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Penn State University Press to Self-Distribute Graphic Mundi Imprint

Graphic Mundi logo

After nearly five years with a third-party distributor, Penn State University Press will begin self-distribution of its Graphic Mundi imprint effective August 18, 2025. Staffed full-time by a professional warehousing, fulfillment, and customer service team, the Penn State University Press distribution center in University Park, PA also provides fulfillment services for the Penn State University Press and Eisenbrauns imprints. Executive Director of Penn State University Press David Ayock anticipated no service disruptions.

Effective on the same day, Canadian distribution for Graphic Mundi will be handled by the University of Toronto Press.

Since 2021, Graphic Mundi has been publishing innovative and award-winning graphic novels for adults and young adults on a range of topics that affect how we live in today’s world. Genres include graphic medicine, graphic journalism, graphic justice, graphic memoir, and graphic history.

To migrate a retail or wholesale account or to place an order for Graphic Mundi titles with Penn State University Press, contact your Penn State University Press sales representative or Sales Manager Paul Harrington at prh5213@psu.edu. You can also reach Penn State University Press’s fulfillment team at orders@psupress.org. Customer service can be reached at (800) 326-9180 weekdays from 8:30 AM to 4:30 PM ET.

Looking at Trauma: A Tool Kit for Clinicians is New in Graphic Medicine

Graphic Medicine is the interesting space of healthcare and comics. It’s a growing sector in the comic industry and something we’ll be covering more here.

Looking at Trauma: A Tool Kit for Clinicians is an easy-to-use, engaging resource designed to address the challenges health care professionals face in providing much-needed trauma psychoeducation to clients with histories of childhood trauma.

Topics covered include complex posttraumatic stress disorder, emotion regulation, memory, relationship patterns, and self-care. Each chapter features step-by-step instructions on how to use the treatment models with clients; practical educational tips from experienced clinicians in the field of childhood trauma; interactive trauma education comics; a foundational framework focused on care for the provider; and references for further study.

Intended for use in therapeutic, clinical, and classroom settings, this book is a valuable resource for all healthcare workers. In particular, social workers, psychotherapists, spiritual care providers, nurses, occupational therapists, psychologists, primary care physicians, and psychiatrists will find this tool kit indispensable.

The graphic novel is edited by Abby Hershler, Lesley Hughes, Patricia Nguyen, and Shelley Wall and available now to order.

MK Czerwiec’s critically acclaimed graphic novels join Graphic Mundi

Menopause

Graphic Mundi, the recently launched graphic novel imprint of Penn State University Press, is the new home for Taking Turns: Stories from HIV/AIDS Care Unit 371 and Menopause: A Comic Treatment, both by Graphic Medicine luminary MK Czerwiec. The Graphic Mundi edition of Taking Turns, with a new cover and updated foreword by Czerwiec, and the new edition of the Eisner-winning anthology Menopause will both be released in November. Both titles will be distributed exclusively by Diamond Comic Distributors.

Taking Turns: Stories from HIV/AIDS Care Unit 371, originally published as part of Penn State University Press’s Graphic Medicine series in 2017, is a firsthand account of caregiving in Illinois Masonic Medical Center’s HIV/AIDS Care Unit 371 in the 1990s—a pivotal time in the history of AIDS. It received rave reviews in Publishers WeeklyLibrary JournalBooklistThe Advocate, and other publications and was cited by Rebecca Makkai as source material for The Great Believers, her award-winning novel. Menopause: A Comic Treatment, published in 2020, was awarded the 2021 Will Eisner Comic Industry Award for Best Anthology, and Mimi Pond’s “When the Menopausal Carnival Comes to Town,” one of the comics contained in the anthology, was awarded Best Short Story. It was also named a Best Graphic Novel of 2020 by the New York Times, whose columnist Hillary Chute called it “eclectic and often humorous,” and listed among the 2020 Top Ten Best Graphic Novels for Adults by Booklist.

Additional Fall 2021 releases from Graphic Mundi are Hakim’s Odyssey, Book 1: From Syria to Turkey by Fabien Toulmé (November); A Chance by Cristina Durán and Miguel Giner Bou (November); Iranian Love Stories by Jane Deuxard and Deloupy (December); and BrainComix by Jean-François Marmion and Monsieur B (December).

Review: Graphic Reproduction: A Comics Anthology

While it is so often considered taboo and explicit, so much of the world revolves on sex and people’s deepest desires. People are obsessed with the optics of what makes someone sexy. Movies, music, television, books, and comics, all rely on it to make themselves more scintillating. Though the subject still makes us uncomfortable.

The main purpose of sex is for reproduction, while pleasure is simply a byproduct of the act. This concept is somewhat is thought in every sex education, but rarely do they get into the details of the reproductive cycle, not only childbirth, but also child loss, and how thousands of couples try to conceive every year. As the world has evolved, becoming more conscientious of how much the truth matters, the more creators have come forward to make the facts and reality more transparent. In Graphic Reproduction: A Comics Anthology, a bevy of talented writers and artists have come forward to give readers, the unadulterated truth of the reproductive process.

The graphic novel covers a lot of topics. In “Abortion Eve,” the reader follows a young lady scheduled for an abortion as she has a frank conversation about the realities of undergoing the process. In “Not Funny Ha-Ha,” the reader learns of the two types of abortion procedures and what to expect. In “Spooky Womb,” a woman on her 30th birthday realizes her relationship with her womb is tantamount to her well-being. In “Utero: A Cluster of Comics,” Paula Knight examines the many insecurities and challenges women must go through about their bodies, their sexuality, and the reproductive process. In “Present/Perfect,” Jenell Johnson takes the reader through the struggles of deciding to have a child and turmoil connected to each alternative. In “A Significant Loss: The Story Of My Miscarriage,” Endrene Shepherd gives readers an engrossing view of her journey from finding out she was pregnant to her miscarriage followed by her postpartum depression and eventual acceptance of self and situation. “Losing Thomas and Ella: A Father’s Story,” Weaver-Hightower dives into his family’s emotional journey after losing his twins after childbirth. In “Pregnant Butch: Nine Long Months Spent in Drag,” A.K Summers, the reader gets a front row seat of the struggles being a butch lesbian and being pregnant. In “Pushing Back: A Home Birth Story,” Bethany Doane tells her unique experience with home child birth and what happens after. In “Overwhelmed, Anxious and Angry: Navigating Postpartum Depression,” we follow Dr. Zucker as she talks to different patients about their fights with postpartum depression. In “Anatomy Of A New Mom,” Tyler gives a satirical infographic of the modern mother. In the last story, “Spawn Of Dyke to Watch Out For,” Alison Bechdel tells a hilarious tale of one child birth where a woman undergoes a home birth with the help of some overzealous friends.

Overall, the collection is impressive with creators whose honesty and heart shines through every story. It shows how illuminating personal truths only helps to educate the world. It opens the eyes of readers to make them understand that millions of women deal with this every day. The stories are heartfelt, relevant, and entertaining. The art is warm and engaging. Altogether, it’s both an important teaching tool and a study in empathy.

Editor: Jenell Johnson
Story: Jenell Johnson, Susan Merrill Squier, Joyce Meyer, Lyn Chevli, Paula Knight, Leah Hayes, Endrene Shepherd, Marcus B. Weaver-Hightower, A.K Summers, Bethany Doane, Jessica Zucker, Carol Tyler, Alison Bechdel

Art: Joyce Meyer, Lyn Chevli, Paula Knight, Leah Hayes, Jenell Johnson, Endrene Shepherd, Marcus B. Weaver-Hightower, A.K Summers, Bethany Doane, Ryan Alexander-Tanner, Carol Tyler, Alison Bechdel
Story: 10 Art: 8.6 Overall: 9.3 Recommendation: Buy

Graphic Reproduction, a Comics Anthology from Penn State University Press

Penn State University Press has announced the release of Graphic Reproduction. This comics anthology delves deeply into the messy and often taboo subject of human reproduction. Featuring work by luminaries such as Carol Tyler, Alison Bechdel, and Joyce FarmerGraphic Reproduction is an illustrated challenge to dominant cultural narratives about conception, pregnancy, and childbirth. The anthology is edited by Jenell Johnson with an afterword by Susan Merrill Squier.

The comics here expose the contradictions, complexities, and confluences around diverse individual experiences of the entire reproductive process, from trying to conceive to child loss and childbirth. Jenell Johnson’s introduction situates comics about reproduction within the growing field of graphic medicine and reveals how they provide a discursive forum in which concepts can be explored and presented as uncertainties rather than as part of a prescribed or expected narrative. Through comics such as Lyn Chevley’s groundbreaking “Abortion Eve,” Bethany Doane’s “Pushing Back: A Home Birth Story,” Leah Hayes’s “Not Funny Ha-Ha,” and “Losing Thomas & Ella: A Father’s Story,” by Marcus B. Weaver-Hightower, the collection explores a myriad of reproductive experiences and perspectives. The result is a provocative, multifaceted portrait of one of the most basic and complicated of all human experiences, one that can be hilarious and heartbreaking.

Featuring work by well-known comics artists as well as exciting new voices, this incisive collection is an important and timely resource for understanding how reproduction intersects with sociocultural issues. The afterword and a section of discussion exercises and questions make it a perfect teaching tool.

Graphic Medicine Heads to the Toronto Comic Arts Festival

Three authors of books in Penn State University Press’s critically acclaimed Graphic Medicine series are participating in the Toronto Comic Arts Festival this May.

Graphic novelist, printmaker, and textile artist Gareth Brookes will exhibit advance copies of his forthcoming graphic novel A Thousand Coloured Castles. Rendered entirely in unique scratched-off crayon drawings, the book depicts life with Charles Bonnet syndrome, which causes intense hallucinations in people with pre-existing vision problems. Brookes’s previous graphic novel, The Black Project, won the 2013 Best Original Graphic Novel Award from Broken Frontier.

MK Czerwiec is a nurse who uses comics to contemplate the complexities of illness and caregiving. She is co-curator of GraphicMedicine.org, co-author of the Eisner-nominated Graphic Medicine Manifesto, and artist-in-residence at Northwestern University’s Feinberg School of Medicine. Her newly released graphic memoir Taking Turns tells the story of HIV/AIDS Care Unit 371 at Illinois Masonic Medical Center in Chicago, where she worked in the mid-1990s at the height of the AIDS crisis.

Ian Williams—recently named the “guru of Graphic Medicine” by the Canadian Medical Association Journal—is a visual artist and illustrator, a medical doctor, and an independent scholar of the humanities. He founded the website GraphicMedicine.org and is co-editor of the Graphic Medicine series and co-author of the Eisner-nominated Graphic Medicine Manifesto. His graphic novel The Bad Doctor is a darkly humorous look at the practice of medicine through the eyes of a neurotic doctor weighed down by his responsibilities.

Czerwiec and Williams will present on Graphic Medicine in a TCAF session on the 13th at 4pm in the Summerhill Ballroom, Marriot Bloor-Yorkville.

Graphic Medicine, a subgenre of graphic novel that is growing in popularity and professional recognition, refers to work that uses comics to tell nuanced stories about health, illness, and the medical field. Learn more at GraphicMedicine.org; see the full list of series titles at PSUPress.org.