Tag Archives: tim seely

Exclusive Preview: Planet She-Hulk #2

Planet She-Hulk #2

(W) Stephanie Phillips (A) Aaron Kuder, Scott Hann, Rod Reis
(C) Sonia Oback (L) Joe Caramagna
(CA) Aaron Kuder, Sonia Oback (VCA) Jhony Caballero, Tim Seely and Brian Reber, Lelio Bonaccorso and Romulo Fajardo Jr.

Jennifer Walters may be a trained lawyer and professional… but how much help is that going to be in a world governed by “Might Makes Right”? Fortunately, she’s also the gamma-fueled powerhouse known as the Sensational She-Hulk! Can she really smash the planet Sakaar into peace the way her cousin once did?

Planet She-Hulk #2

Preview: Black, White & Bloodshot #1 (of 4)

Black, White & Bloodshot #1 (of 4)

Script: Marc Guggenheim, Matts, Luciano Saracino, Tim Seely
Art: Ariel Olivetti, Agustin Alessio, Rodrigo Rocha
Main Cover: Guillermo Fajardo (A)
Variant Covers: Matias Bergara (B), Al Barrionuevo (C), Ariel Olivetti (D), BLANK SKETCH COVER (E)
Incentive Covers: Guillermo Fajardo VIRGIN 1:10 (F), Matias Bergara VIRGIN 1:10 (G), Al Barrionuevo VIRGIN 1:10 (H), Ariel Olivetti VIRGIN 1:25 (I)
Final Order Cut Off: 8/26/24
On Sale Date: 9/25/24
Rated M
32-page, color comic
$4.99 U.S.

Enter the world of Bloodshot in this brand-new Black, White, and Blood anthology! Meet Bloodshot, the world’s deadliest assassin! A super soldier engineered with Nanites, a versatile nanotechnology that allows Bloodshot to repair the damage inflicted on his body, change his appearance, and control machines.

From the creative minds of some of the world’s most renowned creators like Shintaro Kago, Brian Azzarello, Eduardo Risso, Ariel Olivetti, Kevin VanHook, Marc Guggenheim, Tim Seeley, Danny Earls, Fernando Dagnino, David Baille, Timmy Heague, Luciano Saracino, Guillermo Fajardo, Joao Azeitona, Renato Guedes, Mico Suayan and many more!

In this first issue, Bloodshot is put to the limit when scientists try to farm never-ending meat from his self-repairing body to stop hunger in the world. Experience Bloodshot’s feelings as he confronts his demons in a deadly mission in the desert… And what will happen when a serial killer interrupts his favorite new movie at the theater? Then, for the first time, the crossover nobody was asking for: it’s Bloodshot versus… Mickey M?

Each tale deeply explores Bloodshot’s psyche, tackling themes of identity, justice, and sacrifice in a world saturated with black, white, and blood-red shades.

Black, White & Bloodshot #1 (of 4)

Movie Review: Revealer sends a stripper and a religious protester to the end of the world

Revealer

Stripped down to its bare essentials, the Apocalypse is ultimately an overblown shaming session levied against humanity. Trumpets signal the new stages of shaming scheduled throughout the event and demons spew out from their underground caverns to give everyone a taste of their disdain. That it’s also known as Judgment Day is just icing on the cake.

Director Luke Boyce’s Revealer, currently streaming on Shudder, certainly takes this to heart as it forces a tense pairing of personalities with firm convictions on morality just as the Apocalypse unleashes its opening salvo. It’s a movie that seems to become more relevant every single day after it’s very recent release, especially in terms of dividing lines and Supreme Court decisions.

Revealer follows a stripper called Angie (Caito Aase) and a religious protestor called Sally (Shaina Schrooten), both stuck in a peepshow booth as the world ends outside. They each stand on opposite sides of a spectrum that’s divided groups of people since time immemorial: religion. Their anticipated animosity towards each other is present from the very beginning and has no qualms about being as brutal and piercing as possible every time any type of judgment is levied against the other, even after an unsteady alliance forms between them as demons and devils start making their way into the sex shop they’re held up in.

Comic fans should have a vested interest in this movie given the resumés of the screenwriting duo behind it, Tim Seeley and Michael Moreci. As two of the most versatile voices in the industry, Seeley and Moreci bring a finely tuned and honest sensibility to character creation that features the same approach to economical but precise dialogue writing present in comic book storytelling. This is perhaps most present in how the movie contemplates the idea of passing judgment onto others, on what lies in the very act of it and how difficult it is to let go of prejudices even when good intentions guide the conversation.

Revealer

The story’s success largely depends on Angie and Sally’s interactions and how genuine they feel as the Apocalypse threatens to burst their respective bubbles. The movie doesn’t only achieve this but does so by never allowing one of the characters to overpower the other with their worldviews.

Seeley and Moreci inject a fair amount of nuance into their dysfunctional pairing, promoting understanding rather than moral superiority. It’s not about whose worldview reigns supreme. It’s about finding a way to understand each other while also being able to challenge preconceived notions of right and wrong.

Boyce does a good job of giving these two characters enough unencumbered space for their conversations to take place while also creating a strong sense of dread as one particular devil sets its eyes on their souls. The story essentially takes place in just a handful of locations, all enclosed and claustrophobic. It’s theatrical in its approach and it maximizes the use of the limited budget in outstanding ways, putting the focus on character rather than on fire and brimstone. The Apocalypse is ever-present, but it’s mostly unseen. What’s impressive is that it is always felt. Therein lies the success of Revealer.

Caito Asse and Shaina Schrooten as the stripper and the religious protestor, respectively, melt into their roles and give each other more than enough emotion to play off each other. They go from total dislike for each other to brief bouts of understanding constantly and the effect is one that their performances carry through well.

Revealer

Given how heavy handed the script is though, mostly for good, the performances do sometimes fall into exaggeration and it can play against them. The humor doesn’t always hit the mark either, but not enough to distract from the story. It should be said that the movie isn’t an exercise in realism, but that some exchanges between Angie and Sally could’ve been reigned back a bit for more impact.

What we do get see of the Apocalypse, almost entirely in the form of demonic creatures, is memorable and plays to the fears and worries Angie and Sally argue about in their conversations. One particular creature stands out as a kind of Pinhead figure from the Hellraiser movies in its sense of presence and serious menace, and it helps propel a fair bit of tension and fear in what’s a very dialogue-heavy script. Other lesser demons also give Angie and Sally a few horror scenes that help to build their characters in surprising ways.

Revealer came out just as the American Supreme Court overturned Roe v. Wade, the landmark 1972 ruling went on to protect the freedom of choice on abortions. In its wake, the national divide has widened, bringing to light more forceful forms of disagreements that aren’t that dissimilar from the kinds explored in the movie. This might be a small note that definitely requires further exploration, but the context in which the movie finds itself in does turn it into an urgent watch. It offers different ways to go about contemplating the things that keep us apart and to better gauge the impact of our moral judgments. It’s something to think about and Revealer definitely helps.

Revealer

Boyce, Seeley, and Moreci have a very confrontational horror movie in Revealer. It has two compelling characters that drive home a debate that seems more necessary with each passing day. It might just be that the Apocalypse is exactly what we need to put things into perspective and come together.

Tim Seely and Corin M. Howell Return to Dark Red with “Where Roads Lead”

DARK RED: WHERE ROADS LEAD

Writer: Tim Seely
Artist: Corin M. Howell
Letterer: Carlos M. Mangual
Cover: Corin M. Howell
Incentive cover: Andy Clarke w/ Jose Villarrubia
$6.99 / 48 pages / Color / On Sale 01.12.22

PRESTIGE FORMAT ONE-SHOT

The hit vampires-in-the-heartland series returns!

Following the events surrounding the defeat of the Order of the Eventide, blue-collar vampire Chip tries to return to his life of quiet, rural isolation. But soon he has to ditch his late-night convenience store shift to travel across the country to New Orleans to visit a dying veteran. What starts as a trip of noble intent becomes a quest through a hell of wars to retrieve a stolen soul and escape an old enemy.

Writer Tim Seeley (BRILLIANT TRASH, THE BEQUEST) and artist Corin Howell (Shadow Service) return to bring us the next chapter in the epic tale of horror and adventure that is DARK RED – and this one has twice the bite!

DARK RED: WHERE ROADS LEAD

Review: The Conjuring: The Lover #3

The Conjuring: The Lover #3
The Conjuring: The Lover #3

The Conjuring: The Lover #3 has finally put its main character, Jessica, on a straight path to the source of her haunting, and things are getting diabolically tense. The third entry of this horror series seems to be eyeing its endgame quite closely and is thus moving its pieces towards a terrifying finale where evil might actually prevail should Jessica not find a way to rid herself of the mysterious Satanist behind it all.

The Lover has been an immensely fun ride. It thrives on a sense of claustrophobia by keeping the focus close on Jessica and how the thing that’s haunting her further isolates her from friends and any chance of complete salvation from the situation. Issue #3 ramps up the haunting, isolating the character to the point of constant oppression, tricking her friends into believing her behavior stems from good old-fashioned madness.

In this sense, the story reminds me even more of the movie The Exorcism of Emily Rose (2005), in which a female college student struggles with behavior that her family thinks can be attributed to demonic possession when the evidence more directly points to mental illness (based on the true case of Annaliese Michel, who underwent 67 Catholic rites of exorcism that ultimately led to her death).

While the comic leaves less space open to interpretation as to the origin of Jessica’s haunting, it nonetheless resorts to similar storytelling elements to show just how this haunting disconnects someone from the world. It’s been a steady build to this since issue #1 and it’s paying off quite well here.

The Conjuring: The Lover #3
The Conjuring: The Lover #3

Garry Brown’s art is especially effective in portraying Jessica’s own sense of dread as she gets pulled away from the people that can help her the most by the person enacting the horror that’s latched on to her. Each panel feels claustrophobic, enclosing Jessica deeper within her environment. At points, it feels as if the panels themselves are attacking the character, pushing into even more uncomfortable spaces.

As has been the case in the previous two entries, this issue contains a back-up story featuring a haunted item from the Warren’s Artifact Room, and this issue’s tale might be it’s best yet. It looks at the now infamous Accordion Monkey and it’s written by Tim Seely with art by horror master Kelley Jones and colors by Jordie Bellaire.

It’s a tale that has a 1970’s horror vibe to it in that the inner workings of the haunted object contains a healthy dose of madness, violence, and insidiousness. The horror put on display has no qualms painting a bleak picture for those involved and it savors the idea that darkness tends to have a better chance at prevailing in cases such as this.

The Conjuring: The Lover #3
The Conjuring: The Lover #3

Seely’s script is tight and smartly gruesome when it needs to be, but Jones’ art is what seals the deal on this one. It’s a great reminder of why Jones deserves to be among the best horror illustrators in the business. It feels classic EC Horror to an extent, but it looks to be more than just an homage to horror’s past. It truly is a treat getting this story right after a solid entry of The Lover.

Things aren’t looking so good for Jessica and the next issue is shaping up to be an intense encounter with the dark forces that have decided to torment her. We can only hope the Warrens make a surprise appearance to save the day, but the way things are going, that doesn’t seem like it’s going to be the case.

Story: David L. Johnson-McGoldrick & Rex Ogle, Art: Garry Brown Color: Jordie Bellaire
Story: 8.0 Art: 9.0 Recommendation: Buy and always have a friend that believes you see ghosts.


Purchase: comiXologyKindleZeus ComicsTFAW

Cosplay, D&D, Game Shows, Spies, Horror, Star Wars, and More at Baltimore Comic Con Live this Weekend

This weekend, enjoy the 1st annual Baltimore Comic-Con Live, a FREE ONLINE EVENT streaming October 23-25, 2020! Come check out retailers, exhibitors, artists alley, programming, and the Ringo Awards live! There’s an amazing range of topics in the 2020 virtual programming. Regardless of if you’re a cosplayer, a gamer, a movie buff, or just a reader, there’s sure to be something for you!

TERROR IN THE PAGES: Making a Horror Comic

Panelists: Afua Richardson, Tim Seely, Jeremy Haun, Mike Moreci, Jim Terry
Host: John Siuntres
Saturday, October 24, 2020 – 2pm ET / 11am PT

We all love horror, especially the comic creators on this panel. Join us for a group chat to discuss everything we find chilling and downright terrifying in comics.

Afua Richardson

EVIL TED SMITH: Creating Foam Cosplay

Panelists: Evil Ted Smith
Host: Chuck Lindsey
Saturday, October 24, 2020 – 3pm ET / 12pm PT

From Hunger Games to Pirates of the CaribbeanStar Trek to The Walking DeadEvil Ted has worked in the movie industry doing visual effects, prop, and model making for 28 years. In this LIVE demo, he will show you the secrets to making realistic cosplay pieces right at home.

EVIL TED SMITH

TOTALLY AWESOME COMIC BOOK GAMESHOW!!! (or “Stump Tom Brevoort”)

Panelists: Tom Brevoort
Host: Chuck Lindsey
Saturday, October 24, 2020 – 4pm ET / 1pm PT

Watch as contestants compete in a Marvel Trivia Showdown to claim Ultimate Fandom Supremacy. Three rounds of gameshow action to see who knows more about comics than Marvel Executive Editor, Tom Brevoort.

Marvel logo

SPIES LIKE COMICS

Panelists: Stephanie Phillips, Jeff Parker, Brian Stelfreeze, Doug Wagner
Host: Robert Meyer Burnett
Saturday, October 24, 2020 – 4pm ET / 1pm PT

From secret agents to international super criminals, spy comics have been a tent pole of the comic book genre from the very beginning. Join host Robert Meyer Burnett as he delves deep into everything we love about Spy Comics and the hottest titles currently on the shelves.

Stephanie Phillips

DUNGEONS & DRAGONS: Live Game

Panelists: Tom Akel, Jim Zub, Troy Little, Cecil Castellucci, Joel Daly
Host: Joel Daly
Saturday, October 24, 2020 – 11pm ET / 8pm PT

Join the most popular players LIVE for a D&D session for the ages. Dungeon Masters and Players include Tom AkelJim ZubTroy LittleCecil CastellucciJoel Daly, and Sal Crivelli.

Cecil Castellucci

WEB COMICS: What’s Next in Digital?

Panelists: Dean Haspiel, Sanford Greene, Megan Stevenson, Michael Son
Host: Tom Akel
Sunday, October 25, 2020 – 12pm ET / 9am PT

Join Dean Haspiel (2017 Ringo Award winner for The Red Hook), Sanford Greene (2018 Ringo Award winner for 1000), Megan Stevenson (2020 Ringo nominee for The Croaking), and Tapas VP of Content Michael Son for a discussion with Rocketship Entertainment Publisher Tom Akel (Backchannel) on the evolving landscape of digital comics and how creators can evaluate their opportunities versus the traditional market.

Sanford Greene

AUTOBIOGRAPHY IN COMICS

Panelists: Stan Sakai, Dean Haspiel, Erica Schultz, with Dave Kelly and Alex Segura
Host: Gene Kannenberg, Jr.
Sunday, October 25, 2020 – 3pm ET / 12pm PT

A discussion on how comics use the fantastic to tell deeply personal stories. Bucking the conventional wisdom that if you focus on fiction there’s no personal truth to it, this panel brings together creators who channel their own lives and experiences through the limitless potential of big characters and other worlds. Join 2020 Ringo nominees Stan Sakai (Usagi Yojimbo), Erica Schultz (Forgotten Home), and Dave Kelly (Tales of the Night Watchman) with 2017 Ringo winner Dean Haspiel (The Red Hook) and Alex Segura (The Black Ghost, Co-President Archie Comics). Moderated by Gene Kannenberg, Jr.

Dean Haspiel

STAR WARS COMICS

Panelists: Charles Soule, Katie Cook, Greg Pak, Mike Moreci
Host: Alden Diaz
Sunday, October 25, 2020 – 3pm ET / 12pm PT

Explore the world and history of Star Wars comics from the creators that know it best!!! Join host Alden Diaz for a very special look into a galaxy far far away with panelists Charles SouleKatie CookGreg Pak, and Mike Moreci.

Greg Pak

Preview: Valiant 2020: The Year of Heroes FCBD Special

The Valiant 2020: The Year of Heroes FCBD Speical is available at your local comic shop and it includes two all-new adventures starring Bloodshot and X-O Manowar!

Featuring Vin Diesel’s Bloodshot on the cover, the must-read Free Comic Book Day issue features an action-packed Bloodshot mission by New York Times bestselling writer Tim Seely and rising star Jason Masters. This explosive short story will also include the first appearances of Bloodshot movie characters Wilfred Wigans and KT in the Valiant Universe!

Plus: A captivating X-O Manowar story by multiple Eisner Award-nominated writer Joshua Dysart and artist Doug Braithwaite! Enjoy a first look at the engrossing tale starring Valiant’s flagship hero, below.

VALIANT 2020: THE YEAR OF HEROES FCBD SPECIAL

Preview: Hack/Slash vs Chaos #5

Hack/Slash vs Chaos #5

writer: Tim Seeley
artist: Celor
covers: Tim Seeley (A), Craig Cermak (B), Celor (C), Craig Cermak (RI-B/W), Celor (RI-B/W), Tim Seeley (RI-B/W), Craig Cermak (RI-Virgin), Tim Seeley (RI-Virgin)
FC | 32 pages | Horror | $3.99 | Mature

It’s the royal rumble of horror heroes! If Cassie can be persuaded to give up the power of Draugsplitter, she’ll have just enough time to join the Chaos heroes in a battle against Lucifer himself! Vlad vs. Cremator! Everyone vs. everyone!

Hack/Slash vs Chaos #5

Review: Grayson #12

STK682753“Back to the Nest”

First off I will say that I have been saying the praises of this series for quite a while now, and I must say now I want to start singing them. Every time I think the bar has been raised, the creative team seems to trapeze with ease right over it.

For the past 11 issues Dick Grayson has been taken out of Gotham and thrust into the world of SPYRAL and international intrigue. It has been a wild ride thus far and even with Dick being in a new element it’s been him at his most “Grayson” in a long time. Well this issue might just be him at his most “Graysonest” (Not a word I know, but it darn should be) ever. Whether it’s as Dick Grayson, Nightwing, or Agent 37, this team just gets it. So when I read that this would be the issue that he makes his grand return to Gotham, I got so excited. I had my reservations but my faith in this series far outweighed my worries. I was right. This was brilliant.

Those who are regular readers are usually treated to high-octane action, secret agent double crosses, dangerous romantic exploits and quips and jokes by the boatload. Well this month we take a slight hiatus from that format. This is a simple story at its core. Just a story about a man who has been estranged from his family for a long time, and he finds his way home.

First things first, the former first Robin needs to see: The Bat. To his chagrin, Bruce Wayne is and no longer remembers being Batman. Ever.

GRAY_12_2Alfred, has made it clear to Dick, that during Bruce’s final battle with the Joker, (Back in Batman #35-40 by Bat Lords Scott Snyder and Greg Capullo) Batman finally died but Bruce Wayne survived. Dick needing to see this for himself, decides to dress in disguise to go see a Bruce Wayne who doesn’t remember him anyway.

What makes this scene work so well is that the page is adorned in many thought bubbles. To the not so keen eye, they appear to be random thoughts. To the eyes of an honorary detective however you discover that every single solitary one of them has been seen in print in the pages of a Batman or DC Comic before. I thought this was a fantastic touch, almost a literary semblance of seeing ones life flash before their eyes but with thoughts. They are all excerpts from former conversations between the original Batman and Robin: Bruce Wayne and Dick Grayson. The writers managed to take the very long history between the two and condense it down into just quotes on one page. A great device that brings the reader up to speed without having the overuse of long-winded narration to get the point across. Before Dick leaves he asks Bruce just one last question. “Are you happy?”  Bruce isn’t able to give him a clear-cut answer since he has no memory of his past and isn’t quite sure what to feel. Dick realizes that it may not be the same Bruce Wayne standing in front of him at that moment. One thing is crystal clear though. Batman is not home anymore.

tumblr_nv4panMqjJ1spjdwjo1_1280Next stop up, we find Dick getting punked out on a rooftop between his former “Robin boy wonders in arms” Jason Todd and Tim Drake. Like Bruce, Dick has a storied past with both these individuals. They all at one time were the successor to the mantle of Robin in some form and the teen sidekicks of the Dark Knight. Dick tries to explain his side of the story to the both of them but it falls on deaf ears. (Faking your own death to your best friends, has a way of getting to the toughest of us) He goes on and on trying to explain the reason, that it was the greater good and the greatest burden he had to bear to keep them safe. They simply say to him that he shouldn’t have lied to them because above all else, they aren’t just siblings of the Bat, they are brothers. Then and there, Dick understands they are right. Before he leaves he says a small speech to each and presents them with two Batarangs. He tells them Bruce would want them to have it. Like the previous scene with Bruce, this was done very well. First we had Jason slug Dick right in the face and Tim try to break it up. Simple touches like that gives the effect these characters all have a deep relationship and maintains that they are a family. Simply put, all families fight. Especially brothers.

75afa9c1089cf4e28e4c82a5b7c65396  tumblr_nuzyb3lXO71u0u277o1_1280

A short time later we find ourselves atop a bridge in the midst of a reunion conversation between Dick and Batgirl herself: Barbara Gordon. This was the one conversation Dick dreaded the most. It’s not just a former caped crusader or sibling or friend, this is the love of his life. The love of his life that he has lied and deceived and no excuse on Earth is good enough for her. So he doesn’t try. He just mans up and lets her know how much he’s missed her and he’s sorry. Unfortunately like in real life, sometime saying your sorry isn’t good enough. Nor should it be. I really liked this approach, another tip of my hat to the writers here, showing they understand that Dick Grayson is a humanized superhero. He is not above reproach or tries to be holier than thou. It’s one of the reasons Dick Grayson is at the top of my list of all time favorite fictional, not just comic book characters. He has a purity in his fallible nature that is refreshing. He may make mistakes, but he always tries to make up from them and more importantly learn from them. Barbara doesn’t have to accept his apology but she at least hears him out. She then leaps off the bridge (that’s a better exit that over dramatically slamming a door any day got to give the girl style points there) and in true chivalrous fashion Dick follows suit. (flying off bridges is nothing for a child of the circus and Batman’s side kick, helloooo)

tumblr_nv4qg86gjV1upytp1o1_1280Once Dick catches up to Babs (as he always called her) and says he just wants to give her something. He hands her the trapeze bar from their first date at the circus when Barbara was still rehabilitating after her torture at the hands of the Joker. Being a human being, this strikes a nerve with Barbara and then hears him out. It isn’t the love fest one would expect but it is heartwarming nonetheless. Barbara then figures out that the deliberate speech pattern and words Dick used and pulls a clue from it. (I won’t spoil, but it is a very clever concept that is repeated through the issue) Before she can get confirmation, Dick is long gone.

Finally we make our last stop. Dick arrives to see Damien Wayne, son of Batman and Dick’s former Robin. (Dick as Batman in Grant Morrison’s run on Batman and Robin is one of the all time best stories in my opinion) This scene was my favorite in the book. It was brief but, near perfect. Damien rushes and somersaults his way with joy right over to Dick as soon as he learns he’s alive. No cold shoulder just a warm embrace for his back from the dead brother. A long hug and a couple of wisecracks exchanged between them and that was all that was needed. Such a great touching moment.

Overall: Like I said before the bar keeps being surpassed each and every single month and it is a true joy as a reader to pick up a book that you don’t want to put down. Those who were looking for fast paced espionage might have been a little disappointed this month but not me. I couldn’t have been more pleased. This was just a good story about a uniquely estranged family which was raw and had a lot of heart. I’ve enjoyed this book a little more every single issue and with Dick back amongst the Bat-Family, it’s only going to get better. Ladies and gentleman the band is back together and this might just be their best performance yet. Keep the lights on in the cave and see you all here in 30 days.

Story: Tim Seely and Tom King Art: Mikel Janin 
Story: 9.9 Art: 9.3 Overall: 9.9 Recommendation: Buy

Review: Vampirella/Army of Darkness #1

VampiAOD01-Cov-A-SeeleyTwo iconic legends of the horror genre (Ash from Army of Darkness and Vampirella)  are now facing off in one of the coolest titles coming out this summer from Dynamite publications; Vampirella/Army of Darkness. This story takes place in an almost retcon like universe of The Army of Darkness movie (if you haven’t seen it, shame on you!). Where our reader is introduced to Ash, after he has won the battle against the book of the dead. However, in the retcon like twist Ash is finding himself being put to the test against another great evil the medieval age has to offer; The Unholy Vampire!

Now I don’t want to give too much away because as a horror fan, I really dug this first issue. It was completely written for fans of both Army of Darkness and Vampirella by Mark Rahner. Rahner has written stories for both these characters before in there own separate titles. So, it only makes sense that Dynamite would choose him to write for this title. And what a way to kick it off too. Rahner has definitely set it up for these two horror hero icons to take the genre further in this book. Rahner definitely knows all of Ash’s and Vampirella’s mannerisms and ticks to such a degree, that fans keep coming back to both icon’s respective titles whenever Mark Rahner is writing for them. So I’d say were in for fun ride with this title folks.

The only downside of this book that kind of irked me was the pacing. Some of the pages didn’t flow like a Rahner story normally would when dealing with these two characters. However, it wasn’t so bad that it would kill it for the reader.  Like I said before, it is a good read and a great way to open up this particular story. Just be warned some of the pages will leave you feeling like it was, at times a little rushed to get to the payoff.

Whats a cool plus for this book is the cover done by Tim Seely that plays some quick wit humor with Ash looking like he is wanting to flirt with Vampirella as she is shopping at S-Mart. Which, when looking at both characters is a great cover idea. It allows the reader to get a sense of the dark humor that they will soon read without giving too much away and it pays homage to the some of the best things about both characters (Vampirella the dark seductive vampire hero and Ash the minimum wage store clerk turned horror/action hero).

So in all what do I rate Vampirella/Army of Darkness?

  1. Craptastic
  2. Die Hard Fans Only
  3. Awesome Sauce
  4. Brilliantly Fantastic
  5. Epic…

Awesome Sauce!

Story: Mark Rahner Art: Tim Seely
Story: 7 Art: 7.5 Overall: 8 Recommendation: Buy (if you’re a fan of either Ash or Vampirella)

Dynamite Entertainment provided Graphic Policy with a FREE copy for review

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