Tag Archives: trish mulvihill

The Folk of Dooney Hollow #1 has the makings of an interesting horror series

Deep in the Ozark Mountains lies the village of Dooney Hollow, hidden away from modern society for over a century. Its existence is only spoken of around campfires, in hushed tones, by people who don’t necessarily believe. Those who stumble upon Dooney Hollow never return to prove that it’s real, because dark forces lurk in the woods just outside the town gate.

Kerri is a young graduate student who goes to the Ozarks to get a feel for the land and its people – and its local legends. Little does she know how close to these legends she will get, as a chance encounter in the forest leads her to ceremonial grounds and the terrifying monster that keeps the citizens of Dooney Hollow living in fear.

Story: Jeremy Haun
Art: Alex Lins
Color: Trish Mulvihill
Letterer: Andworld Design

Get your copy now!

Zeus Comics


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SDCC 2026: Ignition Press announces two debuts

Ignition Press has announced it will debut two new series ahead of their first issue releases in comic shops with original, standalone Cold Open issues at Comic-Con International: San Diego (SDCC).

Cult-de-Sac: The Cold Open from Cullen Bunn, artist Fico Ossio, and colorist Ulises Arreola debuts with an original prequel story of a couple’s deadly interaction with the mysterious Homeowners Association, along with a first look at Cult-de-Sac #1. Fans can purchase copies of Cult-de-Sac: The Cold Open Cover A by Ossio and Arreola for $4.99, and a limited-edition cover B variant by Ebrahel Lurci for $9.99. The variant cover is limited to 500 copies. Cullen Bunn, recently in the news for his and Jonas Scharf’s series Bone Parish being in development for a TV series with Curtis “50 Cent” Jackson at Starz, will be signing copies at the Ignition Pavilion throughout SDCC.

The Folk of Dooney Hollow: The Cold Open from Jeremy Haun, artist Alex Lins, and colorist Trish Mulvihill debuts with an original prequel story introducing the horrors in the woods, plus a first look at The Folk of Dooney Hollow #1. Fans can purchase copies of The Folk of Dooney Hollow: The Cold Open Cover A by Haun and Nick Filardi for $4.99, and a limited edition cover B variant by Lins for $9.99. The variant cover is limited to 500 copies, and Jeremy Haun will be signing copies at the Ignition Pavilion throughout SDCC.

Ignition Press’s Cold Open issues act as a standalone entry point for longtime comic fans and new readers alike, featuring an original, self-contained story that introduces the reader to the world, as well as behind-the-scenes material, special sneak peeks, and information on how to get the entire series through traditional retail channels.

The Ignition Pavilion will be open with free admission to the public during the following hours:

Wednesday, July 22nd: 5:00pm – 9:00pm
Thursday, July 23rd: 12:00pm – 8:00pm
Friday, July 24th: 12:00pm – 8:00pm
Saturday, July 25th: 12:00pm – 8:00pm
Sunday, July 26th: 12:00pm – 6:00pm

The Ignition Pavilion is located at the San Diego Wine & Culinary Center located at 200 Harbor Drive, #120, San Diego, CA 92101

Swamp Thing 1989 #1 is an interesting piece of comic history finally in print

Over three decades since the controversy and cancellation, Rick Veitch’s legendary lost issues are completed! After a renowned two year run on the series, Veitch’s grand finale to Swamp Thing was cut short, and never to see print! Whispers and leaks hinted at the epic untold saga for years. Now, for the first time, that final story is told! As Swamp Thing is cast back through time, he will come to meet a carpenter who will change the trajectory of his life, and the DC Universe forever. The origin of Etrigan, and Swamp Thing’s journey to the beginning of time starts here!

Story: Rick Veitch
Art: Michael Zulli, Vince Locke
Color: Trish Mulvihill
Letterer: John Costanza, Todd Klein

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
Kindle


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Rick Veitch, Michael Zulli, and Vince Locke’s Swamp Thing 1989 #1 comes to comic shelves this April

DC has announced that Swamp Thing 1989 #1, the long-awaited, fully restored, lost issue that begins the conclusion of Rick Veitch’s acclaimed late-1980s run on Swamp Thing will be released in April 2026. After more than three decades, Veitch’s ambitious final epic will be released under the DC Black Label across four issues, published monthly through July.

Written by Rick Veitch, with art by original penciler Michael Zulli and inked by Vince Locke, Swamp Thing 1989 #1 completes the comic Veitch and Zulli intended to deliver as Swamp Thing #88. In this issue, Swamp Thing is cast back through time and encounters a humble carpenter whose presence will alter the creature’s destiny and send ripples through the DC Universe. The issue also sets the stage for the long-anticipated origin of Etrigan the Demon and catapults Swamp Thing on his mythic journey back to the Big Bang and beyond.

The main cover by Rick Veitch reflects the quiet tension and symbolic weight of the story’s historical setting. Variant and foil covers by Michael Zulli present painterly imagery of Swamp Thing that captures the emotional and mythic intensity surrounding this pivotal moment in Swamp Thing’s saga.

The issue will be released with its original trade dress, period-accurate numbering on the cover, facsimile-style paper stock, and vintage ads, Swamp Thing 1989 #1 begins the journey to Veitch’s final Swamp Thing saga, running as it would have been published in 1989.

DC Black Label is completing the work exactly as it was intended. The long-lost Swamp Thing #88, now called Swamp Thing 1989 #1, features art by the late Michael Zulli, who returned to work on the issue before his passing in 2024, completing the painting featured as the variant cover. Working closely with Zulli’s wife, Karen Zulli, DC selected Vince Locke, Zulli’s longtime inker, to complete the issue over his original pencils while preserving the integrity of Zulli’s original vision.

Veteran Swamp Thing series artist Tom Mandrake will illustrate the brand-new Swamp Thing 1989 #2-4, which would have been Swamp Thing #89–91, bringing Veitch’s never-published storyline to its intended conclusion. For Swamp Thing 1989 #2-4, colorist Trish Mulvihill honors the palette and spirit of legendary series colorist Tatjana Wood while letterer Todd Klein brings the same reverence to the work of original Swamp Thing series letterer John Costanza.

Swamp Thing 1989 #1 is a 32-page comic book priced at $4.99 US, with a card-stock variant available for $5.99 US and a foil variant for $7.99 US. The new series begins on April29, 2026.

Universal Monsters Creature From The Black Lagoon Lives! #4 Shows the Darkness Submerged in Humanity

UNIVERSAL MONSTERS BLACK LAGOON LIVES! #4

Kidnapped by a mutilated Darwin Collier, Kate Marsden needs to escape from the serial killer before he transforms her into a similar monster. All the while, Professor Thompson hunts after the beast that scarred him years ago. As Collier comes into conflict with the Gill-man, only one monster can win in this conflict. Dan Watters, Ram V, and Matthew Roberts dive into the heart-pounding finale of Universal Monsters Creature from the Black Lagoon Lives! Issue #4, where no one can be genuinely untouched by the darkness of the Black Lagoon. 

Dan and Ram position Collier and the Gill-man as a mirror of how we define monsters. Collier, a human, willingly crafts his body to appear more monstrous through modification, unlike the Creature, who was born “monstrous.” Even before his transformation, Collier’s murderous nature defined his horror, and he felt the need to portray it physically by copying the Gill-man’s appearance. Although he murders several people, it becomes harder to define the titular creature as a monster due to him killing people invading his land. Still, it never sees it as a glamorous and beautiful action. Collier’s mimicking of the Gill-man represents his shallow views of the creature, where he holds no genuine respect for the majesty of the Gill-man but only appreciates his violence. 

Like previous Universal Monsters stories, the two writers showcase the destructive and tragic nature of humans descending to the depths of darkness. Despite surviving her initial experience of the dark waters, Kate does not experience similar luck in the Black Lagoon a second time. She no longer sees the bright sunshine, but her soul can only drown by what she experienced and chose to do. Kate’s ending feels like a real tragedy with plenty of weight and horror as her desire for revenge leads her to the outcome. If the Gill-man serves as a fictional reflection of our fears, then Kate is a more realistic and human version. Monsters do not lurk in our waters or hunt in our caves, but the dark and horrific nature of humanity lurks in our hearts and minds, waiting to surface.

Matthew’s artwork has proven to be an essential and critical part of the series, as he delivers on the dramatic beats of the final issue. With moments of brutal violence, regret, and horror, he conveys all of it masterfully. With a haunting final page, I felt like the Gill-man was looking directly into my soul. Along with colorist Trish Mulvihill and letterer DC Hopkins, the art of the finale hits a high note. 

Dan, Ram, and Matthew have taken readers to the bottomless pits of the water in Universal Monsters Creature from the Black Lagoon Lives! Issue #4. After touching the waters of the Black Lagoon, one can never be the same again. And much like the original film, the story can only end in a tragedy. Diving into the depths can make it easy to get lost in the darkness. The absolute horror is not what we find in the darkness but in how the darkness shapes us and forces us to lose our humanity.

Story: Dan Watters and Ram V Art: Matthew Roberts 
Color: Trish Mulvihill Letterer: DC Hopkins
Story: 9.4 Art: 9.7 Overall: 9.7 Recommendation: Read

Skybound provided Graphic Policy with a FREE copy for review

Universal Monsters Creature From The Black Lagoon Lives! #3 Shows the Dark Waters of Monstrosity

UNIVERSAL MONSTERS BLACK LAGOON #3

Still, on the hunt for serial killer Darwin Collier, Kate Marsden cannot feel at peace until she puts the man down. While searching, she runs into Doctor Thompson, Christiano, and the Gill Man, who reside in the Black Lagoon. Yet, she accidentally made contact and an intentional connection with the titular monster while exploring the Amazons. As Collier and the monster close in deeper to the group, Kate will face a true blood and flesh monster. Dan Watters, Ram V, and Matthew Roberts deliver the heart-pounding penultimate issue of Universal Monsters Creature from the Black Lagoon Lives! Issue #3

Building off of the resonant themes from the original film, Dan and Ram push the continuing narrative in exciting and resonant angles that align with what came before, especially with the notion of explorers encroaching onto foreign land to find answers and what makes someone view another being or creature as monstrous. The social and political commentary within the classic Universal Monster films carries over to Universal Monsters Creature from the Black Lagoon Lives! Issue #3. Along with the different perspectives of the characters, it serves as a natural continuation and evolution where it feels modern but never abandons its roots. 

And with its status as a sequel, Universal Monsters Creature from the Black Lagoon Lives! Issue #3 acts in conversation with the original Creature from the Black Lagoon and the original two sequels that followed it. Considering how issue three ends, it becomes apparent that Dan and Ram have fully embraced the trilogy and found the interesting strands that may not have worked in the original sequels but reworked in the comic, especially with The Creature Walks Among Us, where the pair takes inspiration for Collier’s fate. As man and monster became more blurred as the series went on, the pair tasked themselves to push beyond what came before and enter new territory. 

With the hauntingly gorgeous Black Lagoon, Matthew continually delivers incredible work capturing the horrific beauty of the world. Diving into the most explicit horror part of the series, Roberts delivers some excellent body horror mixed with the more suspenseful aspects. His work, along with colorist Trish Mulvihill and letterer DC Hopkins, helps make the book feel akin to a long-lost film sequel and ties it expertly into the iconic world and setting. Even if many decades have passed, the artistic talent makes the book feel like a homecoming to an iconic property.

With one more issue left of this incredible miniseries, Universal Monsters Creature from the Black Lagoon Lives! Issue #3 lives up to the extensive legacy of the original iconic film. As Dan, Ram, and Matthew take the series in fascinating directions, they always retain the core identity of what makes the film work so well. The idea of horror has changed since 1954, but Universal Monsters Creature from the Black Lagoon Lives! Issue #3 brings a modern and innovative sensibility that forces people to swim in the Black Lagoon to find real monsters.

Story: Dan Watters and Ram V Art: Matthew Roberts 
Color: Trish Mulvihill Letterer: DC Hopkins
Story: 9.4 Art: 9.5 Overall: 9.5 Recommendation: Read

Skybound provided Graphic Policy with a FREE copy for review


Purchase: TFAW – Zeus Comics – Kindle

Get a first look at Universal Monsters: Creature from the Black Lagoon Lives! #4

Skybound, Image Comics, and Universal Products & Experiences have revealed an impressive slate of variant covers and a first look at interior pages from Universal Monsters: Creature from The Black Lagoon Lives! #4, the epic finale of the four-issue limited comic book series from acclaimed writers Dan Watters and Ram V, along with artist Matthew Roberts, and colorist Trish Mulvihill.  

The final installment of the Universal Monsters phenomenon hits comic book shops July 24, 2024.  

It all ends here. Who will survive the final showdown with the Creature? 

In addition to the main cover by Matthew Roberts, Universal Monsters: Creature from the Black Lagoon Lives! #4 boasts a variant cover lineup from top artists including both an open to order cover and “classic horror” black and white 1:25 incentive variant by Jenny Frison, the continuation of a four-part 1:10 incentive connecting cover series by DANI, a 1:50 incentive variant by Maria Wolf, and a 1:75 incentive variant by Martin Simmonds.  

Picking up where the original films left off, this Universal Monsters tale takes readers back to the mysterious Amazonian lagoon where terror lurks beneath its murky waters. This series is perfect for new readers and longtime fans alike. 

Universal Monsters: Creature from The Black Lagoon Lives! #4

The full list of covers is below:  

  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover A by Matthew Roberts (Lunar Code 0524IM374) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover B by Jenny Frison (Lunar Code 0524IM375) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover C (1:10 Connecting Copy Incentive) by DANI (Lunar Code 0524IM376) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover D (1:25 “Classic Horror” B&W Copy Incentive) by Jenny Frison (Lunar Code 0524IM377)  
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover E (1:50 Copy Incentive) by Maria Wolf (Lunar Code 0524IM378) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #4 Cover F (1:75 Copy Incentive) by Martin Simmonds (Lunar Code 0524IM379) 

Get a look at Universal Monsters: Creature From the Black Lagoon Lives! #3

Skybound, Image Comics, and Universal Products & Experiences have revealed an impressive slate of variant covers and a first look at interior pages from Universal Monsters: Creature from The Black Lagoon Lives! #3, the third issue of the new four-issue limited comic book series from acclaimed writers Dan Watters and Ram V, along with artist Matthew Roberts, and colorist Trish Mulvihill.  

The penultimate installment of the new Universal Monsters phenomenon hits comic book shops June 26, 2024.  

In addition to the main cover by Matthew Roberts and Trish Mulvihill, Universal Monsters: Creature from the Black Lagoon Lives! #3 boasts a variant cover lineup from top artists including both an open to order cover and “classic horror” black and white 1:25 incentive variant by Julian Totino-Tedesco, the continuation of a four-part 1:10 incentive connecting cover series by DANI, a 1:50 incentive variant by Anwita Citriya, and a 1:75 incentive variant by David Talaski.  

Kate’s quest for revenge creates unexpected dangers as she closes in on the serial killer known as Collier and discovers their surprising connection to the creature that dwells within the rainforest. 

Picking up where the original films left off, this Universal Monsters tale takes readers back to the mysterious Amazonian lagoon where terror lurks beneath its murky waters. This series is perfect for new readers and longtime fans alike. 

Universal Monsters: Creature from The Black Lagoon Lives! #3

The full list of covers is below:  

  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover A by Matthew Roberts (Lunar Code 0424IM346) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover B by Julian Totino-Tedesco (Lunar Code 0424IM346) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover C (1:10 Connecting Copy Incentive) by DANI (Lunar Code 0424IM347) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover D (1:25 “Classic Horror” B&W Copy Incentive) by Julian Totino-Tedesco (Lunar Code 0424IM348) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover E (1:50 Copy Incentive) by Anwita Citriya (Lunar Code 0424IM349) 
  • Universal Monsters: Creature from the Black Lagoon Lives! #3 Cover F (1:75 Copy Incentive) by David Talaski (Lunar Code 0424IM350) 

The Flash #1 delivers a new entry point as it shakes things up

The Flash #1

Wally West has never been quicker, more fulfilled, more heroic. His loving family is around him. And yet something is off. Very off. His evolving understanding of his powers has opened Wally to new avenues of sci-fi adventure and attuned his senses to strange new ideas. Something whispers from the dark vibrations beyond the Speed Force, and as Wally experiments with creative new approaches to his powers he encounters new realms, mysterious allies, and mind-shattering terrors. The Flash #1 kicks off a new volume and new creative team and is a solid jumping on point for new readers.

Written by Si Spurrier, The Flash #1 has Wally west somewhat settled. He’s attempted to balance his life as a superhero and husband and father. No longer the sidekick, the comic feels like Wally standing on his own attempting to find his place and get everything in line. At work, he’s helping with scientific discoveries that seem to due with the Speed Force, though the specifics never quite explained. At home, he has a wife and kids with the frustrations that come with that. It’s those small moments that stand out in Spurrier’s writing. While the superheroics are interesting, it’s Wally and Linda Park-West’s relationship that stands out.

Spurrier teases the ups and downs in that relationship. Linda’s previously having powers. Her having to deal with a family who experience things so differently than her. While their lives move at mach speeds, she’s left sitting on a couch feeding a newborn. As a father still learning, it’s a segment and focus that stands out to me. For mothers who read it, I’m sure their connection and experiences will be much different. But, the domestic focus stands out and a domestic focus that plays to the frustrations that can come with life and the roles we have within the family.

Overall, Spurrier delivers a comic whose tone isn’t quite the playful Flash of the past. Instead there’s a bit edgier of a style that feels much more like a mix of sci-fi and horror. Some of that is due to Mike Deodato Jr.’s art which stands out. Deodato is joined by Trish Mulvihill on color and Hassan Otsmane-Elhaou on lettering and the result is amazing. Gone is the motion we’ve seen with other artists and instead there’s a use of panels that creates a whirlwind feel. The page layout captures the hectic nature of Wally’s life and presents the Flash’s unique speed in an interesting way. It’s stunning visually.

I’m not sure if I’m totally sold on The Flash #1 but it’s a very entertaining start that feels like a new beginning. There’s a vibe like we’re walking into an expansion of The Flash’s world, much like the growth Green Lantern saw many years ago. No matter, the art alone is more than enough to check out the issue.

Story: Si Spurrier Art: Mike Deodato Jr.
Color: Trish Mulvihill Letterer: Hassan Otsmane-Elhaou
Story: 8.0 Art: 10 Overall: 8.75 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics – Kindle

Creepshow #2 returns with a Second Printing

On the heels of an instant sellout and second printing of its debut issue, Skybound has announced that Creepshow #2 has sold out and will return with a second printing. Based on Greg Nicotero’s hit Shudder TV series produced and licensed by Cartel Entertainment, Creepshow #2 will return to comic shops on December 28, 2022.  

Featuring a brand-new second printing variant cover drawn by Maria Wolf and colored by Mike Spicer, Creepshow #2 includes two spine-chilling stories.  

David Lapham and Maria Lapham kick off the issue with the terrifying tale of a tree whose roots grew so deep they reached Hell…and the girl who sat beneath it. Trish Mulvihill colors the story, and Pat Brosseau letters.  

Then, writer Steve Foxe joins forces with artist Erica Henderson to share the shocking story of legendary comic creator Sal Medina—and the dedicated fan who went too far. Henderson is additionally on duty for colors, and Brosseau is back for letters on this story as well.  

Brian Witten is overseeing on behalf of Nicotero’s Monster Agency Productions. The Creepshow comic miniseries deal was brokered by Striker Entertainment. 

The Creepshow #2 (of 5) Second Printing Variant (Diamond Code SEP228468) will be available at comic book shops and digital platforms including Amazon Kindle, Apple Books, comiXology, and Google Play on Wednesday, December 28, 2022.  

Creepshow #2 (of 5) Second Printing Variant
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