IDW Publishing has announced Star Trek: The Last Starship, a thrilling new mission the likes of which comics have never seen before. Arriving this September from acclaimed co-writers Collin Kelly and Jackson Lanzing and featuring breathtaking art by Adrián Bonilla and stellar colors by Heather Moore, the iconic Star Trek hero Captain Kirk is back from the dead… and just in time for him to watch the Starfleet he loved so dearly burn to the ground.
This epic comic book series takes place during The Burn, a galaxy-wide disaster which caused the destruction of every active warp core, killing trillions and shattering the peace, stability, enlightenment, and mutual protection the United Federation of Planets provided for seven centuries. Facing a true wild west in space, a mysteriously resurrected Captain Kirk will lead a new crew and ship in a seemingly impossible effort to uphold Starfleet’s mission of unity across the cosmos.
Star Trek: The Last Starship #1 features a primary cover by Francesco Francavilla, variant by Skyler Patridge, and a foil variant by Michael Cho. Plus, there will be full art variants for Francavilla’s (1:15) and Cho’s (1:15) stunning covers in addition to a Local Comic Shop Day variant by Malachi Ward. The debut issue goes on sale September 24 with a pre-order deadline of August 18.
DC Pride 2025 #1 is a little different from the previous installments of DC Pride in that it’s not a collection of short stories featuring LGBTQ+ DC Comics characters, but is a single narrative centered around a gay bar that Alan Scott frequented in the 1930s and told predominantly from the POV of a new character named Ethan, who is a trans military veteran that ends up caught up a kind of multiversal/elemental saga. I applaud the scope of this comic book, which has big jam session energy as different characters end up in different pocket realities based on wishes they made at the gay bar or graffiti they scrawled. We get Apollo and Midnighter living in 1950s domestic bliss courtesy of Sam Maggs and Derek Charm, a single, psychiatric girl boss Harley Quinn from Maya Houston, Max Sarin, and Marissa Louise ; and a gorgeous sapphic romance between Jo Mullein and Nubia from Houston, Vita Ayala, and Vincent Cecil to name a few. The reading effect is like jumping from comic to comic and look at paths not trodden with some iconic queer characters and a few new or not so iconic ones.
As Tim Sheridan, Giulio Macaione, and Emilio Pilliu Alan Scott-centric frame story shows, fighting supervillains and having superpowers is a metaphor for being queer in DC Pride 2025. It might be tempting to give up and lie low, especially with the United States’ hard turn to fascism, and homophobia and transphobia promoted by folks in power, but Alan Scott, Ethan, and their companions’ actions in the comic act as a clarion call to resistance. The stuff with the Crimson Flame and Scott having his own Red Lantern is a little Geoff Johnsian for my taste, but it’s so cool to watch Alan Scott have a Sailor Moon type transformation sequence and return into action to help save the next generation of queer heroes symbolized by Ethan. I love Macaione’s use of greens to show a possible, idyllic future for Scott and a non-Red Lantern/Russian spy Johnny Ladd, but it’s a happiness based on a lie like the other possible futures in the book.
However, DC Pride 2025 isn’t all serious action and has a lot of humor and playfulness. Jude Ellison S. Doyle and Alex Moore recontextualize Golden Age Z-list Wonder Woman villain Blue Snowman coming to terms with their gender fluidity alongside nonbinary superhero Envoy in one vignette. I love how they poke fun at the restrictions of the gender binary using the classic tropes of a superhero brawl, and how even well meaning cisgender people can be just plain annoying at times. It’s so cool seeing this kind of story and voice in a mainstream, corporate comic showing that nonbinary characters don’t just have to be righteous heroes, but can be kind of messy too. DC Pride 2025 really hits the spectrum of queer identities, including asexuality with Connor Hawke getting a short story where he resists his father’s reputation as a womanizer and just wants to live his own life. I have to give a special shout out to Philip Sevy’s art in this short sequence, which seems like it’s right out of the late 1990s period where he was member of the JLA. Both the visual and character variety of DC Pride 2025 makes it an engaging read, and the book is a testament to the active work that DC Comics has done to cultivate LGBTQ+ characters in the past decade or so. (I need a monthly Midnighter and/or Apollo book though.)
After a wild and wacky cosmic adventure set in the DC Multiverse, DC Pride 2025 wraps up with a beautiful nonfiction storyfrom Jenny Blake and Sara Soler about Blake coming out as a transgender woman earlier this year. It has gorgeous soft lines and a refreshing color palette to go with Jenny Blake’s honest and humorous script about how old comics about Clark Kent switching genders had an influence on her own gender identity journey. I love how Soler inserts different DC characters into the panel to blur the line between fantasy and non-fiction with Blake’s most famous co-creation Black Lightning making an appearance as well as transgender superheroine Dreamer, who shares coffee with Blake. The story shows that you’re never too old to be your authentic self and hints at a longer graphic memoir, which I hope Jenny Blake gets to realize at DC or elsewhere.
DC Pride 2025 is an ambitious comic with summer crossover energy that tells an epic story with DC’s LGBTQ+ characters while still taking time to dig into their individual hopes, fears, and dreams. It’s a showcase of queer representation on the page and on the issue’s creative teams, and Blake and Sara Soler’s memoir is a beautiful coda and rallying cry to continue to be queer and fearless in an increasingly dark and hateful world.
Story: Vita Ayala, Jude Ellison S. Doyle, Maya Houston Story: Sam Maggs, Tim Sheridan, Josh Trujillo, Jenny Blake Art: Don Aguillo, Vincent Cecil, Derek Charm, A.L. Kaplan, Giulio Macaione Art: Emilio Pilliu, Max Sarin, Philip Sevy, Sara Soler, Alex Moore, Skyler Patridge Colors: Eren Angiolini, Jordie Bellaire, Triona Farrell, Marissa Louise Letters: Aditya Bidikar, Frank Cvetkovic, Lucas Gattoni, Ariana Maher, Morgan Martinez, Jodie Troutman Story: 8.9 Art: 9.3 Overall: 9.1 Recommendation: Buy
DC Comics provided Graphic Policy with a FREE copy for review
(W) Mark Waid, Mariko Tamaki (A) Clayton Henry, Michael Shelfer, Skyler Patridge In Shops: Dec 04, 2024 SRP: $4.99
Two worlds in peril; only one can be saved. Teaming with his fellow Justice Leaguer, Mr. Terrific, to defend against Aethyr’s deadly machinations, the Man of Steel is left on the defensive and out of options. Superman must choose which realm to save: Earth or the Phantom Zone! Plus, Supergirl falls under the spell of Koncept!
“less about, China versus America.. what he really believes is the power of community”. Award winning co-creator of The Good Asian, sak Pichetshote returns to talk about his visonary new project for Image Comics: a series of five one-shot comic books titled The Horizon Experiment. Each has a unique creative team inventing an original protagonist from a marginalized background set in genres such as horror or espionage, or inspired by icons like Indiana Jones or John Constantine.
Pichetshote’s entry in the series, The Manchurian, is more than a James Bond who “just so happens to be Chinese”- he is a spy whose identity is core to the narrative. There’s also Finders/Keepers from Vita Ayala and Skyler Partridge in which a Boricua archaeologist returns an artifact from a museum to the people from whom it was stolen.
The Manchurian, with artists Terry and Rachel Dodson is out now as is The Sacred Damned and more on the way from creative teams that bridge comics, literature, film and television.
