Tag Archives: zenescope

Publishers to Sparkle Pop… What Consigned Goods are You Storing!? The Diamond Chapter 7 Drama Continues

What's in the Warehouse!? image

While some think the drama concerning Diamond Comic Distributor‘s bankruptcy is wrapping up or over, there’s still a long way to go before this epic story ends. In early August, (old) Diamond Comic Distributors and its trustee Morgan W. Fisher announced a resolution and compromise with 15 publishers regarding consigned goods being held by Diamond and stored in a warehouse by Sparkle Pop.

(Old) Diamond had declared Chapter 11 and eventually Chapter 7 and in its possession was consigned goods from numerous publishers valued in the millions. There has been a fight for over a year where a little over 30 publishers had been fighting to get those consigned goods back. Diamond had been claiming it has a right to them and was going to sell them to pay off their debt. Sparkle Pop had purchased some of the assets of Diamond in the bankruptcy and that included taking over the warehouse where that product was being stored.

As part of the settlement, the 15 publishers can get their goods back and have to pay for the picking and packing of the inventory.

But… what the hell does Sparkle Pop still have in their possession!?

That seems to be at the heart of multiple motions today asking the court to help figure out what inventory remains in the warehouse.

In the motion, the publishers state that:

  1. Initially, Sparkle Pop reported sales only of inventory received after May 15, 2025.
  2. Even after Sparkle Pop reported sales of inventory received both before and after May 15, 2025, Sparkle Pop has not updated its court reporting with regard to inventory sales after October 2025.
  3. With regard to sales reported to this Court through October 2025, Sparkle Pop apparently applied a flat return rate as to each consignor. See, e.g., Sparkle Pop Report, attached hereto as Exhibit 1, illustrating the application of a flat return rate, and summary from Sparkle Pop, attached hereto as Exhibit 2. Sparkle Pop has never provided any detail as to what products were actually returned. See, Affidavit of Sparkle Pop Agent attached as Exhibit 3. Furthermore, some of the inventory sold was not returnable, and consignors have reported that they did not receive returned product (supporting the consignors’ allegation that Sparkle has reported returns that never, in fact, occurred).
  4. Sparkle Pop also may be continuing to sell inventory from the Warehouse. As recently as early 2026, one of the consignors received a report showing that inventory of another consignor being processed and removed from the Warehouse, despite Sparkle’s consensual agreement that any sales are prohibited by the automatic stay. See E-Mail from Drawn and Quarterly Books, Inc. attached as Exhibit 4.

The publishers have asked for the court to compel an inspection of the warehouse to audit the product that remains located there. They also want to use that inspection to corroborate the reports provided by Sparkle Pop. But, also raised is a “claim for conversion,” basically, is there further action publishers need to take because of actions by Sparkle Pop.

In July, the publishers submitted a subpoena to “Produce Documents, Information, or Objects or to Permit Inspection of Premises in a Bankruptcy Case” and in late July Sparkle Pop objected to that and the inspection. This created an unresolved dispute.

Sparkle Pop has made demands for the inspection to go through, which the publishers object to:

  • Sparkle Pop’s sole right to designate the party permitted to conduct the inspection of the Warehouse and its requirement that any assistants be approved in advance;
  • a requirement that the Trustee and Sparkle Pop enter into an agreement concerning payment of back rent owed at the Warehouse; and
  • a requirement that the Ad Hoc Committee of Consignors solely bear Sparkle Pop’s claimed cost of the inspection, which Sparkle Pop currently quotes at $639.94 per hour – which fee includes an unexplained “thirty percent markup” and exorbitant compensation for what should be a single employee who accompanies the inspector. Originally the fee requested was $1,000 per hour and inexplicably included charges for Sparkle Pop’s tax and insurance payments for the Warehouse.

The publishers thinks those demands are unreasonable and unwilling to pay for the inspection, though they are being flexible in that if there’s a particular party Sparkle Pop doesn’t want in the warehouse, that can be accommodated. They refuse to give Sparkle Pop unilateral control over the process. They also point out that the payment for back rent owed is between Sparkle Pop and (old) Diamond, not the publishers.

The publishers are asking for the court to compel an inspection within 30 days of the service of the motion, that the individual committing the inspection be agreed upon, and Sparkle Pop will bear its own costs in related to the inspection.

The publishers that are part of this motion include 12 of the 15 (so far) that settled/compromised:

Ablaze
Action Lab
American Mythology
Avatar Press

Battle Quest Comics
BOOM! Studios
Fantagraphics
Green Ronin Publishing

Hermes Press
Living the Line

Paizo
Zenescope

You can read the filings below which also includes a look behind the curtain as far as inventory and discussion for this publisher. The overall motion is the same for each publisher while the inventory changes for each.

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Indie Comics United with a Super Humble Bundle of Awesome Stuff to support the CBLDF!

Indie Comics United: A Super Bundle of Awesome Stuff

Indie comics and their publishers are having a moment like never before, and what better way to celebrate this achievement than by putting together a bundle of the best of the best? And even better than that?? You can get all of these comics delivered right to your inbox at the low price of your choice!!

Humble Bundle has partnered with a bunch of indie publishers: Ablaze, Action Lab, American Mythology Productions, Battle Quest Comics, Drawn & Quarterly, Dynamite Entertainment, Fantagraphics Books, Heavy Metal, Living The Line Books, Valiant Entertainment, Zenescope, Hermes Press, and Green Ronin Publishing to support their shared goal of encouraging bold ideas and creativity in their creators and readers, bringing you some of their most beloved titles, like quirky time travel graphic novel There’s No Time Like the Present, intimate queer family drama Stone Fruit, fairy tale reimagining Grimm Tales of Terror, sci-fi epic Moonray, and the newly revamped Heavy Metal! You choose what you pay for all of these and more, and every purchase supports the Comic Book Legal Defense Fund!

The Indie Comics United: A Super Bundle of Awesome Stuff has a retail value of $1,329 and you can get all 60 items for just $18.

Indie Comics United with a Super Humble Bundle of Awesome Stuff to support the CBLDF!

Indie Comics United: A Super Bundle of Awesome Stuff

Indie comics and their publishers are having a moment like never before, and what better way to celebrate this achievement than by putting together a bundle of the best of the best? And even better than that?? You can get all of these comics delivered right to your inbox at the low price of your choice!!

Humble Bundle has partnered with a bunch of indie publishers: Ablaze, Action Lab, American Mythology Productions, Battle Quest Comics, Drawn & Quarterly, Dynamite Entertainment, Fantagraphics Books, Heavy Metal, Living The Line Books, Valiant Entertainment, Zenescope, Hermes Press, and Green Ronin Publishing to support their shared goal of encouraging bold ideas and creativity in their creators and readers, bringing you some of their most beloved titles, like quirky time travel graphic novel There’s No Time Like the Present, intimate queer family drama Stone Fruit, fairy tale reimagining Grimm Tales of Terror, sci-fi epic Moonray, and the newly revamped Heavy Metal! You choose what you pay for all of these and more, and every purchase supports the Comic Book Legal Defense Fund!

The Indie Comics United: A Super Bundle of Awesome Stuff has a retail value of $1,329 and you can get all 60 items for just $18.

Discovery Plan in Diamond vs. Publishers Gets an Updated Timeline

We brought the news in early March that there was some movement in the court case between Diamond and numerous publishers. The various parties and Diamond met on February 26 and March 3-4 in an attempt to find a resolution, the nature of the claims and defenses, to arrange disclosures, and propose a discovery plan. On March 4, there was a filing hashing out the plan for discovery, the process where documents pertaining to the case are handed over.

Discovery is the process where documents related to the case are handed over to the parties involved for them to go through as far as evidence. This can be emails, text messages, Slack messages, and can easily go into the millions of documents.

The issue is who owns the consigned goods that are still being held by Diamond. Zenescope, Action Lab Entertainment, Ablaze, American Mythology, Battle Quest Comics, Paizo, Living the Line, Herman & Geer Communications, and Green Ronin Publishing are all fighting to get their inventory back. Diamond wants to keep the inventory to be able to sell it off to pay creditors. JPMorgan Chase Bank wants Diamond to sell off the inventory so it can get paid back by Diamond. Sparkle Pop is involved because it has sold off some of the inventory when it wasn’t supposed to and currently is holding the physical product in a warehouse it controls.

An updated timeline has been released as far as the discovery plan with some slight shifts from the previous released plan.

  1. Electronic Discovery. The parties have reviewed Rule 26(f), which, inter alia, addresses preservation of discoverable information, discovery of electronically stored information, and claims of privilege or work product protection. The parties have reviewed the Principles for the Discovery of Electronically Stored Information (“ESI”) in Civil Cases (as set forth by the United States District Court for the District of Maryland at https://www.mdd.uscourts.gov/sites/mdd/files/ESI-Principles.pdf), and will discuss the ESI Principles to agree on voluntary compliance, as appropriate. The Principal 2.03 Conference will occur on or before April 3, 2026. Documents and ESI shall be produced electronically via a mutually agreeable method such as an FTP site, and assearchable Static Images. This production protocol may be modified by mutual agreement or by court order.
  2. Rule 26 Disclosures. Unless otherwise agreed to by the parties, the parties shall make their initial disclosures pursuant to Federal Rule of Civil Procedure 26(a)(1) on or before March 23, 2026.
  3. Discovery. The Parties have agreed that they may propound document requests, interrogatories, and requests for admissions pursuant to the Federal Rules of Civil Procedure and the Local Rules of this Court, which response shall be made within 30 days of service. Unless otherwise ordered by the Court or agreed to by parties, the limitations on discovery set forth in the Federal Rules of Civil Procedure shall be strictly observed.
    (a) Discovery Requests. The Parties shall serve all initial document requests, interrogatories, and requests for admissions on or before April 9, 2026.
    (b) Agree on ESI Search Terms. The Parties will make reasonable efforts to agree on ESI Search Terms on or before April 23, 2026.
    (c) Substantial Document Production Completion Date. The Parties expect to have document production substantially completed by June 4, 2026.
    (d) Fact Discovery Cut Off. The Parties have agreed that, except for Rule 26(a)(1) disclosures, all fact discovery in this case shall be initiated so that it will be completed on or before July 31, 2026. The Parties have agreed that they may take fact depositions at any time prior to the expiration of the fact discovery deadline.
    (e) Privilege Logs. Privilege logs shall be produced in accordance with the Federal Rules of Civil Procedure so as to be completed within five (5) business days of the related document production. Privileged communications occurring after April 29, 2025, need not be included on a privilege log.
    (f) Expert Initial Disclosures. The identify of expert witness and subject matter of expected testimony, per Rule 26(a)(2)(A) and 26(a)(2)(C)(i), shall be disclosed on August 7, 2026. Any rebuttal experts, and subject matter of expected testimony, shall be disclosed on August 17, 2026.
    (g) Expert Reports and Expert Discovery Cut Off. Expert reports and all other information required by Rule 26(a)(2)(B), along with any documents or information considered by the expert, shall be exchanged on September 8, 2026. Rebuttal expert reports and all other information required by Rule 26(a)(2)(B), along with any documents or information considered by the expert, shall be exchanged on September 29, 2026. All expert discovery shall be completed by October 20, 2026.
  4. Protective Orders. The parties will submit a confidentiality order to the Court for approval on or before April 3, 2026.
  5. Case Dispositive Motions. Any dispositive motions must be filed on or before November 3, 2026. Answering briefs in opposition thereto are due seventeen (17) days later (November 20, 2026), with reply briefs to be filed twelve (12) days after the filing of any answering briefs (December 2, 2026).
  6. Joinder of Other Parties and Amendment of Pleadings. All motions to join other parties, and to amend or supplement the pleadings, shall be filed on or before June 19, 2026.
  7. Pretrial Order. If this adversary proceeding cannot be resolved on dispositive motions, the Parties have agreed to file a Joint Pretrial Report within thirty (30) days of the Court’s ruling on dispositive motions.
  8. Length of Trial. The Parties estimate that the time required to try this adversary proceeding will be 3-4 days.
  9. Other Matters. There are no other matters that need to be raised at this time.

Based on all of those dates, we likely won’t see a court case before 2027.

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Indie Comics United with a Super Humble Bundle of Awesome Stuff to support the CBLDF!

Indie Comics United: A Super Bundle of Awesome Stuff

Indie comics and their publishers are having a moment like never before, and what better way to celebrate this achievement than by putting together a bundle of the best of the best? And even better than that?? You can get all of these comics delivered right to your inbox at the low price of your choice!! Humble Bundle has partnered with a bunch of indie publishers: Ablaze, Action Lab, American Mythology Productions, Battle Quest Comics, Drawn & Quarterly, Dynamite Entertainment, Fantagraphics Books, Heavy Metal, Living The Line Books, Valiant Entertainment, Zenescope, Hermes Press, and Green Ronin Publishing to support their shared goal of encouraging bold ideas and creativity in their creators and readers, bringing you some of their most beloved titles, like quirky time travel graphic novel There’s No Time Like the Present, intimate queer family drama Stone Fruit, fairy tale reimagining Grimm Tales of Terror, sci-fi epic Moonray, and the newly revamped Heavy Metal! You choose what you pay for all of these and more, and every purchase supports the Comic Book Legal Defense Fund!

The Indie Comics United: A Super Bundle of Awesome Stuff has a retail value of $1,329 and you can get all 60 items for just $18.

Preview: Grimm Tales of Terror Vol. 5 #12

Grimm Tales of Terror Vol. 5 #12

WRITER NOAH MITCHELL
ARTWORK BABISU KOURTIS
COLORS JUAN MANUEL RODRIGUEZ
LETTERS TAYLOR ESPOSITO (OF GHOST GLYPH STUDIOS)
EDITOR DAVID WOHL
PRODUCTION & DESIGN CHRISTOPHER COTE

An ambitious and unscrupulous documentary filmmaker follows a group of self-proclaimed “monster hunters” into the Pennsylvania wilderness in search of the legendary, local cryptid known as The Squonk. Now, at the mercy of the unknown, they’ll discover that some mysteries are best kept hidden.

Grimm Tales of Terror Vol. 5 #12

Preview: Grimm Fairy Tales 2025 Holiday Pinup Special

Grimm Fairy Tales 2025 Holiday Pinup Special

WRITER DAVID WOHL & NOAH MITCHELL
ARTWORK RICARDO OSNAYA
COLORS MAXFLAN ARAUJO
LETTERS TAYLOR ESPOSITO (OF GHOST GLYPH STUDIOS)
EDITOR DAVID WOHL
PRODUCTION & DESIGN CHRISTOPHER COTE

HERSHEY’S DAY OUT

Just in time for the happiest time of the year comes the Grimm Fairy Tales 2025 Holiday Pinup Special! Get ready to check out all your favorite Zenescope Universe heroines and villainesses, spreading some holiday cheer in their sultry winter outfits! Some of the industry’s top artists contribute gorgeous pin-ups of the Zenescope Universe’s most popular female characters in this stunning collection. Also includes a never-published Grimm Fairy Tales short story!

Grimm Fairy Tales 2025 Holiday Pinup Special

Preview: Grimm Tales of Terror Vol. 5 #11

Grimm Tales of Terror Vol. 5 #11

WRITER CHAS! PANGBURN
ARTWORK ALLAN OTERO
COLORS JUAN MANUEL RODRIGUEZ
LETTERS TAYLOR ESPOSITO (OF GHOST GLYPH STUDIOS)
EDITOR DAVID WOHL
PRODUCTION & DESIGN CHRISTOPHER COTE

A man, aching to escape the confines of his own life, stumbles into an occult bookstore seeking a way out. Instead of a path to freedom, what he uncovers—and unwittingly releases—is something that threatens to bind him more tightly than ever before.

Grimm Tales of Terror Vol. 5 #11

Preview: King Dracula #1

King Dracula #1

STORY JOE BRUSHA & DAVID WOHL
WRITER DAVID WOHL
ARTWORK MASSIMILIANO LA MANNO
COLORS JORGE CORTES
LETTERS TAYLOR ESPOSITO (OF GHOST GLYPH STUDIOS)
EDITOR DAVID WOHL
PRODUCTION & DESIGN CHRISTOPHER COTE

Beneath the streets of New York, the notorious Lord of Vampires plots to regain his rightful place atop his kingdom. But much has changed during his absence… the Vampire Lords, a ruthless cabal of powerful elders, have staked their claim upon the world, and they have no fear of their former leader–or anyone else. Maybe they should…

King Dracula #1

Preview: Zenescope: Myths and Monsters Fall Edition: 2025

Zenescope: Myths and Monsters Fall Edition: 2025

“BLOOD COUNTESS: CRIMSON SILENCE”
WRITER – JOE BRUSHA
ARTWORK – HAKAN AYDIN
COLORS – JUAN MANUEL RODRIGUEZ
“THE WONDERFUL THING ABOUT TIGGER”
WRITER – NOAH MITCHELL
ARTWORK – RICARDO OSANAYA
COLORS – ROBBY BEVARD
“TERROR: RESURRECTION”
WRITER – JOE BRUSHA
ARTWORK – JULIUS ABRERA
COLORS – MAXFLAN ARAUJO

LETTERS – TAYLOR ESPOSITO (OF GHOST GLYPH STUDIOS)
EDITOR – DAVID WOHL
PRODUCTION & DESIGN – CHRISTOPHER COTE

FALL EDITION: 2025

Don’t miss this super-sized suspenseful issue collecting three untold tales from across the Zenescope Universe!

Zenescope: Myths and Monsters Fall Edition: 2025
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