Tag Archives: tom scioli

Godzilla’s Monsterpiece Theatre Presents: Romeo & Juliet and Godzilla #1 deepens the tragedy of the love story while also throwing in slapstick humor on a colossal scale

Godzilla's Monsterpiece Theatre Presents Romeo And Juliet And Godzilla #1

In Godzilla’s Monsterpiece Theatre Presents: Romeo & Juliet and Godzilla #1, Adam Tierney and Sean Peacock intensify the classic tragic melodrama of William Shakespeare’s doomed lovers with an old-fashioned kaiju attack on Renaissance Verona. With the exception of a gorgeous fantasy sequence and some fun genre riffs, Tierney’s plot (and language) doesn’t stray from the classic story. However, Godzilla stomping, Mothra flying, and Capulet’s medieval take on Mechagodzilla add an extra level of mayhem and dark, slapstick humor.

Adding Godzilla to the mix really shows how self-absorbed and infatuated Romeo and Juliet were with each other. While the monster destroys their town killing family and friends, they only have eyes for each other. (And by extension, so do Godzilla and Mothra.) Shakespeare’s beautiful speeches and soliloquies take the foreground while carnage reigns in the background. I cackled when Godzilla took out Juliet’s famous balcony with a blast of nuclear breath, even though it sets up Romeo as the romantic hero sweeping her up in his arms before their kiss. Also, the Capulet/Montague feud doesn’t go away while the town is being attacked, but it only gets (literally) hotter. Tybalt and Mercutio (Especially Harold Perrineau’s performance as him in Romeo + Juliet) are two of the best characters in the play, and Adam Tierney and Peacock give them time to be witty and combative. However, their deaths result from being caught in the crossfire between Mechagodzilla and Godzilla. The combination of Gothic visuals from Sean Peacock and ominous lettering from Brian Kolek, with the classic line “A plague on both your houses,” captures the comic’s overall tone very well: highbrow, yet not afraid to laugh at itself.

Yes, the themes of the irrationality of love and family feuds shine true in Romeo & Juliet and Godzilla. There’s even a gorgeously colored dream sequence where Romeo and Juliet find a happy ending under a stained glass window of Toho monsters that illustrates that this isn’t Verona’s first Kaiju rodeo, as well as the cyclical nature of war and conflict. It’s just also a plain cool piece of art from Peacock, and he adds depth and humor to Tierney and Shakespeare’s text. He has a Tom Scioli meets Classics Illustrated style that works for the tone of the book, even if some of the panel transitions can be muddled and confusing, like when Juliet takes this story’s take on the “poison”. But, overall, Sean Peacock brings a dynamic approach to layouts that draws parallels between Romeo/Juliet and Godzilla/Mothra. The way the action is staged feels like a stage play, too.

Even better than the lead story is the first chapter of Tom Scioli’s Robin Hood and Godzilla serial that will run as backups in all of the Godzilla’s Monsterpiece Theatre Presents titles. The King of Monsters plays a background role in this story, with Scioli gleefully throwing himself into an all-swashbuckling, all-the-time adventure yarn with violence and hijinks that would make Errol Flynn smile. He uses page layouts to spring the trap that Robin Hood pulls off on the Sheriff of Nottingham and his goons, and honestly, this comic works out as a straight-up Robin Hood comic without the Godzilla bit. However, with his face poking out of the water, Godzilla represents menace and the escalation of stakes to come. Tom Scioli uses Godzilla’s presence in the book to put Robin Hood in the tradition of the chivalric romances because this hero finally has a kind of dragon to slay.

If you enjoyed Godzilla’s Monsterpiece Theatre, Romeo and Juliet & Godzilla is much in the same vein, adapting the key moments and themes from the William Shakespeare play while adding some explosive giant monster action. Tierney and Peacock use the presence of Godzilla, Mothra, and Medieval Mechagodzilla to deepen the tragedy of the love story while also throwing in slapstick humor on a colossal scale and showing how self-involved Romeo and Juliet were, as well as the futility of their families’ feud.

Story: Adam Tierney, Tom Scioli
Art: Sean Peacock, Tom Scioli Letters: Brian Kolek
Story: 8.8 Art: 8.6 Overall: 8.7 Recommendation: Buy

IDW provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Tom Scioli brings some Indie Comic Style to The Twilight Zone #2

The Twilight Zone #2

At the farthest reaches of the galaxy, beyond the horizon of humanity and the hopes for salvation, a spaceship of slumbering astronauts journeys in search of intelligent alien life. They’ve left behind their families, their planet, their pasts, and all the trauma and comforts those things contained. But our crew of adventurers will find their pasts are never that far behind them and intelligent alien life has its own plans for their future…in the Twilight Zone! The Twilight Zone #2 has Tom Scioli stepping in for a story that’ll keep you guessing until all is revealed and clear.

For me, The Twilight Zone is all about that ending. The story might go on way too long, it might meander and seem confusing, but if it sticks the landing, that’s what matters to me. The Twilight Zone #2 sticks the landing though it’s a weird journey to get there.

Scioli brings a trippy indie comic style to the story which has explorers landing on a planet and being confronted with ever crazier concepts and images.

It’s a story that goes into the crazy and weird, like a fever dream that’ll leave you guessing as to what is actually going on until all is revealed at the end. And generally, it works. It’s the final bit that really nails it down and delivers what The Twilight Zone is known for, endings that have some sort of twist or lesson.

Visually, The Twilight Zone #2 features Scioli’s style and the story allows him to throw out whatever he’d like. It’s a comic that visually is a splash of varied aliens and worlds, allowing Scioli to just cut loose with whatever works at the time.

The Twilight Zone #2 is an intriguing second issue that delivers an unexpected style to both the story and art. It feels like an entry to an indie anthology more than anything. One Scioli fans will appreciate and should check out.

Story: Tom Scioli Art: Tom Scioli Letterer: Tom Scioli
Story: 7.5 Art: 7.5 Overall: 7.5 Recommendation: Read

IDW Publishing provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: The Twilight Zone #2

The Twilight Zone #2

(W) Tom Scioli (A) Tom Scioli

At the farthest reaches of the galaxy, beyond the horizon of humanity and the hopes for salvation, a spaceship of slumbering astronauts journeys in search of intelligent alien life. They’ve left behind their families, their planet, their pasts, and all the trauma and comforts those things contained. But our crew of adventurers will find their pasts are never that far behind them and intelligent alien life has its own plans for their future… in the Twilight Zone!

From the surreal mind of Tom Scioli, the cartoonist who brought you Jack Kirby, Fantastic Four: Grand Design (Marvel), the Transformers vs G.I. Joe crossover, and Godzilla Monsterpiece Theatre (IDW).

The Twilight Zone #2

Preview: Godzilla’s Monsterpiece Theatre

Godzilla’s Monsterpiece Theatre

Tom Scioli
July 22, 2025

Godzilla takes on his greatest foes yet—Jay Gatsby, Sherlock Holmes, and the Time Machinist—in this graphic novel mash-up!

The year is 1922. Mysterious man of luxury Jay Gatsby continues to throw parties at his palatial Long Island estate in hopes of attracting the attention of his love, Daisy Buchanan. But his latest affair is interrupted when it attracts the one thing more dangerous than love: Godzilla! Now, Gatsby has no choice but to turn his undying will away from his love of Daisy and onto revenge against the monster who has destroyed his home.

Godzilla's Monsterpiece Theatre

Enter The Twilight Zone with a New Anthology Comic Series from IDW Publishing

One of the greatest television shows of all-time is returning as an all-new anthology comic book series this September from the IDW Publishing horror imprint IDW DARK. Featuring stories by some of the comic book industry’s most innovative and praised storytellers, each issue is a new tale in the vein of the iconic series that’s captivated audiences for over 60 years. And, just like the beloved show, these comics will be episodic. Every issue can be read on its own for a complete story which transports readers into the comic creators’ unique visions of The Twilight Zone. Plus, every issue will be presented in terrifying black and white, just like the original television series!

You are traveling through another dimension, a dimension not only of sight and sound but of mind. A journey into a wondrous land whose boundaries are that of imagination. Your next stop, THE TWILIGHT ZONE.

The first mind-bending issue arrives this September from Dan Watters and Morgan Beem. Following issues will feature acclaimed creators Tom ScioliJames StokoeNate Powell, and Francesco Francavilla.

The Twilight Zone #1 (of 5 issues) is on sale Wednesday, September 24 with a pre-order deadline of August 18. The series will also feature a jaw-dropping set of connecting covers by Francesco Francavilla. To pre-order, you don’t need to travel to another dimension… just your local comic shop!

Preview: Godzilla: Monsterpiece Theatre #3

Godzilla: Monsterpiece Theatre #3

(W) Tom Scioli (A/CA) Tom Scioli
In Shops: Jan 22, 2025
SRP: $6.99

Even in the face of the combined efforts of Jay Gatsby, Sherlock Holmes, Jules Verne, and the Time Machinist, Godzilla’s global rampage shows no sign of slowing down. That leaves our gang with no choice but to enlist the help a terrifyingly evil-Dracula himself! It’s Godzilla versus vampires in the thrilling finale to Godzilla’s Monsterpiece Theatre. Will our heroes (and villains) prevail? Will the boats beat on, ceaselessly against the current? Will saving Daisy finally be enough to change Gatsby’s fate and uncross the stars for these lovers?

Godzilla: Monsterpiece Theatre #3

Preview: Monster High: New Scaremester #5

Monster High: New Scaremester #5

(W) Jacque Aye (A) Tom Scioli (CA) Arielle Jovellanos
In Shops: Jan 15, 2025
SRP: $4.99

Good mourning, beasties. My page has been feeling a bit dour recently, so I’d like to switch it up a bit and praise one of Monster High’s brightest ghouls. Ghoulia Yelps is simply a cut above the rest. All the whole brain bread she eats must go straight to her head because she’s the only ghoul who can ace even Mr. Rotter’s hardest tests. And while she’s slowly lumbering through the hallways long after everyone else has made it to class, Ghoulia sees things that the rest of us are too busy to notice. Like Cleo de Nile crying in a bathroom stall, and Clawdeen jumping anytime a ghoul mentions Toralei’s name. Maybe she knows what has happened to all the missing students?
If you ask me, Ghoulia Yelps would make an excellent Crier. -XOXO CryptCrier

Monster High: New Scaremester #5

Preview: Godzilla: Monsterpiece Theatre #2

Godzilla: Monsterpiece Theatre #2

(W) Tom Scioli (A/CA) Tom Scioli
In Shops: Dec 18, 2024
SRP: $6.99

The roar of the twenties escalated to a mighty SKREONK as Godzilla attacked the party of the wrong man and hurt the wrong lady. Now Jay Gatsby has enlisted the help of Sherlock Holmes, Thomas Edison, Jules Verne, The Time Machinist, and more to put an end to the Godzilla threat once and for all. Watch as our new team travels twenty thousand leagues under the sea and turns Paris into the ultimate Godzilla trap in this thrilling feat of cartooning by the unrivaled Tom Scioli.

Godzilla: Monsterpiece Theatre #2

Godzilla’s Monsterpiece Theatre #1 is a delight for your inner snob and your inner child

Godzilla's Monsterpiece Theatre #1

Godzilla’s Monsterpiece Theatre #1 reminds me of quickly flipping between educational cartoons on PBS and something more brainless and action-packed on the major networks. (I grew up in an era of Cartoon Network, Nickelodeon, Boomerang, and more so cartoons were never just for Saturday.) Cartoonist Tom Scioli weds literature and good old monster stomping in a high drama, high destruction comic book. The book opens with a straight adaptation of The Great Gatsby with Nick Carraway’s omniscient narration and Jay Gatsby throwing a huge flapper-filled party. However, Gatsby isn’t present and spends his time pining across the bay for Daisy Buchanan. Then, Godzilla shows up and wreaks havoc on multiple continents leading to a slew of fictional and non-fictional guest stars appearing to try to stop him. But Gatsby still only has eyes for Daisy.

The whole concept of Godzilla Monsterpiece Theatre is a tribute to Scioli’s versatility as a cartoonist. He gets to play with different genres aka proverbial toys in the sandbox and has a blast while pairing the over-the-top images with direct quotes from The Great Gatsby or Fitzgerald-esque prose. Some genres are familiar to readers of Tom Scioli’s work. Jay Gatsby and the G-Force is totally Transformers vs. G.I. Joe. But, Scioli goes a step beyond and mars his pink and yellow palette with black diagonal lines showing the inevitability of nature as Godzilla treads on the G-Force’s Thomas Edison-designed tanks and weaponry with the care of your four year old sibling walking all over your immaculately constructed Lego set.

Another engaging part of Godzilla Monsterpiece Theatre is its (At times, dark) sense of humor. From his first appearance in the middle of a Charleston contest at Gatsby’s mansion, Godzilla is a walking sight gag inserting his B-movie eyes, teeth, claws, and of course, nuclear breath (Because Godzilla 1998, this is not.) into the world of American high school required reading. A set of two pages that made me guffaw was when Godzilla flees the United States and comes upon an ocean liner resembling an ocean liner, and of course, there’s a reference to an iceberg followed by total annihilation and life boats spilling out on the dark Atlantic. Also, this book is full of puns and silly quips like Sherlock Holmes saying “The game is afoot” while examining a giant Godzilla footprint in his country home in Ipswich. When it comes to dialogue and character interactions, Tom Scioli has a free-flowing, wink-at-the-audience style that matches his playful visuals and use of color.

When Scioli draws large structures like boats, buildings, and houses, his work reminds me a lot of the cutaway tours of different superhero headquarters in old issues of Avengers or Fantastic Four comics. There’s an attention to detail and exquisite world-building that again gives the comic a feel of well-made toys being played with by a master player. I wouldn’t be surprised if tours of Gatsby’s mansion, Cyborg Jules Verne’s sub, and other delightful venues ended up in the backmatter of this series. This kind of storytelling architecture also makes everything easy to follow and helps you not lose sight of how jarring Godzilla is in this world as Tom Scioli serves up pages of him chomping on New York City bridges, double-decker buses, and even splashes of him swatting World War I biplanes like flies.

Godzilla’s Monsterpiece Theatre #1 is a delight for your inner snob and your inner child. It’s truly a marvelous piece of sequential storytelling, old sport!

Story/Art: Tom Scioli
Story: 8.0 Art: 9.0 Overall: 8.5 Recommendation: Buy

IDW provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: Godzilla: Monsterpiece Theatre #1

Godzilla: Monsterpiece Theatre #1

(W) Tom Scioli (A) Tom Scioli (CA) Jim Rugg
In Shops: Oct 23, 2024
SRP: $6.99

Godzilla takes on his greatest foe yet-The Great Gatsby! The year is 1922. Mysterious man of luxury Jay Gatsby throws lavish parties from his palatial Long Island estate, all in hopes of attracting the attention of his love, Daisy Buchanan. But his affair is interrupted as his party attracts the one thing more dangerous than love: Godzilla. Now, Gatsby has no choice but to turn his undying will away from his love of Daisy and onto revenge against the monster who destroyed his home. Green lights will be broken. Boats will beat back ceaselessly against the current. Join Gatsby on the journey of a lifetime in three oversized issues as he combines forces with the greatest men of the 20th century to stop its greatest monster-written and drawn by cult favorite comics creator Tom Scioli (Fantastic Four: Grand Design, Jack Kirby: The Epic Life of the King of Comics)!

Godzilla: Monsterpiece Theatre #1
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