Tag Archives: tomorrows publishing

TwoMorrows Publishing Objects to Diamond’s Proposed Plan to Liquidate Consignment Stock

TwoMorrows Publishing

On June 25, 2025, Diamond Comic Distributors submitted a motion for the “sale or other disposition of consigned inventory.” While many publishers have been vocal about the motion and many have responded to our inquiries with “no comment” because it’s an ongoing legal matter, we have yet to see any filed objections until today from TwoMorrows Publishing.

But, before we get to that, some background…

After Diamond’s sale of the majority of its assets to Universal Distribution and Ad Populum/Sparkle Pop, (old) Diamond still has a “significant inventory” that was sent on a consignment basis. I think we all assumed all inventory was moved to the two new owners, but that doesn’t seem to be the case. They had an option and that specific part of the purchase was left as to be determined. Instead, it’s sitting in (old) Diamond’s warehouse in Mississippi.

(Old) Diamond is claiming the consignors (the sellers) haven’t followed the legal steps to establish a superior claim to their inventory. In short, the publishers (owners of the product) haven’t done what’s require by law to protect their ownership rights. So now, (old) Diamond has to do something with all of that inventory.

So, (old) Diamond submitted a motion to approve their plan to market, sell, or dispose of the inventory to “minimize costs and maximize recoveries” and generate the “best result for the estates.” It is assumed that money raised from the sale would go towards paying off money owed to JPMorgan Chase Bank which has provided loans to the company throughout the Chapter 11 process. So, instead of money going towards publishers, it’d likely go towards a bank.

Of course publishers are angry with the attempted move with some considering it theft as well as a lack of communication by both (old) Diamond and (new) Diamond. There’s also a lot of questions out there like how much stock is being held by (old) Diamond and exactly what stock?

Those who want to object to the motion have until July 16, 2025 to do so in writing and file it with the Clerk of the Bankruptcy Court (Objections to the Motion must be in writing and filed with the Clerk of the Bankruptcy Court, 101 West Lombard Street, Suite 8530, Baltimore, Maryland 21201, on or before July 16, 2025; and be served so as to be received on or before the Objection Deadline by the undersigned counsel for the Debtors.). The hearing on the motion is being held on July 21.

John Morrow of TwoMorrows Publishing has submitted a formal objection to the motion. In it, Morrow states the inventory is the publisher’s property, not Diamond’s with the publisher having a financial interest in selling it. He also objects to Diamond’s continued selling of their product without payment and lack of payment, and this attempt to circumvent that, “jeopardizes (the) company’s immediate future financially” and that “flooding the market” with product will also hurt the publisher’s long term ability to sell those same products and undercut the sale of those products through other distributors.

Morrow also objects to the date itself, July 21, when the industry will be focused on San Diego Comic-Con, running from July 23-27, and the hearing should be held on August 1 or a later date.

You can read the full object below.

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The new American Comic Book Chronicles volume examines comics of 1940-1944

American Comic Book Chronicles: 1940-1944

Now shipping is the latest volume in TwoMorrows Publishing‘s groundbreaking series of full-color hardcovers, where top authors document every decade of comic book history from the 1940s to today.

American Comic Book Chronicles: 1940-1944 examines the World War II Golden Age of comic books, a period that presented the earliest adventures of such iconic super-heroes as Batman, Captain Marvel, Superman, and Wonder Woman. Author Kurt Mitchell and collaborator Roy Thomas composed this volume about the era when America’s entry into World War II was presaged by the arrival of such patriotic do-gooders as Will Eisner’s Uncle Sam, Harry Shorten and Irv Novick’s The Shield, and Joe Simon and Jack Kirby’s Captain America. It was when teenage culture found expression in a fumbling red-haired high school student named Archie Andrews. But most of all, the first five years of the 1940s was the age of the “packagers” when studios headed by men like Harry A Chesler, Will Eisner, and Jerry Iger churned out material for a plethora of new comic book companies that published the entire gamut of genres, from funny animal stories to crime tales to jungle sagas to science-fiction adventures. 

These are just a few of the events chronicled in this exhaustively researched book. Taken together with other volumes on the 1950s, 1960s, 1970s, ’80s and ’90s, the American Comic Book Chronicles forms a cohesive, linear overview of the entire landscape of comics history, sure to be an invaluable resource for any comic book enthusiast.

The publisher is currently running a highly successful Kickstarter campaign to fund new printings of the sold-out 1950s and 1980s volumes. It was fully funded in less than 12 hours, guaranteeing the entire series of comics history books will stay in print as the company readies the final volume on 1945-49 for release in Spring 2020.

Neal Adams responds to critics in Comic Book Creator #3 from TwoMorrows

CBC3_MEDThis week, TwoMorrows Publishing‘s Comic Book Creator #3 goes on sale, offering comics legend Neal Adams a forum to vigorously respond to critics of his recent Batman: Odyssey series from DC Comics. The issue is available for immediate shipping from TwoMorrows’ website, and will be on sale at retailers worldwide on July 27.

Comic Book Creator #3 is an 80-page full-color magazine, retailing for $8.95. It features a unique, comprehensive examination of an artist and his work, focusing on Neal Adams’ Batman: Odyssey (the recent 13-issue DC Comics mini-series written and drawn by the comics legend), as we grapple with the question: is the book a masterwork for the ages or an epic fail of mythic proportions? CBC goes in deep with Neal to examine his intent, balancing the successes and weaknesses of the quintessential Batman artist’s ultimate take on a beloved character — all behind a new Adams Darknight Detective cover, and lushly illustrated throughout with a bodacious bevy of Batman art by the master illustrator.

This issue also features an interview with Sean Howe about his hit book, Marvel Comics: The Untold Story; presents part one of a Mark Waid interview; checks in on Harbinger writer Joshua Dysart; presents the final installment of a Les Daniels remembrance; and, as always, a regular comic-column by fan favorite cartoonist Fred Hembeck. Comic Book Creator is edited by Eisner Award-winner Jon B. Cooke.

Readers can view a FREE preview and order the Print Edition (at 15% off with a FREE digital edition) or Digital Edition Only (just $3.95).

The print edition can be ordered at any comic book shop using DIAMOND ORDER CODE: JUL131439