Review: Comichaus #6
I remember the very first time I picked up Epic Illustrated and how cool I thought it was. My Dad did not want me to read Heavy Metal magazine, because he thought it was crazy like the movie, and looking back he was right to some respect. This is where I first read Silver Surfer before he went on his galaxy trotting adventures in the Marvel Universe. He was a completely different character then, a much more serious figure that felt more like X-O Manowar of Valiant Universe, than his current incarnation.
There was something beautiful about how all thee creators brought their A game, and wrote stories like they had nothing to lose at the same time. In the sixth issue of their anthology, each creator reminds me of those writers/illustrators in Epic Illustrated, as thy thrive to write stories to evoke emotion. In the new installment, of Chalk, we get to see Jacqueline utilizing her full powers and up to no good, kind of like in the TV show, Angel, when he was Angelus. In the latest installment of Feather, Doug makes a promise to Sally, as each finds peace in their purpose and their eternal separation.
In Mandy the Monster Hunter, we get to see Mandy in action, as her training and instincts kick in full gear, as she destroys one monsters and recruit help to fight another. In MIA, a new story, a pair of hired guns, breakup an arms deal, which goes sideways quickly. In Cold, as our couple struggles to find a way out, the spirits within, leave a scary surprise, one that leaves them scarred. In Tipples I Time, a family gets transported back in time to the Old West but gets a little more, not only cowboys but also giant aliens.
Overall, all the new stories introduced has made this anthology series more than one to watch. The stories contained within, continue to get better. The art makes black and white panels look beautiful. Altogether, a great issue, where the reader finds a new reason to buy the next issue.
Story: Steven Horry, Dave Cook, Matt Warner, Chris Robertson, Simon Birks, Jimmy Furlong
Art: Catia Fantini, Norrie Millar, Ed Bickford, Vincent Hunt, Richard MacRae, Lyndon White, Andrew Hartmann
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

When it comes to creating something new, creators have hard time letting go of their influences completely. Most cannot, as this is the very reason they get into comic books in the first place, as what they enjoy is usually what they write/draw. So, to ask a creator to be completely free of their inspirations, is truly impossible. The creators at ComicHaus, have created some powerful evocative stories, that only get better with each issue.
Stories comes in all shapes and forms, and they cross so many genres, that some genres have their own genres. That is why when anthologies are put together, rarely do they work in more than one genre. The reason for this is that they rarely go together, but Comichaus has found a way. They are what you expect from an indie publisher in comics, producing high quality comics that tell good stories.
British comics are full of great creators, and because of it the comics world has evolved and even stepped up their game. The influence of Alan Moore looms over any writer/artist who writes anything dealing with superheroes or the occult. The way he deals with hard subjects and his mastery of the inner conflicts of characters more than proves he is a master storyteller. His influence on the medium can be felt everywhere not only on British creators but also here in America.
The first time I remember hearing about Heavy Metal magazine, was when one of my friends just finished watching the movie, and was hoping it would be the same as the movie. I was curious as well, so I went watched the movie and had my mind blown, even though the stories seemed hokey, it was still quite interesting. So, when I picked up my first copy of the magazine, I was little disappointed at first, but that is until I got into the stories. Each story had its own flavor and tapped into a piece of the human psyche that comics had not done until then.
Anthologies are great showcases for artists/writers to show off their work, especially when they are starting off. What one finds in these collections, are sometimes duds, and sometimes gems. When it comes to book anthologies, depending on the editor, you might try to slog through a few, to get to a good one, and sometimes you don’t have too deep into, as sometimes these anthologies are nothing but gems. In the comics real, the same issue exists, as the editor dictates the tone and quality of the project.