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Exclusive: Christopher Cantwell Discusses Wowbagger Productions’ Video Game Adaptation of She Could Fly Graphic Novel

She Could Fly —  the groundbreaking graphic novel from the co-creator of AMC’s Halt and Catch Fire Christopher Cantwell, acclaimed Ice Cream Man artist Martín Morazzo and colorist Miroslav Mrva — is a one-of-a-kind reading experience. And now the experimental graphic novel from Dark Horse Comics and Berger Books is a documentary escape game designed to challenge how we think about the deeply misunderstood mental illness, OCD.   

Combining comic art, documentary films and interactive gameplay, the She Could Fly Documentary Escape Game is a point and click, psychological game from Wowbagger Productions that takes players on a looping adventure to explore OCD.   

The not-for-profit game can be found on STEAM and available for £4.99/ $5.99, with all proceeds beyond development costs going to further engagement activities around OCD and mental health along with upkeep of the game. Fans can find the game here.  

The game features gorgeous artwork by Martín Morazzo and Miroslav Mrva from the She Could Fly graphic novel. The comic’s protagonist Luna lives with OCD and is trying to find a flying lady, whilst managing her debilitating OCD. The game’s guide and narrator is Tiger Orchid – a Twitch/ YouTube style narrator, who is played by actor Shaniqua Okwok (The Flatshare). Gamers will also meet Hanna Rampersad (34) who lives in the flat, the reassuring beanbag and creepy Fear Monsters. 

Sara Kenney, led and co-designed the game with co-producer Mairéad Ruane, who has lived experience of OCD. They worked with a team of ‘Lived Experience’ experts to inform the content and create a global engagement campaign to shift how we think about OCD and mental health. Scientists, psychologists and medical humanities experts from Bath University, Maudsley Psychiatric Hospital, Oxford University, Cambridge University, OCD Action and University of Southern Mississippi were part of the iterative design process, checking and commenting on scripts and game drafts for over 2-years. 

The team collaborated with some incredible game veterans including Mink Ette, Chance Millar, David Mitchell, Lead Game Artist, Kiana Firouz and Sound Designer, Dan Pugsley. The team also included first time Art Director, Kiki Shervington and game music composer, musician and founder of AfroRave, Toya Delazy. The She Could Fly Documentary Escape Game is produced by Wowbagger Productions in association with Two Tails Studios & Oubliette Games, with funding from the Academy of Medical Sciences, Arts Council England, Joseph Rowntree Foundation, The Physiological Society & UK Games Fund. 

Wowbagger Productions is calling on people to sign OCD Action’s open letter.

Preview: Red Light #3

Red Light #3

Writer: Sarah H. Cho
Artist: Priscilla Petraites
Colorist: Miroslav Mrva
Letterer: Sal Cipriano
Cover A: Jeff Dekal
Cover B: DaNi
Cover C: Chris Ferguson Adult Film Homage

Having escaped the futuristic brothel where A.I. sex worker Lacy and her young companion Natalie were held captive, they take refuge in a high-tech casino owned by one of Lacy’s most loyal – and dangerous – clients. But Lacy’s mysterious and possessive creator, Mister, is close on her heels – and he’ll go to any lengths to get her back.

Red Light #3

Preview: Red Light #2

Red Light #2

Writer: Sarah H. Cho
Artist: Priscilla Petraites
Colorist: Miroslav Mrva
Letterer: Sal Cipriano
Cover A: Jeff Dekal
Cover B: Alison Sampson
Cover C: Chris Ferguson FILM HOMAGE

AWA’s red-hot sci-fi thriller continues! Lacy, one of the most sophisticated A.I. ever created, is a sex worker in a futuristic brothel. Now, sparked by her new friendship with pre-teen Natalie, Lacy is looking to escape the brothel and find freedom outside the only life she’s ever known. Luckily she has a client with the right set of skills to help break her out — and the arsenal to stop anyone who gets in their way.

Red Light #2

Preview: Red Light #1

Red Light #1

Writer: Sarah H. Cho
Artist: Priscilla Petraites
Colorist: Miroslav Mrva
Letterer: Sal Cipriano
Cover A: Jeff Dekal
Cover B: Franck Cho & Sabine Rich
Cover C: Chris Ferguson Adult Film Homage
Cover D: Frank Cho B&W 1:15 Incentive

A FUTURISTIC EROTIC THRILLER BEGINS! Get ready for a red-hot futuristic erotic thriller that sits at the intersection of sex and tech by exciting new writer Sarah H. Cho and artist Priscilla Petraites (CHARIOT, HIT ME).

Lacy is an A.I. sex worker in a futuristic Red Light District. And Lacy knows exactly what her clients want — better than they know it themselves. Housed in a high-tech brothel under the watchful eye of the mysterious Mister, Lacy has little in her manufactured life besides work. All that changes when she befriends Natalie, an orphaned child who comes into her care. Now Lacy and Natalie are on a mission to escape the Red Light District, only to find themselves flung headlong into the mystery behind Lacy’s creation.

Red Light #1

AWA announces Red Light from Sarah Cho and Priscilla Petraites

Artificial intelligence and sci-fi crime collide in Red Light, the upcoming erotic thriller from comics publisher, AWA. Led by a powerhouse team of strong female creatives, the original story is created and written by comic book newcomer, Sarah Cho, who is known for her swift ascension in both film and TV. With artwork by Priscilla Petraites, the action-packed story is set in a sci-fi universe where A.I. is deeply woven into the fabric of daily life. The 4-issue series launches on November 1, 2023.

In Red Light, Lacy is an A.I. sex worker in a futuristic Red-Light District. Through her perceptiveness and intelligence, Lacy knows what her clients want better than they know themselves. Housed in a high-tech brothel under the watchful eye of the mysterious Mister, Lacy has little in her manufactured life besides work. That is until she befriends Natalie, an orphaned child, who comes into Lacy’s care. When Lacy and Natalie seek to escape, they find themselves flung headlong into the mystery behind Lacy’s creation.

Red Light looks at the intersection of sex and technology in the guise of a futuristic thriller. With A.I. at the forefront of everyone’s mind, Sarah and the creative team explored the age-old question of what makes one human, and what can a man-made creation tell us about ourselves, and the divergent paths technology artificial intelligence can put us on? Vibrant visuals and stunning artwork take readers on a journey to a futuristic world in this on-the-run adventure, where Lacy breaks the boundaries of her confined life to learn exactly what she was made for.

AWA’s Red Light is written and created by writer Sarah Cho with art by Priscilla Petraites. The series is colored by Miroslav Mrva and lettered by Sal Cipriano, with covers by Jeff Dekal and variant covers by Frank Cho.

Red Light

Preview: Year Zero, Vol. 0 TPB

Year Zero, Vol. 0 TPB

Writer: Daniel Kraus
Artist: Goran Sudzuka
Colorist: Miroslav Mrva
Letterer: AndWorld Design
Cover Artist: Kaare Andrews

In this action-packed prelude to the hit series, acclaimed horror writer Daniel Kraus (George Romero’s The Living Dead, The Autumnal) unveils four globe-spanning tales from the earliest days of the zombie apocalypse when even the wildest rumors couldn’t measure up to the horror to come. A streetwise Russian cop patrols the back alleys of the opportunistic black market that emerges in response to the crisis…a North Korean soldier observes strange happenings on the DMZ…An E.R. nurse in the rural South fights to protect her hospital from threats without and within…A transgender flight attendant who has observed disturbing clues as she crisscrosses the globe keeps a wary eye on the passenger in seat 23C.

Year Zero, Vol. 0 TPB

Preview: Year Zero Vol. 0 #4

Year Zero Vol. 0 #4

Daniel Kraus (W), Goran Sudžuka (A), Miroslav Mrva (C), AndWorld Design (L) & Kaare Andrews (C/A)

In this action-packed prelude to the hit series, acclaimed horror writer Daniel Kraus (George Romero’s The Living Dead, The Autumnal) unveils four globe-spanning tales from the earliest days of the zombie apocalypse when even the wildest rumors couldn’t measure up to the horror to come. A streetwise Russian cop patrols the back alleys of the opportunistic black market that emerges in response to the crisis…a North Korean soldier observes strange happenings on the DMZ…An E.R. nurse in the rural South fights to protect her hospital from threats without and within…A transgender flight attendant who has observed disturbing clues as she crisscrosses the globe keeps a wary eye on the passenger in seat 23C.

Year Zero Vol. 0 #4

Review: Marjorie Finnegan Temporal Criminal #1

Marjorie Finnegan: Temporal Criminal #1

Garth Ennis teams up with his A Walk Through Hell artist Goran Sudzuka and colorist Miroslav Mrva to tell a cheeky, breezy cop vs criminal time travel story in Marjorie Finnegan: Temporal Criminal #1. Ennis uses a simple dual protagonist setup in this first issue. Marjorie uses her time travel tech to steal treasures from the past and generally have a good time using her “Unfucker” to avoid any anomalies or angry fanboys who spend every spare moment watching “Cinema Sins” and bitching and moaning about “plot holes” in the Back to the Future films. She enjoys David Bowie records and has a human head named Tim to do all the tech stuff. On the other hand, there’s Harri, who is your typical time cop and trying to make sure that no one is having fun in the time stream.

Misogynistic dialogue, mysterious guys being creepy to Marjorie, and some cultural insensitivity aside, Marjorie Finnegan is really toned down for an Ennis comic, especially in the violence department. (A lone Viking taking a point blank machine gun shot to the chest aside.) He and Sudzuka lean into the novelty of people having modern weapons in the past and live off Marjorie pumping Rameses’ soldiers full of shotgun shells and another rogue time traveler named Otto protecting some unnamed European coast from Vikings. Goran Sudzuka and Miroslav Mrva’s art is easy to follow with fun touches like shell casings, severed limbs in silhouette, and choreographed dance moves. Everyone is generally having a good time.

Much of the humor in Marjorie Finnegan: Temporal Criminal comes from Garth Ennis poking fun at the seriousness and logic (Or lack of logic) in time travel stories and dropping funny captions for each person that Harri and Marjorie kill with the fate they avoided. It’s a toss up if being perforated by bullets that make you look like a cheese grater, or autoerotic asphyxiation is a worse way to go out. The whole time travel thing is just an opportunity for Sudzuka to draw fun action sequences in interesting locales, or Ennis to indulge his love of history and go into great detail about the burial rituals of Egyptian pharaohs. (But in any time period, David Bowie and cold pizza are always cool.) They can do Doctor Who with more sex and violence and about the same amount of dancing while setting up Marjorie and Harri as the proverbial immovable object and unstoppable force with the final page hinting at the true nature of their conflict in future issues.

He’s already done Preacher, Hitman, a definitive Punisher run, and hopefully he’s rolling in The Boys money so Garth Ennis really has nothing to prove to anyone any more. Marjorie Finnegan: Temporal Criminal #1 is living proof of that and is the comic book equivalent of a fast food meal. But, one of the classier places like Cook Out, In-N-Out, or Skyline Chili thanks to the energy of Goran Sudzuka’s art and the brightness of Miroslav Mrva’s color palette. Marjorie Finnegan is an action-comedy with better shootouts than one-liners and hopefully, future issues find that balance.

Story: Garth Ennis Art: Goran Sudzuka
 Colors: Miroslav Mrva Letters: Rob Steen
Story: 7.0 Art: 7.6 Overall: 7.3 Recommendation: Read

AWA/Upshot provided Graphic Policy with a FREE copy for review


Purchase: comiXologyAmazonKindleZeus ComicsTFAW

She Could Fly Gets its Finale with She Could Fly: Fight or Flight

The groundbreaking one-of-a-kind series from Eisner-nominated co-creator of AMC’s Halt and Catch Fire Christopher Cantwell, artist Martín Morazzo, and color by Miroslav Mrva, comes to an astonishing finale in the original graphic novel She Could Fly: Fight or Flight.     

After an intense brain surgery, Luna’s mental imbalances are more manageable, but still problematic. Now 18, she’s estranged from her parents and forging a life on her own. But Luna soon discovers that there’s a new Flying Woman in town… one that’s hellbent on causing havoc and terror.

After witnessing this new Flying Villain, Luna’s purpose finally becomes clear. She must be the one to fly—for the good of Chicago, for the sake of her family, for the memory of Mayura, and for herself.

And this battle will all take place above the city skyline… 

She Could Fly: Fight or Flight will be in comic shops on October 6, 2021, and in book stores on October 19, 2021.

She Could Fly: Fight or Flight

Garth Ennis, Goran Sudzuka, and Miroslav Mrva Introduce us to Marjorie Finnegan, a Temporal Criminal

She’s Marjorie Finnegan. She’s a temporal criminal. What more do you need to know? 

Oh, all right then: all Marj wants to do is race up and down the time-lanes, stealing every shiny-gleamy-pretty-sparkly she can lay her hands on. But her larcenous trail from the Big Bang to the Ninety-fifth Reich has drawn the beady eye of the Temporal PD, whose number one Deputy Marshall is now hard on our heroine’s tail– and taking things extremely personally. Worse still, Marj’s worthless creep of an ex and his even scummier partner have seen an angle of their own in all this, and now intend to use her time-tech to change history for their own benefit. Marj’s only ally? A guy called Tim. And he’s just a head. 

I mean come on, what use is just a head…?

Marjorie Finnegan is from Garth Ennis, Goran Sudzuka, and Miroslav Mrva and out from AWA Studios on May 5.

Marjorie Finnegan
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