Tag Archives: new romancer

Review: New Romancer #5

NEWROM_Cv5_dsFive issues in, and writer Peter Milligan and artist Brett Parson’s New Romancer continues to be a hot mess of a comic. Milligan can’t seem to develop any one of the four or five storylines at any kind of emotionally satisfying level, but he does land a few good moments along the way. There is the relationship between Lexy and her dad as he begins to regret tampering with her brain as Mata Hari holds him half naked to a cactus, and Lexy also gets to geek out about her all-time idol Ada Lovelace, the first computer programmer and the daughter of Lord Byron, as she meets in some weird cyber zone. Casanova also continues to be irritatingly entertaining as a villain even though his scenes are stiffed in favor of the one note corporate head of Lexy’s dad’s old company, Incubator, Angel Beaufort. I guess she represents cold logic and profit compared to the art and romance of Lexy, but it isn’t clear if they’re foils or not.

Parson’s art and Brian Miller’s color continue to be standout parts of New Romancer, and it’s the same in issue 5 with Miller having fun showing the effects of Casanova’s love drug on Lexy. She has incredibly creepy green tinged fantasies and luckily it’s over after a page thanks to Lord Byron draining his power vampire style. And from slime green, Miller can transition to the orange desert sunset where Lexy’s dad is being held hostage by Mata Hari or to the softer green of cyberspace. New Romancer is a colorful book, and Parson’s art is filled with lively and sometimes funny facial expressions like Casanova messing around with his one eye.

And the book finally gets a little sexy as Lexy seduces Lord Byron with his own poetry and goes from being in a daze to all over him. Unfortunately, this is in service of yet another plot point, and by the end of the issue, Lexy is back to pondering how the real man Byron is different from the one she idealized. This is nice and all, but they don’t really discuss it as the end of the issue turns into the climax of Hackers if you replaced mid-1990s cyberpunk fashion with Aladdin Sane David Bowie and actual New Romantics fashion. (Think Duran Duran, Spandau Ballet etc)

Unfortunately, the momentum built through the flirting between Lexy and Lord Byron and her strained relationship with her father all but comes to a halt by the end of New Romancer #5 as the plot gets caught up in a wave of double crosses, hostage situations, and technobabble. And the cliffhanger is yet another showdown between Lexy and Casanova, but this is one will maybe be better because the first arc of the comic is ending. New Romancer was a comic with some fun ideas, like combining Romantic poetry and online dating, performing a feminist critique on Lord Byron from his number one fan, and even the inclusion of Casanova as a villain, but it’s really run out of steam towards the end of its first arc even if Parson and Miller’s art is still fun to look at.

Story: Peter Milligan Art: Brett Parson Colors: Brian Miller
Story: 5.0 Art: 7 Overall: 5 Recommendation: Pass

Review: New Romancer #4

NewRomancer4The sides have been set, and the war for love rages on in New Romancer #4 as Lexy comes to terms with her genetically engineered past while dodging the forces of both Casanova and Mata Hari, who wants to resurrect her lover Marcel’s mind in Lord Byron’s mind. And the head of Incubator, who can’t feel emotions, wants to use Lord Byron’s grasp over human emotional topology to perfect artificial intelligence. Peter Milligan’s plot is pretty ambitious, and he is spinning a lot of plates, but to his credit, doesn’t drop them all thanks to his handle on Lord Byron’s occasionally blunt, occasionally poetic voice and by continuing to make Lexy the emotional crux of the story. However, sometimes she gets drowned out by cuts to storylines, including a nearly creepy flashback where it’s insinuated that her dad genetically engineered The story rushes so quickly that is hard to see exactly where they stand though.

Colorist Brian Miller excels at showing a romantic evening gone bad as the soft pinks around Lord Byron and Lexy at their first date is replaced with the gross green of a fart cloud because Byron hasn’t eaten in centuries. Then, he goes sepia toned for a flashback showing Lexy’s mom berating her husband for being sexist and not letting her go on a scientific expedition to study lightning during a storm. (And another great Frankenstein parallel from Milligan and company.) Brett Parson’s art is filled with slaps, pistol whipping, flashes of lightning, and almost kisses and Miller continues to help his pencils and inks crackle with energy. A lot of comedy in New Romancer hinges on quick reversals, and Parson is definitely game for that switching from Byron mooning over the head of Incubator before she whips out her gun with a side of speed lines. And he gives Byron a super hilarious outfit towards end of the issue

The chase scenes, the flashback with Lexy and her family, and even Byron’s attempts to hit on the Incubator head all pale compared to the opening of New Romancer #4 when Lexy suddenly is less sure she is in love with Byron. He sees women as inferior to men, says all his poems are a fake persona, and his idea of a romantic one-liner is asking Lexy if she wants to “rut”. Plus his weight fluctuates because historically Lord Byron had weight issues and exercised in seven shirts to shed pounds. He might actually be a gross, creepy person, and Lexy starts to have second thoughts about pursuing a romance with him that all gets complicated by the last few pages of the issue. And in its own cartoonish, over-the-top way, Milligan and Parson give readers a mix of the old “don’t meet your heroes” idea with the sad fact that sometimes people come off better online (or on online dating sites) than in person with their awkwardness and odors. Also, obsessing over and idealizing a human being can lead to bad consequences.

Peter Milligan burns through a lot of plot in New Romancer #4 as Lexy, Byron, her dad, and crew at New Romancer are beset on all sides by the CEO of Incubator, Mata Hari, and Casanova, who basically just wants to watch the world burn. He starts to lay the road for the first arc’s endgame, but everything is very much in the air. This is definitely a comic that I read for the flair of the character’s voices, the adorableness and unfortunate optimism of its protagonist, Lexy, and the energy and humor of Brett Parson’s art rather than its overarching storyline.

Story: Peter Milligan Art: Brett Parson Colors: Brian Miller
Story: 6.5 Art: 8 Overall: 7.3 Recommendation: Read

Review: New Romancer #3

New Romancer #3 coverNew Romancer #3 picks up the pace and the humor as our heroine, the Romantic poetry loving computer programmer, Lexy and Lord Byron dodge robots named after classical mythological allusions from his poems, and fight Casanova, who is pretty much a sex vampire. Byron also tries to get acclimated to 21st century women, and Lexy’s little lessons in feminism for him are some of the comic’s highlights.

Writer Peter Milligan plots New Romancer #3 like a picaresque novel meets Childe Harold’s Pilgrimage (Lord Byron’s famous travel poem.) , but with more jokes and artificial intelligence. Not merely content to have the Byron and Casanova conflict play out for an entire issue, he introduces a Bachelorette-style contest for Byron’s affection that also helps get the New Romancer app off the ground as well as a new character, Mata Hari, an exotic dancer and spy in World War I. (Ada Lovelace, the mother of computer programming, and the originator She has somehow assembled a legion of zombie-like husbands, who have been caught cheating on their wives with online sex bots in a playful riff on the Ashley Madison scandal. However, Milligan’s zippy, rhythmic dialogue and focus on the budding romance and chemistry between Lord Byron and Lexy keeps things in the midst of the plot threads flying from everywhere.

And it is Brett Parson’s art and Brian Miller’s colors that truly the sparks kindling between this 19th century poet and 21st century tech wizard. For example, there is the first splash page as Lexy swings into Casanova’s lodging like a swashbuckling hero. She is willing to risk life and limb to save the man she loves and even stabs Casanova in the eye with a sausage, which turns out to be Casanova’s penis in a funny bit of slapstick. (This comic is pretty strange.) And every time, Lexy’s with Byron, her eyes are open wide like she still doesn’t believe that she is going on adventures with her literary idol. And Byron looks like he’s having fun too in contrast with the six panel grid of speed dates he goes on with various women, who are less than enamored with him. Even after Lexy’s pointers, he still doesn’t get gender equality and feminism, oops. The soft pink backgrounds during the speed dates also pale in comparison with the dark purple fire and cute yellow stars that Parson and Miller use as Byron and Lexy start their “date”. (Which is inevitably interrupted by her still controlling father because what’s a good piece of literature without a healthy dose of daddy issues.)

LexiandByron

New Romancer #3 has wild and wacky art from Brett Parson to match the insane situations that Peter Milligan puts his cast of characters from one of Lexy’s workmates dressing as a “sexy” cupid in an ad for the New Romancer app to the earlier mentioned phallic weaponry and cheater husbands getting decked by their wives. The comic does a decent job balancing the romantic melodrama of Byron’s writing and thinking with modern day wit and sarcasm. It’s a romantic comedy that is actually funny, far from formulaic, and has some clever historical references to boot.

Story: Peter Milligan Art: Brett Parson Colors: Brian Miller
Story: 7.8 Art: 8.4 Overall: 8 Recommendation: Buy

Review: New Romancer #2

New Romancer #2With bright cartoonish art and a wicked wit, New Romancer #2 opens up with the worst date of all worst dates as bored socialite Felicity is set up by the New Romancer algorithm with Dwayne, who is into necrophilia. But for some reason she wants a second date because it’s more exciting than her usual rich guy wannabe boyfriends. And the pressure is on our protagonist Lexy, who must find Lord Byron (More precisely the A.I. downloaded into a body that looks just like Lord Byron), true love, and have her algorithm work all my Valentine’s Day. Plus Casanova is after Lord Byron for some reason having to do with his abilities and experiences as a lover that writer Peter Milligan doesn’t dig into quite yet. He’s an amusing villain though.

Through his art, Brett Parson definitely shows that he’s better at broad comedy than intimate emotion, which isn’t always a bad thing because New Romancer #2 is insanely hilarious at time from Felicity hurling herself from a yacht when Dwayne whips out his Casanova penis holder thing (Thankfully, it’s off panel.) to Lexy and her co-worker Mong’s reaction to her boss Raj saying he’ll buy “designer underpants” to go on a date with Felicity. This is because Felicity and her old money is the last, best home for the New Romancer online dating startup. Parson does unhinged very well in his art like a double page spread of Casanova cruising the California desert with the top down and speed lines in his wake. He and Milligan are definitely more interested in the comedy than the romance part of romantic comedy for now even if colorist Brian Miller goes all out with the pink when Lexy and Lord Byron is reunited. But instead of a soft kiss, her bloody awful poetry revives him from what seems like his millionth fainting spell of the series so far.

Lord Byron has a nice blend of timeless charisma with the awkwardness of being a stranger in the 21st century. (See the silly party hat that he picks up at the club he was at in the first issue and doesn’t take off until his date with Felicity.) He gets Milligan’s funniest and prettiest dialogue. Lexy’s dad Joe appears in his issue along with his complicated relationship with his daughter, who he both loved and experimented upon to make her the best programmer. He definitely has some major issues and is in prison for beating up a journalist, who called him a “cyber quack”. Milligan doesn’t pull any punches in showing that Joe had an abusive relationship with Lexy. Her dialogue is really sad in the flashback scenes as she tells her dad to fix her brain so that she can be normal. However, the goofiness of the art sort of ruins the seriousness of these scenes.

New Romancer #2 has an infectious, chaotic energy especially when Casanova or Lord Byron show up on the panel, and Milligan keep things relatable through the character of Lexy, who is having difficulties finding true love because of her idiosyncrasies and just how damn hard 21st century dating is for a twentysomething. Brett Parson also draws some funny facial expressions and gestures to along with Milligan’s wacky wit. Even though it often doesn’t know if it wants to be a romance, comedy, or serious exploration of relationships, New Romancer #2 is a pretty fun and unique read, especially with the promise of a face-off between Casanova and Lord Byron in the next issue.

Story: Peter Milligan Art: Brett Parson Colors: Brian Miller
Story: 7.0 Art: 7.5 Overall: 7.3 Recommendation: Read

Graphic Policy’s Top Comic Picks this Week!

HERO HOURLY PREVIEW PAGE 01Wednesdays are new comic book day! Each week hundreds of comics are released, and that can be pretty daunting to go over and choose what to buy. That’s where we come in!

We’re bringing back something we haven’t done for a while, what the team thinks. Our contributors are choosing up to five books each week and why they’re choosing the books.

Find out what folks think below, and what comics you should be looking out for this Wednesday.

Alex

Top Pick: Hero Hourly #2 (21 Pulp) – The first issue of the first series from new publisher 21 Pulp took me by complete surprise Telling the story of a man employed at a minimum wage company who employs superheroes, Hero Hourly is a comic that, quite frankly, you have to be reading.

Batman/Teenage Mutant Ninja Turtles #2 (DC Comics/IDW Publishing) – Batman and the Ninja Turtles. There’s really nothing else for me to say about why I’m looking forward to this other than the last issue was actually really good.

Huck #3 (Image) – This comic just makes feel all warm and fuzzy inside. A great feel good series from Mark Millar (at least so far) that you should look into before the inevitable movie.

 

Brett

Top Pick: The Walking Dead #150 (Image Comics/Skybound) – It’s going to be a huge issue and it’s been hinted to expect fireworks out of it. Big anniversary issues like this tend to bring huge shifts in Robert Kirkman’s series, and I’m expecting no less.

Captain Canuck #6 (Chapter House Comics) – I’ve been loving this series and continue to do so. It’s a throwback to fun superheros without the gritty darkness.

Hero Hourly #2 (21 Pulp) – The first issue was hilarious and an amazing debut for this new publisher. I’ve been awaiting the second, and it’s one of the first comics I’m reading this week.

Legend of Wonder Woman #1 (DC Comics) – I really am not a fan of the main Wonder Woman at DC, but this digital turned print series is a breath of fresh air as it looks at the early years of the Amazonians and Wonder Woman as she was growing up. Much like Superman: American Alien, this is trying to get at what makes Wonder Woman wonderful.

Mighty Morphin Power Rangers #0 (BOOM! Studios) – I was never a Power Rangers fan growing up. I was just a bit too old and out of the age range for the show. Still, the concept was always interesting to me and I’ve been looking forward to seeing what BOOM! does with the series as a comic.

 

Elana

All-New Wolverine #4 (Marvel) – One of Marvel comics’ bests. Complex, haunted but heroic, Laura is trying to take care of her abused clones by seeking help from Doctor Strange! I never considered this team up and I can’t wait!

Constantine the Hellblazer #8 (DC Comics) – It is DC’s best comic. It’s about the mad, bad and dangerous to know exorcist who’d left his date in a bit of a lurch. It’s going to be great!

No Mercy #6 (Image Comics) – I hate Chad. I want him to die. He is an abuser and a bully and he’s on the cover of this month’s issue with a skull imposed over his head. So maybe this most brutally harsh comic will kill someone who’s really got it coming? Maybe?

Raven Pirate Princess TP Volume 1 (Action Lab Entertainment) – Teenage Lesbian Asian Pirate Princess in an all-ages comic!!! One of the year’s best new series for older-kids and tweens (and adults who like things that are funny, exciting and feminist). Get caught up with the all girl pirate crew. A perfect introductory comic to the Princeless world of diverse, feminist heroic heroines who take no guff and save the day. Here’s my review of the first two issues featured in this compendium.

 

Javier

Top Pick: Slash and Burn #3 (DC Vertigo) – This is my top pick of the week. I happen to be a Volunteer Firefighter in the town I live in, so I’m digging this one at a personal level.

Bad Moon Rising #4 (451 Media) – This one is filling my Showhole left behind by the cancellation of Sons of Anarchy.  It’s got Motorcycle Gangs (possibly Buddhist), Werewolves, and a Murder Mystery.

Hero Hourly #2 (21 Pulp) – Who can’t relate to the plight of the under-paid and under-appreciated working man with super powers? And if you can’t relate, at least have a good laugh.

Limbo #3 (Image Comics) – More Detective Work in a Dead End … oops … in Dedande City. I recommend you snack on some lizards while reading it.

The Violent #2 (Image Comics) – A violence filled tourist’s guide to Canada’s Strathcona: the Canadian Brooklyn (condos and all).

 

Logan

Top Pick: New Romancer #2 (Vertigo)New Romancer is the crown jewel in the Vertigo Renaissance and the perfect 21st century love story for someone who uses Tinder and OK Cupid, but misses the love sonnets and romance of yore. Plus Casanova and Lord Byron facing off is going to be a blast.

Red Sonja #1 (Dynamite) – If anyone had to take over for Gail Simone on Red Sonja, it’s Marguerite Bennett, who last wrote the She-Devil with a Sword in the funny, action-packed Red Sonja and Jungle Girl miniseries. I expect nothing but the best in interesting female characters, swashbuckling action, and tongue-in-cheek humor.

Robin War #2 (DC Comics) – The most woke crossover of 2015 comes to a close in the New Year as Damian Wayne doesn’t check his privilege and joins the Court of the Owls to fight Gotham’s teen defenders, We Are Robin, and their more seasoned mentors. It will be interesting to see if there is any last political commentary from writer Tom King, and the martial arts battle will be fun to see unfold.

Secret Wars #9 (Marvel) – This crossover has been a little uneven to say the least, but the previous issue had some Return of the King worthy pitched battles and sheer badass moments, like Doom crushing Thanos’ skulls. Hopefully, Jonathan Hickman sticks the ending in his Marvel epic, doesn’t just push the reset/reboot button via a plot device or something, and gives the Fantastic Four a sendoff worthy of Marvel’s First Family.

The Violent #2 (Image) – Ed Brisson and Adam Gorham are going into some murky, moral territory in their new series The Violent from Image, and he pulls no punches showing the effect gentrification has had on the city of Vancouver. I am intrigued to see how far Mason is willing to go to be a good father while battling the spectres of his criminal past and trying to make ends meet.

 

Mr. H

Top Pick: Batman/Teenage Mutant Ninja Turtles #2 (DC Comics/IDW Publishing) – The Dark Knight,  Shredder, Turtles. Need I say more? Nope grab a slice and set aside some time for this one!

Secret Wars #9 (Marvel) – Come see how it all ends and how it all begins again. The conclusion to Marvel’s best event in ages. I’m with Uatu on this one, just want to be ringside as it unfolds.

The Walking Dead #150 (Image Comics/Skybound) – The big one. Let’s hope much more walking than talking. Oh yeah and blood. Lots of blood. Come see where Rick Grimes goes next.

 

Patrick

Top Pick: The Walking Dead #150 (Image Comics) – Tensions have been building in Alexandria over what’s to be done with the Whisperers, a rival community that wears the flesh of walkers. Rick has been struggling to maintain control. In this issue, we find out what that means for him. Negan made a name for himself fifty issues ago, and the Governor fell fifty issues before that. I wonder what will happen tomorrow…

Hero Hourly #2 (21 Pulp) – There’s really no reason you shouldn’t be looking for this book at your local comic store. Do you like laugh? Pick it up. Do you like grabbing comics that people will be talking about for years to come? Pick it up. Do you have a rash your trying to hide while walking back to work? Maybe… maybe this would work for that. But it’s a fantastic comic if you’re just looking for something to read.

No Mercy #6 (Image Comics) – The horrors that have befallen these students continue to unfold as they live in danger of coyotes, drug cartels and even each other. Don’t pass up the chance to keep up with who kills whom.

 

Paul

Top Pick: Extraordinary X-Men #5 (Marvel) – This title has been BANG since issue 1 and doesn’t show signs of slowing down.  New school in limbo; demons attacking; Mr. Sinister is back…and the reveal from the last issue!  Where is this going??  Loving the team line up and the art.  If you aren’t reading this X book, you better get caught up….I’ll wait.

All-New X-Men #3 (Marvel) – I wasn’t really sure I would enjoy the whole road trip vibe with the time displaced X-Men (as X-Force tried this way back when and it didn’t really work), but I’m kinda digging it.  Feels a little rehashed with the Ghosts of Cyclops coming across as junior Acolytes, but they are an interesting gang to counter our band of mutants so I’ll stick along for the ride.  Not really feeling Kid Apocalypse and Oya as part of the group, so I’m hoping they gel as the series goes on, but it is fun and I do enjoy the read.  But I am really getting tired of Angel treating Wolverine as the damsel in distress….enough already.

Scarlet Witch #2 (Marvel) – Honestly, Issue 1 was just meh (you can read my review if you like), I didn’t hate it, but I wasn’t wowed.  I loved the art and I do have a soft spot for Wanda, one of my favourite characters.  I’m holding out hope that this whole ‘witchcraft is broken’ story really goes somewhere different and takes Wanda in a unique direction.

Secret Wars #9 (Marvel) – END ALREADY.  You’ve already launched your All New All Different; confused the readers by hinting at things in the new titles that haven’t happened.  You started with a bang…yes, you had some great tie ins, but lets be honest, you are definitely limping to the finish line.

Uncanny Avengers #4 (Marvel) – Like the last volume of this title, I just can’t stop checking it out….not that it’s good, I just can’t stop looking.  Maybe I’m hoping it turns around, maybe I just feel sorry for it, I don’t know.  I feel there’s potential here…I just wish it could be reached.

 

Around the Tubes

It’s a new week and we’re getting closer to a new year! We’re thinking through our best of 2015 list, but what do you all think should be on?

While you think about that, here’s some comic book news and reviews from around the web in our morning roundup.

Around the Tubes

The ComiChron – Miller’s Dark Knight returns to top of comic sales charts in November 2015 – A slight improvement for DC.

M Live – Longtime collector to open Grand Rapids comic book store – Great to see new shops open.

AFP – New Dutch graphic novel reveals life with disabled mum – Sounds very interesting.

 

Around the Tubes Reviews

Batman News – Batman #47

The Rainbow Hub – Constantine the Hellblazer #7

The Rainbow Hub – Detective Comics #47

The Rainbow Hub – Gotham Academy #13

The Rainbow Hub – New Romancer #1

The Rainbow Hub – Starfire #7

CBR – We Stand on Guard #6

SDCC 2015: Vertigo’s Impressive Line-Up of New Series for Fall

DC Entertainment’s creator-driven imprint, Vertigo, kicked off San Diego Comic-Con with an impressive Fall slate consisting of 12 new #1s set to release over 12 consecutive weeks beginning in October. The announcement came on their panel Thursday evening when comic book and literary heavyweights joined the ranks including Darwyn Cooke, Gilbert Hernandez, Michael Allred, Holly Black, Lauren Beukes and Gail Simone, among others.

Vertigo, best known for its bold storytelling, will continue to push the boundaries of genre fiction – horror, fantasy, crime thriller, scifi – with these new releases.

OCTOBER
THE TWILIGHT CHILDREN #1 (Gilbert Hernandez, Darwyn Cooke)
SURVIVORS’ CLUB #1 (Lauren Beukes, Dale Halvorsen, Ryan Kelly)
CLEAN ROOM #1 (Gail Simone, Jon Davis-Hunt)
ART OPS #1 (Shaun Simon, Michael Allred)

NOVEMBER
UNFOLLOW #1 (Rob Williams, Mike Dowling)
SLASH & BURN #1 (Si Spencer, Max Dunbar, Ande Parks)
RED THORN #1 (David Baillie, Meghan Hetrick)
JACKED #1 (Eric Kripke, John Higgins)

DECEMBER
SHERIFF OF BAGHDAD #1 (Tom King, Mitch Gerads)
NEW ROMANCER #1 (Peter Milligan, Brett Parson)
LUCIFER #1 (Holly Black, Lee Garbett)
LAST GANG IN TOWN #1 (Simon Oliver, Rufus Dayglo)

The Fall slate will also be comprised of continuing series American Vampire, Astro City and Suiciders.

The panel also included Vertigo veterans Scott Snyder, Rafael Albuquerque, and Lee Bermejo, along with a special farewell video from Bill Willingham!