Tag Archives: runaways

Logan’s Favorite Comics of 2018

Without further ado, these are my favorite comics of 2018. This was the year I fell back on series that I had been checking out for years and found some new faves in the worlds of newspaper comics, symbiotes, gamma irradiated beasts, and maybe even a choose your own adventure game. Marvel seriously did a 180 this year, and I went from picking zero of their comics on my last year end list to three so well done on their part, and Donny Cates and Al Ewing should receive hefty bonus checks. But, honestly, this list should show you that visual humor, character driven narratives, and weirdness are my things, and I can’t wait to read more comics in that vein in 2019.

Honorable Mentions: Sex Death Revolution (Black Mask), Runaways (Marvel), Assassinistas (IDW/Black Crown), Punks Not Dead (IDW/Black Crown), That one really good issue of Peter Parker, Spider-Man that Chip Zdarsky wrote and drew (Marvel), Gideon Falls (Image)

10.Modern Fantasy  (Dark Horse)

Modern Fantasy is a miniseries about a data entry worker named Sage of the Riverlands, who secretly wants to epic hero or maybe just a curator at a cool museum, and has a penchant for smooching handsome elves. Did Rafer Roberts and Kristen Gudsnuk have access to my most secret thoughts while writing this book? In all seriousness, this comic marries millennial angst and struggles (Dead end jobs, mooching friends, annoying co-workers) with all kinds of fantasy tropes, including urban, high, and good ol’ Lovecraftian. Gudsnuk’s art is both humorous and touching and filled with background details and jokes that reward a close reading. But what makes Modern Fantasy a great comic is the awkward friend group dynamic that Roberts and Gudsnuk craft filled with drama, jokes, a touch of romance, and a final showdown with a fire demon.

9.The Wicked + the Divine (Image)

Kieron Gillen, Jamie McKelvie, and Matthew Wilson’s story of young gods and fandom hit some dark bits in 2018 and had plenty of surprises to go with the formalism and “glimpse behind the curtain” of the “Mothering Invention” arc. However, at its best, WicDiv is the story of the girl, who thought she wanted something, and then painfully realized that she didn’t really want it. That girl, of course, is Persephone whose personal journey along with McKelvie’s amazing facial expressions, Gillen’s clever quips, and Wilson’s majestic color palette keeps me returning to this series as it is about to hit its fifth year. Also, the specials were spectacularly glorious in 2018 from the illustrated prose story/murder mystery in 1923 to 1373’s dark piety. Then, there was the absolute bonkers nature of The Funnies  where we find out the origin of Laura’s cracked phone and the Pantheon gets to solve a Scooby Doo mystery courtesy of Kitty Curran and Larissa Zageris.

8.  Nancy (Go Comics)

I’ve been doing year end comics lists for five years, and this is the first time I’ve put a newspaper strip on one. However, Olivia Jaimes’ work on Nancy is one of the most hilarious things to come out of 2018. There are her “millennial” gags (Even though Nancy and Sluggo are definitely Generation Z.) about Nancy’s overuse of the Internet or swapping streaming service passwords with Sluggo, who is also “lit”. But she also has a firm grasp on meta-gags and the uniqueness of the comics medium like playing with panel layouts, lettering styles, reusing panels, and then having Nancy make a joke about it. Nancy is truly a ray of sunshine in a dark landscape while still being sarcastic and self-deprecating as hell and shows that even the proverbial old dog of the newspaper comic can learn some new tricks.

7.  “Milk Wars” (DC Comics/Young Animal)

“Milk Wars” really brought the best of DC Rebirth and Young Animal together and was the only Big Two crossover I kept up with in 2018. The series brings together the Doom Patrol, Mother Panic, Shade the Changing Girl, and Cave Carson to fight warped versions of DC Comics heroes, who are under the control of the Retconn corporation. The story is a literal metaphor for how corporations sanitize characters and go for the retread instead of taking risks with iconic characters as Wonder Woman becomes a submissive housewife in her tie-in story from Cecil Castelluci and Mirka Andolfo. “Milk Wars” shows that it’s okay to be a little weird as milk goes bad if it’s left in the bridge past its expiration day. It also features some gorgeous layouts from Aco in the crossover’s first chapter, which was co-written by Gerard Way and Steve Orlando, and he and the artists did an excellent job of melding an indie and mainstream sensibility throughout “Milk Wars”. Also, the story had a real effect on Mother Panic, Cave Carson, and Shade in their solo titles and introduced Magdalene Visaggio and Sonny Liew’s wonderful, yet depressed Eternity Girl character.

6.Venom (Marvel)

Donny Cates, Ryan Stegman, and Iban Coello’s Venom ongoing series is filled with all the fun excesses of the 1990s (Especially in the Venom Annual where James Stokoe shows him going toe to toe with Juggernaut.) and none of its toxicity. The first arc of the series is about Eddie Brock and his symbiote going to war against Knull, god of the symbiotes and a symbiote dragon. This has a terrible effect on him, and Cates carefully uses the symbiote as a metaphor for PTSD while freeing Stegman to draw unhinged heavy metal battles. And this series wasn’t just a one arc wonder as Cates, Coello, and Stegman explore the after effects of the battle with Knull on Eddie’s symbiote and have him confront his father. Plus one of the most underrated Marvel villains, Ultimate Reed Richards aka the Maker pops up for a little bit. This series work because it explores the psychological effects of the symbiote as well as the oozy, shoot-y violent bits.

5.Crowded (Image)

Crowded is a wicked bit of satire with a side of mismatched buddy adventure from the beautiful minds of Christopher Sebela, Ro Stein, Ted Brandt, and Triona Farrell. It is about an obnoxious woman named Charlie, who has a $2 million price on her head on an app called Reapr that is basically crowdfunded murder. Luckily, there’s an app called Defendr where Charlie hires a badass, meticulous, and noble woman named Vita to protect her. Stein and Brandt fill each page with oodles of panels, but you are able to follow every action scene, conversation, or Charlie ending up at the club or a bachelorette party even if she has a price on her head. The bounty hunting drives the plot while Sebela uses the quieter moments to develop the personality and relationships of Charlie and Vita as well as some of the “professionals” hunting them. Crowded is a thrill ride, but also looks at the dark, not so altruistic side of human nature through the Internet and constant connectivity.

4. You Are Deadpool (Marvel)

Al Ewing and Salva Espin’s You Are Deadpool was some of the most fun I had reading a comic book in 2018 beginning with Kieron Gillen showing up in the “tutorial” brandishing a sandwich as a weapon. It’s a combination spoof of different eras of Marvel Comics along with a pretty damn fun and addictive Choose Your Own Adventure Game. In some cases, you don’t even read the issues in order. Ewing and Espin also take cues from some not so table top RPGs and have the moral choices that Deadpool makes effect your reading and playing experience. Having Deadpool interact with both heroes and innocent passerbies during the Silver Age, horror/kung fu/blaxploitation, the edgy 80s, and of course, the good ol’ 90s is hilarious and shows Espin’s versatility as a cartoonist.

3. Archival Quality (Oni)

Archival Quality is a spooky graphic novel by Ivy Noelle Weir and Steenz about a young woman named Cel, who gets a job as an archivist at a medical museum. The comic tenderly explores Cel’s anxiety and depression and unexpected connection with a woman named Celine, who was a patient at the sanatorium that preceded the museum. It isn’t caught up in a fast paced thriller plot, but slowly unveils the mystery while focusing on Cel’s interactions with her boss Abayomi, super rad co-worker Holly, and her declining relationship with her boyfriend Kyle. Archival Quality has real atmosphere, and Steenz creates some fantastic spaces as Cel begins to explore her workplace with its skulls and lack of cellphone service. It is a fantastic story about mental health and relationships through the mystery genre.

2. Giant Days (BOOM! Studios) 

Giant Days continues to be one of life’s true blessings thanks to John Allison, Max Sarin, Liz Fleming, Julia Madrigal, and Whitney Cogar. At this point, we know the characters and their quirks are on fully display, especially when Sarin draws the title because she is a real pro at expressive eyes and touches of surrealism to break up the slice of life. 2018 was full of drama to go with the Giant Days’ comedy as Daisy broke up with her a little too footloose and fancy free girlfriend Ingrid, and Esther missed her shot at being in a relationship with Ed when he begins a romance with Nina, a girl he met while recuperating from a pub related injury. Nina being Australian is the subject of this year holiday’s special, which was a special treat drawn and written by Allison as Ed fends for himself Down Under. Giant Days shows that it’s one of the pre-eminent slice of life comics as it enters its fourth year, and Esther, Daisy, and Susan’s relationships continue to ebb and flow.

1. Immortal Hulk  (Marvel)

I will preface this by saying that the Hulk is one of my least favorite Marvel characters because he’s often used as a simplistic Jekyll/Hyde metaphor. Al Ewing, Joe Bennett, Ruy Jose, Lee Garbett, Martin Simmonds, and Paul Mounts blow that up in Immortal Hulk, which resembles an intelligent horror story rather than a superhero beat ’em up. It’s a road story with Bruce Banner on the run from the monster that comes out, wrecks, and kills when the sun goes down before morphing into a government conspiracy thriller and something more malevolent towards the end. Through cutting narration, Ewing reveals exactly what is going through Banner’s head while Bennett’s art shows the often gruesome effects of his rages. I also like how Ewing humanizes the supporting players from Walter Langkowski, who is struggling with his own monstrous nature to honest reporter Jackie McGee and even his opponent the Absorbing Man.

Immortal Hulk is the best comic of 2018 because it has a compelling plot, is a searing character study of an American pop culture icon, and is an homage to Jack Kirby and Bernie Wrightson while breaking new ground. (See issue 10’s final page.)

TV Review: Runaways S2E1 Gimmie Shelter

*Warning: This review contains spoilers*

Runaways Season 2 Episode 1 Gimmie Shelter

Runaways is back, and after an incredibly cheesy cold open where the members of Pride are directed by the LAPD to cosplay knockoff versions of their children, there’s some actual running away in the season 2 premiere “Gimmie Shelter”, which is written by the show’s creators Josh Schwartz and Stephanie Savage and directed by veteran TV helmer Allison Liddi-Brown (Grey’s Anatomy, Friday Night LightsParenthood). The episode explores the new normal of the Runaways’ kids, and how they’ve become a family while struggling to survive away from their privileged Brentwood/rich part of LA existences. Like in Season 1, a big portion of the episode is dedicated to their parents and their varying degrees of evil and scheming. Aka Tina Minoru is one scary woman.

The building of community and awareness of privilege is a throughline that gives “Gimmie Shelter” depth and empathy that the prep school sequences in Runaways Season 1 didn’t have. In the beginning of the episode, Chase loses his Fistigons and the group’s money to a low level bike thief named Mike, and they have to humble themselves and get food at an outdoor soup kitchen because they have no money. Ariela Barer, whose performance as Gert, was the standout of Season 1 gets to showcase her character’s softer edges as she realizes that in her call for social justice that she had never really experienced injustice up close.

This sense of community continues in the Wiccan funeral of Graciela Aguirre, who is Molly’s last living relative and gave her a VHS tape with a warning from her parents about Pride and the mysterious Jonah, who still isn’t as great a bad guy as Tina Minoru or the Wilders. Her death is the big plot beat of “Gimmie Shelter”, but Schwartz and Savage take time to dwell on the emotional impact of her passing, especially Gert and Molly. Viewers didn’t get a lot of time to know Graciela as a character beyond her fierce protection of Molly and opposition towards the Pride (Her shooting a gun at the Yorkeses is this episode’s finest moment.), and Molly talks about this in her eulogy. She feels alone in the world until she slowly finds family in the Runaways with a loving shot of her snuggled up with Old Lace after the team finally discovers their underground mansion hideout from the original comics.

Like in Season 1, the extended scenes with the Pride aren’t effective as the ones with the Runaways that crackle with chemistry, raw feelings, and even a little humor. For example, Alex gets a solo plot line where he helps Darius, his father’s old business associate, paint his newborn daughter’s room instead of doing stereotypical “gangster” things. On the other hand, the Pride’s scenes are just a round table of scheming, and Schwartz and Savage’s writing for them is stiffer like they’re trying to get each actor a line in the scene instead of letting the natural charisma of Ryan Sands’ Geoffrey Wilder or Brittany Ishibashi’s Tina Minoru take over. This is because the Yorkeses continue to be grating, and Janet Stein and Leslie Dean sadly have no character apart from their husband/cult respectively.

A continued over focus on the parents aside, “Gimmie Shelter” is an excellent reminder of how talented the young cast of Runaways is, especially as they have to negotiate their identities, powers, and relationships while also being wanted fugitives. There’s also a pretty major surprise wedged in this episode somewhere that gives the series both a plot and character hook.

Overall Rating: 8.0

Preview: Runaways #15

Runaways #15

(W) Rainbow Rowell (A/CA) Kris Anka
Rated T+
In Shops: Nov 07, 2018
SRP: $3.99

• Nico’s magic has always been painful – an inheritance from her parents she had to hurt herself to use.
• At last, she learns the shocking source of the Staff of One’s power, and things will never be the same.
• There’s a battle on the horizon. Will the Runaways still have a sorcerer on their side?

Around the Tubes

It’s new comic book day tomorrow! What’s everyone getting? What are you excited for? Sound off in the comments below. While you’re thinking about that. Here’s some comic news and reviews from around the web.

Kotaku – A Hotel Strike Was The Talk Of This Year’s TwitchCon – Please don’t cross picket lines.

CBR – Fox Announces Gotham Season 5 Premiere Date – Cool.

CBR – Marvel’s Runaways Actor Kip Pardue Accused of Sexual Assault– No excuse. He needs to be dumped.

The Beat – When a Con Goes wrong: Alamo City Comic Con Cosplay Contest host goes in blackface – Was it Megyn Kelly?That’s one show to not support.

 

Reviews

Talking Comics – Action Comics #1004

Talking Comics – Judge Dredd: Toxic #1

Graphic Policy’s Top Comic Picks this Week!

Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

Each week our contributors choose what they can’t wait to read this week or just sounds interesting. In other words, this is what we’re looking forward to and think you should be taking a look at!

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Joe

Top Pick: Gideon Falls Volume 1 (Image Comics) – Lemire and Sorrentino is a match made in comic heaven, and this is a series that doesn’t disappoint. It’s creepy, dark, and it’s perfect for Halloween!

Black Badge #3 (BOOM! Studios) – Matt Kindt and Tyler Jenkins resume their awesome work from Grass Kings, and now tell the tale of North Korea, Boy Scouts, and Spies. It’s wild, and one of the most original and fun books I’ve read in awhile.

Runaways #14 (Marvel Comics) – Consistently one of Marvel’s best books every single month. Rainbow Rowell and Kris Anka give such a touching and fun book, and something different from the usual superhero books.

Venom Annual #1 (Marvel Comics) – I usually don’t love annuals, and their $4.99 price tag, but this has Cates still on the book, and will serve as a great jumping on point for one of Marvel’s best.

Justice League #10 (DC Comics) – Scott Snyder and Francis Manupul is another great pair for comics this week. The series has had its pedal to the medal like usual Snyder stories and I don’t expect it to let up. This will also start the ”Drowned Earth” storyline that will be Aquaman focused, and that cover art alone has me hyped.

 

Brett

Top Pick: Shuri #1 (Marvel) – She was the break out star of Black Panther and Marvel recognizing that is giving her her own series. With T’Challa missing, she must choose between herself and her country. Can’t wait to see another perspective of Wakanda.

Archie 1941 #2 (Archie Comics) – What if Archie took place in the lead up to World War II? The first issue was really good with a good mix of history and we’re expecting more of that with this one.

Captain Ginger #1 (AHOY Comics) – AHOY has been damn near perfect with their three releases so far and we’re expecting no less from this one.

East of West #39 (Image Comics) – This weird west apocalyptic story has delivered with every issue and this far in, we want to see where it goes.

Low Road West #2 (BOOM! Studios) – The first issue started off as a apocalyptic type story and then veered into fantasy. We’re intrigued. We’re very intrigued.

Superman Isn’t Jewish (But I Am Kinda) (Life Drawn/Humanoids) – An interesting exploration of Jewish identity in modern times.

Transformers: Optimus Prime #24 (IDW Publishing) – IDW’s current run on Transformers is winding down with everything coming together and we’re glued to the pages of every release.

The Unstoppable Wasp #1 (Marvel) – Writer Jeremy Whitley is back and so is Nadia! The first volume was beyond fantastic with a mix of fun, action, science, and girl power! We’re expecting no less and are so excited.

Preview: Runaways #14

Runaways #14

(W) Rainbow Rowell (A) David Lafuente (CA) Kris Anka
Rated T+
In Shops: Oct 17, 2018
SRP: $3.99

• A truly terrifying villain from the Runaways’ past returns and gives the Runaways an ultimatum with the world in the balance.
• The kids have had a hard enough time with a grandma and a 13-year-old, so…things look pretty bleak for everyone in the world.
• Plus, see a story from a never-before-seen perspective!

FlameCon 2018: Artist Kris Anka Talks Runaways and Gert’s Redesign

Kris Anka is one of Marvel’s superstar artists making a splash drawing some of the X-Books before moving onto titles like Captain MarvelStar-Lord and his current series Runaways with Rainbow Rowell of Fangirl and Eleanor and Park fame and colorist extraordinaire Matthew Wilson (The Wicked + the Divine, Paper Girls). He also redesigned Jessica Drew’s Spider-Woman costume and has a keen eye for character design and fashion.

I had the opportunity to chat with Kris Anka at FlameCon about his work on Runaways, approach to storytelling and costume design, and more.

Graphic Policy: Let’s address the elephant in the room. Why are your characters of all genders drawn so sexy? Why are they so attractive?

Kris Anka: It feels like in superhero comics that it’s always been part of it. If it’s people with powers, why not make everyone hot? Everyone can enjoy it. You’ve got something for everybody. It’s fun to make everyone hot, and they’re hot in different ways. Mostly, it’s just a lot of fun.

GP: One thing I like about your art is that the character clothing reflects their personality. What’s your favorite outfit that you’ve drawn in Runaways, and what are your inspirations for the outfits?

KA: Addressing the second question and specifically talking about Runaways, a benefit is that they’ve been around for a while. Hopping into the book, Rainbow [Rowell] and I know these kids. We kind of equate our run and the original run. The original run was looking for them, and now we know them. So, we’ve hit the ground running, and there’s not a lot of questions in our head of who these kids are.

Inspiration is fairly easily, especially since I’m from L.A. I was a freshman in high school when Runaways #1 came out. I was the same age. I went to high school with all of these kids so I knew them. It’s really easy for me to equate what their looks are and who they are in kind of a 2018 vibe.

Inspiration comes from life, and I can sort of string it all together and combine it into who they are. Because they’re growing and hitting their later teens. Chase is 20. That’s kind of the age where people start changing. We can grow with and kind of experiment a little bit. It’s kind of fun with Karolina where she used to be so young hippie. She was a vegetarian and health conscious. And, in L.A. now, people who are health conscious are fitness conscious. She’s part hippie, but she’s also a festival kid. There’s also athleisure, and she’s very active.

We’re kind of able to grow them into new looks that still feels like them. That helps narrow and specify your focus on them. It’s really fun building wardrobes and all these things. There’s not a lot of guesswork. I know exactly where to go.

In terms of a favorite outfit, it’s in [Runaways] #12, and one of them you can see on the cover for issue 13, which is Karolina’s dress. That dress took me eight hours to design. When you see issue 12, it took me so long to draw these pages. But it’s probably the most fun I’ve ever had.

GP: What do you think sets apart the Runaways from the other Marvel superhero teams, who might get more buzz or bigger movies?

KA: The Marvel Universe has always prided itself on being the world outside your door. The Runaways is even more specific where it feels like kids you might actually know. On a superficial level, the fact that it’s West Coast already sets it way far apart. That kind of allowed Runaways to live in its own world. In a lot of ways, it feels like a creator owned book that just happens to be in a world where you understand the powers.

It’s got this different of these feel like actual teenagers you may know. I think that’s what it’s survived on. The personalities are so specific, and it never forced them to be a big superhero book. Because Teen Titans and Legion [of Superheroes] and all those teen superhero books have that to them, but also have the huge, overarching superhero plot. We kind of don’t, and this allows it to be much more about them as people than things they have to deal with.

So, you get a lot of melodrama, a lot of teen heartthrob drama when you’re 18 and all the bad decisions you make. It makes the Runaways feel more whole because we don’t always have to figure out, “Who’s punching this issue?” We can spend a whole issue just crying and look at what they’re going through.

GP: Speaking of crying, the big Karolina/Julie Power breakup in Runaways #10 tore at my heart strings. How do you get in the mindset to draw such a big emotional beat that rips the Internet in half?

KA: That was a big one because Rainbow and I had talked about it for months. We needed to be very clear on what it was, especially in a world where there’s so many kinds of media with bad queer relationships, especially with how messy sometimes breakups can be. We didn’t want to sugarcoat it and not make it real because they’re also eighteen. Eighteen years old don’t make exactly the easiest decisions. They’re pretty damn rough about things. We wanted to ground it in who they are and what they’re going through.

Even if people don’t like the decision, they can understand why these two characters are in that same place and why this is happening. [Rainbow and I] talked about this scene a lot to get the right kind of nuance for it. This thing is happening, but they both have an agency to this decision rather than someone just getting thrown under the bus. I like Julie and Karolina together, but [the breakup] also felt right with this overarching story of bringing the family back together. How messy it got made sense with all the buildup.

So when we got there, it was kind of tough, and it worked with the rest of the story. It wasn’t something where we were like, “We gotta do this.” It felt right.

GP: Yeah, it didn’t feel like the comics version of a sweeps week plot twist. So, I was a big fan of Gert’s new look in Runaways #11 and her walking through L.A. What was your thought process in designing her new look?

KA: We had been talking about the Gert look since I started on issue one. When I signed back onto the book, one of the things that Rainbow really wanted to do was: A- bring Gert back. B was the fact that there’s this huge important factor of (The timeline stuff with her is so strange with the Marvel Universe and sliding timelines.) when Gert debuted in 2003, the idea of having crazy hair colors was so counter culture and a little taboo.

Gert’s whole character was about acting taboo. The guys’ clothes to hide her, having purple hair, and cynical and crabby. She wanted to be the antithesis to all the other girls around her. Now, that we’re in 2018, and [dying hair] is so commonplace, all these things that she had that were countercultural are common. What does that do to someone who is also coming back from the dead and seeing all her friends grow up without her.

Rainbow always wanted [to change Gert’s look], but I don’t remember the beginnings of that conversation. The big thing was that this allowed us to do the lost character arc that she was going through, superficially. Where she’s like, “What do I look like now?” We wanted to have a scene where she sees all these people with purple hair, and she’s like, “Shit, this thing I did to spite the adults and be this kind of rebel, everyone has”. [She’s] no longer a rebel in this world.

We wanted to have Gert refocus on herself where she doesn’t need to be this counter to everybody. She can kind of calm down. She’s still Gert, but we can have it where she doesn’t need to be so loud any more. [Colorist Matthew] Wilson also wanted to hint at the future Gert [who leads the Avengers] so a lot of that first outfit based on design cues from future Gert like the green corset top and the grey skirt. We wanted to allude to all of that, and the fact that she goes back to her natural hair color. It’s kind of fun to go in the middle of [her timeline] and find something that still feels Gert, but doesn’t feel like she’s trying. Because one thing we did in our whole run is that Gert doesn’t have her own clothes. For the entirety of the first two arcs, she’s wearing Chase’s clothes or hand-me-downs because she doesn’t have a wardrobe.

That’s part of it. She never was herself yet. She’s still looking. That’s our first moment. We spent a long time thinking about what Gert’s look was going to be. It took us a year. I remember one day that we arrived at the same thing where [Rainbow Rowell] saw a photo of Chadwick Boseman with this t-shirt with kind of a military button pattern. She saw that, and separately, I thought that Gert seems like someone who would see Hamilton and get really into Hamilton and dress like that. We both brought military jackets to the table and said that should be the Gert look. Also, that’s her parents’ look too: these steampunk military time travelers. We alluded to that, she would definitely be a Hamilton fan, and this was the look that Rainbow wanted so it all fit. That’s new Gert.

And stylistically, it also keeps her separate from all the other girls on the team. She doesn’t look like Karolina. She doesn’t look like Nico. She doesn’t look like Molly. There’s a lot for the individual, but not in a forced way any more. It’s only on one page, but that one outfit took 11 months of work.

GP: It’s cool. I love hearing about behind the scenes stuff. I have one final question not related to Runaways. I’m a big fan of the WicDiv Christmas Annual that you worked on, especially the Baal and Inanna male nudity part. How did you get onboard with that unique project?

KA: I had done the Baal cover of him getting out of the pool [for WicDiv #19], and it kind of became a thing. When [Kieron Gillen and Jamie McKelvie] were coming up with the idea for a Christmas issue, they said one of the stories was about Baal and Inanna doin’ it. They were like “We should get Kris to draw it.” It was all very nonchalant. The amount of nudity that showed was up in the air, and they said, “As much as you want and whatever you’re comfortable with.”

We didn’t want to go super over the top with it, but we wanted to just get some dicks in there. It was very chill job. Let’s just draw these two guys having a good time and draw some dicks because there’s never dicks in comics. It was all fairly easy.

Runaways #12 is out on August 29, 2018.

Follow Kris Anka on Twitter

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