Wil Myerson might have been the creator of Pontius Pirate, the most popular comic in history, before he put on the Rorschach mask and tried to kill a would-be president, but he’s not the only artist who worked on the character. Other artists fell under Wil’s influence, and now all these years later, his more renowned acolyte has fallen sway to Laura, the #1 Myerson superfan. Is it possible she influenced another comic book legend into playing vigilante? The key here is that tape the detective is trying to decipher, the one with the séance that has been haunting him since the very first issue! All this and a cameo by Dr. Manhattan to boot!
The Hollywood Reporterhas the scoop that Warner Bros. has shelved two of its upcoming, and high-profile, films based on DC properties. Ava DuVernay‘s New Gods and James Wan‘s The Trench are not going forward at this time.
In a statment, Warner Bros. and DC said:
As part of our DC slate, some legacy development titles including New Gods and The Trench will not be moving forward. We thank our partners Ava DuVernay, Tom King, James Wan and Peter Safran for their time and collaboration during this process and look forward to our continued partnership with them on other DC stories. The projects will remain in their skillful hands if they were to move forward in the future.
New Gods was a take on the classic Jack Kirby characters with DuVernay directing and working with comic writer Tom King. The film has been in development since 2018. DuVernay is working on the television series Naomi based on the DC character which will air on The CW.
The Trench was a spin-off from the blockbuster Aquaman. The horror-tinged film featured Noah Gardner and Aidan Fitzgerald on the script with Wan developing as producer with Peter Safran. Wan is still working on Aquaman 2 which will begin shooting later this year.
While these two projects have been shelved for now, they may happen down the road. It is believed the issue is there was no “natural” place to release the films in the current upcoming plans.
DC is currently focused on a multi-platform approach with films like The Suicide Squad and The Batman bleeding over into television with theHBO Max series Peacemaker and a show focused on the Gotham police department.
There’s a lot to like about Batman/Catwoman. The concept of exploring Batman and Catwoman through three eras has a lot of promise. Bringing Phantasm into DC continuity also has promise. But, the execution of the series has been frustrating at times and during others outright confusing. Batman/Catwoman #4 bounces around its storylines to the point I’ve forgotten what’s going on when. It also features one of the strangest moments of Catwoman just walking into Phantasm’s lair.
Tom King continues to try to explore Batman and Catwoman’s complicated relationship but delivers so little in the issue. There are some rough emotional moments like Batman realizing Catwoman has been holding information back. There’s also a solid moment where Catwoman lashes out for what is her mistake. But a plot involving their daughter and Catwoman and Phantasm just goes nowhere and delivers nothing. Any of these stories could have been solid on their own and fleshed out. But, as presented, Batman/Catwoman #4 continues a series that’s too choppy for its own good. It’s attempting to play with the various time periods and delivers little beyond frustrations as it’s presented.
Clay Mann‘s art is the draw. Along with Tomeu Morey‘s colors and lettering by Clayton Cowles, it’s the visuals that are the highlight. There’s a tension that’s delivered in the art that’s fantastic as Batman and Catwoman, Bruce and Selina, must balance their dual lives. There’s also a sexiness to it all that is used often but not overused per issue. The team also delivers a fantastic emphasis on key moments such as an older Selina confronting an older Penguin. A particular scene is delivered in a page when it could have been done off panel with characters looking on. The choice is an interesting one visually that changes the scene.
Batman/Catwoman #4 isn’t a bad comic. It’s just a frustrating one. It feels like two of the three plotlines don’t really go anywhere and at least one will have you asking what the point is. Any of the three stories would be solid on their own as a trilogy of comics. But, as presented, they’re chopped up too much never delivering enough to really satisfy.
Story: Tom King Art: Clay Mann Color: Tomeu Morey Letterer: Clayton Cowles Story: 7.0 Art: 8.5 Overall: 7.0 Recommendation: Read
DC Comics provided Graphic Policy with a FREE copy for review
Most of the cards are on the table as the Justice League releases a statement and a part of their report on Adam Strange and his past actions. Strange Adventures #9 is what things have been leading up to in a rather blunt manner for some time now. It’s the “official” word as to what’s been pretty clear. Now, where do things go from here?
Writer Tom King as been building to this and in one issue delivers an interesting debate and the spin that comes out from it. It’s been pretty clear for some issues that Adam Strange and his allies committed horrible acts in their war against the Pykkt, a war that has come to Earth. The issue also gives us a pretty clear example of the horrors inflicted during the war including mass murder. But, how does it go over?
King also gives us an interesting reaction from the media and elsewhere as to the revelations about Adam Strange and his actions. It’s a washing over the horrors of war as if there is only one way to fight. It also echoes safety at all costs, a talking point we’ve heard many times in the 20 years we’ve been at war. We also see the frustration of those who worked on the attempting to find the truth. King doesn’t deliver an “all sides”, he instead shows us a reflection of our reality. This is something that has played out as crimes have been washed over in real life in our battles and elsewhere. As is said by one of the characters, “justice” isn’t enough in the public’s view.
Mitch Gerads and Evan Shaner continue to deliver solid art as they jump between the two time periods. You can feel the tension, drama, and horror oozing off of the pages. The frustration by Superman, Batman, and Mr. Terrific is clear. Adam Strange’s protesting his innocence delivers a punch, especially in what happens next. Clayton Cowles‘ lettering helps add the punch to the dialogue helping to emphasize each emotional beat.
Strange Adventures #9 is a reminder that even heroes can do horrible things and that reality is dirty. It shows us some of the horrible acts committed by Strange in his battle against the Pykkt. It also teases that there’s so much more to it all. Strange Adventures #9 shows that even just wars can be fought unjustly. There’s a debate left for the reader as to what lines can and should be crossed in battle. There’s still a lot to go in the series and where it takes us from here should be an emotional ride.
Story: Tom King Art: Mitch Gerads, Evan Shaner Letterer: Clayton Cowles Story: 8.35 Art: 8.25 Overall: 8.3 Recommendation: Buy
DC Comics provided Graphic Policy with a FREE copy for review
Written by: Tom King Art by: Evan “Doc” Shaner, Mitch Gerads
The Pykkts are attacking Earth. As the only warrior in all the cosmos to ever defeat them, Adam Strange leads the planet’s mightiest heroes in all-out war! The only thing is, evidence is mounting that Adam’s victory on Rann may not have been everything he says it was. There is time unaccounted for, circumstances left unexplained. Even Batman has started to wonder about his friend. Sure, they are fighting side by side right now, but who will answer for all the things that got them here? Why, Alanna Strange, of course! It’s time for the Rannian princess to go out and set the record straight. The hit series continues on a bimonthly schedule.
The Joker has hidden a bomb in Gotham-but there might be a bigger explosion if Batman proves his suspicions true, and Catwoman actually knows where it is! It’s a dangerous secret that threatens to destroy the couple’s relationship in its early days, and it’s going to reverberate throughout their time together. In the present day, it will affect how Selina handles Andrea Beaumont, a.k.a. Phantasm, who has a vendetta to carry out against the Clown Prince of Crime, fueled by the righteous fury of a mother who lost her son. And this whole chain of events is what ultimately leads to Catwoman killing The Joker in the future-a secret she can’t keep from her daughter, Batwoman, much longer. Particularly now that old man Penguin is involved.
Common tragedies can bind two people together, sometimes in all the wrong ways. The investigation into a famous comic book creator’s relationship with a deranged young girl takes the detective to places he never wanted to go. Witness how a woman raised to fear the squid invasion and distrust facts seeks a man whose creations embody strength, justice, and truth, and compels him to trade his paper heroes for flesh and blood.
Supergirl returns to DC’s comics this summer to headline her first new series in years: Supergirl: Woman of Tomorrow! Launching in DC’s Infinite Frontier era with art by Bilquis Evely and Mat Lopes, written by Tom King, Supergirl: Woman of Tomorrow takes Supergirl—and sidekick Krypto—into space on a journey that will have Supergirl fans cheering for more!
Kara Zor-El has seen some epic adventures over the years, but has recently found her life without meaning or purpose. Here she is, a young woman who saw her planet destroyed and was sent to Earth to protect a baby cousin who ended up not needing her. What was it all for? Wherever she goes, people only see her through the lens of Superman’s fame.
Just when Supergirl thinks she’s had enough, everything changes. An alien girl seeks her out for a vicious mission: her world has been destroyed and the bad guys responsible are still out there. She wants revenge and if Supergirl doesn’t help her, she’ll do it herself, whatever the cost.
Now, a Kryptonian, a dog and an angry heartbroken child head out into space on a journey that will shake them to their very core!
Supergirl: Woman of Tomorrow, a new eight-issue limited series, launches on June 15.
Selina Kyle knows this. Early in her career as Catwoman, he was there to mess things up for her. Same with later, when she and Batman were finally getting together…for the third time, but still. That time stuck. No thanks to the Joker. Or to Phantasm, who now has her sights set on Catwoman because she thinks that will be her in to get after the Joker herself. And she has to do it before Batman gets to him first.
Rorschach tried to kill the leading contender to unseat President Redford, a governor by the name of Turley who has a lot to say. Turley believes the Redford people were behind the hit, but the detective investigating the case isn’t so sure. To prove Turley wrong, he has to figure out how Rorschach and Laura got so close to actually doing the job, and the answer to that might be deep in the Turley campaign itself, including the governor’s past with a masked man called the Comedian.