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Rick Veitch, Michael Zulli, and Vince Locke’s Swamp Thing 1989 #1 comes to comic shelves this April

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DC has announced that Swamp Thing 1989 #1, the long-awaited, fully restored, lost issue that begins the conclusion of Rick Veitch’s acclaimed late-1980s run on Swamp Thing will be released in April 2026. After more than three decades, Veitch’s ambitious final epic will be released under the DC Black Label across four issues, published monthly through July.

Written by Rick Veitch, with art by original penciler Michael Zulli and inked by Vince Locke, Swamp Thing 1989 #1 completes the comic Veitch and Zulli intended to deliver as Swamp Thing #88. In this issue, Swamp Thing is cast back through time and encounters a humble carpenter whose presence will alter the creature’s destiny and send ripples through the DC Universe. The issue also sets the stage for the long-anticipated origin of Etrigan the Demon and catapults Swamp Thing on his mythic journey back to the Big Bang and beyond.

The main cover by Rick Veitch reflects the quiet tension and symbolic weight of the story’s historical setting. Variant and foil covers by Michael Zulli present painterly imagery of Swamp Thing that captures the emotional and mythic intensity surrounding this pivotal moment in Swamp Thing’s saga.

The issue will be released with its original trade dress, period-accurate numbering on the cover, facsimile-style paper stock, and vintage ads, Swamp Thing 1989 #1 begins the journey to Veitch’s final Swamp Thing saga, running as it would have been published in 1989.

DC Black Label is completing the work exactly as it was intended. The long-lost Swamp Thing #88, now called Swamp Thing 1989 #1, features art by the late Michael Zulli, who returned to work on the issue before his passing in 2024, completing the painting featured as the variant cover. Working closely with Zulli’s wife, Karen Zulli, DC selected Vince Locke, Zulli’s longtime inker, to complete the issue over his original pencils while preserving the integrity of Zulli’s original vision.

Veteran Swamp Thing series artist Tom Mandrake will illustrate the brand-new Swamp Thing 1989 #2-4, which would have been Swamp Thing #89–91, bringing Veitch’s never-published storyline to its intended conclusion. For Swamp Thing 1989 #2-4, colorist Trish Mulvihill honors the palette and spirit of legendary series colorist Tatjana Wood while letterer Todd Klein brings the same reverence to the work of original Swamp Thing series letterer John Costanza.

Swamp Thing 1989 #1 is a 32-page comic book priced at $4.99 US, with a card-stock variant available for $5.99 US and a foil variant for $7.99 US. The new series begins on April29, 2026.

Universal Monsters Creature From The Black Lagoon Lives! #4 Shows the Darkness Submerged in Humanity

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UNIVERSAL MONSTERS BLACK LAGOON LIVES! #4

Kidnapped by a mutilated Darwin Collier, Kate Marsden needs to escape from the serial killer before he transforms her into a similar monster. All the while, Professor Thompson hunts after the beast that scarred him years ago. As Collier comes into conflict with the Gill-man, only one monster can win in this conflict. Dan Watters, Ram V, and Matthew Roberts dive into the heart-pounding finale of Universal Monsters Creature from the Black Lagoon Lives! Issue #4, where no one can be genuinely untouched by the darkness of the Black Lagoon. 

Dan and Ram position Collier and the Gill-man as a mirror of how we define monsters. Collier, a human, willingly crafts his body to appear more monstrous through modification, unlike the Creature, who was born “monstrous.” Even before his transformation, Collier’s murderous nature defined his horror, and he felt the need to portray it physically by copying the Gill-man’s appearance. Although he murders several people, it becomes harder to define the titular creature as a monster due to him killing people invading his land. Still, it never sees it as a glamorous and beautiful action. Collier’s mimicking of the Gill-man represents his shallow views of the creature, where he holds no genuine respect for the majesty of the Gill-man but only appreciates his violence. 

Like previous Universal Monsters stories, the two writers showcase the destructive and tragic nature of humans descending to the depths of darkness. Despite surviving her initial experience of the dark waters, Kate does not experience similar luck in the Black Lagoon a second time. She no longer sees the bright sunshine, but her soul can only drown by what she experienced and chose to do. Kate’s ending feels like a real tragedy with plenty of weight and horror as her desire for revenge leads her to the outcome. If the Gill-man serves as a fictional reflection of our fears, then Kate is a more realistic and human version. Monsters do not lurk in our waters or hunt in our caves, but the dark and horrific nature of humanity lurks in our hearts and minds, waiting to surface.

Matthew’s artwork has proven to be an essential and critical part of the series, as he delivers on the dramatic beats of the final issue. With moments of brutal violence, regret, and horror, he conveys all of it masterfully. With a haunting final page, I felt like the Gill-man was looking directly into my soul. Along with colorist Trish Mulvihill and letterer DC Hopkins, the art of the finale hits a high note. 

Dan, Ram, and Matthew have taken readers to the bottomless pits of the water in Universal Monsters Creature from the Black Lagoon Lives! Issue #4. After touching the waters of the Black Lagoon, one can never be the same again. And much like the original film, the story can only end in a tragedy. Diving into the depths can make it easy to get lost in the darkness. The absolute horror is not what we find in the darkness but in how the darkness shapes us and forces us to lose our humanity.

Story: Dan Watters and Ram V Art: Matthew Roberts 
Color: Trish Mulvihill Letterer: DC Hopkins
Story: 9.4 Art: 9.7 Overall: 9.7 Recommendation: Read

Skybound provided Graphic Policy with a FREE copy for review

Universal Monsters Creature From The Black Lagoon Lives! #3 Shows the Dark Waters of Monstrosity

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UNIVERSAL MONSTERS BLACK LAGOON #3

Still, on the hunt for serial killer Darwin Collier, Kate Marsden cannot feel at peace until she puts the man down. While searching, she runs into Doctor Thompson, Christiano, and the Gill Man, who reside in the Black Lagoon. Yet, she accidentally made contact and an intentional connection with the titular monster while exploring the Amazons. As Collier and the monster close in deeper to the group, Kate will face a true blood and flesh monster. Dan Watters, Ram V, and Matthew Roberts deliver the heart-pounding penultimate issue of Universal Monsters Creature from the Black Lagoon Lives! Issue #3

Building off of the resonant themes from the original film, Dan and Ram push the continuing narrative in exciting and resonant angles that align with what came before, especially with the notion of explorers encroaching onto foreign land to find answers and what makes someone view another being or creature as monstrous. The social and political commentary within the classic Universal Monster films carries over to Universal Monsters Creature from the Black Lagoon Lives! Issue #3. Along with the different perspectives of the characters, it serves as a natural continuation and evolution where it feels modern but never abandons its roots. 

And with its status as a sequel, Universal Monsters Creature from the Black Lagoon Lives! Issue #3 acts in conversation with the original Creature from the Black Lagoon and the original two sequels that followed it. Considering how issue three ends, it becomes apparent that Dan and Ram have fully embraced the trilogy and found the interesting strands that may not have worked in the original sequels but reworked in the comic, especially with The Creature Walks Among Us, where the pair takes inspiration for Collier’s fate. As man and monster became more blurred as the series went on, the pair tasked themselves to push beyond what came before and enter new territory. 

With the hauntingly gorgeous Black Lagoon, Matthew continually delivers incredible work capturing the horrific beauty of the world. Diving into the most explicit horror part of the series, Roberts delivers some excellent body horror mixed with the more suspenseful aspects. His work, along with colorist Trish Mulvihill and letterer DC Hopkins, helps make the book feel akin to a long-lost film sequel and ties it expertly into the iconic world and setting. Even if many decades have passed, the artistic talent makes the book feel like a homecoming to an iconic property.

With one more issue left of this incredible miniseries, Universal Monsters Creature from the Black Lagoon Lives! Issue #3 lives up to the extensive legacy of the original iconic film. As Dan, Ram, and Matthew take the series in fascinating directions, they always retain the core identity of what makes the film work so well. The idea of horror has changed since 1954, but Universal Monsters Creature from the Black Lagoon Lives! Issue #3 brings a modern and innovative sensibility that forces people to swim in the Black Lagoon to find real monsters.

Story: Dan Watters and Ram V Art: Matthew Roberts 
Color: Trish Mulvihill Letterer: DC Hopkins
Story: 9.4 Art: 9.5 Overall: 9.5 Recommendation: Read

Skybound provided Graphic Policy with a FREE copy for review

Purchase: TFAW – Zeus Comics – Kindle

Get a first look at Universal Monsters: Creature from the Black Lagoon Lives! #4

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Skybound, Image Comics, and Universal Products & Experiences have revealed an impressive slate of variant covers and a first look at interior pages from Universal Monsters: Creature from The Black Lagoon Lives! #4, the epic finale of the four-issue limited comic book series from acclaimed writers Dan Watters and Ram V, along with artist Matthew Roberts, and colorist Trish Mulvihill.  

The final installment of the Universal Monsters phenomenon hits comic book shops July 24, 2024.  

It all ends here. Who will survive the final showdown with the Creature? 

In addition to the main cover by Matthew Roberts, Universal Monsters: Creature from the Black Lagoon Lives! #4 boasts a variant cover lineup from top artists including both an open to order cover and “classic horror” black and white 1:25 incentive variant by Jenny Frison, the continuation of a four-part 1:10 incentive connecting cover series by DANI, a 1:50 incentive variant by Maria Wolf, and a 1:75 incentive variant by Martin Simmonds.  

Picking up where the original films left off, this Universal Monsters tale takes readers back to the mysterious Amazonian lagoon where terror lurks beneath its murky waters. This series is perfect for new readers and longtime fans alike. 

Universal Monsters: Creature from The Black Lagoon Lives! #4

The full list of covers is below:  

  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover A by Matthew Roberts (Lunar Code 0524IM374) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover B by Jenny Frison (Lunar Code 0524IM375) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover C (1:10 Connecting Copy Incentive) by DANI (Lunar Code 0524IM376) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover D (1:25 “Classic Horror” B&W Copy Incentive) by Jenny Frison (Lunar Code 0524IM377)  
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover E (1:50 Copy Incentive) by Maria Wolf (Lunar Code 0524IM378) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover F (1:75 Copy Incentive) by Martin Simmonds (Lunar Code 0524IM379) 

Get a look at Universal Monsters: Creature From the Black Lagoon Lives! #3

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Skybound, Image Comics, and Universal Products & Experiences have revealed an impressive slate of variant covers and a first look at interior pages from Universal Monsters: Creature from The Black Lagoon Lives! #3, the third issue of the new four-issue limited comic book series from acclaimed writers Dan Watters and Ram V, along with artist Matthew Roberts, and colorist Trish Mulvihill.  

The penultimate installment of the new Universal Monsters phenomenon hits comic book shops June 26, 2024.  

In addition to the main cover by Matthew Roberts and Trish Mulvihill, Universal Monsters: Creature from the Black Lagoon Lives! #3 boasts a variant cover lineup from top artists including both an open to order cover and “classic horror” black and white 1:25 incentive variant by Julian Totino-Tedesco, the continuation of a four-part 1:10 incentive connecting cover series by DANI, a 1:50 incentive variant by Anwita Citriya, and a 1:75 incentive variant by David Talaski.  

Kate’s quest for revenge creates unexpected dangers as she closes in on the serial killer known as Collier and discovers their surprising connection to the creature that dwells within the rainforest. 

Picking up where the original films left off, this Universal Monsters tale takes readers back to the mysterious Amazonian lagoon where terror lurks beneath its murky waters. This series is perfect for new readers and longtime fans alike. 

Universal Monsters: Creature from The Black Lagoon Lives! #3

The full list of covers is below:  

  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover A by Matthew Roberts (Lunar Code 0424IM346) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover B by Julian Totino-Tedesco (Lunar Code 0424IM346) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover C (1:10 Connecting Copy Incentive) by DANI (Lunar Code 0424IM347) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover D (1:25 “Classic Horror” B&W Copy Incentive) by Julian Totino-Tedesco (Lunar Code 0424IM348) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover E (1:50 Copy Incentive) by Anwita Citriya (Lunar Code 0424IM349) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover F (1:75 Copy Incentive) by David Talaski (Lunar Code 0424IM350) 

The Flash #1 delivers a new entry point as it shakes things up

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The Flash #1

Wally West has never been quicker, more fulfilled, more heroic. His loving family is around him. And yet something is off. Very off. His evolving understanding of his powers has opened Wally to new avenues of sci-fi adventure and attuned his senses to strange new ideas. Something whispers from the dark vibrations beyond the Speed Force, and as Wally experiments with creative new approaches to his powers he encounters new realms, mysterious allies, and mind-shattering terrors. The Flash #1 kicks off a new volume and new creative team and is a solid jumping on point for new readers.

Written by Si Spurrier, The Flash #1 has Wally west somewhat settled. He’s attempted to balance his life as a superhero and husband and father. No longer the sidekick, the comic feels like Wally standing on his own attempting to find his place and get everything in line. At work, he’s helping with scientific discoveries that seem to due with the Speed Force, though the specifics never quite explained. At home, he has a wife and kids with the frustrations that come with that. It’s those small moments that stand out in Spurrier’s writing. While the superheroics are interesting, it’s Wally and Linda Park-West’s relationship that stands out.

Spurrier teases the ups and downs in that relationship. Linda’s previously having powers. Her having to deal with a family who experience things so differently than her. While their lives move at mach speeds, she’s left sitting on a couch feeding a newborn. As a father still learning, it’s a segment and focus that stands out to me. For mothers who read it, I’m sure their connection and experiences will be much different. But, the domestic focus stands out and a domestic focus that plays to the frustrations that can come with life and the roles we have within the family.

Overall, Spurrier delivers a comic whose tone isn’t quite the playful Flash of the past. Instead there’s a bit edgier of a style that feels much more like a mix of sci-fi and horror. Some of that is due to Mike Deodato Jr.’s art which stands out. Deodato is joined by Trish Mulvihill on color and Hassan Otsmane-Elhaou on lettering and the result is amazing. Gone is the motion we’ve seen with other artists and instead there’s a use of panels that creates a whirlwind feel. The page layout captures the hectic nature of Wally’s life and presents the Flash’s unique speed in an interesting way. It’s stunning visually.

I’m not sure if I’m totally sold on The Flash #1 but it’s a very entertaining start that feels like a new beginning. There’s a vibe like we’re walking into an expansion of The Flash’s world, much like the growth Green Lantern saw many years ago. No matter, the art alone is more than enough to check out the issue.

Story: Si Spurrier Art: Mike Deodato Jr.
Color: Trish Mulvihill Letterer: Hassan Otsmane-Elhaou
Story: 8.0 Art: 10 Overall: 8.75 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics – Kindle

Creepshow #2 returns with a Second Printing

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On the heels of an instant sellout and second printing of its debut issue, Skybound has announced that Creepshow #2 has sold out and will return with a second printing. Based on Greg Nicotero’s hit Shudder TV series produced and licensed by Cartel Entertainment, Creepshow #2 will return to comic shops on December 28, 2022.  

Featuring a brand-new second printing variant cover drawn by Maria Wolf and colored by Mike Spicer, Creepshow #2 includes two spine-chilling stories.  

David Lapham and Maria Lapham kick off the issue with the terrifying tale of a tree whose roots grew so deep they reached Hell…and the girl who sat beneath it. Trish Mulvihill colors the story, and Pat Brosseau letters.  

Then, writer Steve Foxe joins forces with artist Erica Henderson to share the shocking story of legendary comic creator Sal Medina—and the dedicated fan who went too far. Henderson is additionally on duty for colors, and Brosseau is back for letters on this story as well.  

Brian Witten is overseeing on behalf of Nicotero’s Monster Agency Productions. The Creepshow comic miniseries deal was brokered by Striker Entertainment. 

The Creepshow #2 (of 5) Second Printing Variant (Diamond Code SEP228468) will be available at comic book shops and digital platforms including Amazon Kindle, Apple Books, comiXology, and Google Play on Wednesday, December 28, 2022.  

Creepshow #2 (of 5) Second Printing Variant

Get a first look at Creepshow #2

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Skybound revealed a first look at Creepshow #2, the latest issue of the hugely anticipated five-issue comic book anthology based on Greg Nicotero’s hit Shudder TV series produced and licensed by Cartel Entertainment. Creepshow #2 will arrive in comic book shops on October 26, 2022.   

In the spirit of all iterations of Creepshow in pop culture, each issue of the Creepshow comic anthology series comes packed with two spine-chilling stories, and this first look showcases both truly terrifying tales.  

David Lapham and Maria Lapham kick off the issue with the terrifying tale of a tree whose roots grew so deep they reached Hell…and the girl who sat beneath it. Trish Mulvihill colors the story, and Pat Brosseau letters.  

Then, writer Steve Foxe joins forces with artist Erica Henderson to share the shocking story of legendary comic creator Sal Medina—and the dedicated fan who went too far. Henderson is additionally on duty for colors, and Brosseau is back for letters on this story as well.  

In addition to the main cover by Chris Burnham, Creepshow #2 comes with a striking lineup of variant covers, including a cover by Sebastian Fiumara and a 1:10 incentive cover by Vance Kelly.  

Creepshow #2 (of 5) will be available at comic book shops and digital platforms including Amazon Kindle, Apple Books, comiXology, and Google Play on Wednesday, October 26, 2022.  

The full list of covers is below: 

  • CREEPSHOW #2 CVR A by Chris Burnham (AUG220174) 
  • CREEPSHOW #2 CVR B by Sebastian Fiumara (AUG220175)  
  • CREEPSHOW #2 CVR C by Vance Kelly (1:10 Incentive) (AUG220176) 
Creepshow #2 (of 5)

Review: Flashpoint Beyond #0

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Flashpoint Beyond #0

When it comes to events for DC, it feels like there’s isolated “low level” ones that are fairly easy to dive into for new readers. But, if you go beyond that, they tend to go heavy into DC continuity relying on readers to have encyclopedic knowledge of the DC Universe. Years ago, Flashpoint was the rare event that new readers could dive into as it cleared all of that continuity to introduce us to a new world. Readers discovered things as each issue explored this broken world. Things got complicated from there as characters from Watchmen were folded into the new DC Universe and its “rebirth” creating an ever evolving “meta”story. That meta story has clearly taken turns through the years with concepts added and dropped. Flashpoint Beyond #0 kicks off the latest chapter of that meta story requiring readers to have a bit deeper knowledge of DC history both new and old to really enjoy it.

Written by Geoff Johns, Flashpoint Beyond #0 takes us back to the world where Thomas Wayne is Batman, Bruce died, Atlantis and the Amazons are at war, and a whole lot of other things have changed. But, this world isn’t even the Flashpoint we knew. Something has changed even this and the first issue dives into that mystery as Thomas Wayne attempts to put the pieces of that puzzle together.

For the most part, Flashpoint Beyond #0 is pretty easy to follow. Someone has manipulated this world. It’s the details that will be what gets lost for new readers. The opening of the issue kicks off with Batman, Mime, and Marionette breaking into the Time Masters’ HQ to retrieve something. There we get references to 5G, upcoming death of the Justice League, Deathstroke acting weird, and more. It’s a lot to take in and the dropping of crumbs that for a while felt like a standard in DC Comics. For new readers, it’s a lot of gibberish that feels like it distracts, it’s the inside info that’ll get long time fans excited though.

But beyond that, Johns does a decent job of using Thomas Wayne as out guide to the mystery laid out and this new world. The frustration he feels oozes off the page and there’s a slight madness to his actions. It feels like a nice mix of spandex and a detective/noir story.

That’s helped by the art of Eduardo Risso who’s joined by Trish Mulvihill on color and Rob Leigh on lettering. The look of the comic fits that “detective” vibe with a hint of spiraling madness about it. It’s a solid style that fits the tone of the comic well. Thomas Wayne’s depiction feels like an old, weary man more in line with the older Bruce Wayne from Batman Beyond. The use of color creates a very dynamic look that at times is reminiscent of Batman the Animated Series. And there’s even a bit of Frank Miller influence in its use of shadows. It’s a look that blends so many things together but it all works so well. There’s some panels which stand out as a negative here and there, mostly when eyes are a focus, but that’s the exception not the rule of the comic.

Flashpoint Beyond #0 isn’t bad in any way. It’s the first piece in a bigger puzzle. But, without the rest of the pieces, the enjoyment of it is going to be mixed. The perfect example of its issue is its ending which relies on revealing a character and unless you know who it is, it falls flat. That’s the reliance on DC history that feels like it only works for some. How much the comic continues to do that will be the overall indicator of how much this series is for anyone that’s not the diehard fans.

Story: Geoff Johns Art: Eduardo Risso
Color: Trish Mulvihill Letterer: Rob Leigh
Story: 7.5 Art: 7.75 Overall: 7.5 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Purchase: comiXology/Kindle – Zeus Comics

Get a First Look at DC’s Green Arrow 80th Anniversary 100-Page Spectacular!

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On June 29, join DC in celebrating eight decades of emerald-clad swashbuckling, crime-fighting, and trick arrows of every kind when the Green Arrow 80th Anniversary 100-Page Super Spectacular #1! Honoring Green Arrow and his allies across his 80-year history, from the Golden Age to now, the anniversary special includes 12 stories from some of DC’s most esteemed writers and artists who have contributed to the legacy of Oliver Queen. The title will also include 8-decade variant covers depicting the Emerald Archer through the ages.

This anthology not only features a “who’s – who” of comic book storytellers but also includes a unique and heartfelt tribute to the career of iconic DC and Green Arrow scribe Denny O’Neil. “Tap, Tap, Tap” is a silent, wordless story from Denny O’Neil’s son Larry, Jorge Fornes, and Dave Stewart. The story chronicles the challenges and victories in Denny’s life both in and out of comics, from his childhood, raising a family, his stellar career as a writer, until his passing in 2020

Additional stories in this anthology include:

  • “The Disappearing Bandit”
    Written by Mariko Tamaki, Art by Javier Rodriguez
    It’s the Golden Age of Green Arrow and Speedy, brought to humorous and loving life by New York Times bestselling writer Mariko Tamaki (Harley Quinn: Breaking Glass) and acclaimed artist Javier Rodriguez (Batgirl: Year One). A lot of people attempt to affectionately show the silliness of the first age of super heroes, but few have done it as exceptionally as Mariko and Javier. Trick arrows for everyone!
  • “Punching Evil”
    Written by Tom Taylor, Art by Nicola Scott, Colors by Annette Kwok
    To become a more adept superhero and fighter, Green Arrow goes to train with the Golden Age superhero Wildcat at his gym. In true Wildcat fashion, he shows Ollie the hard way of what it takes to be your own hero. Tom Taylor (Nightwing, Suicide Squad, Injustice) brings this story to life, with incredible artwork from Nicola Scott (Wonder Woman 75th Anniversary Special) and Annette Kwok (Joker/Harley: Criminal Sanity).
  • “Who Watches the Watchtower?”
    Written by Stephanie Phillips, Art by Chris Mooneyham, Colors by Mike Spicer
    The Green Arrow is left behind on the Justice League Satellite while the rest of the team goes on an important mission. Oliver is less than thrilled, and righteously indignant about the situation as usual until an alien armada invades the Satellite. Can Ollie stand alone against an alien onslaught before it reaches earth? Acclaimed writer Stephanie Phillips (Harley Quinn) captures that “Denny O’Neil Green Arrow”-voice, and this story is brought to life in gorgeous fashion by Christopher Mooneyham’s (Nightwing) retro/modern bronze age aesthetic.
  • “Out of the Shadows”
    Written and Art by Mike Grell, Colors by Lovern Kindzerski
    Legendary Green Arrow writer and artist Mike Grell return to the 1980’s era of The Longbow Hunters. The Green Arrow must team up with the legendary anti-hero Shado to stop a shipment of smuggled guns from making it into Seattle. Depicting The Emerald Archer as only he can, Grell will remind readers why his take on Ollie Queen is still a Green standard.
  • “The Arrow and the Song”
    Written by Ram V, Art by Christopher Mitten, Colors by Ivan Plascencia
    This tale is a beautiful meditation on the love between Green Arrow and Black Canary through the years and the found family that they’ve created. Writer Ram V (Catwoman) puts together this beautiful story of love and how life takes turns you don’t expect. Gloriously brought to life by the work of Christopher Mitten (Batman: Arkham Unhinged) and Ivan Plascencia (The Flash).
  • “One”
    Written by Brandon Thomas, Art by Jorge Corona, Colors by Matheus Lopes
    We go right back to the mid-90s with this story. Oliver Queen is dead. Connor Hawke is Green Arrow and he has to save the main Queen Industries building in Star City, the home of a business and family he was never part of, from a group of terrorists. Brought to you by Infinite Frontier and Future State writer Brandon Thomas (Future State: Aquaman) and amazingly drawn by Jorge Corona (We Are Robin).
  • “Green Man and Autumn Son”
    Written by Devin Grayson, Art by Max Fiumara
    Catwoman writer Devin Grayson and artist Max Fiumara shine a spotlight on Roy Harper, a.k.a Red Arrow, as he continues to manage his transition from “sidekick” to adult hero, along with single parenthood and his struggles with addiction and recovery.
  • “Star City Star”
    Written and Art by Phil Hester, Inks by Ande Parks, Colors by Trish Mulvihill
    Phil Hester drew nearly fifty issues of Green Arrow in the early 2000s, working with popular writers like Kevin Smith, Brad Meltzer, and Judd Winnick. Here, Phil synthesizes what was so great about his run into a tremendous eight-page story. Green Arrow tries to save a young girl named Star who has been kidnapped but has to run through a gauntlet of his greatest villains and allies to get to her. Including: Onomatopoeia, Speedy (Mia Dearden), Green Lantern (Hal Jordan), Black Canary, Arsenal, Connor Hawke, and Count Vertigo.
  • “Happy Anniversary”
    Written by Vita Ayala, Art by Laura Braga, Colors by Adriano Lucas
    This story focuses on the point in time where Green Arrow and Black Canary were married right before the New 52. On the day of their anniversary, the two are at each other’s throats and then Green Arrow gets kidnapped. Black Canary thinks the kidnapping is part of an anniversary game/present but quickly discovers that Green Arrow has REALLY been kidnapped by DEATHSTROKE and she has to save him. Vita Ayala (Future State: The Next Batman) writes a wonderful Mr. and Mrs. Smith-style action rom-com brought to life by Laura Braga (DC Comics Bombshells).
  • “The Sympathy of the Woods”
    Written by Ben Percy, Art by Otto Schmidt
    It’s the DC Rebirth Era, Green Arrow is feeling lost, the world is getting worse, and he doesn’t feel like he’s making enough of a difference. To cheer him up, Black Canary, Red Arrow (Emiko Queen), Diggle, and Henry Fyffe try to throw him a party to remind him of the beautiful community he’s built. But what starts as a celebration will become a rescue mission as Green Arrow is hunted down by the Dark Archer known as MERLYN. From DC talents Ben Percy (Nightwing) and Otto Schmidt (Harley Quinn).
  • “The Last Green Arrow Story”
    Written by Jeff Lemire, Art by Andrea Sorrentino, Colors by Jordie Bellaire
    The acclaimed Green Arrow creative team from the New 52, New York Times Bestselling author Jeff Lemire (Sweet Tooth)  and Andrea Sorrentino (Joker: Killer Smile) tell a transcendent final tale of Oliver Queen. In his older years, he requests to be left alone on the island where he was stranded so many decades ago. He’s gone there to connect to his own myth, his legacy, and to die in peace. But is it ever that simple for The Green Arrow?

The variant covers for this must-have collector’s item come from some of the most prolific artists in comics:

  • 1940’s Variant: Michael Cho
  • 1950’s Variant: Daniel Warren Johnson
  • 1960’s Variant: Neal Adams
  • 1970’s Variant: Derrick Chew
  • 1980’s Variant: Gary Frank
  • 1990’s Variant: Howard Porter
  • 2000’s Variant: Jen Bartel
  • 2010’s Variant: Simone Di Meo

Green Arrow 80th Anniversary 100-Page Super Spectacular #1 arrives in participating comic book stores and digitally on Tuesday, June 29, 2020, for $9.99.

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