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ComiXology Originals Announces We Only Kill Each Other by Stephanie Phillips and Peter Krause

ComiXology Originals will be releasing We Only Kill Each Other, a new gritty violent 5-issue historical fiction comic book series written by up and comer Stephanie Phillips, illustrated by Peter Krause, with colors by Ellie Wright, lettering by Troy Peteri and covers by superstar artist Dave JohnsonWe Only Kill Each Other issue #1 arrives digitally from comiXology Originals November 16, 2021 and will debut in print next year.

The year is 1938. The threat of World War II looms over the United States, where Nazi sympathizers and fascists have taken root on American soil in alarming numbers. In New York City, resistance to the American Nazi movement grows amongst the ranks of Jewish-American gangsters. Enter Jonas Kaminsky, a rising small-time gangster who’s embroiled in a turf war with Levi Solomon, an old-time mob boss with millions tied up in gambling and booze. When thrown together in an unexpected circumstance, it turns out that the one thing these gangsters hate more than each other is Nazis.

We Only Kill Each Other collecting issues #1-5 [136 pages / color / ISBN: 978-1-50672808-7 /MSRP $19.99/25.99 pbk] arrives in print for the first time from Dark Horse Books on April 19, 2022.

Underrated: Dragonfly and Dragonfly Man

This is a column that focuses on something or some things from the comic book sphere of influence that may not get the credit and recognition it deserves. Whether that’s a list of comic book movies, ongoing comics, or a set of stories featuring a certain character. The columns may take the form of a bullet pointed list, or a slightly longer thinkpiece – there’s really no formula for this other than whether the things being covered are Underrated in some way. This week: a prequel to The Wrong Earth, Dragonfly and Dragonfly Man


I initially stumbled over The Wrong Earth because the first issue of the second volume caught my eye. I enjoyed it, a lot, and decided to circle back and order the trade of the first volume. After loving that, I found the prequel book that details the parallel lives of the Dragonfly and Dragonfly Man.

So what is the book about? Well to tackle that, first we need to grasp the nature of Wrong Earth for those who either haven’t read it or missed my previous column on that story. So because I don’t see the need to rewrite the publisher’s blurb for Wrong Earth, I’ll paste it below.

“On dark, gritty Earth-Omega, masked vigilante Dragonfly punishes evil maniacs and evades corrupt authorities. On sun-splashed Earth-Alpha, costumed crook-catcher Dragonflyman upholds the letter of the law. Now they’re trapped on each other’s worlds, where even the good guys don’t share their values!”

If the idea of the Silver Age Batman or the Adam West Batman and Frank Miller’s Dark Knight switching places sounds awesome, to you, well, that’s because it is. But it’s also so much more than just that elevator pitch. But if you want to know more about why that book is awesome, check out the Underrated where I talk about that, because here we’re looking at Dragonfly and Dragonfly Man.

Written by Tom Peyer, featuring art by Peter Krause, Russ Braun, with finishes provded by Juan Castro and Leonard Kirk and colours provided by Andy Troy and Paul Little with Kelly Fitzpatrick. Rounding out the creative team is letterer Rob Steen, who’s contributions to the comic are often subtle until you catch the sound effects giving you a nostalgic Silver Age smile in Earth Alpha. The book is published by Ahoy, a publisher that I’ve become increasingly more aware of as I notice their logo on books I’ve been thoroughly enjoying.

This book essentially takes the same story and tells it twice; once with the Silver Age sensibilities of Earth Alpha, and once with the Modern Age darkness. Because they’re told concurrently, you get to see how the two versions of the same hero react to very similar situations – the dichotomy of the two worlds emphasizes the fish out of water scenario that Wrong Earth deals with, and yet you get to see just how similar the heroes are despite the differences in their respective worlds. The story, essentially, focuses on how Dragonfly and Dragonflyman deal with the threats of Tommygunner and Devil Man, and Peyer captures the spirit of their respective eras very well. I find myself increasingly drawn to the Silver Age shenanigans’ of Earth Alpha; I won’t lie, it’s stirring an urge to find more Silver Age Batman comics/stories to enjoy as the escapism is more refreshing than I’d have expected it to be.

I know that Peyer is currently writing the sequel to Wrong Earth, but I really want to explore more tales told in this fashion to expand upon the universe.

As with Wrong Earth, I’ve only really scratched the surface with this book, because a lot of it you’ll benefit from going in as blind as you can and spotting the similarities between Earth Alpha and Omega, and also the similarities between the two eras of Batman’s past. This series has fallen below far too many radars, and every person to whom I have shown the trade has been thoroughly engrossed and intrigued in the trades.

Seriously, this is well worth checking out.

With the potential richness in the Wrong Earth universe, and the quality of Peyer’s writing and the artistic team’s collaborations, I’ve definitely found one of those comics that I’ll be reading for a long time. You can read this book without having read Wrong Earth, and still find it just as enjoyable – perhaps if you do that you’ll end up with a lot more context in Wrong Earth and its sequels. Go find this underrated gem at your favourite retailer now.


Unless the comics industry ceases to exist this week, Underrated will return next week.

Z2’s True War Stories Comes to Bookstores in March 2021

True War Stories

Z2 has announced that True War Stories will be available in bookstores in March 2021, after its Local Comic Shop Day debut. This unique project, assembled by the multiple-Eisner nominated writer/editor, Alex de Campi and co-edited by Iraq War veteran Khai Kumbaar is an entertaining and moving work of graphic nonfiction, pairing members of the US military with the biggest names in comics to share real war stories told by those who lived them.

A sniper in Haiti faces the repercussions of the shot he never took. A team of SEALs help rescue a kidnapped girl in the Philippines. Army interpreters in Iraq battle their toughest foe: the rats of Saddam’s palace. A soldier on a late-night run surprises a motorpool saboteur. A young cavalry lieutenant, fresh off the Battle of Kamdesh, meets the Marine half-brother he’s never known. A Navy ship reacts to an unexpected man overboard. And if you’ve ever wondered what Christmas was like in a war zone, you’re about to find out.

Artists include Peter Krause, Ryan Howe, Skylar Patridge (drawing her own father’s Vietnam story), Eoin Marron, Tish Doolin (a former Army medic), Dave Acosta, A. D’Amico, Drew Moss, Josh Hood, PJ Holden, Chris Peterson, Sam Hart, Jeff McComsey, and Paul Williams. Colors are by Dee Cunniffe, Matt Soffe, Kelly Fitzpatrick, Tarsis Cruz, and Aladdin Collar. All lettering is done by de Campi herself.

True War Stories is a 260-page full color graphic novel anthology containing fifteen true tales of American service members overseas. Nearly every branch of the military is represented in this collection of stories that are heartwarming, heroic, harrowing, and even at times, hilarious, spanning the globe. 
 
As previously announced, True War Stories is currently available exclusively for stores to order directly from the publisher now under the following terms:

  • Direct orders to be packed and shipped by Z2’s fulfillment center at a 50% discount. Retailers may order any of Z2’s existing backlist titles at this same discount at the time of their order.
  • Orders will be shipped on consignment with payment for all books sold due 90 days from their ship date to give retailers flexibility to take advantage of holiday sales beyond the event. 
  • Retailers will be responsible for shipping costs to and from their stores, which will be billed upon receipt of saleable goods back from stores.

True War Stories will be published by Z2 Comics in conjunction with Local Comic Shop Day, and then in the wider market in March 2021, with all profits from this $19.99 retail release donated to military-related charities chosen by our contributors as personally meaningful to them: Objective Zero Foundation, Air Force Assistance Fund, the USO, Armed Services Arts Partnership, and Special Operations Warrior Foundation. 

In addition, the title is available for direct order from the Z2 website, in celebration of Veterans Day!

Z2 Announces True War Stories is Getting a Local Comic Shop Day Release

Z2 Comics has announced that True War Stories, the ambitious project pairing members of the US military with the biggest names in comics to share real war stories told by those who lived them, will be available for Local Comic Shop Day. This unique project, assembled by the multiple-Eisner nominated writer/editor, Alex de Campi and co-edited by Iraq War veteran Khai Kumbaar is an entertaining and moving work of graphic nonfiction previously only available through Kickstarter.

Vietcong sappers attack a fuel point, only to be foiled by an unusual alert guard dog. An MP guards convoys of mystery bombs in the Thai jungle in 1968. A young Airman copes with post-9/11 paranoia in Okinawa. A Marine sniper in Haiti faces the repercussions of the shot he never took. A team of SEALs helps rescue a kidnapped girl in the Philippines. Army interpreters in Iraq battle their toughest foe: the rats of Saddam’s palace. A soldier on a late-night run surprises a motorpool saboteur. A young cavalry lieutenant, fresh off the Battle of Kamdesh, meets the Marine half-brother he’s never known. A Navy ship reacts to an unexpected man overboard. And if you’ve ever wondered what Christmas was like in a war zone, you’re about to find out.

Artists include Peter Krause, Ryan Howe, Skylar Patridge (drawing her own father’s Vietnam story), Eoin Marron, Tish Doolin (a former Army medic), Dave Acosta, A. D’Amico, Drew Moss, Josh Hood, PJ Holden, Chris Peterson, Sam Hart, Jeff McComsey, and Paul Williams. Colors are by Dee Cunniffe, Matt Soffe, Kelly Fitzpatrick, Tarsis Cruz, and Aladdin Collar. All lettering is done by de Campi herself.

True War Stories is a 260-page full-color graphic novel anthology containing fifteen true tales of American service members overseas. Nearly every branch of the military is represented in this collection of stories that are heartwarming, heroic, harrowing, and even at times, hilarious, spanning the globe.

True War Stories will be published by Z2 Comics in conjunction with Local Comic Shop Day, with all profits from this $19.99 retail release donated to military-related charities chosen by our contributors as personally meaningful to them: Objective Zero Foundation, Air Force Assistance Fund, the USO, Armed Services Arts Partnership, and Special Operations Warrior Foundation.

True War Stories

CANCELED: Comic Creators Come Together to Raise Money for Biden for President on Thursday, October 22

Unfortunately, the event has been canceled. You can still donate to Biden for President and, with less than two weeks to go, there’s still time to volunteer and help get out the vote.


Avengers Assemble!!! Wait, that’s another fundraiser. This Thursday, October 22, comic creators are coming together for a “Virtual Comic Panel” to raise money to benefit Joe Biden for President’s Victory Fund.

The panel will be moderated by Bob Harrison and features Mark Waid, Ron Marz, Greg Pak, Peter Krause, Heather Antos, Chris Sotomayor, Jamal Igle, David Gallaher, Andrew Dalhouse, Bekah Caden, Rich Douek, Richard Clark, Pete Pantazis, Steve Orlando, Cullen Bunn, and Alex Sanchez.

It features panelists from across the comic creation process.

The event takes place October 22 at 6pm EDT/3pm PDT.

The event has five donation tiers ranging from $50 general admission tickets to a $5,600 VIP level that includes a one-on-one video chat with a panel guest, writing critique or portfolio review.

Video conferencing details will be sent to all confirmed participants 24-48 hours prior to the event. Reasonable accommodations, such as closed captioning, will be available at request after RSVP.

Preview: Irredeemable Omnibus

Irredeemable Omnibus

(W) Mark Waid (A) Peter Krause, Various (CA) Scott Newman
In Shops: Sep 23, 2020
SRP: $49.99

When the Plutonian, the world’s greatest superhero, snaps and turns into the world’s greatest villain, only his former teammates have a chance at stopping his rampage. What became of the hope and promise once inside him? What happens to the world when its savior betrays it? What makes a hero irredeemable? For the first time, the entire Irredeemable saga is available in a single volume.

The acclaimed team of writer Mark Waid (Kingdom Come, The Avengers) and artist Peter Krause, along with some of the most acclaimed creators in comics, challenge everything you think you know about superheroes by exploring the good, the bad… and the irredeemable inside all of us.

Collects Irredeemable #1-37, Irredeemable Special #1 and Incorruptible #25-26.

Irredeemable Omnibus

Alex De Campi and Z2 Comics Return to Kickstarter for True War Stories: Tales From Deployment

Z2’s diverse fall publishing slate continues to be revealed with projects from today’s biggest names in entertainment. Today, the publisher recruits members of the US military for an ambitious project: share real war stories told by those who lived them in an entertaining and moving work of graphic nonfiction which launches exclusively for presale through the Kickstarter crowdfunding platform. This unique project pairs veterans with some of the biggest names in comics, as assembled by the multiple-Eisner nominated writer/editor, Alex de Campi and co-edited by Iraq War veteran Khai Krumbhaar.

Vietcong sappers attack a fuel point, only to be foiled by an unusual alert guard dog. An MP guards convoys of mystery bombs in the Thai jungle in 1968. A young Airman copes with post-9/11 paranoia in Okinawa. A Marine sniper in Haiti faces the repercussions of the shot he never took. A team of SEALs help rescue a kidnapped girl in the Philippines. Army interpreters in Iraq battle their toughest foe: the rats of Saddam’s palace. A soldier on a late-night run surprises a motorpool saboteur. A young cavalry lieutenant, fresh off the Battle of Kamdesh, meets the Marine half-brother he’s never known. A Navy ship reacts to an unexpected man overboard. And if you’ve ever wondered what Christmas was like in a war zone, you’re about to find out.

True War Stories is a 260-page full color graphic novel anthology containing fifteen true tales of American service members overseas. Nearly every branch of the military is represented in this collection of stories that are heartwarming, heroic, harrowing, and even at times, hilarious, spanning the globe.

True War Stories will be published by Z2 Comics in time for Veterans Day in November. All profits from the book’s retail release will be donated to military-related charities chosen by our contributors as personally meaningful to them: Objective Zero Foundation, Air Force Assistance Fund, the USO, Armed Services Arts Partnership, and Special Operations Warrior Foundation.

Artists include the great Peter Krause, Ryan Howe, Skylar Patridge (drawing her own father’s Vietnam story), Eoin Marron, Tish Doolin (a former Army medic), Dave Acosta, A. D’Amico, Drew Moss, Josh Hood, PJ Holden, Chris Peterson, Sam Hart, Jeff McComsey, and Paul Williams. Colors are by Dee Cunniffe, Matt Soffe, Kelly Fitzpatrick, Tarsis Cruz, and Aladdin Collar. All lettering is done by de Campi herself.

We Take a Ride with Chip Mosher to Talk Blacking Out

Blacking Out

Comics industry veteran Chip Mosher and legendary artist Peter Krause have launched the Kickstarter for Blacking Out, a 56-page graphic novel presented in the hardcover European album format. Colorist Giulia Brusco, letterer Ed Dukeshire, and designer Tom Muller join the pair in this sucker-punch tale of a disgraced ex-cop, Conrad, unraveling an unsolved murder during Southern California’s fire season. 

In Blacking Out, Conrad follows a lone clue—a discarded crucifix—to unravel the death of Karen Littleton, whose body was found amid a blaze that scorched 10,000 acres. Conrad’s search leads him to clash with the victim’s father and prime suspect, Robert Littleton, as well as hostile former colleagues on the local police force. All the while, Conrad combats his alcoholism and fading faculties.

We got a chance to talk to Mosher about the comic, how his career influenced the release, and how you need to trust your collaborators. You have about one day to back the Kickstarter.

Graphic Policy: The comic has been worked on for four years, since 2016…

Chip Mosher: Yeah, the final version of it.

GP: I know you’re a fan of noir and crime stories but where did the idea for this comic come from?

CM: When I moved to California, about 20 years ago, I was struck by a lot of different things. The difference between growing up in Texas, where you have hurricanes and tornadoes. Everyone was freaking out at how I was going to deal with the earthquakes. I moved out and there was a 6.0 earthquake and I looked out at the palm trees swaying and the pool waves. Then I moved out here and the real thing is the fire season. Being a crime fan, there’s no real great story about crime and fire. I wanted to do something with that. There was a fire on 5, so I got in my car and took my camera to take some pictures. I wanted to take photos of the post-apocalyptic beauty. After a few hours of doing that, much longer than I should have, the story hit me like a ton of bricks and it went from there.

Blacking Out

GP: The town that it takes place in is a small town and it reminds me more of small town middle America than California…

CM: The thing about growing up in Texas, especially Houston, there are more miles of freeways in Houston than there is in Los Angeles. I grew up loving to drive and exploring. There are tons of towns like Edendale around the greater LA area and San Diego. I envision it like that area with a bunch of small towns with long stretches of nothing in between.

GP: The town and the town are characters in a lot of ways. When you designed the story, how much of that is that you, and how much is the art team?

CM: The script that Peter Krause worked from initially is fairly descriptive of the places and the car. But, the photography I did, there’s a photobook at the $15 level, it’s a bunch of collages I did. I drove around Southern California. One of the characters is a mechanic the garage, so I took photos of that. Anita’s house, the bar, the liquor store, photos of the car, the look at feel is a great alchemy of my work going into Peter’s head and it coming out on the page. Some of it is what I envirioned and some of it different but very cool. I gave Peter a lot of freedom the freedom of the storytelling and the look and feel of the book.

GP: Is there anything about that particualr car that stood out or mattered? I read it and I can’t picture any other car being used. It just wouldn’t feel right.

CM: That’s a testament to Pete’s style. Pete has a love of old advertisements. I was looking through some files he shared. He found an old 70s ad for the car. I think the testament that you can’t imagine the story with any other car is Pete and Giulia Brusco who helped sell it.

GP: How did the team come together?

CM: Pete was the first domino to fall. When I decided to pull the trigger on this, I really wanted to work with someone in the deepest way. A really collaborative nature. I finally convinced Pete, he thought the story it’s way too dark for him. I approached Tom Mueller really early on and get the feel of what we were doing. I contacted Tom once Pete started working on it and I’d send Tom things periodically. Giulia is someone I’ve been a fan of for a long time. I was a fan of her work on Scalped. So I pulled her in. Ed Dukeshire is amazing. Ed was my ride or die at BOOM! Letterers these days don’t get any time to do their work.

Blacking Out

GP: You’ve been on all sides of the business.

CM: I have.

GP: Did that influence you at all? How did the story change? The presentation?

CM: I’m a little bit long in my career, though the least prolific comic creator the world has ever seen. I wanted a book I could pull off the shelf in 30 and 40 years and say “that’s great.” I’ve been lucky enough in my day job to got to France and fell in love with that European 40-page format and knew it’s what I wanted to emulate. The storytelling is different. The panels are longer the pages taller. More a widescreen format. I think I have the confidence to work with people who have great track records and tell them to take their time. I didn’t give anyone a deadline. My deadline was how long would it take? They’re professionals who deliver all the time. So I had honest conversations and being in the place I am in my life and career and have the faith it’d show in these products.

GP: Did you change anything at all with digital? It’s become a greater thing in the industry and I’ve been fascinated to see how that impacts the creative process.

CM: I find reading digital comics so easy and there are so many different ways to approach it. I’m a comiXology Guided View partisan but I don’t think there were any changes because someone was going to read it digitally.

GP: I’ve read European format and haven’t really thought if there’s a difference between that and American styles being formatted digitally. Nothing jumps out about the experience.

CM: It just works. There’s different pros and cons on the approaches and certainly optimize for digital reading but first and foremost but it’s an oversized BD book.

GP: The color reminds me a lot of 70s noir film. Did you have input?

CM: My approach is hire the right people and get out of the way. You have to trust people. If you pick the right people, it’s easy to get out of the way and let them do their best work.

Blacking Out

GP: The discarded curcifix stands out to me in the comic. It not just ties into the death of Karen but the fall of Conrad from grace. Are these things you think of as a writer?

CM: All of that is in there. I don’t want to spoil it. I picked her last name subconsciously. Her last name is Littleton, which is a reference to the Colorado town. There’s a lot of that.

GP: Same with the name of the town?

CM: Edendale was the name of Hollywood before it was called Hollywood.

GP: I don’t know that.

CM: You’re giving away my moves. There’s some subtext with the town being what Hollywood was named…

GP: Is there anything with the population of the town? Is it a random number?

CM: I forget. I might have pulled that from somewhere. There’s a bar I like in Silver Lake called Edendale. It was known as the home of the most major movie studios. I don’t want to give too much away. When I’m picking character names and titles, I always have double and triple meanings. Spoiler, if you read Left on Mission, the main character is Emma and if you listen to the Hot Chocolate song, it’ll spoil the whole story for you. Recorded by Sisters of Mercy.

GP: I don’t think I know that song.

CM: It’s a great song.

GP: I’ll have to check it out. Thanks for chatting and looking forward to getting the book in my hands.

AHOY Comics Announces Dragonflyman Day on June 16

Dragonfly & Dragonflyman

AHOY Comics has announced that June 16th will henceforth be known as “Dragonflyman Day.” This historic occasion will coincide with the bookstore publication date of the upcoming trade paperback release of Dragonfly & Dragonflyman — the prequel to the dazzling series The Wrong Earth — by writer Tom Peyer, artist Peter Krause, colorist Andy Troy, and letterer Rob Steen.

In the darkness of Earth-Omega, The Dragonfly exacts vengeance from sadistic killers and corrupt authorities. On sunlit Earth-Alpha, the upstanding Dragonflyman fights for justice alongside the police. Now, for the first time ever, all five issues of the series, plus the 2019 AHOY Free Comic Book Day story, will be available in one dimension-smashing volume—and, coincidentally, just in time for everyone’s new favorite summer holiday: Dragonflyman Day.

A brand-new but already beloved tradition wherein people from all over earth—Omega, Alpha, and otherwise—celebrate this all-too-misunderstood superhero, Dragonflyman Day will be full of exciting festivities, such as the aforementioned bookstore release date of the trade paperback. 

Dragonfly & Dragonflyman will be available in comic stores on June 3rd and bookstores on June 16th.

AHOY Comics Returns with All New Releases and New Schedule

AHOY Comics will resume publishing new comic book magazines in June. The updated summer publishing schedule includes:

ASH & THORN

A 5-issue miniseries by bestselling writer Mariah McCourt (True Blood, Stitched), artist Soo Lee (Analog Sci-Fi Magazine, Charlie’s Angels vs. the Bionic Woman), and colorist Pippa Bowland (2000AD), with lettering by Rob Steen and covers by legendary artist Jill Thompson (Scary Godmother, Wonder Woman: True Amazon).

Originally scheduled to debut on April Fool’s Day, the highly-anticipated debut issue #1 of ASH & THORN will be published on June 24, 2020, followed by issue #2 on July 8, issue #3 on July 29, issue #4 on August 19, and issue #5 on September 9, 2020.

ASH & THORN

BILLIONAIRE ISLAND

A 6-issue miniseries by acclaimed writer Mark Russell (Second Coming) and artist Steve Pugh (Harley Quinn: Breaking Glass), and colorist Chris Chuckry, with lettering by Rob Steen. Issue 1 features a cover by series artist and co-creator Steve Pugh and a variant cover by bestselling artist Pia Guerra (Y The Last Man).

The critically acclaimed series returns on July 1, 2020 with an all new second issue, followed by issue #3 on July 22, issue #4 on August 12, and issue #5 on September 16.

BILLIONAIRE ISLAND

CAPTAIN GINGER SEASON 2: DOGWORLD

A 6 issue mini-series by acclaimed writer Stuart Moore (Bronze Age Boogie) and artists June Brigman (Power Pack) and Roy Richardson, and colorist Veronica Ghandini, with lettering by Rob Steen.

CAPTAIN GINGER: DOGWORLD, which had two issues published at the time of lockdown, will complete its serialization in exclusive digital editions from Comixology. The first new issue of CAPTAIN GINGER SEASON 2: DOGWORLD, issue 3, will be released digitally on June 10, followed by issue 4 on July 8, issue 5 on August 5, and issue 6 on September 2.

Each upcoming issue of CAPTAIN GINGER: DOGWORLD will contain a special Digital Bonus Book at no additional cost: issue #3 features DRAGONFLY & DRAGONFLYMAN #1, issue #4 features BILLIONAIRE ISLAND # 1, issue #5 features BRONZE AGE BOOGIE #1, and issue #6 will feature will feature a selection from EDGAR ALLAN POE’S SNIFTER OF TERROR, including Hunt Emerson’s Black Cat comics.

CAPTAIN GINGER SEASON 2: DOGWORLD

In June, AHOY will also be publishing the trade paperback of DRAGONFLY & DRAGONFLYMAN, the prequel to the dazzling series THE WRONG EARTH—by writer Tom Peyer, artist Peter Krause, colorist Andy Troy, and letterer Rob Steen. The trade paperback will be released in comic book stores on June 3rd and in bookstores on June 16th.

DRAGONFLY & DRAGONFLYMAN

Originally scheduled for release this summer, as part of the company’s fourth wave of releases, PENULTIMAN, the new super hero title by Tom Peyer and Alan Robinson, will be resolicited at a later date.

Almost American
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