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Messages from Midgard Finale: The Good and Bad of War of the Realms

Just when you thought you’d seen the last of me, here’s another installment of “Messages from Midgard“. This isn’t a column length analysis of Unbeatable Squirrel Girl #46, which was the final “War of the Realms” tie-in to come out although I will mention Ryan North, Derek Charm, and Rico Renzi‘s hilarious and clever work with Doreen Green and the Norse squirrel god of chaos Ratatoskr later. No, I have come to survey the wreckage of “War of the Realms” and sift out what worked and what didn’t as well as the memorable moments and the comics that will gather dust in the quarter/dollar/whatever currency inflates to bin at the comic cons and stores of the future.

Without further ado, here’s “War of the Realms: The Good and the Bad“.


The Good

1. Thor’s Character Arc

The core War of the Realms series was at its finest when Jason Aaron remembers that he and Thor have been on a seven year journey together, and this event is the climax. Sure, the montages of Fire Goblin and Frost Giant destruction, superheroes making inane Tolkien and DnD quips, and Punisher shooting Elves are fun. However, the series clicks when it focuses on Thor feeling guilt for the death of the Valkyries and Loki, going on a berserker rage, returning with one arm, and then making sacrifices to not just become a hero, but the All-Father of Asgard. Tom Taylor does a good job enhancing this main narrative in his Land of the Giants tie-in where Wolverine tells his teammates to let Thor let his berserker rage burn out and kill Giants before he is ready begin the next step of his journey.

Despite the continent and realm spanning tie-ins and some issues in the middle, which feel like trailers for more interesting comics with cool battles, Jason Aaron and Russell Dauterman craft a robust arc for Thor. They also make a great one for Jane Foster too as she evacuates New York, takes on the role of All-Mother in Freyja’s absence, wields War Thor’s helmet, and finally becomes the new Valkyrie. Superhero comics are all about the illusion of change, but it’s cool to look back and see a damsel-in-distress nurse battle cancer, become the goddess of Thunder, revoke that mantle, and find new ways to be heroic in War of the Realms. Basically, people who started reading comics in the 2010s will only see Jane Foster as a hero thanks to the work of Aaron, Dauterman, and Matthew Wilson.


Image result for russell dauterman war of the realms

2. Russell Dauterman and Matthew Wilson’s Visuals

All my high-falutin’ words about responsibility, heroic journeys, and mythology aside, at its core, War of the Realms is a no holds barred good guys vs bad guys superhero throwdown except with fantasy baddies instead of the usual costumed villains. And this is all thanks to the art of Russell Dauterman and the colors of Matthew Wilson. Dauterman is like a modern day Art Adams (Who did the covers for War of the Realms) or George Perez and possesses a singular gift for splash pages with multiple characters and making them compositions that tell a story instead of glorified pinups. He excels at both layouts and character designs using the newly omniscient Daredevil as the reader’s POV on the action of the War of the Realms while coming up with cool riffs on characters like Odin’s Iron Man armor, Malekith becoming engorged by the Venom symbiote, or Freyja going full Vanir witch on Malekith and his minions.

Matthew Wilson really is the secret weapon throughout the “War of the Realms” event with his work on the core miniseries as well as issues of Thor and the Daredevil serial in War Scrolls. His colors are the ingredient that put the Frost in Frost Giants, the Fire in Fire Goblins, and the effects he uses in War of the Realms #6 make the storm caused by the four Thors truly cataclysmic. But his work isn’t all chaos and Kirby krackle, and there’s delightful minimalism to the big scenes like the reforging of Mjolnir or Daredevil gazing from above that cause one’s eye to linger on the panel and reread the issues that he has colored and that Russell Dauterman has drawn again.


3. Humor-Driven Tie-Ins

The “War of the Realms” tie-ins aren’t at their best when they’re trying to make serious points about the effects of war, like Dennis Hallum and Kim Jacinto did in War of the Realms Strikeforce: The War Avengers. They do work when they lean into the fun and lore of superhero comics and events. For example, in Superior Spider-Man, Gwenpool comments on the well-worn structure of event comics and how a B-Lister like Doc Ock doesn’t get to strike the final blow against Malekith, and in Skottie Young and Nic Klein’s Deadpool, the titular character fights trolls with the help of Australian stereotypes and the event’s single funny Lord of the Rings joke. There is also a great short story in War Scrolls #2 by Anthony Oliveira and Nick Robles where Loki (in disguise as Kate Bishop) and Wiccan go to drag brunch.

However, the two tie-ins that take the cake in the comedy department and are also fun road stories are The McElroys and Andre Araujo‘s Journey into Mystery and the aforementioned Unbeatable Squirrel Girl. Most of the humor in Journey into Mystery comes from character idiosyncrasies, like Miles Morales not knowing what to do in a casino because he’s never left Brooklyn or Death Locket’s obsession with Westerns because those were the only movies her Life Model Decoy “uncle” had programmed. The jokes also come out of the wacky situations that the ensemble cast finds them in from a Skrull trailer park to a literal Western ghost town and a henchman convention.

In Unbeatable Squirrel Girl, Ryan North, Derek Charm, and Rico Renzi send the titular character on a mission from Loki to take out the Frost Giants’ secret base in Canada. On the way, she gets a cute new costume from her mom, sees two Frost Giants make out, reads Robert Frost poetry on her own, and builds an unlikely friendship and alliance with Ratatoskr, a Norse squirrel deity that is tricksy even for Loki. North’s script continues to be joke-dense and full of fun facts about science and the world around us while insightfully showing Squirrel Girl at her conflict-avoiding and problem-solving finest. Her actions even have an effect on the larger event, and Derek Charm’s art continues to be heckin’ cute.


4. Standalone Character Studies

Jason Aaron plays some good 3D chess by using War of the Realms to tell the big, loud story of Malekith’s invasion and Thor finding confidence in himself again and his other titles Thor and Avengers to tell quieter (Sometimes) character studies and hint at big plans after the War. So, we get stories like Loki being visited by his past and future selves while being digested in his father’s stomach, a tale of Gorilla-Man’s day to day role at the Avengers HQ during a crisis situation, and She-Hulk dealing with people’s (and by extension readers’) perceptions of her and how she really wants to be. They provide a fresh outlook on the events of the War of the Realms that isn’t just omniscient narration or Thor’s quest.

Avengers #18-#20 end up pulling double duty by introducing the Squadron Supreme of America as well as fleshing out the aforementioned Gorilla-Man and She-Hulk and setting up future plans for Aaron’s works in the Marvel Universe. The Squadron is a great satire of nationalism with a bit of trolling towards the DC Universe, and Aaron wisely puts them in an ancillary book to not detract from “War of the Realms”. The same goes with Gorilla-Man, who is in cahoots with the imprisoned Dracula meaning that the King of the Damned still has a role to play in this book’s events. And none of this is mentioned in the core War of the Realms mini, who only spends a solitary panel setting up Marvel’s next event “Absolute Carnage” as Venom slithers away from Malekith’s Necrosword. It’s nice to enjoy the ride/event you’re on before thinking about the next one.


The Bad

5. Mediocre Minis

Most Big Two events have three to six issue miniseries to add depth to major supporting characters, give B-list heroes a showcase, or just to make money. Sadly, most of “War of the Realms'” minis were more miss than hit with the exception of Journey into Mystery and the anthology series War Scrolls. I also personally liked the end of War of the Realms: Punisher and its portrayal of Frank Castle as a defender of innocents and unrelenting executioner of criminals even if it didn’t connect to his portrayal in the event possible.

However, the rest of “War of the Realms'” minis were either untapped potential or just plain stinkers. New Agents of Atlas introduced a new team of Pan-Asian superheroes, but became overwhelmed by its ensemble cast and its intriguing character designs didn’t translate well to its interior art. Giant-Man had a madcap concept of Marvel’s size-changing heroes taking out the “source” of the Frost Giants, Ymir. But it went off the rails by its third issue with a villain who was shoehorned in and an artist that was really bad at staging and establishing scenes.

Spider-Man and the League of Realms had a cool concept of Spider-Man leading representatives from the other nine realms into battle, but it constantly changed settings, switched bad guy/threat on the fly, and like New Agents of Atlas, didn’t make me care enough about its ensemble cast. The worst tie-in of all was War of the Realms: Uncanny X-Men which had a decent premise of the X-Men defending New York, but shoehorned in awkward connections to Norse mythology, killed off Sunspot for no reason and had no focus even though Sabretooth would have made a great villain. Thankfully, it will probably be all retconned when Jonathan Hickman begins his X-Men run.

If you stick to the core miniseries plus the Thor, Avengers, War Scrolls, Unbeatable Squirrel Girl, and Journey into Mystery tie-ins (I can also vouch for Cullen Bunn’s work on Asgardians of the Galaxy and Venom.), “War of the Realms” is a good time. First and foremost, it works as an event because it’s a culmination of seven years of work that Jason Aaron has done with Thor, Jane Foster, Odin, Freyja, Asgard, and the non-Midgard Realms instead of trying to tie into an MCU movie. In fact, much of the current MCU Thor’s arc seems inspired by the work that Aaron has done throughout his run.

Review: The Spider-Man Annual Presents Peter Porker the Spectacular Spider-Ham

Explore the world of Peter Porker, the Spectacular Spider-Ham in this Spider-Man Annual!

Story: Jason Latour, Phil Lord, Christopher Miller
Art: David Lafuente, Jason Latour
Color: Rico Renzi
Letters: Joe Caramagna

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Marvel provided Graphic Policy with a FREE copy for review
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Messages from Midgard #11 – Thank You, Frost

Endings seem to be a recurring theme for this week’s “War of the Realms” books with Giant-Man being the first tie-in miniseries to reach the finish line thanks to some incredible weirdness and a wonderful father/daughter team-up from Leah Williams, Marco Castiello, and Rachelle Rosenberg. There’s also the bittersweet end to Cullen Bunn’s work on the Asgardians of the Galaxy series even after it was name-dropped in the second highest grossing movie of all time. Thankfully, Tini Howard and German Peralta’s recently announced Strikeforce will continue Angela’s journey.

In addition to these titles, Bunn and Iban Coello’s short Venom arc wraps up just in time for “Absolute Carnage”, Superior Spider-Man is way too funny and meta, Champions seems determined to feature every teen Marvel hero, and Ryan North and Derek Charm’s Unbeatable Squirrel Girl is still a wonderful gift with Ariana Grande karaoke and Frost Giants talking shop about, well, frost.


Giant-Man #3

My feelings on the conclusion of Leah Williams, Marco Castiello, and Rachelle Rosenberg’s Giant-Man are definitely mixed. What has been a fairly straightforward adventure yarn set in Florida and featuring Marvel’s size changing heroes gets pretty freaking weird. Apparently, former Thunderbolt/Master of Evil Moonstone has been enslaving the women of Florida to forcibly harvest ice from Ymir to make Ice Giants. It’s definitely a twist and throws a wrench into the whole Ymir assassination mission. The scene where Cassie Lang rescues the slaves and teams up with her dad are heartwarming as well as Raz’s empathy for Ymir, who is in pain and being held against his will. Ymir being a victim and more of a primal force of nature than a baddie is more nuanced and memorable than the team punching him to death.

However, Williams and Castiello do less of a good job introducing and telling the story of Moonstone, the miniseries’ Big Bad. Her powers and motivation fluctuate depending on this scene as she goes from slave master to force of nature and even a redemptive figure depending on the scene. It’s like Williams and Castiello reached the end of miniseries and realized they needed a final boss that wasn’t Ymir and used her past connection with Atlas as a shorthand reason to feature her. Throw in visuals that are hard to follow when the characters change size, and unfortunately, Giant-Man #3 earns an Overall Verdict of Pass.


Asgardians of the Galaxy #10

Asgardians of the Galaxy #10 is a bittersweet comic for many reasons. It features the quirky cast of this book kicking ass together one last time as well as Angela using the MacGuffin from the book’s first arc to get revenge on the Angels of Heven, who abused and tortured her. Writer Cullen Bunn and sharp artists Luca Maresca and Federico Blee give each character a couple of fantastic moments before signing off on a series that had an interesting cast of characters, a fun morally ambiguous space-faring tone, fantastic LGBTQ representation, and was mostly forced to be an event tie-in.

But the fact that it’s a tie-in doesn’t negate Skurge earning redemption as a hero in Valhalla, Angela saving Nairobi, Kenya and finding revenge by beheading her evil adoptive mother, and Ren and Annabelle Riggs being cute while getting cool weapons from the dwarf Urzuul. Maresca’s art has a cartoonish lyricism to him with slash shaped panels when Angela and an army of undead gods lay waste to Heven, or when Okoye gives Annabelle tips on using a Valkyrie spear. He and Bunn do an excellent job wrapping up Angela, Skurge, and Annabelle’s arc while letting this team kick ass in various and sundry ways. Asgardians of the Galaxy #10 earns an Overall Verdict of Buy, and hopefully, it’ll get a revival once Chris Hemsworth signs a deal to be in Guardians of the Galaxy Vol. 3.


Champions #6

Jim Zub, Juanan Ramirez, and Marco Menyz bust out the Disir, the cursed ghosts of Odin’s father Bor’s Valkyries, in their Champions “War of the Realms” tie-in. First appearing in Kieron Gillen’s run on Journey into Mystery, they’re a formidable foe for this team of teen heroes that almost seems to double in membership each issue. Zub and Ramirez are constantly cutting from character to character throughout this issue in different action scenes. However, a few beats land like Power Man realizing the full potential of his “chi”-based powers and basically hulking out and save the team’s asses when he is stabbed in the heart by a magical, undead Asgardian artifact. There is also Kamala Khan, who gets a vision of her dead in a parallel universe and starts to realize that leadership of the Champions may be too much for her.

These two strong character moments stand out in what is mostly a loud, action-driven issue where the Champions are driven up a wall, and it’s hard to get a read on any character personalities between the explosions. Zub does hit on a few cool concepts like Hummingbird joining the team because she saw a distress call on a message board and using her empathy-driven, telepathic abilities to calm the team down. With the exception of the loose cartooning and cool moment where Power Man gets to wreak havoc, Champions #6 pales in comparison to the previous issue’s Cyclops and Kamala-centric tale and reduces powerful enemies to “monster of the week” status. Therefore, it earns an Overall Verdict of Pass.


Superior Spider-Man #7

I haven’t read the previous issues of Superior Spider-Man, but Christos Gage, Lan Medina, Cam Smith, and Andy Troy’s work on this story definitely made me want to pick up the previous six issues. The series has a similar premise to Dan Slott’s Superior Spider-Man, but without the weird mind swap plot devices and is more about a bad guy trying to do good and use the power of science and his intellect to be a better hero than Spider-Man. The first half of this issue is filled with precise storytelling and illustrations from Medina and Smith as Spider-Ock evacuates San Francisco and turns his brain to the cause of Frost Giants invading North America and not just the symptom. As Gwenpool later states, he’s a core miniseries hero stuck in a tie-in.

Oh yeah, and to pile awesomeness on more awesomeness, Gage, and Medina pair Spider-Ock with the West Coast Avengers because he wants to use America’s star portal abilities to shut down the one letting Frost Giants onto Earth. This plan doesn’t work out, but we get fun team-up fights, Gwenpool doing running commentary on event comic structure, and Spider-Ock and Quentin Quire bonding over their shared interest in arrogance. I love how the other characters think she’s raving mad, but the always curious Spider-Ock is out here asking questions about “legacy characters”. For its strong visuals, heavy dose of meta-humor, fun guest stars, and interesting characterization of Spider-Ock, Superior Spider-Man earns an Overall Verdict of Buy.


Unbeatable Squirrel Girl #45

The search for the Frost Giants’ secret base continues in Ryan North, Derek Charm, and Rico Renzi’s Unbeatable Squirrel Girl #45, but due to irreconcilable ethical differences, Squirrel Girl and Ratatoskr break up as teammates fairly early in the story. The split-up and reunion leads to great comedy, pathos, and later, adventure using the power of Frost Giant-induced fast travel. Ratatoskr doesn’t want to save the world; she only wants to create chaos and use her mind control abilities to get whatever the heck she wants. This includes go-kart video games, on command Frost Giant-friendly performances of “Thank U, Next” by Ariana Grande, and even psychological therapy.

However, the therapy part (Done by a mind-controlled Frost Giant.) named Daisy reveals that Squirrel Girl’s words about Ratatoskr never creating and only destroying have gotten under her skin. (Charm and Renzi draw moment of truth Ratatoskr quite adorable.) This leads to forgiveness and working together to stop the Frost Giant in an ethical, non-mind controlling way. But, there’s one last pit stop before the HQ as Charm and Renzi capture the beauty of snowfall and nature with the help of the (Newly in the public domain) poems of Robert Frost. (Also, North can’t help himself with puns.) It’s a singular moment in a very silly comic with a tongue in cheek ending. For showing that beauty and humor can co-exist with sneaking around a Frost Giant camp, Unbeatable Squirrel Girl #45 earns an Overall Verdict of Buy.


Venom #15

In the conclusion to their Venom “War of the Realms” arc, Cullen Bunn, Iban Coello, Alberto Albuquerque, Roberto Poggi, and Andres Mossa realize that Jack’o’Lantern is kind of a lame villain and pivot to Eddie Brock battling his own anger with a side of Dreamstone magic. The interplay between Bunn’s narration and the chaotic line art of Coello and Albuquerque creates heavy metal alchemy as Eddie wanders around New York and channels his anger again to remember that he is a “lethal” protector of the innocent, especially his son Dylan. He genuinely cares about the regular people who are caught in the crossfire of the War of the Realms and comes up with a new spin on “We are Venom” to protect them in a fist-bumping moment.

Venom #15, and Bunn and Coello’s overall work on this storyline has been a fantastic marriage of deep emotional turmoil and fun symbiote-meet-dark magic action. This issue is no exception as Eddie has his big moment and the returns to the bunker to protect Dylan and continue their journey to survive. What could have been filler while Donny Cates and Ryan Stegman were prepping “Absolute Carnage” end up telling a tale about Eddie and his son trying to survive in a world without his symbiote and featured memorable visual mash-ups of Asgardian and symbiote iconography. Because of this, Venom #15 earns an Overall Verdict of Buy.

This was truly “War of the Realms'” week of the underdog as characters, like Skurge the Executioner, Squirrel Girl, Gwenpool, Spider-Ock, Annabelle Riggs, and the West Coast Avengers, who get their books canceled or a relegated to second stringers lit up the comics pages thanks to the passion of creators like Cullen Bunn, Ryan North, Christos Gage, Luca Maresca, Derek Charm, and Lan Medina. In particular, Bunn’s letter at the end of Asgardians of the Galaxy #10 about how he wanted to do a story with these characters back in 2015 and then had to shoehorn them into two events shows the pitfalls of having an original spirit in corporate comics. But, hey, we’ll have those ten majestic issues than honestly work whether or not you read “Infinity Wars” or “War of the Realms”.


Panel of the Week

I really hope someone in the Ariana Grande camp reads comics. (From Unbeatable Squirrel Girl #45, Art by Derek Charm and Rico Renzi)

Mike Mignola’s Cover for Sea of Stars is Revealed!

Image Comics has revealed a special Mike Mignola cover for the forthcoming Sea of Stars by Jason Aaron, Dennis Hallum, Stephen Green, and Rico Renzi, an ongoing series launching this July.

When recently widowed Gil gets a long-haul gig across the universe, he figures it’s safe enough to bring his young son Kadyn along for the ride—that is, until their “big rig” gets bitten in half by a gigantic Space Leviathan! Sea of Stars follows Gil, now separated from his son—with a breached suit that’s venting oxygen at an alarming rate—as he struggles to defy the odds and stay alive long enough to rescue Kadyn. But meanwhile, Kadyn seems to be getting all the help he needs from a talking Space Monkey riding a Space Dolphin… or maybe it’s the strange powers he’s suddenly manifesting…?

Sea of Stars is a brand-new science fiction series with all the scope and heart of the The Neverending Story crossed with the imaginative weirdness of Miyazaki and promises an intense, galaxy-spanning adventure perfect for fans of Jeff Lemire and Dustin Nguyen’s Descender.

Sea of Stars #1 Cover A by Green (Diamond Code MAY190023) and Sea of Stars #1 Cover B by Mignola (Diamond Code MAY190024) will be available on Wednesday, July 3. The final order cutoff deadline for comics retailers is this Monday, June 10.

Sea of Stars #1 Mike Mignola Cover

Messages from Midgard #6: Cute Baby Laussa

The “War of the Realms” takes a break this week from the main heroes and blockbuster trappings to tell smaller, quirky stories that are varying degrees of fun. The McElroys bring the road trip banter in War of the Realms: Journey into Mystery #2, and Andre Araujo gets to take a break from advanced technology and gory fight scenes to be a humor cartoonist. War of the Realms: New Agents of Atlas #1 is one of the first tie-ins to remember that this event has a global scope, and Greg Pak and Gang Hyuk-Lim introduce Marvel’s first Filipina hero, Wave, although the story comes apart at the seams sometimes. I tip my hat to Pak and Lim for introducing more Asian heroes to the main Marvel Universe, and hopefully we get to hear for them after three issues. And Unbeatable Squirrel Girl continues to be a sweet cinnamon roll of a comic that I hope Marvel never cancels. (Thank you Scholastic book club marketing!)

War of the Realms: Journey into Mystery #2

With the boring team assembling part out of the way, the McElroys, Andre Araujo, and colorist Chris O’Halloran are free to write and draw road trip hijinks after a quick prelude showing why Ares is working for Sindr and after Thor’s baby sister, Laussa. The McElroys settle into writing this truly odd assortment of characters in Journey into Mystery #2, and honestly, I could read a whole ongoing series of them traipsing through the Marvel Universe and arguing about personal space, the fact that no one on the team can drive except Kate Bishop (Kudos to Miles Morales for doing driver’s ed next semester though.), and Thori being fierce.

The McElroys and Araujo don’t force a fight with Ares just yet and have the team stop at “Bide-A-Wee” trailer park because, again, no one except Kate Bishop can drive. Araujo draws the denizens of the trailer park in a stiff manner like they’re pretending to be human. This makes sense because they are actually Skrulls. (Of course, the McElroys use this fact to get in some licks at Secret Invasion.) And, then, there’s the requisite action scene that Araujo and O’Halloran make fun with some creative shapeshifting and pink arrows for Kate. However, the sequence is resolved in a very un-War of the Realms way. But what do you expect from a creative team that made changing a dirty diaper both hilarious and suspenseful.

If we had to fight a War of the Realms to get this fun buddy road trip story from the McElroys and Andre Araujo, it will have been worth it. This comic definitely feels like it was written by a bunch of guys who have probably been in enclosed spaces with each other for a long time whether that’s childhood road trips or doing live podcast shows for rabid fans. Throw in a sense of wonder, humor, and love for cute babies interacting with Helhounds, and Journey into Mystery #2 an overall verdict of Buy.

War of the Realms: New Agents of Atlas #1

Through his elevation of Amadeus Cho to the Hulk and especially a four issue arc of Totally Awesome Hulk where Cho teams up with other Asian-American superheroes, Greg Pak has used his clout as a writer to push for more Asian and Asian-American superheroes in Marvel Comics. He and artist Gang Hyuk Lim turn that up to eleven in War of the Realms: New Agents of Atlas #1, which features appearances from Marvel’s first Filipina hero Wave, the Chinese hero Aero, and Korean heroes Crescent and Io and Luna Snow, who were popular in the Marvel Future Fight mobile game and make their first comic appearance here. It’s cool to see these characters and their unique abilities get the spotlight, but Pak struggles to juggle such a large ensemble cast in one issue. Lim’s art is also fairly pedestrian even though there are pops of color from Federico Blee like when Crescent sics his magic bear Io on some Fire Goblins.

In New Agents of Atlas #1’s back matter, Pak says that he wanted to use the book to explore the “diversity within diversity” having Asian and Asian-American from different countries and backgrounds interact while defending the continent from Sindr and Fire Goblins. And he pulls this off in one fantastic scene where Jimmy Woo, the leader of Agents of Atlas, asks Amadeus Cho, Kamala Khan, Silk, and Shang Chi what kind of pear he’s holding. Depending on their background, they say it’s a Korean, Chinese, or Japanese pear because Kamala has only seen that kind of pear at the Japanese grocery.

However, the lesson is that the kind of pear doesn’t matter, and Woo says that the important thing is that they work together as a team. They proceed to not do this with Kamala and Amadeus constantly bickering about some Champions business, which leads to their plane crashing outside Seoul and a fight against the Korean superheroes, not Sindr’s forces. Pak and Lim nail Amadeus Cho’s egotism as he flexes his muscles and showboats throughout the comic and impetuously launches himself into battle without regard for his teammates. However, the scene where the newly minted Agents of Atlas fight the Korean superheroes is very rushed as White Fox immediately assumes that Amadeus Cho is bad because he had a Hulk incident a while back. It’s a good illustration of the pointless drama that gets in the way of teamwork, but with an emphasis on the “pointless” part.

Luna Snow, who Silk fangirls over because she’s a hero and a K-Pop star, Crescent and Io, and a cool surprise character have visually distinct abilities, but Gang Hyuk Lim is too married to the Marvel house style to really let them shine. This is a book that could have used the stylized touch of a Takeshi Miyazawa, who collaborate with Greg Pak on his creator owned comic Mech Cadet Yu, or David Lafuente. With its introduction of new heroes and soapy team dynamic, New Agents of Atlas has tantalizing potential even if this first issue doesn’t completely deliver so it earns the Overall Verdict of Read.

Unbeatable Squirrel Girl #44

Arguably, the best “War of the Realms” tie-in continues as writer Ryan North, artist Derek Charm, and colorist Rico Renzi have Squirrel Girl team up with Ratatoskr, the Norse squirrel god of chaos against Frost Giants and then frighten the citizens of rural Alberta. North and Charm do a good job laying out Ratatoskr’s motivation as she sees that Malekith ruling all ten realms would lead to conformity and boredom, which is the opposite of chaos. So, she’s fighting Frost Giants although in a flashback, she did give a thumbs up to Mangog, the destroyer of Asgard. Unbeatable Squirrel Girl #44 is really an exercise in ethics as Ratatoskr tries to cross lines, but Squirrel Girl holds her back and tries to keep everything even kneeled. However, this backfires.

Like every issue in this series, Unbeatable Squirrel Girl #44 is a dense comic filled with jokes, extended riffs, footnote jokes, and kick-ass fight scenes. What could have been just a simple fight between Squirrel Girl and two Frost Giants ends up with Ratatoskr giving an update on what she has been up to over the past 30 issues or so while imprisoned in Asgard as well as some jokes about how Frost Giants see humans as action figures and superhumans as rare ones. They’re still looking for the rare action figures with kung fu grips though.

Once the Giants go down, North and Charm go into full fish out of water mode with Ratatoskr, who is trying to blend in with the locals, but ends up as a femme fatale in rural Canada and does not pass for human. She has great fashion sense, and North and Charm get to sneak in jokes about video game palette swaps, Sailor Moon, and draw a squirrel ear wearing Spider-Man costume while she picks her look. Also, in her interactions with the regular folks of Alberta, she chooses the chaotic option over the safe one and ends up getting in random guys’ faces. This scene also illustrates the classic principles that humans hate and fear what they don’t understand as the Albertans turn on Squirrel Girl and Ratatoskr, once they realize that “they’re not from around here”.

Ryan North, Derek Charm, and Rico Renzi seem to be having a hell of time combining Squirrel Girl’s morality and empathy with Ratatoskr’s penchant for chaos and manipulation. It’s an instant source of drama and mischief and gives Charm the chance to draw “resting evil face”. Also, for its dedication to fun, good comedy, complex baddies, adorable art, and expressive, flat colors, Unbeatable Squirrel Girl #44 gets an overall verdict of Buy.


Although the quality of this week’s three comics does fluctuate, Journey into Mystery, New Agents of Atlas, and Unbeatable Squirrel Girl use the backdrop of “War of the Realms” not as a crutch, but as a freedom to tell road trip, Asian superhero team-up, and odd couple stories. Frost Giants are coming through portals so why not bring back the entertaining villain Ratatoskr from a few years back to mess with Squirrel Girl and use her divine abilities to troll mere mortals. A book like New Agents of Atlas could use its own series to build up the new characters, but Journey into Mystery and Unbeatable Squirrel Girl uses the events of “War of the Realms” as jumping on points for comedic misadventures. This week is a breath of fresh air after all the melodrama, gore, and Frank Castleness of previous “War of the Realms” tie-ins.

Panel of the Week

I don’t know what beef Malekith has with Shakespearean English. (Art by Derek Charm and Rico Renzi from Unbeatable Squirrel Girl #44.)

Messages from Midgard #3: Daredevil Rules, Punisher Drools

Wait, I thought this was an Asgard-centric event? Even though the bad guys are all elves, trolls, giants, and evil minotaur CEOs, the predominantly Big Apple-centric setting of War of the Realms #1 and #2 allows for some of Marvel’s street level vigilante to shine (Daredevil) or fall flat on their faces (Punisher). This week’s issue of War of the Realms and its tie-ins were the true definition of a mixed bag. War of the Realms #2 continued and wrapped up the big New York battle from the previous issue before spending a lot of its page count setting up various upcoming tie-ins in a pretty way from artist Russell Dauterman and colorist Matthew Wilson. Plot-wise, there’s one small surprise, and we’re finally up to the events described in last week’s Unbeatable Squirrel Girl tie-in. Speaking of tie-ins, they run the gamut from the instant classic that is Thor #12 to the should have been a one-shot and the first true stinker of “War of the Realms” that is War of the Realms: Punisher #1. In the middle is War of the Realms: War Scrolls #1, which tells some entertaining side-stories about Daredevil, the Warriors Three, and Wolverine (Confession: I don’t know how he’s back from the dead.) and squanders a cult book creator reunion.

War of the Realms #2

Feeling a little nostalgic for the 1980s, writer Jason Aaron titles this story “Midgard Massacre” in homage to the “Mutant Massacre” crossover where Morlocks were killed by Reavers, and characters like Daredevil, Thor, and the Power Pack showed up in X-books. A bunch of seemingly mismatched characters show up in War of the Realms #2, but Aaron, Russell Dauterman, and Matthew Wilson’s story lacks the emotional resonance of the previous Massacre until the final page. Plus Aaron and Dauterman wring out some great moments for Jane Foster and Freya beneath the fighting/strategic retreats. Jane gets to ride Valkyrie’s horse, Aragorn, fight with a sword, and is hinted to want to become Thor again even though it would mean the return of her cancer.

So, a big pitched battle in New York between superheroes and various fantasy creatures is an objectively cool idea and a reason why I decided to do this weekly column. However, it really starts to drag in War of the Realms #2 even with gorgeous Dauterman/Wilson tapestry pages to show the Valkyries entering the battle with a heavily wounded Odin to turn the tide Wagner style. Aaron tries to do the whole Battle of Hoth, “good guys get their butts kicked and retreat to another area” plot maneuver and succeeds in getting all the heroes from point A to point B, but stumbles in the execution. They don’t lose because they’re overwhelmed by sheer numbers, but because Dr. Strange’s teleport spell malfunctioned, which is a weak plot device featuring a tangential character. We don’t even see the costs of his spells like in Bendis and Hickman’s Avengers runs.

The big plot development other than a death for a character, who is already in a grey area between life and death and is about to be swapped out with her more popular movie version, is Malekith and his forces taking over Midgard. This is told to us with word balloons instead of on-panel, or in the tie-ins, which mainly take place in New York. There’s no heroic last stand, or emotional connection, but Aaron rushes off to characters setting up the next issue or tie-in’s plot in expository dialogue with the occasional fish out of water joke like Luke Cage’s eye roll when he talks about fighting trolls in Harlem. War of the Realms #2 feels like a giant action figure battle with a slight touch of emotional resonance every time Jane Foster brandishes her sword, or when Freyja decides to lead the rescue mission to get Thor in Jotunheim. It barely gets the overall verdict of Read because of a harrowing final page, Russell Dauterman and Matthew Wilson’s art, and because it has the seeds of potential to be a great Freyja and/or superhero buddy team-up book.

Thor #12

For better or worse, the modern character of Loki will always be defined by the way Tom Hiddleston portrayed him in the MCU films and the way Kieron Gillen wrote him in Journey into Mystery and Young Avengers doing clever plotting, world-building, and crafting a character that desperately wants to change, but can’t. These stories were often in the middle of event tie-ins, and Jason Aaron and Mike Del Mundo join this tradition in Thor #12, which is Journey into Mystery meets A Christmas Carol. Loki is being eaten by his own father, Laufey the Frost Giant, and wants to just die when he’s visited by his past, present-ish (Kid Loki), and future self aka Loki the NecroGod. Aaron has established the past and future selves in various flashback and flashforward stories in Thor so he can get straight to the character study part.

Thor #12 is full of “a-ha” moments beginning when Loki realizes that he basically created the villain Malekith when he orchestrated a war between the Dark Elves and trolls, and young Malekith was subjected to the trauma of constantly burning the corpses of his people into a mass grave. He and his past sins are responsible for the War of the Realms, and Del Mundo nails this moment of recognition with great facial expression work for an artist who is mostly known for his layouts and Heavy Metal approach to superhero stories. He uses a varying color palette as Loki goes from the fires of Svartalfheim to the cold of Jotunheim and finally ooey gooey stained glass of the end of all things. This issue is easily my favorite work of his since Elektra.

But Thor #12 is more than great art. Jason Aaron offers a pinpoint look into how Loki is just a man who has been lying to himself all his life about who he is and the consequences of his actions beginning with one about how his magic tutor, Eldred, would have died in a dungeon any way. This lie led to others and became Loki’s character and story that he is fated to follow even though fate, er, the Norns are off the table in Aaron’s Thor run. This self-deception coupled with a death wish persists until the end of time, or currently, in some kind of hellscape caused by being eaten by his own father. Even if you’ve sworn off “War of the Realms”, Thor #12’s overall verdict is a Read because of Mike Del Mundo’s triple threat of art styles and Jason Aaron’s razor sharp characterization of Loki that is conversation with Gillen’s work while also breaking fantastic new ground.

War of the Realms: War Scrolls #1

One of my favorite pleasures from event comics are the anthology miniseries that tell either serial or one-shot stories about fan favorite D-list characters or give up and coming creators a chance to play in a shared universe sandbox. War of the Realms: War Scrolls #1 has a good amount of this with Josh Trujillo (Dodge City) and Ricardo Lopez-Ortiz (Kingpin) doing a combo Warriors Three and Cloak and Dagger story while Ram V (Paradiso) and Cafu (Imperium) tell the story of an Asian-American teenager’s experience with Wolverine. Chip Zdarsky, Joe Quinones, and Rico Renzi’s return to Howard the Duck is well-drawn, if underwhelming and sophomoric. This is made up for by an intelligent, wonderful Daredevil by Jason Aaron and drawn by Andrea Sorrentino in a looser style with colors by Matthew Wilson that should have gotten its own mini and is the multi part serial of the bunch.

Jason Aaron’s Thor: The God of Thunder (Especially the “God Butcher” arc.) was as much theodicy as Viking metal space opera, and his work on the various Asgardians have touched on big questions, like faith, belief, fate, and higher powers, from a predominantly skeptical point of view. So, it’s very intriguing to see him write Marvel’s man of faith, Daredevil, who is shocked when he meets Thor and his heartbeat is steady when talking about being a god.

Plus the flashback is a chance for Sorrentino to kick it Silver Age style, Ben-Day dots and all. The present narrative features Daredevil playing the role of street level hero, protecting his neighborhood from otherworldly threats, and then getting an Asgardian upgrade that will be described in an upcoming issue of War of the Realms. It’s nice to see one of Marvel’s consistently best written and drawn heroes play a key role in an event comic, and Kingpin’s role in the story makes my mouth water. There’s also the aforementioned Andrea Sorrentino style switch up that isn’t at the cost of making his work less iconic beginning with a little Frost Giant dismemberment.

Speaking of cartooning, Trujillo, Lopez-Ortiz, and colorist Felipe Sobreiro go for lower stakes, but don’t skimp on the fun in their Warriors Three story where Hogun, Fandral, and Hildegarde have to drag an indisposed Volstagg to the Sanctum Sanctorum. There’s action, derring do, Shakespearean English type banter, and slapstick humor with a side of horror as they meet up with Cloak and Dagger and protect the ordinary citizens of New York on the way to their destination. Ram V and Cafu’s Wolverine story is in a similar vein as teens named Jae and Chris rush through the streets of New York to make it to the Sanctum Sanctorum and watch Logan’s six along the way. Cafu’s renderings are a little stiff, but Ram V truly believes in the inspirational power of superheroes even ones that are rough around the edges. His banter between Wolverine and Punisher is also deadpan funny too, which makes it all the more sad that Chip Zdarsky and Joe Quinones return to Howard the Duck isn’t witty, satirical, and filled with sight gags, but one long pee joke. However, War Scrolls #1’s overall verdict is still Read, and I’m very excited to see what Jason Aaron and Andrea Sorrentino do with Daredevil and Kingpin.

War of the Realms: Punisher #1

On the surface, I thought that War of the Realms: Punisher #1 and “War of the Realms” was just an excuse for Frank Castle to kill things with no moral dilemmas, and unfortunately, I was right. Writer Gerry Duggan, and capital “G” gritty artists Marcelo Ferreira and Roberto Poggi along with solid colorist Rachelle Rosenberg make the Punisher a heroic figure compared to the dark elves and fire trolls he fights and the prisoners he recruits as allies to escort patients from a hospital in Manhattan through the Lincoln Tunnel into New Jersey. Old Uncle Frank will ignore your weed stash in return for some piano wire, not take revenge on a Frost Giant to get a man out of a burning car, and even shoot a criminal in the head to show what happens if you don’t help him escort some “innocent” patients to Jersey.

The Punisher shooting elves and trolls while helping people get from New York to New Jersey with hardened criminals as allies would make a decent action-oriented one-shot. Like a high fantasy version of The Raid, but with a vigilante, not a cop. However, War of the Realms: The Punisher #1 spends almost its entire page time on Frank Castle hero worship and mowing down purely evil creatures and only sets up its premise at the very end saving the tunnel action bits for the upcoming two issues.

War of the Realms: The Punisher #1’s is drawn in a superhero house style with thicker and darker inks from Roberto Poggi and flashes of powerful colors from Rachelle Rosenberg like when a car becomes almost entirely flame. It’s the comic book equivalent of Eli Roth’s footloose and conscience free Death Wish remake with extra trolls, giants, and elves and no pesky moral grey areas. It’s no surprise that its overall verdict is Pass.

Two issues in, and Jason Aaron, Russell Dauterman, and Matthew Wilson are still in pure action figure geek mode matching up a plethora of superheroes against fantasy races established in their work on Thor’s solo title. There are still compelling stories between the fights, obvious tie-in setups, and off panel plot developments like Aaron and Mike Del Mundo’s captivating standalone Loki story in Thor #12, Aaron and Andrea Sorrentino’s intriguing Daredevil/Kingpin serial, and Josh Trujillo and Ricardo Lopez-Ortiz’s Warriors Three short. But there are also stinkers like War of the Realms: Punisher, an ill-fated Chip Zdarsky and Joe Quinones Howard the Duck reunion, and hopefully not the core War of the Realms miniseries. But, hey, at least, we have a few more issues of Sorrentino drawing Daredevil.

Panel of the Week

Logan circa 2013 feels personally attacked by this panel. In all seriousness, Jason Aaron writes a great Loki (Thor #12, Art by Mike Del Mundo.)

Review: War of the Realms: War Scrolls #1

The War of the Realms is raging across the Marvel Universe and there’s so many stories to be told. War of the Realms: War Scrolls #1 kicks off the anthology miniseries with four stories.

It features the works of Jason Aaron, Andrea Sorrentino, Matthew Wilson, Josh Trujillo, Ricardo Lopez Ortiz, Felipe Sobreiro, Ram V., Cafu, Brian Reber, Chip Zdarsky, Joe Quinones, Joe Rivera, Rico Renzi, and Joe Sabino.

Get your copy in comic shops April 17th! To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon
TFAW

Marvel provided Graphic Policy with FREE copies for review
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Messages from Midgard #2: Frog Thor Feelings

The “War of the Realms” settles into its second week with a trio of tie-ins that seem utterly unrelated: War of the Realms: Journey into Mystery #1, Asgardians of the Galaxy #8, and Unbeatable Squirrel Girl #43. However, the first two comics are a shining example of how difficult doing ensemble casts are, and the third is a proof that Unbeatable Squirrel Girl is a beautiful gift even when it’s an event tie-in. It even moves “War of the Realms'” narrative forward by showing how Malekith and his allies divvied up the different continents of the Earth. Stereotypically, the Frost Giants got Canada.

War of the Realms: Journey into Mystery #1

The McElroys (Father Clint and sons Justin, Travis, and Griffin, but those names aren’t in the comic.) are big time podcasters known for their work on the advice show My Brother, My Brother and Me and the Dungeon and Dragons show The Adventure Zone, which I’ve listened to a couple episodes of and was a best-selling graphic novel for First Second. At first, I thought they were comic neophytes, but apparently, Clint McElroy worked on licensed comics like Universal Soldier and Green Hornet in the early 1990s. They team up with artist Andre Araujo and colorist Chris O’Halloran to tell the buddy road trip story of Balder teaming up with Miles Morales, Kate Bishop, Thori, Becca aka Deathlok 2.0, Sebastian Druid, and Wonder Man to protect Thor’s baby sister, Laussa.

Journey into Mystery #1 has a fun premise that is only a little bit related to the main “War of the Realms” narrative and pokes fun at continuity changes as well as certain character being “off limits” because of events. See, Balder wanted Peter Parker, Clint Barton, Dr. Strange, and the original Deathlok, but he ended up with the legacy versions. The McElroys and Araujo introduce the cast in a typical flash forward, flash back, flash forward, and big cliffhanger fashion. Each road trip member gets a humorous origin and is then thrown into the fray by the Norn, Skuld. The level of funny varies from Matt Fraction/Kieron Gillen cover band while writing Kate Bishop and Thori respectively to the genuinely clever situation of having Miles rescue Times Square cosplayers and a teen Deathlok making a fake graduation party with Life Model Decoys to feel less alone and more human.

The story should have hit its stride in its third part when the team is assembled and being chased in a truck by Sindr, the daughter of Surtr, and her fire troll/demon/generic being army. Araujo cuts to the right moments in the chase to build tension and gets to do real storytelling instead of just the funny faces of the flashback. However, The McElroys kind of lose track of their team in the chaos with Miles and Dr. Druid especially suffering. They do manage to write around Wonder Man’s superhero story sapping pacifism to give him a great moment. Journey into Mystery has its clever moments, but in chemistry terms, it’s more of a heterogenous mixture than an a homogenous one so, for now, it gets an Overall Verdict of Read.

Asgardians of the Galaxy #8

Even though 75% of its run has either been a tie-in to “Infinity Wars” or “War of the Realms”, Cullen Bunn, Matteo Lolli, and Federico Blee’s space faring, Asgard-connected team book has been one of Marvel’s hidden gems. It’s the spiritual successor of Bunn’s Fearless Defenders or even Dan Abnett and Andy Lanning’s run on Guardians of the Galaxy. The current team lineup is Angela, Valkyrie who sometimes swaps places with archaeologist Annabelle Riggs, Skurge the Executioner, Thunderstrike (The son of the one from the late 80s and 90s), Throg aka Frog Thor, and the dwarf Urzuul. They’re protecting a beacon that summons an army of undead gods, but Heimdall divests them of this and sends them to fight for Earth in the War of the Realms.

While Journey into Mystery gets to have its own plot, Asgardians of the Galaxy #8 takes place during the big battle for New York in War of the Realms #1. So, there’s not much plot once the book gets earthbound, and Lolli and Blee end up riffing off Russell Dauterman’s double page spreads, and well, they’re not Dauterman with a long lead time. But, even though, he’s stuck in the constraints of the event’s plot, Cullen Bunn has a one great trick up his sleeve: characterization.

Unlike Journey into Mystery where many characters are lost in the shuffle or are catchphrase shouters, Bunn gives each member of the Asgardians of the Galaxy at least one small showcase moment. Executioner and Punisher get to compare guns, and Black Panther compliments Urzuul’s weapon craftsmanship. (Wow, that came out wrong.) Cap tells Thunderstrike that his dad was a great hero, and Angela gets to be very angry at the Angels of Heven for siding with Malekith. However, the characters who come across the best are Throg and Annabelle Riggs/Valkyrie.

Throg made his first appearance way back in Walter Simonson’s run on Thor and was an ordinary Central Park frog named Puddlegulp, who was worthy to lift a sliver of Mjolnir and become the Frog of Thunder. Bunn and Lolli give him a moment of great tragedy when he returns to Central Park and sees all his old frog friends being burned up. He feels a lot of guilt for adventuring in space instead of protecting his people and gets a great action sequence that also riffs on Jason Aaron’s concept of Thor Odinson being unworthy.

But Annabelle is the center of Bunn and Lolli’s narrative in Asgardians of the Galaxy #8 as she continues to struggle with her Nova powers and the magic that Kid Loki gave her in the last arc. They keep shorting out, and she subs out with Valkyrie. Or does she. In a big moment, Annabelle rides Valkyrie’s flying horse to look for her girlfriend Ren in the middle of the carnage. They share a beautiful reunion before being literally ripped apart by the plot of War of the Realms. Bunn does a great job writing the only non-powered character and gives her a strong romantic and heroic arc despite this issue being an event tie-in. The emotional moments with her and Throg plus great individual action moments with the rest of the team makes Asgardians of the Galaxy #8 worth an overall verdict of Read.

Unbeatable Squirrel Girl #43

The final “War of the Realms” tie-in and the unlikeliest even though Squirrel Girl has connections with Thor, Loki, and the Norse squirrel god Ratatoskr is Unbeatable Squirrel Girl #43 from Ryan North, Derek Charm, and Rico Renzi. This used to be one of my favorite Marvel titles, but then I fell behind. However, North’s ability to couch exposition in jokes and Tony Stark/Squirrel Girl Twitter thread recaps caught me, the lapsed reader, up to speed as well as anyone who didn’t pick up War of the Realms #1. Basically, the event is an excuse for Loki to send Squirrel Girl on a mission to take out a secret Frost Giant base in Canada, and there’s lots of mysteries to be unbundled from this, including Loki’s alignment, which North hides in ambiguous and purposefully misleading dialogue.

Unbeatable Squirrel Girl #43 is cute, funny, and the only one of these three comics to have a complete plot while having joke, riffs, clever action sequences, and some sweet interactions between Doreen and her parents, who live in Canada and sadly got rid of her Arctic variant costume. Derek Charm is one of my favorite current artists and is really the full package, including animated facial expressions, gesture cartooning, clever layouts, and above all, humor that is helped by North’s great footnote jokes. (His inspiration for the fight between Squirrel Girl and the Frost Giant made me cackle.) He even nails the mandatory superhero group shot splash page that should instantly get him a slot drawing the X-Men, Avengers, or Justice League. Renzi’s colors, especially for the Frost Giants, really pop and have an attitude to them. And his shadowy work with the Ratatoskr gives him the right level of menace.

North, Charm, and Renzi are a clever bunch of creators, and a linewide crossover offers them more opportunities to roast mainstream heroes, like Iron Man and Captain America while giving Doreen a new adventure and new bad guys plus family time. It’s not every day you get a comic that makes a running gag of the Asgardian spelling of “Hek”, but today is this day. For this, a physics defying Frost Giant battle, a joke about Jim Davis’ Silver Surfer/Galactus short story in Unbeatable Squirrel Girl #26, and Loki’s unlikely friendship with Nancy Whitehead, Unbeatable Squirrel Girl #43 gets an Overall Verdict of Buy.

The real heroes of this week’s “War of the Realms” tie-in were a hero that eats nuts, kicks butts, and tries to reason with her enemies before punching them and a heroic frog that despite his unworthiness still fights to avenge the people he loves. Also, writing a cast of ensemble characters in the middle of a summer crossover is like trying to walk and chew bubblegum. Jokes and emotional character arcs help smooth things over though.


Panel of the Week

The end result of messing with Throg from Asgardians of the Galaxy #8. (Art by Matteo Lolli and Federico Blee)

I want to make this column more interactive. Email me questions at ldalton626@gmail.com or tweet me at MidnighterBae, and I will answer them in an upcoming installment of Messages from Midgard.

Review: Goddess Mode #2

Goddess Mode #2

Dragged violently into a secret world of monsters, magic, and metadata, Cassandra is asked to join the group of superpowered girls who saved her in their fight against the mysterious Daemons. But Cassandra has so many questions of her own to answer first-Why was she attacked? What is the omnipotent Hermeticorp up to? And most importantly, who are these girls anyway?

Goddess Mode #2 keeps up the action in an issue that explains a bit more of what’s going on and not enough at the same time. Writer Zoë Quinn delivers an issue that adds intriguing layers to this world but in the end comes off as a high-tech magical girl story. That’s not a bad thing but this feels like a series we’ve seen before but fantasy is replaced by technology.

Who were the girls Cassandra met and what’s going on? Quinn explains that, sort of, leaving open a lot of questions and also throwing in some things I hate considered, like is it all a hallucination? The concepts thrown out there are interesting, ghosts in the machine being daemons but there’s something about the series so far that feels all too familiar. Again, it’s not bad at all, just not as original as it may have first appeared.

The craziness that Quinn delivers succeeds due to the art of Robbi Rodriguez with color by Rico Renzi and lettering by Simon Bowland. The combination of art and color deliver a look and matches the frenetic and kinetic nature of Quinn’s storytelling. It’s a style that says cyberpunk but not at the same time. There’s a bit of Tron thrown in on top of things as well as popular designs from manga. It all comes together for a series that visually stands out.

Two issues in and Goddess Mode feels more like a mish-mash of a lot of different things from fantasy, cyberpunk, Tron, manga, magical girl trope, and more. It’s not necessarily unique but it delivers a blender full of concepts into something that’s a fun read and gets you to want to see what’s next.

Story: Zoë Quinn Art: Robbi Rodriguez
Color: Rico Renzi Letterer: Simon Bowland
Story: 7.0 Art: 8.5 Overall: 7.25 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review

Review: Goddess Mode #1

Technology is good. It’s at times magic. Magic is power. Goddess Mode explores the technology in our lives in what is and what might be with a bit of a fantasy twist.

Goddess Mode #1 is written by Zoë Quinn with art by Robbi Rodriguez, color by Rico Renzi, and lettering by Simon Bowland.

Get your copy in comic shops now! To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/comiXology/Kindle
TFAW

DC Comics provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

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