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Review: Infinite Frontier #0

Infinite Frontier #0

Dark Knights: Death Metal is over and we’ve seen a possible future timeline in “Future State”. Now, DC begins to chart its path with the first crumbs teased in Infinite Frontier #0. The issue serves as a guide as to the various series and status-quo that awaits them. With a new omniverse to explore, anything is possible and the comic does its job to remind us of that.

The comic’s story is delivered in a narrative driven by two characters as our guide. It’s a spin on the classic Christmas Carol and It’s a Wonderful Life. Wonder Woman believes a threat is looming and wants to witness the state of things before making a major decision about her role in the DC Universe.

With Wonder Woman and Spectre as our guide, we’re taken on a tour of the characters highlighting the comics to come. The Justice League, Batman, Wonder Girl, Alan Scott, Teen Titans Academy, Superman, Green Arrow and Black Canary, Star Girl, Green Lanterns, and the Flash all get a moment to show off where things stand. All of it is good and interesting though few of what’s presented really excites. It feels like an extended teaser and preview. It takes its concept as a guidebook almost too seriously. The comic feels a bit more like the extension of the ending of Dark Knights: Death Metal where we saw many of these ideas initially teased.

Infinite Frontier #0 credits

But, what’s intriguing is what’s presented and doesn’t have a comic attached to them. Infinite Frontier #0 teases more than what’s already announced giving hope as to what we’ll see in July and beyond. There’s also teases through artwork of the various series DC teased at the recent ComicsPro. It’s interesting in that way that the stories feel less like the exciting first 15 minutes before the credits to get you pumped. Instead, the stories are a bit dry and more to lay out where things stand with the concepts thrown out being the hooks. The action isn’t the hook, the ideas are.

The art of the comic is solid. Each segment flows into the next and with a few exceptions, the styles work well together. There are some fantastic spreads with Wonder Woman as she talks to Spectre about what she’s witnessing. There’s a few panels and pages that’ll leave you lingering to stare at. The colors really pop on pages delivering a sense of energy that really fits the new status of the DC Universe.

Infinite Frontier #0 isn’t bad but it doesn’t quite excite. By the end of the issue I found myself more excited about concepts than the comics themselves. Very few of the segments left me wanting to immediately find out what happens next. Instead, it the comic feels like a short ashcan, teasing what’s to come with a few pages and back material to fill things out. It shows what’s to come but it never quite puts things over. Instead, it nails its role as a guide, a way to browse what DC has to offer.

Story: Brian Michael Bendis, James Tynion IV, Becky Cloonan, Michael W. Conrad, Joëlle Jones, Tim Sheridan, Phillip Kennedy Johnson, Joshua Williamson, Geoff Johns, Geoffrey Thorne
Art: David Marquez, Jorge Jimeez, Alitha Martinez, Mark Morales, Joëlle Jones, Stephen Byrne, Rafa Sandoval, Jordi Tarragona, Jamal Igle, Alex Maleev, Todd Nauck, Dexter Soy, Howard Porter, John Romita, Jr., Klaus Janson
Color: Tamra Bonvillain, Tomeu Morey, Emilio Lopez, Jordie Bellaire, Stephen Byrne, Alejandro Sanchez, Hi-Fi, Alex Sinclair, Brad Anderson
Letterer: Troy Peteri
Story: 7.0 Art: 7.75 Overall: 7.0 Recommendation: Read

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Review: Future State: Immortal Wonder Woman #2

Future State: Immortal Wonder Woman #2

The lead story in Future State: Immortal Wonder Woman #2 deals with the actual end of the DC Universe, and it’s brilliant, poetic work from writers Becky Cloonan and Michael W. Conrad and artist Jen Bartel. We get to see the final battle between Superman and Darkseid, and it’s epic as hell. However, it’s not the center of the narrative, which is Wonder Woman traveling the universe looking for signs of life and hope and trying to avoid the Undoing. Except for the ending and little glimmers, this whole issue is Diana staring into the abyss and trying to find purpose in a world that doesn’t need saving anymore and is truly in its death throes.

In the first issue, Jen Bartel demonstrated that she could operate on an epic scale in both linework and color palette, and this extends to Future State: Immortal Wonder Woman #2. Her punches have true power and weight behind them, the lasso finds the truth in the last few characters it entangles, and the contrast between light and shadow in her color palette is operatic, especially in Wonder Woman’s final moments as well as Superman and Darkseid’s. There’s a kind of glow in her trail as she flies across the void of space, past the ruins of the Daily Planet or Brainiac’s ship, that is in direct opposition of the black tendrils of the Undoing. Cloonan and Conrad don’t go deep into The Undoing’s backstory, but they’re the inevitability personified and wipe out the whole Legion of Superheroes in a single page that establishes their universe ending threat level. They’re like “The End” on the last page of a story, and the final pages of Immortal Wonder Woman #2 definitely take on a metafictional quality and set up yet another myth cycle.

Cloonan, Conrad, and Bartel definitely use the lead story of Future State: Immortal Wonder Woman #2 to deal with weighty philosophical issues, like the purpose (or purposelessness) of life and the effects of revenge, especially when Spectre comes into the picture. The whole Ragnarok/Twilight of the Gods vibe carries through from the previous issue, but with the Undoing, not Darkseid, being responsible for the end of the universe. In the big picture, he’s just a god, not an unknowable cosmic force. These themes and ideas as well as the general scale of Jen Bartel’s visuals truly makes this story feel like it’s a kind of modern mythology instead of using gods from various pantheons as window dressing, comic relief, or public domain action figures.

However, Becky Cloonan, Michael Conrad, and Jen Bartel don’t forget what makes these myths and legends endure, and that is these heroes’ flaws and recognizable emotions. (For example, young queer people are making Tik Toks about Achilles and Patroclus just like Alexander the Great was writing fan fiction about them two millennia ago.) Bartel does a wonderful job showing Wonder Woman’s emotions throughout the story with many close-ups of her crying, and those tears floating in space to make these panels even more tragic. She also differentiates sad tears like when she witnesses Superman’s death from happy ones like when she finds the Spectre, the last living being. However, Wonder Woman isn’t all sadness in Immortal Wonder Woman #2. There’s a lot of anger too, especially in her last fight, against the Undoing as Cloonan and Conrad’s narration reveal her last thoughts about how she’s a contradictory figure: a warrior, yet peaceful. This ties into the conclusion of the two part storyline, which is quite satisfying, primal, and touches on the nature of immortality in a very cosmological way.

Future State: Immortal Wonder Woman #2’s second story, “Nubia”, definitely plays second fiddle to the lead story with writer L.L. McKinney continuing to cram a six issue miniseries’ amount of lore and exposition in six issues. However, she and artists Alitha Martinez and Mark Morales and colorist Emilio Lopez do show Nubia being a hero and kicking ass against the likes of Grail and Circe, who Grail has summoned to get the last artifact: Nubia’s tiara. This artifact is magical, and Grail is more into science so she needs an assist from a sorceress of her own. However, little does she know, that this crown is imbued with magic from the Yoruba goddess, Oshun, and it only strengthens Nubia. But, of course, there is a price, and Nubia still owns Aunt Nancy a favor. McKinney definitely leaves plenty of plot threads and potential supporting players and goddesses on the table for future stories.

But for most of the pages of “Nubia”, McKinney, Martinez, and Morales focus on the task at hand: a battle royale between Nubia, Grail, and Circe. Grail and Circe definitely underestimate their opponent so it’s quite vindicated when she breaks free from their control in an iconic full page image, and then throws, kicks, and punches them in a double page spread. Instead of going the stiff pinup route, Martinez and Morales use the spread to showcase Nubia’s speed and strength using borderless panels for her battle with Grail and the bordered panels for her fight against Circe. The choreography is gorgeous in this sequence as McKinney, Martinez, Morales, and Lopez are all on the same page and cut to the best moves. For example, Nubia ducks under a magic blast from Circe and switches opponents to throw Grail with her super strength before delivering a gut punch to the sorceress. Alitha Martinez’s layout choices give a real flow to the action while Mark Morales accentuates details like Nubia’s shoulder muscles when she hurls Circe into the sky, and Emilio Lopez uses bright primary colors during intense moments like when Circe and Grail struggle to take Nubia’s crown off.

Although, these characters are highly powered, the fight has a personal feel to it culminating in Nubia reinforcing the fact that she’s Wonder Woman, an Amazon warrior, and you can’t take important artifacts from her. L.L. McKinney gives Nubia some great one-liners to show that she’s becoming more confident as a hero and coming into her own as a “Guardian”. The flashback with the different gods might be a little text-heavy, but seeing Nubia break free from a villain who is literally staring her down and saying “Submit” is well worth it. But she doesn’t get a chance to celebrate in the epilogue of this story, and Martinez and Morales draw her with tense body language while setting up another potential arc down the road. I’ve really grown to enjoy Nubia’s courage and determination as well Alitha Martinez’s fight choreography, and I would definitely like to see more stories with this creative team. Having a Nubia limited or ongoing series would also give L.L. McKinney an opportunity to pace out some of her worldbuilding elements as well as her protagonist’s connection to Yoruba mythology and Akan folklore plus the magical/superheroic side of Atlanta in the DC Universe.

Future State: Immortal Wonder Woman #2 wraps up with two very different takes on the iconic DC Comics superhero. Becky Cloonan, Michael Conrad, and Jen Bartel tell an archetypal self-contained story of life and death, hope and despair, and finding purpose when there’s nothing to live for starring Diana Prince. Plus it really captures the range of emotions one would feel before the inevitable end of the universe. In the second story, L.L. McKinney, Alitha Martinez, Mark Morales, and Emilio Lopez cram in lore, exposition, multiple villains, and one kick-ass fight scene to lay the foundation for future stories featuring Nubia. It’s like a two-hour pilot screaming for a series order whereas the lead story is a beautiful elegy with career-best interior art from Jen Bartel, who masterfully depicts both the cosmic and human.

Story: Becky Cloonan, Michael W. Conrad, L.L. McKinney Art: Jen Bartel, Alitha Martinez with Mark Morales
Colors: Jen Bartel, Emilio Lopez Letterer: Pat BrosseauBecca Carey
Story: 7.5 Art: 8.8 Overall: 8.1 Recommendation: Buy

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Review: Future State: Immortal Wonder Woman #1

Future State: Immortal Wonder Woman #1

Some Future State stories have dealt with dark, dystopian futures, but the lead story in Future State: Immortal Wonder Woman #1 takes it a step further with Diana, the remaining Amazons, and an aging Superman fighting to defend Swamp Thing, the Green, and basically the symbol of life on Earth from both Darkseid and the Anti-Life Equation. Writers Becky Cloonan and Michael Conrad and spectacular artist Jen Bartel tell a story about fighting a war with love to the bitter end as Diana doesn’t want to fight for the dying Earth and instead start somewhere fresh with Swamp Thing and her sisters, but is overridden by the warlike Amazons as well as Darkseid popping in for one last chance to conquer Earth.

Cloonan and Conrad’s writing in Immortal Wonder Woman #1 can be described as truly poetic and matches the emotion-tinged visual from Bartel. The opening sequence has Diana interacting with a hologram of Batman and meditating on their relationship as part of DC’s Trinity’s with Batman telling her that she’s a true symbol of hope to rally around. However, Diana is also a realist about what’s going as she wistfully sees a star blink out of existence, and the story cuts to Apokolips where Darkseid realizes the end aka the Anti-Life Equation is near and abandons his empire, son Orion, and follower Big Barda and immediately heads to Earth. Bartel does a great job of contrasting the Amazons’ perspective of Earth with its reality using an almost beach vacation color palette for when the Amazons decide to defend the planet from an unknown threat to using a dark and rusty one for when Darkseid flies through space to the “husk”.

Jen Bartel is known for beautiful character design and capturing deep emotion out of her figures, but she can also draw one hell of a fight scene when Diana and Darkseid finally throw down with again Superman having one heroic moment and then getting flattened. She channels her inner Jack Kirby with colorful explosions and speed lines every time Darkseid lands a blow, or Diana kicks the Apokoliptian tyrant or gets a grip on him with her lasso. Bartel also uses interesting (or heartbreaking) panel shapes like when she lays one out that looks just like Darkseid’s Omega sanction and ends in a stark, panel of skulls on a stark background. On a more macro-level, Cloonan and Conrad keep the objective of the battle high, yet simple, Diana, the Amazons, and Superman have to protect Swamp Thing from Darkseid and the Anti-Life Equation for a chance at filling Earth (or maybe a new planet) with life again. The stakes of this comic are literally life and death.

The first story in Immortal Wonder Woman #1 is a Ragnarok for the DC Universe courtesy of Becky Cloonan, Michael Conrad, and Jen Bartel, who makes everyone look epic, pretty, and/or war worn while nailing the look and color palette of utter cosmic darkness too. It’s the last of the old gods battling the embodiment of utter evil with only a small chance for rebirth in the form of Swamp Thing, who is given a frail form and halting speech patterns. It’s also a masterclass in pacing with Cloonan and Conrad getting to the emotional breaking point before hitting that “To Be Continued” with literal tears streaming in the last panel that Bartel draws.

Future State: Immortal Wonder Woman #1

The second story in Immortal Woman #1 is written by LL McKinney with art from Alitha Martinez, Mark Morales, and Emilio Lopez, is set earlier in the Future State timeline, and features Nubia, an Amazon who has taken up the mantle of Wonder Woman while an off-panel Diana is queen of Themiscyra. Like the lead story, its plot has a world-ending conflict as Grail, the daughter of Darkseid, is stealing parts of an artifact connected to various gods that if put together could rip a hole in time and space. Most of this is explained in many expository text boxes by McKinney, who seems to be trying to fit a 4-6 issue miniseries in two issues.

A feeling of being overstuffed aside, “Nubia” is not without its charms. Martinez and Morales are veteran storytellers, who excel at everything from an exciting bout of close quarters combat between Grail and Nubia with a poster-worthy splash of the protagonist saying, “I am Wonder Woman” to capturing Nubia’s pained facial expressions when Aunt Nancy asks her for a favor in return for helping her solve the mystery behind these artifact thefts. Speaking of Aunt Nancy, McKinney’s background writing YA urban fantasy comes in handy with some of the little world-building touches like having her run a night club called the Ebony Web with a spider on the door and with a (quite handsome) minotaur bouncer. With her punnish name, knowledge of almost everything, and propensity for single malt whisky, Aunt Nancy has a lot of personality and would be an intriguing permanent edition to Nubia’s supporting cast, or the Wonder Woman side of the DC Universe as it’s good to see a god from West African folklore pop up. Also, I think this might be the first time that the wonderful city of Atlanta has popped up in a DC comic that I’ve read.

However, Nubia’s heroism and Aunt Nancy’s charisma don’t completely make up for a story that is mostly telling and not showing with L.L. McKinney basically undercutting the two page vision that Alitha Martinez and Mark Morales draw earlier in the story by explaining it all in a wall of text. On more of a new reader front, she also doesn’t really introduce Grail except that’s she strong (By defeating Nubia in combat.), generically evil, and wants the artifacts. If I hadn’t (unfortunately) read Geoff Johns’ Justice League run, I wouldn’t know that she was Darkseid’s daughter and basically the Anti-Life version of Wonder Woman. I mean, this is the comic book equivalent of a two episode mini Big Bad arc on a CW show so we don’t need a super deep villain, but including this context could deepen the threat against Nubia and reality. I really wanted to like the Nubia story and look forward to McKinney’s graphic novel take on the character, but it was disappointed and definitely felt like a first published comic.

Overall, Future State: Immortal Wonder Woman #1 has one strong, epic story and another story with potential that it doesn’t fully live up to that also shows the difficulty of transitioning from prose fiction to comics. However, this book is definitely worth picking up for Jen Bartel’s career best take on the final battle between good and evil in the DC Universe with punches that make galaxies trembles and facial expressions that will make you tear up while Becky Cloonan and Michael W. Conrad write a Diana, who is trying to cling onto hope in an utterly no-win situation.

Story: Becky Cloonan, Michael W. Conrad, L.L. McKinney
Art: Jen Bartel, Alitha Martinez with Mark Morales
Colors: Jen Bartel, Emilio Lopez
Letterer: Pat Brosseau, Becca Carey
Story: 8.0 Art: 9.0 Overall: 8.4 Recommendation: Buy

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Infinite Frontier Reveals the Next Phase of the DC Universe

The DC Universe enters its next phase this March with the release of Infinite Frontier #0, a 64-page one-shot that sets the table for new tales, talent, and characters for 2021 and beyond.

As Dark Nights: Death Metal exposes our heroes to the Multiverse’s darkest threats and DC’s Future State event provides a glimpse into possible futures of the DC Universe, this blockbuster one-shot propels our heroes into the current day and a world full of endless possibilities.

Featuring a dynamic primary cover by Dan Jurgens and Mikel Janín and an equally breathtaking card stock variant cover by John Timms, these stories will be delivered by some of the best talent in comics, including (among others):

  • Joshua Williamson, Scott Snyder, and James Tynion IV with John Timms
  • Brian Michael Bendis and David Marquez
  • Becky Cloonan and Michael W. Conrad with Alitha Martinez
  • Geoff Johns and Todd Nauck
  • Joshua Williamson and Alex Maleev
  • James Tynion IV and Jorge Jiménez
  • Phillip Kennedy Johnson and Jamal Igle

Infinite Frontier #0 will also serves as a primer and introduction for new can’t-miss series and story lines continuing throughout 2021:

  • An unthinkable, unexpected attack by the Joker makes him the target of a worldwide dragnet with ex-cop Jim Gordon in hot pursuit in the ongoing series The Joker by James Tynion IV and Guillem March
  • Spinning out of her breakout appearances in Future State: Wonder Woman and Future State: Superman/Wonder Woman, a young Yara Flor begins the search for her destiny and connection to the Amazons
  • It’s orientation day at Titans Tower as Tim Sheridan and Rafa Sandoval introduce a new group of teen heroes (including the future Red X) to the original New Teen Titans, setting the table for the duo’s Teen Titans Academy series in March
  • The adventures of the Justice League continue (beginning with Justice League #59), now written by Brian Michael Bendis with artist David Marquez, with new JL members, including Black Adam, Hippolyta, and Naomi
  • Wonder Woman ventures into the “godsphere,” creating an exciting new storyline by Becky Cloonan, Michael W. Conrad and Travis Moore, continuing in March’s Wonder Woman #770
  • Award-winning writer Geoff Johns and Todd Nauck tell an all-new Stargirl story

For fans wanting a gateway into the next great era of storytelling, this 64-page oversize one-shot is a guaranteed must-have for March pull lists. Priced at $5.99 for the main cover version and $6.99 for the card stock variant, this book will be available at all comic book stores and participating digital retailers on Tuesday, March 2, 2021.

Phillip Kennedy Johnson, Phil Hester, and Eric Gapstur Strap on the Tights for Superman in March 2021

Writer Phillip Kennedy Johnson flies from DC’s Future State event in January and February back to the present DCU in March to join artists Phil Hester and Eric Gapstur for a two-part story that spans both Superman and Action Comics!

In “The Golden Age” part one on March 9 (Superman #29), Jonathan Kent is back from the 31st Century and fighting cosmic threats alongside his legendary father. But when an interdimensional breach opens near Earth, Jon recognizes the creatures that emerge: the cosmic leviathans that the Legion of Superheroes credit with the DEATH OF SUPERMAN!

And in the new backup series “Tales of Metropolis” story in the same issue, writer Sean Lewis and artist Sami Basri follow Jimmy Olsen on a quest to meet of some of the city’s more colorful denizens, beginning with Bibbo Bibbowski!

Then in “The Golden Age” part two on March 24 (Action Comics #1029), as Superboy desperately tries to save Superman’s life from the leviathans of the Breach, Superman discovers the Breach’s shocking origins. But with his powers mysteriously fading, he is utterly outmatched. Can Superboy change the course of history and save his father’s life? Don’t miss this prelude to DC’s MASSIVE Superman event!

Plus, in another all-new backup “Tale of Metropolis” story, writers Becky Cloonan and Michael W. Conrad join forces with Michael Avon Oeming to continue the Midnighter story that Cloonan and Conrad started in DC Future State. But is the DC Universe ready for Trojan Industries?

In the months following “The Golden Age” two-part crossover, Phillip Kennedy Johnson will continue writing both Superman and Action Comics with artists Scott Godlewski (on Superman) and Daniel Sampere (on Action Comics) before reuniting with Future State: Superman: Worlds of War co-creator Mikel Janín on a special Superman project—still to be announced!

DC Makes Their Post Future State Clearer with new Creative Teams

If you missed the news, DC announced numerous new creative teams taking over starting in March after the conclusion of DC Future State in January and February. The announcements were made at CCXP Worlds event this past weekend. The announcement featured not just creative teams but also brand new titles as well.

Check out the full list of reveals below!

Batman Family:

New names will be hitting the mean streets of Gotham City as well! Future State: Harley Quinn writer Stephanie Phillips and artist Riley Rossmo will deliver new adventures of the Clown Princess of Crime in an all-new Harley Quinn ongoing series, launching March 24, 2021.

Harley Quinn #1

Following both their story in Detective Comics #1027 and Bruce Wayne’s clandestine battle against The Magistrate in Future State: Dark Detective, award-winning writer Mariko Tamaki and artist Dan Mora will continue the adventures of the Dark Knight and his allies as the new team on Detective Comics, beginning with issue #1034 on March 24, 2021. Not to be outdone, award-winning writer Gene Luen Yang and superstar artist Ivan Reis continue the adventures of the “World’s Finest” in Batman/Superman #16, also on sale March 24, 2021.

Superman/Wonder Woman Family:

New adventures featuring the Amazon warrior princess arrive on March 10, 2021 as co-writers Becky Cloonan, Michael W. Conrad and artist Travis Moore are the new Wonder Woman team, starting with issue #770. In this new story arc, Diana has to endure endless fighting – and partying(?) – as she tries to figure out why she’s in Valhalla, and why nobody seems surprised that she’s there.

Womder Woman #770

Justice League Family:

On March 3, 2021, the Future State: Swamp Thing team of writer Ram V and Mike Perkins will be continuing the adventures of the Protector of the Green in Swamp Thing, a 10-issue limited series. Also on March 3, Peacemaker takes center stage, leading an Amanda Waller-controlled Task Force X in a new Suicide Squad ongoing series, by Future State: Suicide Squad writer Robbie Thompson, with art by Eduardo Pansica. This series starts off with a bang, as Waller sends Peacemaker and Task Force X to recruit its next member – Talon, the master assassin from the Court of Owls. Meanwhile, she has her own hands full as she tries to recruit – Superboy?

Class is in session on March 17, 2021, as the Future State: Teen Titans duo of writer Tim Sheridan and artist Rafa Sandoval join the original Titans – Nightwing, Starfire, Cyborg, Raven and Beast Boy – school a new generation of teenage crimefighters in a new ongoing series, Teen Titans Academy. Pay close attention, because one of these novice heroes will become Red X!

Teen Titans Academy

In April, Future State: Green Lantern writer Geoffrey Thorne continues to uphold the oath of the Green Lantern Corps with a new Green Lantern ongoing series.

So, to recap:

March 3, 2021

Suicide Squad #1 – Robbie Thompson/Eduardo Pansica (new ongoing series, team)

Swamp Thing #1 – Ram V/Mike Perkins (new limited series, team)

March 10, 2021

Wonder Woman #770 – Becky Cloonan, Michael W. Conrad/Travis Moore (new team)

March 17, 2021

Teen Titans Academy #1 – Tim Sherridan/Rafa Sandoval (new ongoing series, team)

March 24, 2021

Batman/Superman #16 – Gene Luen Yang/Ivan Reis (new talent team)

Detective Comics #1034 – Mariko Tamaki/Dan Mora (new talent team)

Harley Quinn #1 – Stephanie Phillips/Riley Rossmo (new ongoing series, team)

April 2021

Green Lantern #1 – Geoffrey Thorne (new ongoing series, team)

And this only the beginning! DC Connect #8, available on March 23, 2021 for free at retailers and via digital download and online reader contains more news from this game-changing two-month event, as it impacts more of the best writers, artists and DC characters in 2021!

DC’s Future Post Future State Becomes Clearer as Wonder Woman, Suicide Squad, Swamp Thing, Teen Titans Academy, Green Lantern, Wonder Girl, and Justice League Dark Announced

Wonder Woman #770

After January and February’s Future State mini-event for DC Comics, March and beyond will see a mix of new and returning series as expected. Many of the series will feature their Future State creative teams continuing on to the series.

Becky Cloonan and Michael W. Conrad will take over Wonder Woman with issue #770 in March. The two will be joined by interior and cover artist Travis Moore. The series will pick up after the events of Dark Nights: Death Metal which has put Wonder Woman at the center of events leading the heroes in their resistance.

Orbiting Wonder Woman will be Wonder Girl from writer and artist Joëlle Jones. That series will star Yara Flor who is getting a major push by DC as Flor will possibly be getting a television series at The CW.

A new Green Lantern series will launch written by Geoffrey Thorne with art by Tom Raney. They’re the creative team behind “The Last Lanterns” story in the Future State: Green Lantern comic.

Justice League Dark will return in March written by Ram V. who was also writing the series before its break due to the “Endless Winter” event. It will feature art by Xermanico.

Wonder Woman #770 variant

Tim Sheridan and Rafa Sandoval will launch Teen Titans Academy. The series will focus on the launch of a Teen Titans Academy by members of the New Teen Titans. That series spins directly out of Future State: Teen Titans which tells a future tale of the academy.

With a film on its way, it’s not surprising that the Suicide Squad returns. Robbie Thompson, who will take on their story during Future State, will write the ongoing series with art by Eduardo Pansica. We can also see the DC live-action and comics aligning a bit more as Peacemaker (played by John Cena in the film) takes center stage. The character will not only be in The Suicide Squad film but is also getting his own series on HBO Max.

Swamp Thing is back courtesy of writer Ram V. and artist Mike Perkins. That duo is also the team behind the Swamp Thing Future State comic.

James Tynion IV with artist Jorge Jimenez will return to Batman and Tynion has another Batman series in the works with artist Guillem March.

DC Reveals a First Look at Future State: Nubia from L. L. McKinney and Alitha Martinez

Daughter of Hippolyta.
Sister to Diana.
Princess of the Amazons.
And now? Wonder Woman.

Nubia is coming to DC‘s Future State! DC Future State is a two-month, line-wide event beginning in January that gives fans a glimpse at possible futures of the DC universe, exploring the enduring legacy of DC Super Heroes.

In Future State: Immortal Wonder Woman, writer L. L. McKinney and artist Alitha Martinez team up for a story about Nubia for DC Future State.

Nubia is one of two feature stories that will debut in Future State: Immortal Wonder Woman. The others is Immortal Wonder Woman by Becky Cloonan, Michael W. Conrad, and Jen Bartel.

Check out a first look at Nubia below!

Future State: Immortal Wonder Woman Nubia

DC Officially Announces Future State, a Two-Month Line Wide Event

DC Comics is kicking off 2021 with a look into the future with DC Future State. The rumored line-wide event has been revealed today. It kicks off in January 2021 and goes through 2021. DC Future State features a combination of monthly and twice-monthly oversize anthologies, as we well as a miniseries and one-shots,

DC Future State spotlights the World’s Greatest Super Heroes in fresh new roles, with all-new characters taking up their iconic mantles. DC Future State features an incredible array of creative talent, combining award-winning writers and artists with new voices from the worlds of TV, movies, and animation. In March 2021, the regular DC title lineup resumes, continuing existing storylines from 2020 and introducing new arcs for the year.

In DC Future State, the Multiverse has been saved from the brink of destruction, but the triumph of DC’s heroes has shaken loose the very fabric of time and space! The final chapter of Dark Nights: Death Metal (on sale January 5, 2021)  brings new life to DC’s Multiverse, kicking off this glimpse into the unwritten worlds of DC’s future!

A stellar array of writers and artists are on hand to deliver this unique look at beloved DC characters, including fan favorites such as Mariko Tamaki, Brian Michael Bendis, Gene Luen Yang, Joëlle Jones, Joshua Williamson, Nicola Scott, Cully Hamner, and John Timms, along with new voices such as award-winning screenwriter John Ridley (12 Years A Slave), Brandon Vietti (Young Justice), Meghan Fitzmartin (SupernaturalDC Super Hero Girls), Brandon Easton (Thundercats, Transformers: War for Cybertron), Alitha Martinez (REPRESENT! It’s A Bird!), L.L. McKinney (Nubia: Real One), Paula Sevenbergen (Stargirl), and Siya Oum (Lola XOXO), among others.

Check out below to see what the future beholds!

Batman Family

In this future, Gotham City is controlled by the Magistrate. This villainous regime has taken control of the city, now under constant surveillance. All masked vigilantes have been outlawed and Batman has been killed. But led by an all-new Batman, a new assembly of Gotham’s guardians rise to give hope to all of those who lost it!

Oversized Comics:

Future State: The Next Batman #1-4

  • The Next Batman, by John Ridley, Nick Derington and Laura Braga
  • Outsiders, by Brandon Thomas and Sumit Kumar
  • Arkham Knights, by Paul Jenkins and Jack Herbert
  • Batgirls, by Vita Ayala and Aneke
  • Gotham City Sirens, by Paula Sevenbergen and Emanuela Lupacchino

Future State: Dark Detective #1-4

  • Dark Detective, by Mariko Tamaki and Dan Mora
  • Grifters, by Matthew Rosenberg and Carmine di Giandomenico
  • Red Hood, by Joshua Williamson and Giannis Milonogiannis

Monthly Miniseries:

  • Future State: Batman/Superman, by Gene Luen Yang and Ben Oliver
  • Future State: Catwoman, by Ram V and Otto Schmidt
  • Future State: Harley Quinn, by Stephanie Phillips and Simone Di Meo
  • Future State: Nightwing, by Andrew Constant and Nicola Scott
  • Future State: Robin Eternal, by Meghan Fitzmartin and Eddy Barrows
Superman Family

Due to his involvement in an international crisis happening in the near future, Clark Kent has been rejected by Earth, causing him to focus his lifesaving efforts outside his adopted home. He travels to Warworld to rise through the ranks of gladiatorial combat in order to defeat Mongul with the help of some unlikely heroes. Back in Metropolis, Clark’s son Jon has taken on the mantle of Superman. After seeing the horrors that befell Gotham, he bottles Metropolis in order to keep it safe, putting him at odds with Supergirl.

Connecting the two oversized Future State: Superman titles, Shilo Norman, the man known as Mister Miracle, finds himself caught between the city he grew up in and the battle-torn planet that could be his downfall.

Meanwhile in the Amazon rainforest, Yara Flor is chosen to be the new Wonder Woman. Years later, the new Superman and Wonder Woman join forces to save their cities in a new superhero team-up the likes of which the world has never seen.

Oversized Comics:

Future State: Superman of Metropolis #1-2

  • Superman of Metropolis, by Sean Lewis and John Timms
  • The Guardian, by Sean Lewis and Cully Hamner
  • Mister Miracle, by Brandon Easton and Valentine De Landro
Future State: Superman of Metropolis #1-2

Future State: Superman: Worlds of War #1-4

  • Superman: Worlds of War, by Phillip Kennedy Johnson and Mikel Janin
  • Midnighter, by Becky Cloonan, Michael W. Conrad and Gleb Melnikov
  • Black Racer, by Jeremy Adams and Siya Oum
  • Mister Miracle, by Brandon Easton and Valentine De Landro
Future State: Superman: Worlds of War #1-4

Future State: Immortal Wonder Woman #1-2

  • Immortal Wonder Woman, by Becky Cloonan, Michael W. Conrad and Jen Bartel
  • Nubia, by L.L. McKinney, Alitha E. Martinez and Mark Morales
Future State: Immortal Wonder Woman #1-2

Monthly Miniseries and One-Shots

  • Future State: House of El, by Phillip Kennedy Johnson and Scott Godlewski (one-shot on sale February)
  • Future State: Kara Zor-El, Superwoman, by Marguerite Bennett and Marguerite Sauvage
  • Future State: Legion of Super-Heroes, by Brian Michael Bendis and Riley Rossmo
  • Future State: Superman/Wonder Woman, by Dan Watters and Leila del Duca
  • Future State: Superman vs. Imperious Lex, by Mark Russell and Steve Pugh (3-issue series ending March 2021)
  • Future State: Wonder Woman, by Joëlle Jones
Justice League Family

A thread of great change runs through the Justice League heroes: a new League is built upon secret identities (even from each other), but an old and evolved enemy will use these secrets to try and overthrow the world. For the supernatural heroes of Justice League Dark, the very fabric of reality has shifted, and heroes are being hunted.

For Flash, Shazam, and the Teen Titans, it all begins when the four Riders of the Apocalypse unleash hell in a battle at Titans Academy, Barry Allen is cut off from the Speed Force, a Famine-controlled Wally West may be beyond saving, and Billy Batson makes a deal with the devil that will change Shazam forever. Off-world, John Stewart and the remaining Green Lanterns are stranded in the shadow of a dead power battery; Jackson Hyde and Andy Curry are separated across the galaxy; and Amanda Waller executes her ultimate plan with a new but terrifyingly familiar Suicide Squad on Earth-3.

At the end of time, Swamp Thing reveals its true intention, ruling supreme until a remnant of humanity launches a rebellion, and Black Adam looks to the past as the only way to save the future of the Multiverse.

Oversized Comics:

Future State: Justice League #1-2

  • Justice League, by Joshua Williamson and Robson Rocha
  • Justice League Dark, by Ram V and Marcio Takara
Future State: Justice League #1

Future State: Green Lantern #1-2

  • Last Lanterns, by Geoffrey Thorne and Tom Raney
  • Tales of the Green Lantern Corps, by Josie Campbell, Ryan Cady and Ernie Altbacker, with Sami Basri and Clayton Henry
Future State: Green Lantern #1

Future State: Suicide Squad #1-2

  • Suicide Squad, by Robbie Thompson and Javi Fernandez
  • Black Adam, by Jeremy Adams and Fernando Pasarin
Future State: Suicide Squad #1

Monthly Miniseries:

  • Future State: Aquaman, by Brandon Thomas and Daniel Sampere
  • Future State: The Flash, by Brandon Vietti and Dale Eaglesham
  • Future State: Teen Titans, by Tim Sheridan and Rafa Sandoval
  • Future State: SHAZAM!, by Tim Sheridan and Eduardo Pansica
  • Future State: Swamp Thing, by Ram V and Mike Perkins
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