Tag Archives: robert kirkman

Jonathan Hickman’s East of West and Transhuman are Being Developed by Amazon Studios

Amazon Studios is working on two more comic series with East of West and Transhuman, both by comic creator Jonathan Hickman. Hickman has worked with artist Nick Dragotta on East of West and artist J.M. Ringuet on Transhuman.

Hickman is working with Robert Kirkman, the creator of The Walking Dead, who will executive produce the series under Skybound Entertainment‘s first-look deal with Amazon Studios.

Both series will be exectuive produced by Hickman and Dragotta and Ringuet. Hickman will write East of West while another writer is being looked for to adapt Transhuman.

East of West is a re-imagined western with America divided into different regions and a conspiracy involving a prophecy. Death, as in the Four Horseman, searches for his son while the other three Horsemen work to bring about the end times.

Transhuman is a science fiction story about a divorced couple who ran a corpration allowing humans to enhance themselves through robotics and genetically.

 

(via Deadline)

Rob Liefeld Shows Off His Killraven

In a comic that’s away in the vaults is a Killraven series from artist Rob Liefeld and writer Robert Kirkman from around 2009.

The series featured Killraven along with most of the future Avengers and accoring to Liefled, there’s 100 pages locked away awaiting to be seen.

Liefeld shared on Instagram his cover that he did along with Mike Capprotti.

Is it petition time to get Marvel to release this?

Stellar Takes Off in June

Writer Joseph Keatinge and legendary artist Bret Blevins team up for the spacefaring series Stellar—created by Robert Kirkman and Marc Silvestri—this June from Image Comics and Skybound Entertainment.

Stellar was taken as a child and transformed into the ultimate weapon, one that would end an intergalactic war. She succeeded…at everything except finding peace. Now, she’s reduced to bounty hunting, scouring the worlds she’s broken in search of redemption.

But there are other weapons loose in the galaxy, and it seems they just can’t leave the war behind them.

This June, Stellar will transport you to another dimension—one filled with crashed spaceships, fast-talking aliens, and ageless wonders.

Stellar #1 (Diamond code: APR180484) hits comic shops Wednesday, June 13th. The final order cutoff deadline for comics retailers is Monday, May 21st.

Review: The Walking Dead #177

Meet Officer Mercer, the newest individual we’re introduced to living in the “New World Order” that is the Commonwealth. The Walking Dead #177 is broken up into a few parts and while each segment varies greatly, each emphasizes the focus on the living with the series.

Rick is with Mikey who is working through issues through poetry an interesting aspect in a world where danger is around every corner and the dead have risen. There’s a focus on addressing loss and trauma of what’s going on and with Rick involved he is of course still dealing with the loss of Andrea. It’s an interesting an important segment as it shows that things are relatively stable but there’s still emotional turmoil. A segment with Maggie as well shows this aspect of stability. After everything that has happened, this is a time when you can let your guard down and enjoy things a bit.

Emotion is the name of the game of this issue as Michonne is reunited with her daughter Elodie. We learn Elodie’s story and are reminded of the horrible things everyone has done or had done to them to survive. It’s emotional and writer Robert Kirkman as usual does a solid job of focusing on the human aspect of the story. The series isn’t about surviving the dead, it’s about living in a world of the dead.

We’re also introduced to Mercer and Governor Milton’s son. This is the first sign that things aren’t perfect in the world of the Commonwealth and indicates where the next bit of turmoil is coming from. The series has done a good job of keeping the crazy hidden but we readers know there’s no way this new community can be as good as it’s presented. The cracks are visible here and it’s hard to know who’s right and who’s wrong in this situation. Unlike with other communities, the sides are a bit grey. Kirkman gives us something familiar but changes it up just enough to keep it interesting.

The art by Charlie Adlard, with ink by Stefano Gaudiano, and gray tones by Cliff Rathburn is excellent as always. Each new character has so much personality and the emotion of the story is driven as much by the art as it is by the story itself. That’s equally impressive since the story is in black and white which changes up how we “read” the scenes a bit more. It emphasizes Adlard’s line work and the detail, or lack of, added to each scene and character. The lettering by Rus Wooton too adds to the emotion of it all making it a bit clearer how dialogue is delivered. Slight bolding helps emphasize a word.

This new arc has been a slow but solid build introducing us to this new world and letting the malice (or expected malice) build. Is it in our minds considering the series history? Or, is there something up with these new characters and community that spells trouble for our heroes. Is it all too good to be true and this is the quiet before the storm? Kirkman and team know how to build to a cathartic explosion and this latest arc feels like it’s building to something, I just don’t know what.

Story: Robert Kirkman Art: Charlie Adlard Cover: Charlie Adlard Cover Color: Dave Stewart
Ink: Stefano Gaudiano Gray Tones: Cliff Rathburn Letterer: Rus Wooton Editor: Sean Mackiewicz
Story: 8.15 Art: 8.25 Overall: 8.2 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Review: Oblivion Song #1

A decade ago, 300,000 citizens of Philadelphia were suddenly lost in Oblivion. The government made every attempt to recover them, but after many years, they gave up. Nathan Cole…won’t. He makes daily trips, risking his life to try and rescue those still living in the apocalyptic hellscape of Oblivion. But maybe…Nathan is looking for something else? Why can’t he resist the siren call of the Oblivion Song?

Oblivion Song is the brand new series from creator Robert Kirkman, the creator of The Walking Dead and Outcast. To get any new series from him is a big deal as you expect a big hit and some great ideas and concepts. Oblivion Song delivers with a story that while it seems like it focuses on other dimensions/other worlds but is really about the search for a missing brother and experienced trauma.

The first issue introduces us to the world splitting time between the alien Oblivion and the real world of Philadelphia. The story’s heart revolves around the character Nathan searching for survivors as well as his brother. This is a search and rescue mission much like those done post Vietnam to find capture soldiers and return bodies of the fallen to their loved ones. That reflection is evident here not just in actions but Kirkman goes so far to reinforce the parallel with a dark wall etched with the names of those missing. Add in debates about government funding for the project and the duty to return Americans and you have a story that takes a real world experience and uses that as an influence to drive the story and do so for the better.

As I mentioned above, the other part of the story is the trauma of those who have returned from the world of Oblivion. It’s clear this is a focus and something that will be explored more, especially how one integrates back into society after the experience. Much like his other work, Kirkman is focusing on the personal touch and the human aspects of the world he has created.

The art by Lorenzo De Felici and colorist Annalisa Leoni manages to capture the strange duality of this series in a superb manner. We see both worlds and there’s clearly lots of thought into the creatures of the Oblivion, the tech, and also the impact of the event on the real world. Small touches are throughout such as the worn and used look of the equipment Nathan uses down to the clothes he wears. There’s a story for every little bit. The creatures too feel like they’ve been thought out to the point of how they move and survive in this alien world. Every detail matters and here they enhance the story.

There’s a lot of build up to this first issue and it lives up to the hype in every way. It’s a fantastic new series that delivers in experience and characters and there’s no doubt it’ll be a hit and massive seller. The visuals and world building is fantastic, with every detail adding to the experience. But, it’s the heart and experience at the center of it all that’s the driver. We get the sense of loss and trauma from these characters. Their pathos is our draw. There’s clearly a lot of thought put into not just the first issue but the series as a whole and we’re in for an interesting an entertaining ride.

Story: Robert Kirkman Art: Lorenzo De Felici Color: Annalisa Leoni
Story: 8.75 Art: 8.75 Overall: 8.75 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Advance Review: Oblivion Song #1

A decade ago, 300,000 citizens of Philadelphia were suddenly lost in Oblivion. The government made every attempt to recover them, but after many years, they gave up. Nathan Cole…won’t. He makes daily trips, risking his life to try and rescue those still living in the apocalyptic hellscape of Oblivion. But maybe…Nathan is looking for something else? Why can’t he resist the siren call of the Oblivion Song?

Oblivion Song is an interesting new tale from the mind of Robert Kirkman. The first issue introduces us to the world splitting time between the Oblivion world of Philadelphia and the real world equivalent. The story’s heart revolves around the character Nathan searching for survivors as well as his brother, before the various monsters and creatures can consume him. But that’s not the only challenge, in the real world, Nathan and a few other fight to get proper funding for their project that the government yanked. Will Nathan find his brother, or will he be lost to the Oblivion? That seems to be the main focus in a series whose first issue also touches upon PTSD and a world dealing with the aftermath.

The art by Lorenzo De Felici and colorist Annalisa Leoni manages to capture the strange duality of this series in a superb manner. It brings to life strange monstrous and frequently ugly creatures in the Oblivion and the consumed landscape of Philadelphia. There’s contrast of the unusual landscape of Oblivion with things and items not yet consumed by it. That detail extends to the real world where small details like names on a memorial and news crawl deliver as much story as the monsters within.

The first issue is hyped and delivers an experience that entertains and creates a world we both do and don’t want to visit.

Story: Robert Kirkman Art: Lorenzo De Felici Color: Annalisa Leoni
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

Image Comics’ Image Expo 2018 Announcements

The Image Expo keynote address, given by Publisher Eric Stephenson, reflected upon soaring sales increases over the course of 2017 for Image Comics and revealed the following new creator-owned project announcements for 2018. Check out below for what you can expect to hit your comic store shelves in 2018 and beyond.

BLACKBIRD
by Sam Humphries & Jen Bartel

Sam Humphries (NIghtwing, Green Lantern) and Jen Bartel team up to co-create BLACKBIRD a modern fantasy story best described as Harry Potter meets Riverdale. It follows a young woman named Nina who discovers a neon-lit world of magic masters in Los Angeles. Now they’ve kidnapped her sister, and Nina is the only one who can save her.

“BLACKBIRD is a labor of love, a coming of age story and beautiful people doing insane things with magic,” said Humphries.

The series launches from Image Comics in October 2018.

Rob Liefeld’S BLOODSTRIKE will feature story, art, and cover by Michel Fiffe

Michel Fiffe will write, draw, and color three exciting new issues of BLOODSTRIKE. The Fiffe issues will also feature two back-up stories by Chuck Forsman and Paul Maybury with pin-ups by Ed Piskor, Benjamin Marra, Andrew Maclean, and more!

In Michel Fiffe’s BLOODSTRIKE: BRUTALISTS, the creator of the indie hit COPRA shines a light on Image’s most extreme series and its groundbreaking carnage. Whether it’s the origin of our favorite undead strikeforce or solving the trail of mysteries that plague them, this mini-series picks up where the original title left off while introducing the concept to a new audience. Celebrate Bloodstrike’s take-no-prisoners legacy by looking forward as only the new wave of comic-auteurs can! Don’t “rub the blood”…drown in it.

CROWDED
by Christopher Sebela, Ted Brandt, Ro Stein & Triona Farrell

Sebela took to the stage and announced two new books today, one of which was CROWDED, which he’s co-created with Ted Brandt and Ro Stein—a cynical send-up of the app economy and online grudges.

“Josh and I have been working on this book for a few years now in secret,” said Sebela. “Just waiting for the chance to unleash it on readers and we’re kinda freaking out that this thing we’ve put so much time and sweat into is really real and really good.”

In CROWDED, a platform called Reapr allows anyone to crowdfund assassination attempts. The parody ignites when protagonist Charlie Ellison is forced to fend off a wave of hitmen with the help of a low-rate bodyguard.

The series launches in Summer 2018.

DEAD GUY FAN CLUB
by Annie Wu 

Annie Wu introduced fans to the forthcoming DEAD GUY FAN CLUB. In this new series, the founders of a rock star’s fan club reunite in adulthood to investigate the suspicious death of their hero and the involvement of an unhinged member of their old flock.

“I’m thrilled to be writing and illustrating a new series,” said Wu. “I can’t wait to share this weird little black comedy with everyone.”

The series launches from Image Comics in Fall 2018.

DEAD RABBIT
by Gerry Duggan & John McCrea

DEAD RABBIT is a new ongoing series from writer Gerry Duggan (Deadpool) and artist John McCrea (Hitman) team up with colorist Mike Spicer in a rackous series about MARTIN DOBBS, a hot-tempered, foul-mouthed former mercenary and gun-for-hire who’s forced out of retirement with predictably funny and violent results. With shades of UNFORGIVEN, THE EQUALIZER and ROBIN HOOD.

“Gerry Duggan! John McCrea! The peaches and cream of comics—though I’m not sure who’s the peach…,” said McCrea. “Anyway, this comic has Gerry’s and my heart and soul poured into it, pick it up, you will love yourself forever for doing so…”

The series launches from Image Comics in Summer 2018.

DEATH OR GLORY
by Rick Remender & Bengal

Fan favorite Rick Remender (SEVEN TO ETERNITY, DEADLY CLASS) teams up with brilliant French superstar Bengal to bring fans a high speed convoy crime thriller rocketing across the American West that examines our dwindling freedoms and the price paid by those who fight for an untethered life on the open road.

Meet Glory, raised free in a convoy, off the grid, amid the last men and women truckers fighting automation to continue living the American mythology of the open road.

Now, in order to pay for her beloved, dying Father’s surgery, Glory has three days to pull off a four dangerous cross country heists with mob killers, crooked cops and a psycho ex-husband all out to bring her in or die trying.

“Rick and I have been preparing something for years now, it was a privilege to get to work with him, and an even greater one to take the time to develop something together,” Bengal. “I’m very proud to finally present what we’ve been cooking! I hope readers will enjoy this story as much as we loved doing those pages.”

The series launches from Image Comics in May 2018.

ECHOLANDS
by J.H. Williams & Haden Blackman

J.H. Williams (Sandman: Overture, Batwoman) and Haden Blackman (Elektra, Batwoman) team up with colorist Dave Stewart and letterer Todd Klein for an all-new mythic fiction genre mash-up series in ECHOLANDS, a tale where the last war on Earth starts with Hope’s sticky fingers…

“ECHOLANDS has been in development for years, bubbling in the background as we worked on other projects,” said Blackman. “But it’s a world and a cast of characters that has always drawn us back, and we’re so grateful to be able to finally get the book out into the world.”

On a world that has forgotten its own history, the key to excavating the past is in the hands of a young thief who must escape a vengeful wizard and his unstoppable golem.

The series will be coming soon from Image Comics.

FARMHAND
by Rob Guillory

Rob Guillory (CHEW) returns to both write and draw an all-new series in, FARMHAND.

FARMHAND follows Ezekiel Jenkins, a family man and new agrarian who returns to his family fields—but these nightmarish crops give a new meaning to ear of corn and fingerling potatoes.

“This is a story that’s been very near and dear to me for quite some time, and I’m absolutely thrilled to finally announce it,” said Guillory. “I can’t wait to introduce readers to the wonderful and horrific world of FARMHAND.”

FARMHAND launches from Image Comics in July 2018.

JOOK JOINT
by Tee Franklin & Maria Nguyen 

Fresh off the buzz for BINGO LOVE’s release on Valentine’s Day, Franklin took to the stage to announce a new project with Image Comics—JOOK JOINT—with Maria Nguyen.

JOOK JOINT is a 5-issue time-period horror miniseries about a brothel/jazz club exposing the social evils of racism, rape, domestic violence, and inequality.

Because of its subject matter, JOOK JOINT is set to launch in October 2018, in time for Domestic Violence Awareness Month. Franklin and Nguyen will work with Image Comics on coordinating special charity variants to benefit Joyful Heart, a non-profit founded by Mariska Hargitay which places focus on healing, education and advocacy.

“As a domestic violence survivor, this is a story I’ve been working on for years. It’s been extremely cathartic and therapeutic. It was important for me to have an artist who understood what JOOK JOINT meant to me, before inviting them to embark on this journey with me,” said Franklin. “I appreciate that Image Comics has allowed me to tackle this subject matter, in addition to working with us on charity variants for Mariska Hargitay’s Healing Heart foundation. I now have an opportunity to use my talents to help survivors like myself. People have helped me when I was going through a rough time in my life and now I want to give back.”

THE LAST SIEGE
by Landry Q. Walker & Justin Greenwood

Bestselling creators Landry Q. Walker (DANGER CLUB, Supergirl Cosmic Adventures in the 8th Grade) and Justin Greenwood (THE FUSE, Stumptown) team up for an all-new, ongoing medieval war story, inspired by the storytelling structure of classic Spaghetti Westerns.

“For years I have wanted to tell a medieval war story, one that pulls away from the fantasy elements the genre is so often saddled with,” said Walker. “Swords, castles, and rage, all in a world where life is cheap. No other frills or distractions. Seeing this book come to print is a moment I have looked forward to for a long, long time.”

Greenwood added: “Fast, gritty and full of action—I’d been looking for a book to really cut loose on and this project came along at the perfect time. I haven’t drawn this much dirt or blood in a long time and loving every minute of it.”

The series launches from Image Comics in Summer 2018.

LEVIATHAN
by John Layman, Nick Pitarra, & Mike Garland 

Eisner-award winning, New York Times bestselling writer John Layman (CHEW) is back, teaming up with New York Times bestselling artist Nick Pitarra (THE MANHATTAN PROJECTS) and colorist extraordinaire Mike Garland in the all new, ongoing series—that’s Godzilla by way of black magic—in LEVIATHAN.

In LEVIATHAN, a group millennials try to do a black magic ritual for laughs and end up summoning a demonic giant monster determined to kill them all.

LEVIATHAN is coming this summer to Image Comics.

TODD MCFARLANE ANNOUNCES FIVE NEW PROJECTS

odd McFarlane, President of Image Comics and creator of SPAWN, took to the stage today to announce  five new comic projects. The timing of these come on the heels of his upcoming directorial debut for the new SPAWN feature film. The movie will be in production by late spring so these comics will hit shelf just as the SPAWN movie is getting wide publicity across multiple platforms.

To help retailers take advantage of the upcoming SPAWN news buzz he announced the five projects below:

1) MEDIEVAL SPAWN and WITCHBLADE crossover miniseries
This May release is a re-teaming of two of Image’s most popular original characters.
The new mini-series is written by Brian Holguin with art by Brian Haberlin with 32 full pages of story and art will also feature a special augmented reality cover for only $2.99.

Fan favorites Spawn and Witchblade together for the first time in two decades!

2) SPAWN KILLS EVERYONE 2 (mini-series)
Due to the wonderful success of the one-shot, Todd McFarlane is creating along with Will Robson a four part mini-series that has our childish Spawn giving birth to hundreds of smaller Spawn babies who take his “kill list” and try to help out their new father.

3) MISERY (new ongoing monthly series)
In the wake of the #MeToo scandals arises a teenage hero who is tired of being pushed around and abused by the actions of others. This new character, MISERY, will help out those innocent people who have been victimized by the evil that is spread across the entire planet.

Stories will go global as Misery tries to discover exactly how to control her powers and how to make others feel her…misery.

4) SPAWN (on-going monthly title)
Comic Industry’s longest running independent title continues its march towards its 300th issue as well as tying into the upcoming movie that McFarlane is writing and directing with Jason Blum and his Blumhouse Productions.

The comic Spawn is setting the stage to flush out some of his biggest enemies that he has locked on earth. He will come face to face with the Clown, Overt-Kill and an all-new Violator.

5) SAM and TWITCH True Detectives (8 part mini-series)
Detective “Twitch” Williams will be the main focus in the new full length film about to go into production and he will be introduce to a whole new audience with his appearance in the SPAWN film.

All eight issues have already been completed and will be released close to the film’s announcement and trailers. Much like THE WALKING DEAD, new viewers will be drawn to the stories and characters they will be seeing on the big screen and also a potential new TV series.

NETFLIX’S MILLARWORLD TITLES LAUNCH WITH THE MAGIC ORDER

Comics titan Mark Millar (KINGSMAN: THE SECRET SERVICE, KICK-ASS, HIT-GIRL, JUPITER’S LEGACY) announced that Netflix’s forthcoming Millarworld titles will be published by Image Comics, beginning with his first new project, THE MAGIC ORDER. THE MAGIC ORDER will feature art by Olivier Coipel (Amazing Spider-Man, Thor) and is planned as a six-issue miniseries.

We live in a world where we’ve never seen a monster, and The Magic Order is the reason we sleep safely in our beds. Magic meets the Mob in THE MAGIC ORDER as five families of magicians—sworn to protect our world for generations—must battle an enemy who’s picking them off one by one. By day, they live among us as our neighbors, friends and co-workers, but by night they are the sorcerers, magicians and wizards that protect us from the forces of darkness…unless the darkness gets them first.

The series will launch from Image Comics in Summer 2018.

OBLIVION SONG
by Robert Kirkman and Lorenzo De Felici

Image Comics partner Robert Kirkman (THE WALKING DEAD, OUTCAST BY KIRKMAN & AZACETA) took to the stage to show off the OBLIVION SONG #1 trailer for a sneak peek at what’s in store for fans on Wednesday, March 7th when the new series hits stores.

PROXIMA CENTAURI
by Farel Dalrymple 

Farel Dalrymple returns with an all-new, six-issue miniseries full of psychedelic-science-fantasy-action drama in PROXIMA CENTAURI.

PROXIMA CENTAURI follows the teenage adventurer Sherwood Presley Breadcoat, “The Scientist” Duke Herzog, Dr. EXT the Time Traveller, M. Parasol, Shakey the Space Wizard, and Dhog Dahog. Sherwood is looking for escape from the spectral dimensional space zone and a way back to earth and his brother.

The miniseries will launch in June 2018.

THE RED HOOK, Vol 1: NEW BROOKLYN
by Dean Haspiel 

Emmy and Ringo Award winner Dean Haspiel brings THE RED HOOK to print for the first time.

The Red Hook is a super-thief who is bequeathed the Omni-Fist of altruism and is transformed into a superhero against his will or he will die a year after a sentient Brooklyn’s heart is broken and physically secedes from America to form New Brooklyn.

The graphic novel will hit stores in June 2018.

SHANGHAI RED
by Christopher Sebela & Joshua Hixon

Christopher Sebela and Joshua Hixson team up for a turn of the century revenge thriller SHANGHAI READ, a story that stretches from the deck of a boat outside Shanghai to the bleak streets (and the secret tunnels beneath them) of Portland, Oregon. A violent journey of vengeance, identity and family.

“Josh and I have been working on this book for a few years now in secret, just waiting for the chance to unleash it on readers and we’re kinda freaking out that this thing we’ve put so much time and sweat into is really real and really good,” said Sebela.

The series launches from Image Comics in June 2018.

SON OF HITLER OGN
by Anthony Del Col & Jeff McComsey

Acclaimed writer ANTHONY DEL COL (Assassin’s Creed, Kill Shakespeare), New York Times bestselling cartoonist JEFF McCOMSEY (FUBAR), and newcomer GEOFF MOORE come together for an action-packed, original graphic novel, SON OF HITLER.

The never-before-told story of Adolf Hitler’s secret child and how this son was the key to ending World War II is now revealed in this audacious graphic novel based upon one of history’s most intriguing rumors.

“Like any top secret mission, SON OF HITLER involved meticulous planning, maps, secret meetings and the twisting of arms,” said Del Col. “So now that our mission has finally been revealed we can get around to the execution of it. And by execution, I mean the planned execution of Adolf Hitler.”

In 1943 Nazi-occupied France a rogue British S.O.E. agent recruits a young baker’s assistant for a dangerous mission by sharing with him a revelation no one would ever want to hear: he is the biological son of Adolf Hitler.

The original graphic novel will hit stores in May 2018.

UNNATURAL
by Mirka Andolfo 

Mirka Andolfo brings hit Italian comic title, Contro Natura, to Image Comics in an English translated fantasy erotica title, UNNATURAL.

Leslie is a simple pig girl, she loves sushi and she is trapped in a job that she hates. She lives with Trish, her best friend. In her world, which is full of anthropomorphic creatures, the government interferes in the personal lives of its citizens, up to the point of allowing only relationships between individuals of the same race. The transgressors are punished. They are accused of being… unnatural! Leslie dreams of something different for herself. But these dreams are becoming dangerous, especially because they feature a mysterious wolf. And, when she wakes up, she thinks that she is being watched…

The series will launch in July 2018.

THE WEATHERMAN
by Jody LeHeup & Nathan Fox

Writer Jody LeHeup (SHIRTLESS BEAR-FIGHTER), Eisner Award-nominated artist Nathan Fox (DMZ, HAUNT, Dark Reign: Zodiac), and Eisner Award-winning colorist Dave Stewart (Hellboy, RUMBLE) merge to form an unstoppable sci-fi tour de force with THE WEATHERMAN!

Local weatherman and fun-loving amnesiac Nathan Bright was just a normal guy living the good life on terraformed Mars. But the past Nathan didn’t know he had comes back to murder him when he’s accused of carrying out the worst terrorist attack in human history—an event that wiped out nearly the entire population of Earth.

Confused, terrified, and ill-prepared for life as the galaxy’s most wanted man, Nathan’s fate lies in the hands of Amanda Cross, the disavowed government agent assigned to his case. Together the unlikely duo will have to rely on each other as they battle their way through the solar system in search of the truth buried in Nathan’s lost memory…and the key to stopping the real enemy from carrying out a second extinction-level attack.

“Series artist Nathan Fox’s work on THE WEATHERMAN will hit you like a bolt of lightning,” said LeHeup. “Vicious and vital, it’s high energy for even higher stakes. There simply aren’t comics more beautiful than this.”

Fox added: “Before I even finished Jody’s first script  I knew I had to tell this story. THE WEATHERMAN is one of the most inspired, relevant, and human stories I’ve ever had the privilege of contributing to and I absolutely cannot wait for people to read it.”

A full-throttle, widescreen, science fiction epic about the damage we do in the name of justice and what it truly means to be redeemed…

The series will launch in June 2018.

WHAT’S THE FURTHEST PLACE FROM HERE?
by Matthew Rosenberg & Tyler Boss

The critically-acclaimed, breakout creative team behind 4 KIDS WALK INTO A BANK, Tyler Boss & Matthew Rosenberg come to Image Comics for an new series, WHAT’S THE FURTHEST PLACE FROM HERE?

“I’m really excited to be making my Image Comics debut with a book that is very personal to me,” said Rosenberg. “And I’m thrilled to do it with Tyler, who I can barely tolerate as a person, but is a brilliant artist and collaborator. Together we’re working to make a book that we hope will impact people the same way so many of our favorite comics have impacted us over the years.”

WHAT’S THE FURTHEST PLACE FROM HERE? tells the story of a gang of young punks getting lost in the wasteland of America. After their youngest member disappears their quest to find her may put them in a fight to survive against the most deadly terrain, the most dangerous gangs, and maybe even each other. Or maybe not. Either way they’re going to find out how the world ended.

Boss added: “The story and world Matthew and myself have built is dense and (hopefully) exciting. I’ve never felt more creatively charged and I’ve been putting that energy into every page. I hope that old man Rosenberg can keep up.”

It launches in November 2018.

Robert Kirkman and Lorenzo de Felici’s Oblivion Song #1 is Getting One Substantial Overprint and No Additional Printings

The highly-anticipated Oblivion Song #1 by Robert Kirkman and Lorenzo de Felici will launch in comic book stores on Wednesday, March 7th. There will be no additional printings for this launch issue, so fans are encouraged to add this sure-to-be-hit series to their pull lists and hit their local comic shops in time to snag their copy.

The comic will be overprinted with no second printing. The overprinting will be enough to “hopefully” meet or exceed the demand.

A decade ago, 300,000 citizens of Philadelphia were suddenly lost in Oblivion. The government made every attempt to recover them, but after many years, they gave up. Nathan Cole…won’t. He makes daily trips, risking his life to try and rescue those still living in the apocalyptic hellscape of Oblivion. But maybe…Nathan is looking for something else? Why can’t he resist the siren call of the Oblivion Song?

The collector’s edition of the debut issue of Oblivion Song features an exclusive limited edition variant cover by de Felici! It comes with a statue (11”) based on the cover to Oblivion Song #1, an exclusive print, and a collector’s pin. These items will only be available in this limited edition set (limited to 1,000).​

Oblivion Song #1 (Diamond Code JAN180587) and Oblivion Song by Kirkman & Ds Felici #1 Collectors Edition (Diamond Code JAN180599) will be available on Wednesday, March 7th.

Robert Kirkman Talks Oblivion Song and How He’s a Comic Book Kind of Guy

A decade ago 300,000 citizens of Philadelphia were suddenly lost in Oblivion. The government made every attempt to recover them but after many years they gave up. Nathan Cole… won’t. He makes daily trips, risking his life to try and rescue those lost, alone and afraid, living in the apocalyptic hellscape of Oblivion. But maybe… Nathan is looking for something else? Why can’t he resist the siren call of the Oblivion Song?

Oblivion Song is the new comic series from writer Robert Kirkman, artist Lorenzo De Felici, colorist Annalisa Leoni, and letterer Rus Wooton being published by Skybound Entertainment and Image Comics.

The series follows Nathan Cole as he goes into another dimension, the Oblivion, looking for survivors, a sci-fi story that’s unique in many ways, not just on the page but also the lead up to its release on March 7, 2018.

Kirkman and De Felici have worked on the comic for over a year allowing them to polish the story which included adding pages to earlier issues after reading later ones. The lesson is not to rush to market, it can help make a much better comic. With a sibling Kirkman felt the

The core concept of the series is the guilt the main character feels and his search for his brother. Unlike Kirkman’s Walking Dead and Invincible, this series is about two brothers as opposed to father and son. There’s unique aspects to the relationship and there’s dynamics there that don’t exist elsewhere due to that relationship. It’s an area that yields to a lot of story potential.

Nathan is an aspirational character who see injustice and wants to do something about it. In an interview roundtable, Kirkman said it was fun to write a character who’s willing to make sacrifices. A character, that can be put on a pedestal and be admired.

De Felici has been in comics for a long time, and Kirkman was directed towards him by Cory Walker about three years ago. The style is unique that lends itself well to a monster heavy series. He has a background in science that is being brought to the series. The series needs someone who can do a scene in a cafe over coffee and an entire alien ecosystem. He’s able to juggle both worlds.

We were able to participate in a roundtable discussion of which you can find our questions below.

Graphic Policy: With your success in other media, has it changed your approach to this at all?

Robert Kirkman: It’s something I try to ignore but I can’t but think the kind of things that get translated into other media have universal appeal. The kind of comics that seem to have universal appeal. The kind of comics I like to do have universal appeal.

It’s not like I sit around with artists thinking about things that can easily be translated into a cool movie or television show.

It’s a goal of coming up with something that entertains yourself. That entertains a lot of people. It could lend itself to another medium. As long as you strive for something as interesting as possible or as cool as possible it somehow is tailor made for this kind of thing.

This doesn’t seem like it’d lend itself to another medium, but we’ll see. It’s always in the back of mind just because I’ve had success in the past. But, I’m a comic book writer first and foremost.

When I sit down to come up with an idea for a comic book it’s really about if it’s something that I’d enjoy doing? Does it excite me? Will it make a cool comic book? Any thought about another medium is secondary.

I’m a comics first kind of guy.

GP: The first issue strikes me as something that reflects a lot on the years after the United States and Vietnam? There’s the wall, not leaving someone behind.

RK: That’s all there. That’s a perfect example of a time in our history of these themes. That’s something I drew from because it’s all there. It’s a perfect example of how people reacted so it’d be foolish for me to not acknowledge that.

GP: The first issue touches on PTSD with a few characters. How much is that explored in the series?

RK: That’s a big part of the first year of the book. What they would have gone through. How they would have survived. And that I think is the aspect that most resembles The Walking Dead. This is the type of Walking Dead story where someone could have lived in a zombie apocalypse for ten years and then somehow could have gone home. I think that’s really exciting because it changes the story dynamic up from what I’ve been doing with The Walking Dead. It’s also a great minefield for story development. How does someone survive in another dimension? Scavenge for food? Fighting for survival? And then one day go through a portal and Starbucks is down the street and rent’s due. You have to get back to life. There’s a great bit of potential there.

That’s something we’ll be exploring with Duncan and newer characters that are being rescued that have to acclimate to life on Earth.

GP: You tackled a bunch of different genres and now sci-fi. How’s it feel to you as a writer to go in a whole new direction.

RK: I’ve done a lot of horror and there’s some horror aspects to this but to have new tools in the tool box and to be able to expand what you can do with your storyline is really rewarding. I think the thing that keeps me energized in comics, that gets me to want to write me, is the fact that you can do a wide range of things. I do have freedom to do whatever I want. To be able to bounce between genres and expand what I’m known for is a great opportunity. TO be able to dive into a whole new genre and tell all sorts of different stories is really excited for me. I’m happy to do it and hopefully I’ll be able to do it all kinds of times on all kinds of books going forward.

GP: There’s a memorial scene in the first issue that’s very interesting and there’s a poem on it. Is there any significance to the poem?

RK: Yeah, there’s significance behind everything. I’m not going to get into where that’s going. There’ll definitely be focus put on that in the future. You were meant to notice it.

GP: The series is heavy sci-fi, how much thought towards the tech of the world have you done?

RK: That’s crazy sci-fi fun. There’s not too much basis in reality there. We try to think of pseudo-science things that sound logical to a certain extent. We talk about molecule vibration and tuning into one dimension or another. As far as functionality of things, we wanted to play up the aspect that this is busted beaten up technology that’s been used for ten years. A belts malfunctioning in the first issue. We wanted it to feel like duct tape and ripping wires apart to get it to work. We wanted it to feel real world but taken for granted.

I’ve always loved George Lucas’ concept of “used future” that he did in THX and then Star Wars. That these are lived in and not being used for the first time. This is not clean in a way that some sci-fi things are clean.

We wanted everything to be used, dirty, and functional. You’ll see this is a guy who’s been doing this for ten years and lost his funding and trying to make it work somehow and often times it doesn’t work.

GP: So, you have one series that hasn’t dealt in the “why” of it. Will this one, will we find out the “why” as to all of it has happened.

RK: Yes, absolutely, we’ll find out. We’ll slowly pull back the layers as to what occurred and how it occurred as the series progresses. There’ll be various different stages along the way. We’ll get a piece here and a piece here. This will be a fun mystery as it comes together. This is not a story where I won’t be answering how it has happened. It will be revealed as the series goes on.

Review: The Walking Dead #176

The “New World Order” is here as Michonne and her group has made contact with a new community and things are definitely no longer the same. The Walking Dead #176 picks up right where you’d expect with Michonne distraught over the discovery that her daughter may be alive and has been looking for her.

That emotional ride is the driver of this issue as writer Robert Kirkman plays with that moment extending the tension, fear, hope, and more of the group throughout the issue.

What Kirkman does that’s really interesting is call back to a meeting with another Governor that eventually went off the rails. Like Michonne and our protagonists, we too are weary based on what we know.

Helping Kirkman is the art by Charlie Adlard with ink by Stefano Gaudiano, gray tones by Cliff Rathburn, and lettering by Rus Wooton. There’s a cleanliness and orderly sense of it all that’s emphasized through the art, not just the words. That order ups the tension as things progresses through the story. We get glimpses of reality at times but it’s the small detail in the art that provides more clues as to the world than what’s delivered in the dialogue. The images tell as much of a story as the dialogue.

This issue, while simple, is all about that emotional journey and build up to the cathartic end. It’s an emotional roller coaster that pays off in a build up throughout the issue. Kirkman is a master of this type of storytelling and here’s a prime example of setting the mood, building tension, and letting it build to release.

Story: Robert Kirkman Art: Charlie Adlard
Ink: Stefano Gaudiano Gray Tones: Cliff Rathburn
Lettering: Rus Wooton Cover Colors: Dave Stewart
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review

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