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Deadpool/Batman #1 is a Clunker That Doesn’t Match the Hype and Lacks Fun

Posted on September 17, 2025 by Brett

The crossover you’ve pined for but never thought possible: DEADPOOL and BATMAN cross swords and batarangs as MARVEL and DC unite for the first time in decades! WADE WILSON has been hired for a job in GOTHAM CITY, but will the WORLD’S GREATEST DETECTIVE help him or destroy him? After decades of waiting, Marvel and DC have once again teamed for Deadpool/Batman #1 and it is not worth the wait.

I’ll admit, I was very excited to see Marvel and DC once again bringing their characters together for what feels like a once in a lifetime event (really it’s been like 3 or 4 times in mine). Batman and Deadpool, the rather serious and the not so serious characters teaming up for whatever mission. Written by Zeb Wells, would the comic fall into the usual tropes of heroes battling it out before teaming up? Would it deliver something new and different?

Generally, Wells delivers something different and the comic doesn’t fall into the usual patterns we’ve seen far too many times. Deadpool is hired to take on Batman. Not knowing who Bruce Wayne really is, he crashes through his window wondering if Wayne would like to hire him while he’s in town. It makes absolutely no sense at all and that might be the highlight of this particular story. The overarching issue is that the Joker has stolen materials to dump Joker Venom into the city and Batman has to stop him.

The dialogue is painful, the setup is meh, the resolution is ok. Overall, the comic offers no fun, no excitement and leans far to heavy into Batman being the serious one while Deadpool rants on and on. The comic takes itself too seriously forgetting Batman has shown a comedic side at times and cracked jokes and instead feels like a tour of Gotham from the perspective of Deadpool where he points things out and makes fun of them. There’s completely bizarre choices by Batman and Deadpool feels like a more annoying version of himself. Let’s forget it’s different universes which opens up how Deadpool would even get paid, there’s just an odd interaction between every character. The only one that feels like it makes sense is the Joker being irritated at Deadpool that Deadpool is stealing his crazy character bit.

Greg Capullo‘s art, along with ink from Tim Townsend, color by Alex Sinclair, and lettering by Clayton Cowles looks just ok. Capullo can do some amazing art but here it ranges from forgettable to just nice. There’s little that gets you to linger and stay on the page. Entire sequences feel like they have no life to them and that’s from the start where Deadpool crashes into Wayne Manor and beyond one panel, Bruce Wayne just stands there… and talks… Visually there’s some odd choices and little that really feels like the level this high profile comic should have.

Where the comic has some life is the numerous other stories packed within. Some are truly great. The Captain America and Wonder Woman story by Chip Zdarsky, Terry Dodson, Rachel Dodson, and Joe Caramagna, the Jeff! and Krypto story by Kelly Thompson, Gurihiru, and Caramagna, Daredevil and Green Arrow story by Kevin Smith, Adam Kubert, Frank Martin, and Caramagna, and Rocket Raccoon and Green Lantern story by Al Ewing, Dike Ruan, Moreno Dinisio, and Caramagna all stand out. All of those I’d love to have seen more of or been one-shots on their own. Old Man Logan and Batman: The Dark Knight Returns from Frank Miller, Alex Sinclair, and Caramagna, and Logo by Ryan North, Ryan Stegman, Martin, and Caramagna are both clunky in different ways.

For all of the hype, all of the build up, all of the excitement, Deadpool/Batman #1 is a bit of a letdown. It missed the fun of the opportunity of it all, which the back-up stories seem to have gotten. If anything, it could have been a greater success focusing on a series of shorts, forgoing a main story and instead just let creators cut loose with what they’ve had. It’s an odd release overall that’s more for the nostalgia of the concept than the final product to read.

Story: Zeb Wells, Chip Zdarsky, Kelly Thompson, Kevin Smith, Al Ewing, Frank Miller, Ryan North
Art: Greg Capullo, Terry Dodson, Gurihiru, Adam Kubert, Dike Ruan, Ryan Stegman
Ink: Tim Townsend, Rachel Dodson Color: Alex Sinclair, Frank Martin, Moreno Dinisio
Letterer: Clayton Cowles, Joe Caramagna
Story: 6.0 Art: 7.5 Overall: 6.0 Recommendation: Pass

Marvel provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics

Civil War comes to the Marvel Premier Collection and holds up after all these years

Posted on August 6, 2025 by Brett

Marvel’s best-selling graphic novel of all time debuts in the Premier Collection!
Features an exclusive foreword by Captain America: Civil War Executive Producer Nate Moore.

Includes a brand-new introduction by Civil War illustrator Steve McNiven.

Presented in a newly designed book-format edition.
As Avengers allies Captain America and Iron Man clash, it’s time to choose: Whose side are you on? In the wake of a superhuman tragedy, the proposed Superhuman Registration Act requires all costumed heroes to unmask themselves before the government.

Divided, the nation’s greatest champions each must decide how to react — a choice that will alter the course of their lives forever. Captain America rejects the Act and goes underground, while Iron Man steps up to spearhead the registration effort — and Marvel’s heroes split right down the middle!

COLLECTING: Civil War (2006) #1-7

Story: Mark Millar
Art: Steve McNiven
Color: Morry Hollowell
Ink: Dexter Vines, Mark Morales, Steve McNiven, John Dell, Tim Townsend
Letterer: Chris Eliopoulos

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon

This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Wolverine Revenge #1 is a shallow popcorn revenge tale

Posted on August 21, 2024 by Brett

In Wolverine Revenge #1, the world has been turned upside down. Asteroid M has been destroyed and Magneto, in his death, has set off an EMP that has fried technology across much of the world. On top of the deaths from Asteroid M’s fall, the world is on the brink as a lack of technology and power threaten billions. Enter Wolverine, who is recruited by Nick Fury and what remains of S.H.I.E.L.D. to try to save the day, but the mission goes sideways and all that remains now is revenge.

Wolverine Revenge #1 brings together two titans in the industry, writer Jonathan Hickman and artist Greg Capullo for a story that’s a bit silly, a bit jarring, and like a big budget popcorn film, not much depth.

The first issue is the set up to get us to that “revenge” aspect of things. Wolverine’s on a mission with some big names but the story quickly takes them off the board in a rather shallow way leaving no shock, no connection, and a big shrug and sigh about it all. The comic is action without any feeling for the characters or what has happened to the world.

Hickman’s story has some meat to its bones but it’s rather lean rushing us through any key moment to get us to care about what’s going on. Visuals as to the chaos on the ground would help. Giving us supporting characters that are more than “red shirts” would help with the surprise as to what happens. Overall, the issue feels like it goes through the motions to get us to what we came for, Wolverine tearing stuff up, but that’s not until the second issue.

Wolverine Revenge #1 is supposed to be Greg Capullo’s big return to Marvel, showing off his skills that have been highlighted so well with other publishers, but even that feels like nothing special. Character proportions feel odd. The deaths of the characters leave little surprise and are done in a way that doesn’t shock. It’s not until the very end there’s anything that’s visually interesting, but even then, that’s muddled. There’s little visually here that says big return and the comic feels like it’s out of the 00s visually at times.

Wolverine Revenge #1 has potential for something interesting but this first issue isn’t it. Odd choices visually and a story that rushes through things doesn’t help, it leaves a weird disconnect between the reader and events. We’re told far too much, shown too little, and left with no emotional connection or care for what happens. It’s point is to get to the end so the real story can begin. When there’s so many more visceral and emotional Wolverine stories out there, it’s hard to recommend this one as one to check out.

Story: Jonathan Hickman Art: Greg Capullo
Ink: Tim Towdsend Color: FCO Plascencia Letterer: Cory Petit
Story: 6.5 Art: 6.75 Overall: 6.5 Recommendation: Pass

Marvel provided Graphic Policy with a FREE copy for review

Purchase: TFAW – Zeus Comics – Kindle

Review: Amazing Spider-Man #14

Posted on November 23, 2022 by Brett

It’s been a bit since I’ve read Amazing Spider-Man, but with “Dark Web” approaching, I thought it might be a good time to swing on board. “Dark Web” is the upcoming crossover event between the X-Men and Spider-Man (and a few others) that has them taking on the Goblin Queen and Chasm. Amazing Spider-Man #14 begins to get things rolling in an issue that focuses on Chasm and his motivation behind what’s to come.

Written by Zeb Wells, Amazing Spider-Man #14 is a series of short stories by different teams of artists telling the story of Ben Reilly, aka Chasm. When we last saw him, Ben was vowing revenge against the Beyond Corporation and Peter Parker wanting his memories and life back. In his plot, Ben has found a perfect partner in Madelyne Pryor who is also a clone and having some issues with that. Granted dominion over Limbo she was looking to forgive and forget, but Ben has other plans. The two together making an interesting duo, as both have gone through similar situations a connection I hadn’t really made until this issue. Wells does a good job of giving us motivation and the anger that Chasm feels. But, while the issue does a decent job of catching up readers, there’s still a little bit of backstory missing for those coming into this new. There’s a lot to pack in though and the issue does an admirable job of fitting in so much. You get the basic overview, not the small details, enough to catch up and know what’s going on.

Where I think the issue falls a little short is the use of so many artists to tell the story. While the arc of it all works and makes sense, the art styles themselves vary so much. None of the art is bad at all, it’s good, but the styles are so different it’s jarring. Why this route was taken isn’t clear but it’s something that stands out to me in a negative way. There’s also some styles that work better than others as well, making the difference stand out a bit more.

Amazing Spider-Man #14 is an interesting issue. It feels like something that might normally be a “zero” issue or one-shot leading into an event. “Dark Web” kicking off in a regular issue that doesn’t feature Spider-Man or anyone else other than the villains is interesting in a lot of ways. Overall, it’s a nice issue that delivers motivation but doesn’t quite have that punch that really excites. Still, it’s more than enough to keep me interested in the event to come.

Story: Zeb Wells Art: Michael Dowling, Kyle Hotz, Terry Dodson, Ryan Stegman
Color: Richard Isanove, Dan Brown, Rachel Dodson, Matt Hollingsworth
Ink: Tim Townsend, JP Mayer Letterer: Joe Caramagna
Story: 7.5 Art: 7.25 Overall: 7.35 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review

Purchase: Zeus Comics – comiXology/Kindle

Bachalo, Janson, Morales, & Townsend Join Baltimore Comic-Con 2021

Posted on July 26, 2021 by Graphic Policy Team

Head to the 22nd annual Baltimore Comic-Con this October 22nd-24th at the Inner Harbor’s Baltimore Convention Center! The Baltimore Comic-Con is bringing comics greats Chris Bachalo, Klaus Janson, Mark Morales, and Tim Townsend to this year’s show. Purchase your tickets now online.

Chris Bachalo is internationally recognized as one of the most popular artists in the comic industry. His body of work covers a wide spectrum of genres ranging from the critically-acclaimed Sandman, Shade: The Changing Man, Death: The High Cost of Living, and Batman series for DC to Marvel’s Doctor Strange, Uncanny X-Men, The Amazing Spider-Man, and Generation X — the first title from Marvel that was adapted into a live action film for Fox. The short story “The Wheel” written by Sandman and American Gods writer Neil Gaiman and illustrated by Chris featured the Death character and was inducted into the Library of Congress in 2003. It was created as part of a tribute to 9/11. His cover work for the title Hunter, The Age of Magic for DC was included as part of a New York gallery show for the Society of Illustrators. He also teamed with Stan Lee on DC’s Just Imagine… by Stan Lee, a re-imagining the DC Universe featuring Catwoman. Chris also illustrated the cover for the Hollywood Reporter celebrating Stan’s 75th birthday. He is currently working on Marvels’ flagship title, The Amazing Spider-Man. Chris also co-created two creator-owned properties. He collaborated with previous Executive Vice President of Marvel Television, Jeph Loeb on the Vertigo/DC title The Witching Hour, and co-created with Ben 10’s Joe Kelly the retro-futuristic sci-fi epic, Steampunk, published by Cliffhanger/DC. In addition to his work in comics, Chris’ artwork has graced the covers of The Hollywood Reporter and PSM (PlayStation Magazine). Other clients have included Activision, Oakley, Taco Bell, Stuff magazine, Mad Magazine, Upper Deck, Disney, Neiman Marcus, EA, and Def Jam Records. He was also commissioned to do artwork that was transformed into a 50’ X 80’ mural at the Marvel/Universal theme park in Orlando, Florida.

Klaus Janson was born in 1952 in Coburg, Germany, and came to America in 1957. As a child growing up in Connecticut, he learned how to read and write the English language almost exclusively from Lois Lane and Superman comics. Even at that early age, delusions of competence overtook him and he would cut apart the comics and paste them onto paper to construct new stories. This eventually led to the notion that drawing the stories outright and preserving the comics might be a more efficient way of approaching this medium. A valuable and life saving apprenticeship with his mentor Dick Giordano encouraged him to continue. After many summers of portfolio reviews and rejections, Marvel Comics offered a part time office job applying grey tones to the black and white horror comic reprints that were glutting the market. Two things happened that would change that: Daredevil and teaching at The School of Visual Arts. Daredevil with Frank Miller in the mid-1980s was a rare opportunity for two artists to work unconstrained by the typical expectations or oversight of corporate thinking. An anomaly for mainstream publishing, Daredevil was a struggle between artistic instinct and intellect that, at its best, resulted in that perfect balance. The other step forward was teaching at The School of Visual Arts. Klaus believes that communication is the most powerful tool human beings possess. That ability to communicate can come in many forms but at its root is called storytelling. Klaus lives in New York, where he writes, draws, inks, and colors, and teaches comics.

Please note: Klaus will be appearing Saturday only at the 2021 Baltimore Comic-Con.

A longtime comics pro, Mark Morales has worked for many companies, including Image, Dark Horse, Chaos, DC Comics, and Marvel Comics, mostly as an inker. Past projects from Mark include Thor, Daredevil, Batman, X-Men, Avengers vs. X-Men, Spider-Man/Deadpool, and Astonishing X-Men. Currently, he is working on Heroes Reborn and The High Republic from Marvel Comics.

Tim Townsend has been a regular inker at Marvel Comics for the last 28 years. Having worked on most of Marvels major titles at one time or another, he’s best known for his work with pencilers such as Joe Madureira (Uncanny X-Men), Adam Kubert (Uncanny X-Men), Frank Quitely (New X-Men), Olivier Coipel (House of M), and, most notedly, Chris Bachalo with whom he has partnered for the last 22 years on most of the X-Men and Spider-Man titles. Tim is currently working with Chris on Non-Stop Spider-Man.

Tickets that are now on sale include:

Weekend
Friday only
Saturday only
Sunday only
VIP
Creator Fan Packages

As always, children 10 and under are free with a paid adult admission!

This year’s confirmed guests for the show include: Chris Bachalo (Non-Stop Spider-Man), Marty Baumann (Disney/Pixar), John Beatty (Secret Wars), Brian Michael Bendis (Action Comics), Brett Breeding (Superman), Reilly Brown (Deadpool), Chris Campana (The Adventures of Parker Reef), Castillo Studios, Howard Chaykin (Hey Kids! Comics!), Cliff Chiang (Paper Girls), Frank Cho (Harley Quinn), Becky Cloonan (Dark Agnes), Steve Conley (The Middle Age), Katie Cook (Nothing Special), Kristina Deak-Linsner (Vampirella: Roses for the Dead), Vito Delsante (Stray), Todd Dezago (Perhapanauts), Garth Ennis (The Boys, Friday and Saturday only), Trish Forstner (My Little Pony), Monica Gallagher (Assassin Roommate), Kami Garcia (Joker/Harley: Criminal Sanity), Mitch Gerads (Mr. Miracle), Joe Giella (Green Lantern), Gene Ha (Mae), Scott Hanna (Icon and Rocket), Dean Haspiel (The Red Hook), Jamal Igle (Wrong Earth), Klaus Janson (Daredevil, Saturday only), Dave Johnson (The Good Asian), Chris Kemple (Artist Alley Comics), Tom King (Batman), Joseph Michael Linsner (Red Sonja), Howard Mackie (Ghost Rider: Return of Vengeance), Bob McLeod (New Mutants), Carla Speed McNeil (Finder), Pop Mhan (Aquaman Annual), Frank Miller (Dark Knight III: The Master Race, Saturday only), Terry Moore (Strangers in Paradise), Mark Morales (The Next Batman: Second Son), Jerry Ordway (The Power of Shazam), Richard Pace (Second Coming), Tom Palmer (Hawkman), James Pascoe (Azrael), Andrew Pepoy (Simone & Ajax), David Petersen (Mouse Guard), Brandon Peterson (Sinestro: Year of the Villain), Joe Quesada (Daredevil), Andy Price (My Little Pony: Friendship is Magic), Tom Raney (Guardians of the Galaxy), Amy Reeder (Wonder Woman: Black and Gold), Afua Richardson (Omni), Andrew Robinson (Halo), Craig Rousseau (The Perhapanauts), Alex Saviuk (Web of Spider-Man), Stuart Sayger (Army of Darkness: 1979), Doc Shaner (Strange Adventures), Louise Simonson (Power Pack), Walter Simonson (Ragnarok: The Breaking of Helheim), Matt Slay (Equilibrium), John K. Snyder III (Killers), Joe Staton (Dick Tracy), Brian Stelfreeze (Black Panther), Paul D. Storrie (Storm Kids: Stanley’s Ghost), Tim Townsend (Non-Stop Spider-Man), Timothy Truman (Grimjack), Brian K. Vaughan (Saga, Friday and Saturday only), Robert Venditti (Hawkman), Mark Waid (Dr. Strange), Emily S. Whitten (The Underfoot), Matt Wieringo (Stargate Atlantis: Gateways), Keith Williams (Thor the Worthy), Rich Woodall (Electric Black), Gene Luen Yang (Superman Smashes the Klan), and Thom Zahler (Love and Capes).

Conventions

Review: Non-stop Spider-Man #2

Posted on April 14, 2021 by Brett

There are so many different ways to tackle Spider-Man. You can have a series more focused on Peter and those around him. You can have takes where he takes on global threats. Then there’s the version that’s focused on the action with a kinetic spin to it all. Non-Stop Spider-Man #2 continues that last take with an issue that’s full of energy and over-the-top action.

Joe Kelly keeps up the adventure as Spider-Man is on a personal mission to find out what’s going on with the drugs being sold to smart individuals. As the comic teases, there’s clearly something going on with who the drugs are being targeted but the comic dances around that reveal.

Instead, Kelly keeps the action coming with big explosions and big sequences you can really only do in a comic. Buildings explode from a helicopter attack, a truck makes its way into the sewer, it’s all so insane it’s hard to not smile and just enjoy.

What Kelly also does is give us a Spider-Man that’s off his game in a way. The drug use has hit him close and impacted a friend. He’s working on anger as much as anything else which has the character a little off his usual leading to small mistakes. He’s a half-step off and makes things more of a challenge.

Chris Bachalo‘s art is the draw. As much as Kelly’s story is entertaining, it’s the insane visuals that really draw the reader in. Bachalo is joined by Tim Townsend, Al Vey, and Wayne Faucher on ink, Marcio Menyz on color, and Travis Lanham on lettering. The situations Kelly concocts are so insane but Bachalo delivers it all with an energy and style that only he can pull off. You can hear the explosions. The page layouts continue to impress as well with a flow and look that’s so unique.

Non-Stop Spider-Man #2 is a lot of fun. The art pops from the page. The story is interesting. It’s a second issue that delivers as much excitement as its debut, not an easy thing to do. There’s debates as to how many series are too many for characters but when they’re as unique as this, bring more on!

Story: Joe Kelly Art: Chris Bachalo
Ink: Tim Townsend, Al Vey, Wayne Faucher Color: Marcio Menyz Letterer: Travis Lanham
Story: 8.25 Art: 8.85 Overall: 8.5 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review

Purchase: comiXology – Amazon – Zeus Comics – TFAW

Review: Non-Stop Spider-Man #1

Posted on March 10, 2021 by Brett

There’s a certain kinetic flow that can happen with Spider-Man comics. When the writer and artist click, you get a comic that flows with energy and excitement. Non-Stop Spider-Man #1 is that type of comic nailing the chaotic and energetic nature of Spider-Man.

Joe Kelly handles the writing which has Spider-Man taking on a grounded issue that’s a bit fantastical as well. In this debut issue he’s up against drug dealers while a drug called A-Plus is causing college students to overdose. His opponents are a little unclear other than bad guys with tech and tricks but it’s all about the action and visuals.

Chris Bachalo‘s art is over the top. With Tim Townsend on ink, Marco Menyz on color, and Travis Lanham handling the lettering, the comic is a visual treat. What stands out isn’t the contortion that Spider-Man displays and is a standard. What really stands out is the use of panels of the comic . Peter Parker’s life is on display in your standard squares and rectangles, though the page layouts still stand out with that. What jumps is the use of angles. Spider-Man’s action is on full display with comic pages that beg you to turn the page so everything is upright. White space is plentiful and emphasizes the action. It’s a display you rarely, if ever, see in comics today.

There’s a visual brilliance that goes with, and emphasizes, the action and flow of the comic.

But everything isn’t just in the action and visuals. Kelly and the team makes sure to keep things grounded as well. There’s tragedy with individuals overdosing and dying from drug use. It’s a detail that drives the comic but brings a sense of urgency and makes the comic more than a visually amazing fight comic. There’s something more than the action.

Non-Stop Spider-Man #1 feels like non-stop action. It’s a solid debut that visually stands out. There’s nothing (that I know of) that’s on the comic stand that looks like it. Its use of angled panels, really angled pages, is unique and memorable. It exudes enthusiasm and energy about it that fits Spider-Man. You might eye-roll at yet another Spider-Man comic on the shelf, but when it’s this good, it’s worth it and the wait.

Story: Joe Kelly Art: Chris Bachalo
Ink: Tim Townsend Color: Marco Menyz Letterer: Travis Lanham
Story: 8.0 Art: 10 Overall: 8.5 Recommendation: Buy

Purchase: comiXology – Amazon – Kindle – Zeus Comics – TFAW

Review: Deadpool (2019) #1

Posted on November 19, 2019 by Brett

It’s Deadpool’s birthday and there’s no one to celebrate it with. Luckily he has a job killing the King of the Monsters who has taken over Staten Island.

Story: Kelly Thompson
Art: Chris Bachalo
Ink: Wayner Faucher, Tim Townsend, Al Vey, Jaime Mendoza, Livesay, Victor Olazaba
Color: David Curiel
Letterer: Joe Sabino

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW

Marvel provided Graphic Policy with a FREE copy for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Review: The Amazing Spider-Man: Full Circle #1

Posted on October 23, 2019 by Brett

Seven teams of creators get together and jam on this comic in a round-robin style story. Each team has no idea who the previous are until they get their part and no idea what’s coming. The result? Really entertaining.

Story: Jonathan Hickman, Gerry Duggan, Nick Spencer, Kelly Thompson, Al Ewing, Chip Zdarsky, Jason Aaron
Art: Chris Bachalo, Greg Smallwood, Michael Allred, Valerio Schiti, Chris Sprouse, Rachael Stott, Cameron Stewart, Mark Bagley
Ink: Tim Townsend, Al Vey, Greg Smallwood, Michael Allred, Valerio Schiti, Karl Story, Rachael Stott, Cameron Stewart, John Bell
Color: Chris Bachalo, Greg Smallwood, Laura Allred, Mattia Iacono, Dave McCaig, Triona Farrell, Nathan Fairbairn, Frank D’Armata
Letterer: Joe Caramagna

Get your copy in comic shops now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
Kindle/comiXology
TFAW

The Amazing Spider-Man Gets Black Cat Covers from Mike Wieringo, J.G. Jones, and J. Scott Campbell

Posted on September 18, 2018 by Graphic Policy Team

Black Cat didn’t commit the crime…but Spider-Man will need to befriend his once-foe-once-friend-once-crime-boss Felicia Hardy if he wants to solve this case!

This October and November, join Peter and Felicia Hardy in Amazing Spider-Man’s Black Cat arc, featuring two new variant covers by J.G. Jones (with colors by Paul Mounts), Mike Wieringo (with inks by Tim Townsend and colors by Jason Keith) and a Hidden Gem variant by J. Scott Campbell (with colors by Nei Ruffino).

The excitement starts this October – don’t miss the start of the action in Amazing Spider-Man #8, on sale October 24th at your local comic shop!

AMAZING SPIDER-MAN #8
Written by NICK SPENCER
Art and Cover by HUMBERTO RAMOS
Black Cat Variant Cover by J.G. JONES (AUG188288)

AMAZING SPIDER-MAN #9
Written by NICK SPENCER
Art and Cover by HUMBERTO RAMOS
Black Cat Variant Cover by MIKE WIERINGO (AUG188290)

AMAZING SPIDER-MAN #10
Written by NICK SPENCER
Art and Cover by HUMBERTO RAMOS
Black Cat Variant Cover by J. SCOTT CAMPBELL (AUG188289)

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