Tag Archives: tony avina

WildC.A.T.s #7 begins the search for Grifter

WildC.A.T.s #7

Grifter is dead? Yeah, we know that’s not the case, well, not likely, but his teammates don’t know what’s happening. WildC.A.T.s #7 not only kicks off the search for Grifter but also shifts the series a but making it clear that the the call is coming within the house. Something’s rotten with the Halo Corporation.

Written by Matthew Rosenberg, WildC.A.T.s #7 tells two stories. The first is what’s happening to Grifter. Having killed Void, he’s now being shuffled throughout the multiverse being sent from world to world where he’s fighting to survive. Then, there’s his teammates who know he’s not dead, they just don’t know where he is. They also know something is up with their former employer.

Rosenberg does a great job of balancing the two stories. There’s some good action throughout, but what stands out is Rosenberg’s focus on the characters and their personalities. Each stands out in their own way and between the situations they’re in and their banter, you get a comic that’s fun to read. There’s a pacing to the dialogue and what’s said that’s hard to not enjoy the comic. There’s a level of comedy that really emphasizes who this team is, who these characters are, and makes it stand out from the other DC team comics.

Rosenberg also does an amazing job of making characters who really are shitheads be likeable. There’s a sense that the team doesn’t necessarily like each other but will still defend each other when attacked. They’re dysfunctional family and in a way, the readers are sucked in to be a part of that family.

The art for WildC.A.T.s #7 is a bit off this issue though. Danny Kim and Christian Duce trade off on the art and the two styles are very different and it’s noticeable. One handles the team’s story while the other handles Grifter’s and Grifter’s segment feels… off. There’s something that doesn’t quite pop to it, it’s an issue with the entire comic where the art doesn’t quite have the energy that we’ve seen in other issues. With color by Elmer Santos and Tony Aviña and lettering by Ferran Delgado, the comic has a look that feels more thrown together than flowing. There’s some panels and moments that are great but overall, something about the flow and how it all comes together doesn’t quite work as it has.

WildC.A.T.s #7 continues a great series. It’s done a fantastic job of working in classic elements in new ways and folding the characters into the greater DC Universe. It’s also willing to throw some wild ideas and moments out there that keeps readers on their toes and create a reading experience that continues to be fun with every issue.

Story: Matthew Rosenberg Art: Danny Kim, Christian Duce
Color: Elmer Santos, Tony Aviña Letterer: Ferran Delgado
Story: 8.3 Art: 7.5 Overall: 8.25 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

The Boys gets a Deluxe Oversized Hardcover Omnibus

The Boys are back – and bigger than ever! Dynamite has announced an all-new line of deluxe collected editions of the hallmark series starting with the first volume this April in celebration of the title’s 15th anniversary and the debut of season three on Prime.

Readers have been able to follow The Boys in various formats to date. Now just ahead of the third season’s hotly anticipated release on June 3, and in advance of that the Diabolical Animated Shorts beginning March 3, Dynamite is presenting collectors new and old with another way to enjoy the series. The series will now debut in the ever more popular oversized hardcover omnibus format, at 7.4 by 11.1 inches with a dust jacket.

The Garth Ennis and Darick Robertson created series, with contributions from countless other artists including Russ Braun, Tony Avina, Simon Bowland, and many more, has thrilled fans since 2006. The series full of shocks, heartfelt moments, and stuffed full of satire immediately made a mark on the industry (plus some controversy), and proceeded to enjoy a successful 90 issue run across the flagship title and three companion series.

Now in these new hardcovers, readers will be able to marvel at the gorgeous and gritty oversized artwork of those legendary creators. In addition to all of the extra features stuffed into the book, from introductions, to script excerpts and process, to a gallery of every alternate cover.

This first volume collects issues #1-30 of the series. The book is nearly 800 pages. The suggested retail price is $99.99, with premium copies also available signed by co-creators Garth Ennis and Darick Robertson. It is the first of a projected three volume set.

The Boys Oversized Omnibus

Review: Impossible Jones #1

Impossible Jones #1 is a blast in every way introducing us to a new world of superheroes and villains and leaves us wanting more.

Story: Karl Kesel
Art: David Hahn
Ink: Karl Kesel
Colors: Tony Aviña
Letterer: Comicraft

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Zeus Comics
TFAW


This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: Impossible Jones #1

Impossible Jones #1

Karl Kesel and David Hahn seem to be quite fond of 90’s cartoons. Their new comic, Impossible Jones, is often just a panel away from full motion and you can just see its world and characters being broadcast on TV screens, alongside the likes of Batman: The Animated Series and The Tick.

Impossible Jones isn’t just a love letter to those cartoons, though. It’s a comic with an edge that uses nostalgia as a springboard to come up with an inventive story about an accidental superhero that’s hiding a lot of bad under her secret identity.

Impossible Jones #1 kicks off the story of the titular character, a thief that acquires impossible powers—mainly elasticity, but also shadow manipulation and perhaps other skills yet to be revealed—and passes off as a superhero as she looks for her crew, the ones responsible for leaving her behind during the heist that led to her current predicament.

Kesel’s script does a great job of populating Impossible Jones’ universe with a well-rounded cast of characters that already feel storied, familiar enough to help the story move at a brisk pace without having to stop and dump copious amounts of exposition on readers. There’s a fair amount of fun poked at superhero conventions here as well, especially when it comes to character names (which include Holly Daze, Even Steven, and Polecat, all winners in my book).

Impossible Jones #1

The dialogue is kept snappy and agile, helping the story get to where it needs to without getting tangled up with specifics. It’s an economical approach not unlike that employed in individual cartoon episodes, in which the story bustles with activity but not at the expense of worldbuilding. It all unravels smoothly as the narrative progresses, providing just enough character development and plot to feel like a good chunk of story was provided. Fans of Kesel’s previous work, namely Section Zero, will find a lot to like here.

Hahn’s art is completely in sync with the grandiose aspect of the story and its pacing. His previous work on Batman ’66 makes this type of story play to his strengths and not a panel is wasted getting the most out of character interactions and action sequences. Tony Aviña’s colors make everything pop with a larger-than-life feel that captures the more fantastical elements of the story.

Hahn’s character designs also help with the fast and furious storytelling approach Impossible Jones brandishes. Each one wears a part of their story on their proverbial sleeves, another element that’s very present in cartoons given the short runtime the usually have per episode.

Something that surprised me from Impossible Jones’ origins, so to speak, was how much it reminded me of Dr. Manhattan’s in Watchmen. It’s a clever play on the character’s lab accident sequence that, whether intentional or not, made for a particularly memorable part of this first issue. It was good fun associating something as fast and furious as Impossible Jones with something as serious as the Alan Moore and Dave Gibbons book.

Impossible Jones #1

Impossible Jones #1 is a blast, in every sense of the word. It will satisfy readers searching for not-too distant nostalgia in their comics and readers looking for a creative alternative to the usual superhero offering on the shelves these days. To sum it all up, it’s a crowd pleaser.

Story: Karl Kesel Art: David Hahn Colors: Tony Aviña
Story: 9.0 Art: 9.0 Overall: 9.0

Recommendation: Buy and then go dust off those 90’s cartoons you recorded on VHS.

Scout Comics provided Graphic Policy with a review copy


Purchase: Zeus ComicsTFAW

ComiXology Kicks Off the Week with Four New Releases from DC, Magnetic Press, and Yen Press

There’s four new releases on comiXology today from DC Comics, Magnetic Press, and Yen Press. You can start shopping now or check out the individual releases below.

After the Fall #3

Written by Laurent Queyssi
Art by Juzhen
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The Sorcerer’s secret past is revealed, along with the secrets for what caused The Fall in the first place…

After the Fall #3

Ashes, Ashes #5

Written by Jean-David Morvan
Art by Rey Macutay
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Francois and his band of trusted survivors head out of Paris toward the south where they hope to find the freedom and means to rebuild a civil living. But even in the countryside, it is every man for himself…

Ashes, Ashes #5

Final Fantasy Lost Stranger #38

Written by Hazuki Minase
Art by Itsuki Kameya
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After Shogo meets a man he correctly identifies as “Cid,” the man snaps, demanding to know who he really is. The man’s persistence begins to wear Shogo down, but he promised Sharu he’d keep his original world a secret! Who is this man, and what could the name “Cid” possibly mean to him…? Read the next chapter of Final Fantasy Lost Stranger at the same time as Japan!

Final Fantasy Lost Stranger #38

The Joker Presents: A Puzzlebox (2021-) #8

Written by Matthew Rosenberg
Pencils Ricardo López Ortiz
Inks Ricardo López Ortiz
Colored by Tony Avina, Ulises Arreola Palomera
Cover by Ryan Brown
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Professor Pyg and Scaregrow are hunting for their pieces of the MASTER ENGINE in a museum, casually killing the staff as they race towards the finish. But when one is revealed to be working for Catwoman, the theif becomes theived!

The Joker Presents: A Puzzlebox (2021-) #8

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Impossible Jones is Coming in September from Karl Kesel, David Hahn, Tony Aviña, and Comicraft

A thief pretending to be a superhero? IMPOSSIBLE! That’s what IMPOSSIBLE JONES hopes people believe as she tries to convince citizens, cops—and fellow superheroes—that she’s New Hope City’s latest and greatest super-powered protector! But she’s also a damn good thief with no intention of giving up her criminal ways. You kidding—with these new powers? Pilfering and purloining have never been easier! Plus, cops don’t shoot at her, they gladly tell her exactly what they’re up to, and everyone’s happy to show her their security systems. But it’s a high-stakes, high-wire balancing act, and even shape-shifting superpowers can be stretched thin. One misstep and Jones will fall so far she’ll never bounce back…

Impossible Jones is written by Karl Kesel who provides the inks, pencils by David Hahn, colors by Tony Aviña, lettering by Comicraft. Out in September it’s edited by Nicole D’Andria, production by Joel Rodriguez, and published by Scout Comics.

Review: The Tankies

The Tankies

As a fan of war movies, even before I joined the military, it is quite confounding how much movies get it right. One of the best examples of recent times was the much-acclaimed Greyhound, which had me “triggered” in some sequences. The difference between what I saw before I joined and what I saw after I joined is, was astounding. For some of those movies, I re-watched and felt like an internet troll pointing out the inaccuracies in the different depictions.

One of the movies that felt so real, even though I was not in that conflict, was Saving Private Ryan. The movie depicted how real it is when you are in combat, as every step may be your last. This included the final standoff between our main cast and a tank. In Garth Ennis and Carlos Ezquerra’s pulse-pounding The Tankies, we see the drama from within that ‘steal beast”, as we find out how it is for a tank crew who goes from one battle to the next.

In the opening story of The Tankies, we’re taken to World War II shortly right before the Battle of Normandy, where the British and Canadians were making their way through German territory, as we find the British Army’s Royal Tank Regiment as one of the tank units, Baker Troop, a fairly nascent group of soldiers, who suddenly loses its commanding officer, Archie Wingate to enemy fire and gets them a new CO, Sergeant Stiles. They would go to survive a fight with a German Tank unit, eventually catching up with the rest of the regiment, as they come soon to understand war,  is an endurance race.

In the second chapter, “Yeomen of England”, Baker Troop meets the Northshires Company, which has been mostly decimated by the Germans, where both survive a German infantry standoff but not without a crucial casualty.

In the third chapter,” To The Greenfields and Beyond”, Baker’s troop faces off against a German Tiger Tank, destroying their cannon, leaving its unit to flee and for the Northshires to capture a German infantry.

In the fourth chapter, “Welcome to the Fatherland”, we are then transported to West Germany February 1945, and Baker troop stumbles upon an American Sherman Tank Unit who has just been annihilated by a German Panther tank infantry, as Sergeant Stiles soon realizes it’s the same unit they have been tracking since he got assigned to Baker Troop.

In the fifth chapter,” Soldiers of the Reich”, Baker’s troop faces off a German regiment and finds out firsthand just how hardened German soldiers really are.

In the sixth chapter, ”Kingdom Of Dust”, we finally see the toll the war has taken on the civilians left defenseless,  and a final faceoff with the German Panther tank infantry leaves Baker Troop victorious but wounded.

In the seventh chapter, ”Now Thrive The Armourers”, we catch back up with Baker Troop, now the 29th Brigade, as they are now in the Korean War, as they happen to go on night patrol and find a whole Chinese platoon, which they take down with suppression fire, while aided by a squadron of Royal Commandos.

In the eighth chapter, “God for Harry, England, and Saint George”,  we find the guys undermanned and running low on supplies, as they face off against thousands of Chinese soldiers, as their own saving grace is USAF bombers dropping Napalm.

By book’s end, the final chapter, “Death Ride”, where a final face-off takes place in the Valley Of the Dragon, between Allied forces and China, as the 29th Regiment forges forward victoriously one final time.

Overall, The Tankies is a book that reminds me of one of my favorite war movies A Bridge Too Far. It earnestly gives an affecting portrait of military combat, unvarnished and unfiltered. The story by Ennis is masterful, moving, and pulse-pounding. The art by the great Carlos Ezquerra belongs in a museum and the reader gets a treat from the publisher in this collected edition, giving us his sketchbook for this wonderful story. Altogether, The Tankies is a comic collection that delivers a great story and reminds readers of the sacrifice so many veterans have given for a peaceful way of life.

Story: Garth Ennis Art: Carlos Ezquerra
Ink: Hector Ezquerra Color: Tony Avina Letterer: Simon Bowland
Story: 10 Art: 10 Overall: 10 Recommendation: Buy


Purchase: Amazon – TFAW – Bookshop

Review: The Tankies

Three stories of war from the perspective of those who ride in tanks. The Tankies collects three stories originally published by Dynamite and now released by Dead Reckoning.

Story: Garth Ennis
Art: Carlos Ezquerra
Ink: Hector Ezquerra
Color: Tony Aviña
Letterer: Simon Bowland

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Bookshop
TFAW


Dead Reckoning provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: The Tankies

The Tankies

Within The Tankies are three tales: in “The Tankies”, we meet Corporate Stiles, a hardened vet who is ready to bring his men against the German Tiger tank, a machine feared to be unrivaled. Then in “The Firefly & His Majesty”, Stiles and co. lead a Firefly, which is a Sherman tank, up against the German’s newest weapon, the King Tiger. Lastly, “The Green Fields Beyond” sees Stiles and company’s involvement in Korea against the Communists.

These stories were originally published under the “Battlefields” title that Dynamite had going with Garth Ennis from back in 2011. Last year saw Dead Reckoning release The Stringbags, which was another WW2 Ennis book. That said, it’s nice to see these stories see light again and to also be dedicated to longtime Ennis collaborator and Judge Dredd co-creator Carlos Ezquerra, who passed away in 2018. Like any Ennis-written War Story, they certainly aren’t for the squeamish and the language is something totally beyond colorful. I do feel that a good Ennis war story is as good as it gets.

Reading through The Tankies, you can see that the research has been done to be accurate to the times portrayed. You’ll almost feel like an expert in tanks after reading this. There’s a great afterword by Ennis at the end that really encompasses the amount of research done for such a book as The Tankies. And to finish the book, a section of sketches from Carlos Ezquerra.

I’ve always appreciated the artwork of Carlos Ezquerra. He worked with Ennis on many stories, from Kev at Wildstorm to World Of Tanks at Dark Horse, just to name a few. With The Tankies, I feel like he took this job seriously and put forth a great amount of detail in everything from weapons of destruction to the people using them. His character expressions are great. I have a real appreciation of the art within these pages.

I enjoyed reading The Tankies very much. Honestly, I buy every war story Ennis works on when I know about them. While some might not enjoy the destructive power of war or the violence man casts upon themselves with it, I always appreciate the history lesson of it and the little things that Ennis and Ezquerra inject into it. If you enjoy war or if you like what Garth Ennis brings to comics, The Tankies is just the book for you. It’s not as funny as Ennis and Ezquerra’s work in The Adventures Of The Rifle Brigade but certainly feels similar in tone to World Of Tanks.

Story: Garth Ennis Art: Carlos Ezquerra
Ink: Hector Ezquerra Color: Tony Avina Letterer: Simon Bowland
Story: 10 Art: 8.0 Overall: 9.0 Recommendation: Buy

Dead Reckoning provided Graphic Policy with a FREE copy for review


Purchase: AmazonTFAWBookshop

Dynamite Announces a New Packed Release Schedule for July 1

As summer approaches, Dynamite is heating up as the comic industry roars back with its comeback, and is delivering a scorching haul to fans and retailers for July 1st!

To charge up an otherwise slow week of comics releases, Dynamite is bringing its big guns to brighten up the excitement around returning stories and supporting comic shops. Five of the bestselling and best-reviewed titles will all be out the same week.

The issues are:

  • The Boys: Dear Becky #2
  • Vampirella #10
  • Vengeance of Vampirella #8
  • Red Sonja #16
  • Killing Red Sonja #2

As the second season on Prime is set for an official release date any day now, now is the perfect time for fans to dive into the long-awaited sequel to The Boys with the second issue of Dear Becky. Co-creators Garth Ennis and Darick Robertson return with artist Russ Braun, colorist Tony Aviña, and letterer Simon Bowland. The classic creative team is all back years after they concluded the original juggernaut run and they haven’t missed a step.

Dear Becky

Meanwhile, in Vampirella Christoper Priest‘s intricate saga reaches a climax, as Vampirella falls to her lowest point. Still recovering from a traumatic plane crash and turbulent personal life, she turns to others for help – and one may be the mastermind who has been manipulating all the events to date… With stunning covers from Lucio Parrillo, Guillem March, Fay Dalton, Meghan Hetrick, interior artist Ergün Gündüz, and more, this is an issue not to miss.

In the flagship of the other big Woman of Dynamite, Eisner-nominated scribe Mark Russell continues to spin one of the most acclaimed series in the industry in Red Sonja. Exploring concepts like power, war, and leadership, it has only gotten more enticing moving into its second year with the big war won. What happens next for Sonja the Red?

Across that first year of Russell’s Red Sonja, the titular character lead the rag-tag Hyrkanians against a despotic king. With Red Sonja slaying Dragan the Magnificent in a climactic battle, his surviving son Prince Cyril has vowed revenge on the fiery-haired killer. Alongside co-writer Bryce Ingman and fan-favorite artist Craig Rousseau, Mark Russell chronicles that quest in Killing Red Sonja. Spiced with magic, humor, and more, it’s an indisposable companion to the main series.

Fans looking for a straight shot of classic comic book storytelling with modern sensibilities know that Vengeance of Vampirella is a true hit. Or they better get on it fast! The multitalented Tom Sniegoski, who has written everything from the Punisher, Hellboy, Bone, and dozens of novels, returns to the character he defined for an entire decade. Picking right up where he left off in the 1990s, but incorporating the 25-year absence, this book is comfort food for every longtime fan of the Daughter of Drakulon, and also perfectly approachable for all newcomers.

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