Tag Archives: marco perugini

Preview: War Wolf #4

War Wolf #4

(W) Steve Orlando (A) Marco Perugini

What if Pandora’s Box opened and no one cared? Thomas Bruin is celebrated as Earth’s greatest hero after stopping an alien invasion—but Norton Matthews isn’t buying it. For years, he’s claimed Bruin is a fraud, only to be ignored and dismissed. Now, with Bruin unveiling an orbital security service and a museum to his “victory,” Matthews decides it’s time to act. If the truth he’s uncovered won’t sway the world, he’ll create a new one that does. The battle for Earth’s greatest legacy isn’t about aliens—it’s about who controls the story of its salvation.

War Wolf #4

Preview: War Wolf #3

War Wolf #3

(W) Steve Orlando (A) Marco Perugini (C) Pascal Tora (L) Lucas Gattoni

It’s the end of the first Oort Invasion and the start of Thomas Bruin’s new life! Led by Bruin, a security guard turned hero, humanity fought back, and Bruin became a global icon. He was celebrated as the greatest hero of his time, his victory standing as one of history’s most harrowing. But just as he rises, a scandal threatens to reveal that his story is a lie, putting everything he’s built at risk.

War Wolf #3

Preview: War Wolf #2

War Wolf #2

(W) Steve Orlando (A) Marco Perugini (C) Pascal Tora (L) Lucas Gattoni

The Oorts have landed on our shores, with weapons that can split anything they touch like a hot knife through butter. And the only person standing in their way is Thomas Bruin, a career skidmark who’s always been two steps behind where he should be. For Bruin, the Oort Invasion is a chance to finally step up. Witness a grassroots, blue-collar rebellion as humanity takes back its home, street by street, block by block…and as a nobody rides the victory to a spot as Earth’s greatest hero!

War Wolf #2

Preview: War Wolf #2

War Wolf #2

(W) Steve Orlando (A) Marco Perugini (C) Pascal Tora (L) Lucas Gattoni

The Oorts have landed on our shores, with weapons that can split anything they touch like a hot knife through butter. And the only person standing in their way is Thomas Bruin, a career skidmark who’s always been two steps behind where he should be. For Bruin, the Oort Invasion is a chance to finally step up. Witness a grassroots, blue-collar rebellion as humanity takes back its home, street by street, block by block…and as a nobody rides the victory to a spot as Earth’s greatest hero!

War Wolf #2

A Loveable Loser becomes Earth’s Greatest Hero in War Wolf #1

War Wolf #1

After he fends off an alien invasion, Thomas Bruin goes from a nobody security guard to Earth’s greatest hero! He’s got a supercharged launchpad and no ceiling. Bruin rises from celebrity to congress, then to the head of the planet’s first orbital security force. He’s married into one of the country’s most powerful political families, he’s surfing a wave of endorsements, and he’s the very symbol of human resilience. So why is Bruin nervous? Because only he knows his great victory is a lie. When the aliens return to Earth, stronger than ever, Bruin has no choice but to be the hero he’s fooled the whole world into thinking he is…or die trying. War Wolf #1 delivers an entertaining start that mixes action and comedy with a dash of sci-fi.

Written by Steve Orlando, I couldn’t tell you why it’s called War Wolf, but, let’s roll with it. Orlando kicks off the series with a debut that lays it out there as to what to expect in its main character Thomas Bruin. He’s someone that generally stands up and does what’s right, but also gets the crap beat out of him for doing it. Thomas is the type of person that gets put on a group project and does all the work and others take the credit, and he gets none. War Wolf #1 delivers some wish fulfillment for those individuals, as Thomas gets to kick a little ass and kill some aliens while doing it.

Orlando does a great job in War Wolf #1 if setting up who the main character is but delivering a lot of humor along the way, then eventually wrapping it up with action. There’s a “fuck up” mentality to Thomas, an individual who just hasn’t had luck for whatever reasons, not finding his way. It’s not all bad, Orlando mixes in some wins in a way, but overall you get a sense that this is a character who can’t quite get ahead other than by accident. And that’s what’s delivered in War Wolf #1. Thomas does step up and fights some aliens, but it’s more he’s forced to, and of course his coworkers are right there to help take credit for it all. It’s a feeling so many of us have had.

The art by Marco Perugini delivers it all in a way where you can get a sense of all of that. It’s a comic whose opening is very much a “show,” to give readers a sense of what the main character is like. Perugini is joined by Pascal Tora on color and lettering by Lucas Gattoni and the trio deliver a comic whose look matches the comedic undertones Orlando is going for. The art plays a key role in setting up the feel of the comic and also informing readers what they can expect from Thomas going forward.

War Wolf #1 is a fun debut that sets things up well with a story that feels a little Mars Attacks. It’ll be interesting to see where it all goes from here and what Orlando focuses on as far as the narrative goes. But, it’s solid sci-fi comedy that shows a lot of promise and well worth checking out.

Story: Steve Orlando Art: Marco Perugini
Color: Pascal Tora Letterer: Lucas Gattoni
Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Buy

Mad Cave Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Preview: War Wolf #1

War Wolf #1

(W) Steve Orlando (A) Marco Perugini (C) Pascal Tora (L) Lucas Gattoni

After he fends off an alien invasion, Thomas Bruin goes from a nobody security guard to Earth’s greatest hero! He’s got a supercharged launchpad and no ceiling. Bruin rises from celebrity to congress, then to the head of the planet’s first orbital security force. He’s married into one of the country’s most powerful political families, he’s surfing a wave of endorsements, and he’s the very symbol of human resilience. So why is Bruin nervous? Because only he knows his great victory is a lie. When the aliens return to Earth, stronger than ever, Bruin has no choice but to be the hero he’s fooled the whole world into thinking he is…or die trying.

War Wolf #1

Rise as a Hero, Fall as Steve Orlando pens a Satirical Sci-fi Epic, fit for Madness with War Wolf

Welcome to modern-day political paranoia, where Earth’s greatest hero might also be its greatest fraud. Mad Cave Studios has announced War Wolf—a retro-pulp sci-fi saga from award-winning writer Steve Orlando and celebrated artist Marco Perugini. Colored by Pascal Tora, lettered by Lucas Gattoni, and featuring a striking Cover A by David Talaski and a jaw-dropping variant by Mohamed Sama, this pulse-pounding 8-issue limited series refuses to be contained.

After he fends off an alien invasion, Thomas Bruin goes from a nobody security guard to Earth’s greatest hero! He’s got a supercharged launchpad and no ceiling. Bruin rises from celebrity to congress, then to the head of the planet’s first orbital security force. He’s married into one of the country’s most powerful political families, he’s surfing a wave of endorsements, and he’s the very symbol of human resilience. So why is Bruin nervous? Because only he knows his great victory is a lie. When the aliens return to Earth, stronger than ever, Bruin has no choice but to be the hero he’s fooled the whole world into thinking he is…or die trying.

A darkly funny, deeply human story about ego and legacy, War Wolf is a tense, thrilling, and unflinchingly timely sci-fi saga for the age of misinformation, media manipulation, and post-truth politics. Brutal, satirical, and razor-sharp, it’s made for readers who crave high-stakes sci-fi, morally grey characters, and twists that cut deep.

War Wolf #1 launches October 22, 2025. Preorder now through your local comic shop. 

War Wolf #1

Scout Comics’ Black Cotton #1 Goes to a Second Print

Scout Comics has revealed that Black Cotton #1 is going back to print. Set in an alternate reality where the social order of “white” and “black” is reversed, an elitist family, the Cottons, are rocked by a tragic shooting that begins to unravel long-standing family secrets that could not only destroy the family but also divide the fragile social climate of the world.

Black Cotton is written by Brian Hawkins and Patrick Foreman with art by Marco Perugini. Use order code JAN218878 to order the second printing.

Black Cotton #1 2nd printing

Review: Black Cotton #1

Black Cotton #1

Steven Barnes is one of those writers whose world-building skills makes you believe anything. His books has been part of my cognitive edification, including understanding metaphor and character development. His stories truly transport you to other worlds and makes you fall in love with the protagonists within them. The books where I first got to know him was The Lion’s Blood series.

The premise of the series was if Africa rose to prominence and Europe is a failed continent. It revolved around two characters, both of the same age, but one Black and one, white. The series itself was a godsend, as it showed just how inhuman, systemic racism truly is. In the debut issue of Black Cotton, we’re transported to a world where the social order is reversed as in Lion’s Blood, giving way to a bold new perspective.

We’re taken to Virginia, where one sullen night, a lone Black cop, Zion Cotton, stops a White woman in a hoodie, and before wither could comprehend the next few minutes, the young lies in a pool of her own blood. We soon find out that the cop is part of a rich family. As the latest incident makes the headlines, his family secures the services of a high-powered attorney, one that has scary reputation. Soon protests hit the streets, where signs advocating for “White Lives matter’ can be seen everywhere, and family tensions between the Cottons only get worse, as his sister’s far-right mindset only heightens it. By the issue’s end, the Cottons’ lawyer has arrived at the victim’s hospital suite, where she meets their lawyer.

Overall, Black Cotton #1 is a satisfying start that looks to say a lot. Hopefully, it gets its footing in the second issue. The story by Patrick Foreman and Brian Hawkins is bold and revolutionary. The art by Marco Perugini is adequate. Altogether, Black Cotton is a story that shows promise but is hard to say right now if it can fulfill it.

Story: Patrick Foreman, Brian Hawkins Script: Brian Hawkins
Art: Marco Perugini Letterer: Francisco Zamora
Story: 8.0 Art: 5.0 Overall: 7.0 Recommendation: Buy

Scout Comics provided Graphic Policy with a FREE copy for review


Purchase: Scout Comics

Review: Black Cotton #1

Black Cotton #1

Black Cotton #1 is an interesting concept of a comic. The world is similar to ours but the dynamics of race are switched. Whites are the minority in this world. The story dives into race relations and power when a Black police officer from a wealthy family shoots a White woman he thought was armed. It’s a story that plays our far too often in our world with the races reversed. I was hoping Black Cotton would have something intriguing to say on the subject, unfortunately, the debut issue doesn’t seem to.

Entertainment can be a powerful way to explore our world and discuss issues that society must deal with. The exploration of race relations and power dynamics is nothing new and something that has been well done in comics in recent years. Black took us to a world where only Black individuals had superpowers. It showed how that impacted race relations and exacerbated the issues that we deal with in the real world. I was hoping Black Cotton #1 would give us something else to really think about but the story just delivers a similar world where just the skin color of the individuals has changed.

The rich are still rich trying to by silence and skirt justice. The minorities are up in protest over the abuses of the rich and powerful. It’s our real world story just the races of the perpetrators and victim have changed. There’s nothing very new or interesting in that so far. About all that stands out is some scenes of protests where signs are emblazoned with slogans about “white lives”. This could be intriguing is “white lives matter” wasn’t so politically charged as is. Creators Patrick Foreman and Brian Hawkins aren’t delivering anything thought provoking yet. The story they present seems to be making the argument that race is the corruption, money and power are the corruption. It throws out race dynamics as an underlying issue squarely focused on the economic division. It’s a real world debate but as presented is a bit clunky.

The art by Marco Preugini is good. The character designs and world feel realistic and lived in. The characters deliver a lot of emotion in their frustrations, guilt, sadness, and more. The emoting is the highlight of the art and the comic. The comic is in black and white and while interesting in a meta sort of way it hurts the comic a bit as the difference between races isn’t as clear as it would be in color. There’s a lessoning of the impact of the point of the comic.

Black Cotton #1 has potential. It could be a hell of an exploration of race relations. But, the first issue delivers a familiar story with the only difference being the color of the skin. It doesn’t provide anything new or interesting to chew on. In fact, it feels like it distills our real world ills to economic disparity and that’s it. It’s simplistic in its approach. Hopefully future issues deliver a bit more to chew on and contemplate as the story progresses.

Story: Patrick Foreman, Brian Hawkins Script: Brian Hawkins
Art: Marco Perugini Letterer: Francisco Zamora
Story: 6.0 Art: 6.75 Overall: 6.0 Recommendation: Pass

Scout Comics provided Graphic Policy with a FREE copy for review


Purchase: Scout Comics

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