuinely cares for one of his patients, Mr. Edgar, and is sad that they don’t get to play chess together.

However, Collapser #1 has plenty of flash too. Peter adds some gorgeous pinks and Ben-Day dot effects when Liam kisses and interacts with his girlfriend. Her color palette intensifies when Liam’s DJ set begins. Way and Simon’s musical background shine through in this sequence. Liam is totally in his element and it’s my favorite sequence of the comic. There are no thought bubbles; just him, his headphones, his records, and a crowd that is dancing, drinking, and making out into the night.

Of course, it all goes wrong because of the whole blackhole thing. Ilias Kyriazis’ art style flips from Phonogram to a fucked-up take on Silver Surfer almost instantaneously. Time and space lose their meaning, and Liam witnesses all his worldly possessions becoming sucked away. He’s become part of something bigger. Way, Simon, and Kyriazis show this in a jarring way with powerful, horror-tinged imagery as Liam doesn’t recognize the world around him any more. However, the weirdness works on a narrative level because Way, Simon, and Kyriazis do a good job of introducing Liam and his everyday life as well as his passions and flaws.

Collapser #1 is characterization meets strong visuals and colors with a side dish of trippy worldbuilding to literally suck you into the story. Mikey Way and Shaun Simon make Liam a little bit of an asshole; he’s not the greatest towards his girlfriend and is a little insensitive at times. However, Liam’s passion for music and fear of failure are all too relatable. He makes a great POV character for this wild space odyssey of which Collapser #1 is a solid first few steps.

Story: Mikey Way, Shaun Simon Art: Ilias Kyriazis 
Colors: Cris Peter Letters: Simon Bowland
Story: 8.0 Art: 9.0 Overall: 8.5 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Preview: Hexed Omnibus SC

Hexed Omnibus SC

Publisher: BOOM! Studios
Writer:  Michael Alan Nelson
Artists: Emma Rios, Dan Mora
Colorists: Cris Peter, Gabriel Cassata
Letterers: Marshall Dillon, Ed Dukeshire
Cover Artist: Dan Mora
Price: $29.99

Luci Jennifer Inacio Das Neves (most people just call her “Lucifer”) is a supernatural thief­ for­ hire, stealing wondrous objects from the dark denizens of the netherworld for her mentor/mother figure, Val Brisendine. From possessed teddy bears to haunted paintings to ancient otherworldly demons, Lucifer will need to use every trick up her sleeve to protect her surrogate family and combat the monsters of her seedy city.

Written by lauded horror author Michael Alan Nelson (Day Men, 28 Days Later), Hexed is a lyrical horror adventure series featuring the debut American comics work by superstar illustrators Emma Rios (Pretty Deadly) and Dan Mora (Buffy the Vampire Slayer).

Collects all 16 issues of the original Hexed limited series and its sequel series Hexed: The Harlot and the Thief.

Hexed Omnibus SC

Messages from Midgard #9 – Mimosas with Loki

This was a really enjoyable week in “War of the Realms” country with all kinds of heroic happenings going on from Spider-Man choosing to negotiate with and not fight both the Angels of Heven and the Nigerian army in League of the Realms #2 to Cul Borson finding redemption in Thor #13. This week also marks the return of anthology War Scrolls, which features one of Marvel’s best stories of 2019, namely, Wiccan going to drag brunch with Loki. Speaking of drag brunch, “War of the Realms” also got a head start on Pride Month by featuring LGBTQ characters in both League of the Realms #2 and War Scrolls even though the first one is a little more tragic as the angel Fernade mourns over her lost love, Anemone.

War of the Realms: War Scrolls #2

War Scrolls is really one of the “War of the Realms” tie-ins that I wish got more than three issues, especially when we’re blessed with a trio of stories that like we got in issue two. First up is the part two of Jason Aaron, Andrea Sorrentino, and Matthew Wilson’s Daredevil, God of Fear serial, which cosmic sizes a classic battle between Daredevil and the Kingpin. But, before things go from Netflix to Man of Steel, Aaron and Sorrentino do some chilling characterization in a Ben-Day dot flashback where Daredevil prays that he won’t beat a mass murderer to death. Wilson’ color palette switch from flat and old school to majestic fantasy mode helps the story keep its momentum, and although he’s a bad guy, it’s fun to see Wilson Fisk get one up on Malekith and the Dark Elves.

The second serial is a Doctor Strange one from Devin Grayson (Nice to see her getting work again), Paul Davidson, and Andres Mossa. It show the effect of teleporting all the civilians and heroes in New York to the North Pole on Strange and is also cute and charming along the way. The main plot involves Dr. Strange preventing Nightmare from attacking this plane of existence, and Davidson and Mossa channel their inner Ditko with psychedelic art that wouldn’t be out of place in a head shop circa 1968. Grayson writes Dr. Strange as a heroic figure a la the Doctor or even Morpheus from Sandman, who admits his mistake of teleporting the superheroes out of New York and shows Nightmare that fear can be fought and resisted to. And he does this all while taking a nap. (A cute kid even tucks him in and gives him a stuffed animal.)

War Scrolls definitely saved the best for last, and that is a drag brunch story by Anthony Oliveira, Nick Robles, and Cris Peter featuring Hulking, Wiccan, and Loki in a mini-Young Avengers reunion. It’s funny, sad, and Kid Loki turns Thor into a bear on the first page. Oliveira and Robles spin the tale of Loki’s relationship with Wiccan and the Young Avengers, and how even though he may have manipulated them and even cast his lot with Malekith the Accursed that they still care about and support him. The story is in direct conversation with Kieron Gillen’s Loki arc in both Journey into Mystery and Young Avengers and clears up loose ends while providing the reason for why Loki wears a horned helmets. Plus Jean Grey and Emma Frost drag queens get into a fight, and Oliveira, Robles, and Peter create a vision of the Marvel universe that is beautifully queer. This story alone (The Daredevil and Dr. Strange ones were great too.) earns War Scrolls #2 an Overall Verdict of Buy.

War of the Realms: Spider-Man & the League of Realms #2

In Spider-Man & the League of Realms #2, Sean Ryan, Nico Leon, and Carlos Lopez basically have Spider-Man herding cats, er, trying to get people like Screwbeard and Ud the Troll, who are hardwired to fight, to avoid unnecessary bloodshed. However, they start with a tragic love story, and Lopez uses beautiful whites and reds to show the story of the Angels Fernande and Anemone, who was killed by Malekith because he just wanted to know what killing an angel felt like. Fernande was the enemy in the previous issue, but now she’s a staunch ally of Spider-Man and decides to help the resistance against the Angels of Heven in Nigeria.

But this issue isn’t all triumphant, and Leon gets the opportunity to show Screwbeard, Ud, and Ivory Honeyshot, whose realm was the first one conquered by Malekith, shooting and fighting their way through Rome. The measured conversation and protective spells of the first half of the issue are replaced with catchphrases, explosions, and a foe that might be beyond any of them. The blows that Malekith’s main lackey Kurse land are powerful reminders of the pointlessness of unceasing violence, and Spider-Man’s probably going to have clean up the mess in the next issue. Because of its mix of fine and cartoon-y art, still quirky ensemble cast, and story that shows the results of both war and diplomacy, League of Realms #2 earns an Overall Verdict of Buy.

Thor #13

In the Thor tie-in issues of “War of the Realms”, Jason Aaron and artist Mike Del Mundo have been doing a fantastic job of fleshing out the supporting Asgardian characters that have popped up throughout Aaron’s run. Cul Borson, the God of Fear and on a secret suicide mission from Odin, gets the treatment in Thor #13. Beginning in the present day with Cul surrounded by crying Dark Elf children, the comic is structured like a biography of the god with childhood flashbacks of him bullying Odin and eventually being banished to Midgard as the “Serpent”. As he fights through the mushroom mines of Svartalfheim, Cul is in conflict between wanting to be feared and loving and between caring for his little brother and wanting to usurp his throne.

Although the flashbacks include Cul overhearing arguments between Odin and Thor that made him wish he had a son and dark temptations from Malekith, Thor #13 is an action-oriented issue tempered by soul searching narration from Aaron. Del Mundo’s Cul cuts a dark figure in the sickly green of the swamps of Svartalfheim where Dark Elf children, who have been called unworthy, help build Malekith’s empire. He wants to leave them to die, but in a moment of supreme character development hacks off their chains. This leads to a resistance movement even if Cul never sees the fruits of his actions. He was a never a “good guy”, but in a tough moment, he did one heroic thing and can die without wasting his life. Cul’s last stand against the Dark Elves is pretty damn noble as Del Mundo fills his panels with bodies, and combined with Aaron’s insightful writing earns Thor #13 an Overall Verdict of Buy.

Giant-Man #2

“War of the Realms”‘ most random tie-in continues in Giant-Man #2 where Leah Williams fits Scott Lang, Raz Malhotra, Atlas, and Tom Foster into a fantasy quest narrative, and Marco Castiello’s art is still so shadowy and less than detailed that it is still difficult at times to immediately know who’s talking. (Tom’s shirtlessness, Atlas’ septum ring, Scott’s Ant-Man helmet, and Raz’s Skyrim do help.) In Hero’s Journey and college movie tradition, they end up facing a threshold guardian, who needs them to pay a toll and drink way too much at a party.

Williams’ gift for humor shines through in Giant-Man #2 with Tom’s knack for karaoke coming in handy when faced by Frost Giant locals, and it’s nice to know that there are some Dolly Parton fans in Jotunheim. Castiello also turns the nine panel grid into a grid of debauchery as Atlas keeps downing pints while tired dad Scott Lang passes out early. Also, the drinking songs are cleverly weaved into the plot of the miniseries as the team literally learns how Frost Giants are made and end the penultimate issue with a shot of their final obstacle and a side of how utterly expendable they are. By leaning into fantasy genre trappings and its characters’ dysfunctional personalities, Leah Williams and Marco Castiello create a fun event tie-in that earns an Overall Verdict of Read.

Fantastic Four #10

One thing that I loved about Fantastic Four #10 is that write Dan Slott and artists Paco Medina and Kevin Libanda start out by telling the story of the Fantastic Four moving to Yancy Street and Franklin and Valeria Richards trying to fit in with “regular” kids after working with the Future Foundation out in the multiverse and don’t force a tie-in. Franklin is struggling with the dwindling nature of his powers and going through an emo phase, and there’s a block party. Then, Slott introduces all the baddies from “War of the Realms” and connect it to the strength and resolve of the people of Yancy Street as Franklin realizes that growing up in this neighborhood and learning to never give up made Ben Grimm a hero long before the Thing.

I love how Slott writes Franklin and Valeria as ungrateful adolescents and not just cute kids with big brains and godlike powers. Franklin’s almost limitless superpowers have gone to his head, and it’s nice to see some of the kids in the neighborhood cut him down to size when he brags about his abilities instead of helping with art classes at the Grimm Community Center. However, this story nails the awkwardness of moving to a new area when you’re a kid, getting used to new people, and ways of doing things. It also shows that New York didn’t roll over when Malekith invaded, and best of all, introduces a friendship/rivalry between Moon Girl and Valeria that I hope gets fleshed out in future issues. Most of “War of the Realms” has involved street level heroes fighting cosmic threats, but Slott, Medina, and Libanda turn the tables and have the Fantastic Four protecting their neighborhood. This earns Fantastic Four #10 an Overall Verdict of Buy.


Although Marco Castiello’s giant blue Paul Rudd will haunt my dreams, this was probably one of the best weeks for “War of the Realms” with issues that focused on character and story and not making the millionth Dungeons and Dragons/Lord of the Rings reference. Even if Jason Aaron’s War of the Realms mini ends up being a bust, it won’t tarnish his classic Thor run, which has done a great job showing the journey of side characters during this event. Also, Anthony Oliveira needs to write a Young Avengers run ASAP, and Nick Robles has definitely entered the pantheon of sexy Loki artists after his work on War Scrolls #2 and even made the horned helmet cute.


Panel of the Week

If this panel doesn’t make you miss Gillen, McKelvie, and Wilson’s Young Avengers, you have soul. (War of the Realms: War Scrolls #2, Art by Nick Robles and Cris Peter)

Marvel Comics Review: Spider-Geddon: Covert Ops

Spider-Geddon: Covert Ops combines two Spider-Geddon mini-series in one trade paperback. You get Spider-Force #1-3 and Spider-Girls #1-3 by Priest, Paulo Siqueira, Marcelo Ferreira, Szymon Kudranski, Ibraim Roberson, Oren Junio, Craig Yeung, Roberto Poggi, Guru-eFX, Joe Sabino, Jody Houser Andrés Genolet, Tríona Farrell, Jim Charalampidis, Cris Peter, Jim Campbell, and Joe Caramagna.

Get your copy in comic shops today and book stores on March 12! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

« Older Entries Recent Entries »