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12-Gauge Comics Expands its Serial Killer Universe with Plastic Hardcover and New Narco OGN from Doug Wagner and Daniel Hillyard

Four years ago, writer Doug Wagner, artist Daniel Hillyard, colorist Laura Martin, and letterer Ed Dukeshire unleashed Edwyn, a retired serial killer with a…unique girlfriend, Virginia, who just so happens to be a blow-up doll. Published by Image Comics, Plastic charts Edwyn’s descent into madness as he embarks on a brutal, chaotic (and often hilarious) war on the unfortunate souls who kidnap his synthetic lover. 

That same creative team presents the definitive edition of this gonzo blood-splattered epic with the Plastic: Deluxe Edition hardcover. This volume features a new cover from Hillyard and Martin alongside a new “lost scene” six-page backup story revealing Edwyn’s brutal origins. 

In addition, that same team has also reunited alongside colorist Dave Stewart for Narco, a new 136-page graphic novel and the next phase of the Plastic universe. (The overarching fiction also includes Vinyl, the killers-vs-cultists blockbuster by Wagner and Hillyard currently published by Image Comics.) 

Narco is a Hitchcockian thriller about a benevolent 20-something–Marcus–who suffers from a rare form of narcolepsy triggered by stressful and traumatic events. After being wrongfully accused of his neighbor’s murder, Marcus pursues the true killer at the mercy of his sleep-inducing condition.

Both the Plastic: Deluxe Edition and Narco are available exclusively in a joint Kickstarter. Any orders completed by 12:12 PM EST on Wednesday (10/27/2021) receive a free PLASTIC print by Daniel Hillyard and Laura Martin. 

The Immortal Hulk #50 Captures Immortal Moments in Variant Covers

The end of one of the most critically-acclaimed comic runs in recent history arrives next month with Immortal Hulk #50, a special giant-sized issue that will present the epic conclusion to years of buildup, mystery, and Gamma-powered additions to the Hulk mythology. To celebrate the end of this groundbreaking journey, some of the industry’s top artists have delivered outstanding ‘Immortal Moments’ variant covers that depict some of the highlights of the last 49 issues.

These eight covers will allow readers to relive the following breathtaking moments from throughout this incredible saga:

  • Ron Lim and Israel Silva immortalizes Hulk’s discovery of the gamma-irradiated father of Del Frye from IMMORTAL HULK #2
  • Ed McGuinness and Laura Martin immortalizes the brutal brawl between the red Absorbing Man and Hulk from IMMORTAL HULK #9
  • Gary Frank and Brad Anderson immortalizes the climactic moment of the “Hulk in Hell” arc where Devil Hulk lets Bruce know he’ll always protect him from IMMORTAL HULK #13
  • Carlos Pacheco, Rafael Fonteriz, and Marcio Menyz immortalizes the debut of the Rick Jones/Abomination hybrid from IMMORTAL HULK #17
  • Creees Lee and Jesus Aburtov immortalizes Hulk’s initial confrontation with Betty’s new manifestation of her Red Harpy persona from IMMORTAL HULK #19
  • Sanford Greene immortalizes the glimpse of Hulk’s potential future as the Breaker of Worlds from IMMORTAL HULK #25.  
  • InHyuk Lee immortalizes Hulk squaring off against his Roxxon-backed replacement, Xemnu, from IMMORTAL HULK #31
  • Jen Bartel immortalizes the reveal of the Devil Hulk’s true look from IMMORTAL HULK #38

Check out all eight now and be there for the end to this historic run when Immortal Hulk #50 hits stands on October 13!

Preview: Tankers #3

TANKERS #3

Written by ROBERT VENDITTI
Art by JUAN JOSÉ RYP
Colors by ANDREW DALHOUSE
Cover by LEWIS LaROSA with LAURA MARTIN
PLUS: An All-New BAD IDEA B-SIDE
THREE ISSUES | BI-MONTHLY
$5.99 EACH | 40 PGS. | RATED: T+ | ON SALE AUGUST 4, 2021

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly over-budget, New York Times best-selling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and colorist extraordinaire Andrew Dalhouse (The Multiversity Guidebook) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with the second of THREE MEGA-SIZED ISSUES SHIPPING BIMONTHLY (that means every other month, don’t look it up).

Tankers #3

Bad Idea’s August Releases

HERO TRADE: PASSIVE / AGGRESSIVE

Written by MATT KINDT
Art & Cover by DAVID LAPHAM
PLUS: An All-New BAD IDEA B-SIDE
A DOUBLE-DEALING, DOUBLE-BARRELED ONE-SHOT
IN GLORIOUS BLACK AND WHITE
$7.99 | 32 PGS. | NO ADS | ON SALE AUGUST 4, 2021

NOTE: Your order for the Final Five – ALL IN bundle will be added to your order of this issue. Example: Your order for the Final Five is 20 copies. You add 15 copies of this issue. Your initial shipment will be 35 copies.

Midnight in Los Angeles, and the brutal vigilante known as The Watch metes out justice, cleaning the street of lawbreaking scum. As fist meets face, The Watch’s phone rings: it’s Fred from Capitol A-1 Bank. The Watch has been hacked — actually, it’s his civilian identity — but Fred sure as shit doesn’t know who he’s talking to — he’s just calling the high-end clients to let them know their bank account’s been drained.

“Don’t worry,” Fred says. “We’re insured. It’ll be fine.”

“No it won’t,” The Watch replies.

The Watch is headed to Russia — with $8.8 billion reasons to kill every last member of the Russian hacking farm —and justice will be measured in broken bones and gallons of blood.

New York Times best-selling writer Matt Kindt (Mind MGMT) and legendary illustrator David Lapham (Stray Bullets) give bone-shredding vengeance a name this August as another piece is placed on the HERO TRADE board in a tale guaranteed to shock and provoke.

THE LOT #2

Written by MARGUERITE BENNETT
Art & Cover by RENATO GUEDES
PLUS: An All-New BAD IDEA B-SIDE
FOUR ISSUES | MONTHLY | IN GLORIOUS BLACK AND WHITE
$5.99 EACH | 40 PGS. | ON SALE AUGUST 4, 2021
RATED: T+ FOR ABJECT TERROR, PSYCHOLOGICAL HORROR AND INVOKING DESPAIR

In the 1970s, legendary filmmaker Oliver Larsen began production on what was to be his horror masterpiece. Obsessed with authenticity, the megalomaniacal director insisted on filming a real-life occult ritual performed by actual cult members. The cast and crew, of course, gave no credence to the cultists’ beliefs, but soon were proselytised as something awoke that day on the studio lot. In the bloody aftermath, the production was permanently shut down, the footage suppressed, and the soundstage that bore witness forever shuttered.

Until today.

Aviva Copeland is the newly promoted studio head — the youngest in decades. Great things are expected of her. Maybe greater than is fair. She has the unenviable task of restoring the studio’s fading image and resurrecting its financial viability. She’s up for the challenge. Poring over the sea of red in the company ledger she finds just the thing to help her do it — a prime piece of California real estate has been sitting unused on the studio books, hemorrhaging money for decades. Why would they let a lot this valuable just rot? Aviva will soon find her answer and with it she will discover that though the lot may have been closed for a half-century, it’s far from empty…and the evil that lives within its haunted walls will soon seize its chance to kill again.

New York Times best-selling writer Marguerite Bennett (Animosity, A-Force) and artist Renato Guedes (DCeased: Hope at World’s End) present a terrifying vision of horror and Hollywood in the boldly bloody Bad Idea manner!

THE LOT #2

TANKERS #3

Written by ROBERT VENDITTI
Art by JUAN JOSÉ RYP
Colors by ANDREW DALHOUSE
Cover by LEWIS LaROSA with LAURA MARTIN
PLUS: An All-New BAD IDEA B-SIDE
THREE ISSUES | BI-MONTHLY
$5.99 EACH | 40 PGS. | RATED: T+ | ON SALE AUGUST 4, 2021

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly over-budget, New York Times best-selling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and colorist extraordinaire Andrew Dalhouse (The Multiversity Guidebook) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with the second of THREE MEGA-SIZED ISSUES SHIPPING BIMONTHLY (that means every other month, don’t look it up).

Review: Star Wars: War of the Bounty Hunters Alpha

Star Wars: War of the Bounty Hunters Alpha

Marvel‘s Star Wars comics are one of the best lines of comics on the market today. They brilliantly tell new stories while expanding upon a world that’s over 40 years old. What works so well is the comics are able to fill in the gaps of the stories we’ve already been told. They weave in and add new details and depth that entertains, gets us to rethink what we’ve seen and read, and also never fails its original material. Star Wars: War of the Bounty Hunters Alpha kicks off that sort of story and launches an event decades in the making.

At the end of Empire Strikes Back, Boba Fett had gotten his bounty with Han Solo encased in carbonite. In the films, the next we saw them was in Jabba the Hutt’s palace. The bounty was delivered and we’d guess that Boba Fett was paid his bounty. But, what happened between Cloud City and the Hutt palace? Star Wars: War of the Bounty Hunters Alpha starts to tell that story and it’s not as straightforward as we’d expect.

Charles Soule has the awesome job of weaving the story of Boba Fett’s journey to deliver the goods. What we find out is it wasn’t as easy as we might have thought. Fett is good but when there’s enough credits on the line, others will want to get in on the action. Plus, technology can just crap out on you. And that’s where Star Wars: War of the Bounty Hunters Alpha begins things. The carbonite that Solo is encased in doesn’t quite work as we thought and there’s issues forcing Boba to make a stop to fix things, otherwise Solo will die. That stop creates a sidequest and opens things up for the cat and mouse chase for the bounty.

Soule does a solid job of adding in depth to the world of Star Wars. He also uses some great callbacks in Boba’s story. There’s references to Attack of the Clones as Boba must battle in an arena that will make fans smile. It also adds a bit to Boba’s story as he’s clearly traumatized in some ways about what he witnessed happen to Jango.

Soule also has a difficult task ahead. We know that Solo was delivered to Jabba. We also assume Boba Fett is the one that did it. So, how do you tell an interesting, entertaining, and new story when we know the end result? Well, he’s pulling that off by throwing obstacles in Boba Fett’s path.

Steve McNiven’s art is fantastic. The details are great and there’s some subtle choices, especially around Han in the carbonite, that really add to things. Laura Martin‘s colors make the pages pop and Travis Lanham‘s lettering adds an emotional punch. The overall package is wonderful with some great action and emotion. Boba Fett might be behind a mask but you can feel his frustration at times by his body language and the lettering. It’s impressive to pull off.

As a long time fan of Star Wars, Star Wars: War of the Bounty Hunters Alpha is exactly the type of story I want to read. It expands upon the world we know adding to it and not discounting what has come before. It’s additive. It’s also a hell of a lot of fun with great action and humor with some fantastic pacing. Though it looks like this crossover event is pretty expansive, if it keeps up this quality, I’m going to wish it was even longer.

Story: Charles Soule Art: Steve McNiven
Color: Laura Martin Letterer: Travis Lanham
Story: 8.5 Art: 9.0 Overall: 8.65 Recommendation: Buy

Marvel provided Graphic Policy with a FREE copy for review


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Masters of the Universe Comes to Dark Horse with Revelation

Mattel and Dark Horse Comics have announced Masters of the Universe: Revelation, a four-issue miniseries. Starting in July 2021, the series will serve as a prequel to the upcoming Masters of the Universe: Revelation series from Netflix and Mattel Television premiering this year. 

The story arc for the new comics was conceived by the show’s executive producers Kevin Smith and Rob David, who also served as the creative director and a writer of DC Comics’ Masters of the Universe releases from 2012 – 2020, as well as show writer Tim Sheridan. Mindy Lee provides the art and color while Stjepan Sejic created the cover art for issue #1 with Dave Wilkins providing cover art for issues #2-#4. Mattel and Dark Horse will also release an issue #1 variant by Mike Mignola and Dave Stewart. Additional variant artists for subsequent issues include Bill Sienkiewicz, Walt Simonson with Laura Martin, and more.

In the comic book, following a vicious Orlax attack on his father King Randor, He-Man learns the creature is linked to the origin of the sword of power. To save Randor and put an end to the chaos, He-Man embarks on an epic journey that pits him against his longtime foes Skeletor and Evil-Lyn, and sees Teela take the reins of a powerful legacy. 

The first installment of four for the Masters of the Universe: Revelation comic is currently available for pre-order and will be released July 7, 2021. Additional comic books will be released on August 11, September 9, and October 13, 2021.

Bad Idea in June 2021 includes Tankers #2 and ENIAC #4

TANKERS #2

Written by ROBERT VENDITTI
Art by JUAN JOSÉ RYP
Colors by ANDREW DALHOUSE
Cover by LEWIS LaROSA with LAURA MARTIN
PLUS: An All-New BAD IDEA B-SIDE
THREE ISSUES | BI-MONTHLY

$5.99 EACH  |  40 PGS.  |  RATED: T+  |  ON SALE JUNE 2, 2021

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly over-budget, New York Times best-selling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and colorist extraordinaire Andrew Dalhouse (The Multiversity Guidebook) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with the second of THREE MEGA-SIZED ISSUES SHIPPING BIMONTHLY (that means every other month, don’t look it up). 

ENIAC #4

Written by  MATT KINDT
Art by DOUG BRAITHWAITE
Colors by DIEGO RODRIGUEZ
Cover by LEWIS LaROSA with DIEGO RODRIGUEZ
PLUS: An All-New HERO TRADE story as a BAD IDEA B-SIDE
FOUR ISSUES  |  MONTHLY  
$3.99 EACH  |  40 PGS.  |  RATED T+  |  ON SALE June 2, 2021

Seventy-seven years ago, the United States unlocked the key to defeating the Axis powers, but, in their desperation to end the war, accidentally created a far more powerful threat: ENIAC (Electronic Numerical Integrator and Computer). Designed to be a cutting-edge breakthrough in supercomputing that could deliver a decisive victory to the Allies, ENIAC did just that…by ordering the bombing Nagasaki without human consent or approval. A fully autonomous A.I free from the bounds of programming or morality, ENIAC spent the decades since manipulating global superpowers from the shadows, secretly shaping everything we thought we knew about the history of the geopolitical order. And, throughout it all, one classified question has plagued presidents and prime ministers, generals and spymasters alike: “What is ENIAC planning next?”

Now, after years of silence, ENIAC has re-emerged with a 72-hour countdown until it unleashes every weapon in Earth’s atomic arsenal. Its motives? Unknowable to humankind. Its endgame? Destruction on an unthinkable scale. As ENIAC’s clock rockets toward zero, it’s down to two covert operatives to infiltrate a Russian black site and free the one man alive who knows how to kill the machine…before it erases mankind, once and for all.

Neil Gaiman’s American Gods Gets an Oversized Hardcover

Experience The Complete American Gods comic series collected into a deluxe, oversized hardcover. Adapted by P. Craig Russell from the award-winning novel by Neil Gaiman, this complete edition of American Gods comes with a slipcase illustrated by David Mack and a bookmark ribbon with a gold pattern.     

Shadow Moon, fresh out of jail, finds his wife dead, his life in shambles, and nowhere to turn. But a chance meeting with the mysterious Mr. Wednesday thrusts him into the center of a conflict between new and old gods, where the future of human and divine life is at stake.

The Complete American Gods hardcover collects American Gods: Shadows #1-9, American Gods: My Ainsel #1-9, and American Gods: The Moment of the Storm #1-9 featuring art by Scott Hampton, P. Craig Russell, Glenn Fabry, Walter Simonson, Colleen Doran, Mark Buckingham, and Galen Showman with colors by Scott Hampton, Lovern Kindzierski, Laura Martin, Colleen Doran, Adam Brown, and Jennifer T. Lange.

It will be available everywhere books are sold on September 14, 2021. It is available for pre-order on Amazon, Barnes & Noble, TFAW, and at your local comic shop and bookstore. The Complete American Gods sits at 720-pages and will retail for $124.99. It is the perfect addition to any Neil Gaiman collection.

Bad Idea in April 2021

TANKERS #1

Written by  ROBERT VENDITTI
Art by JUAN JOSE RYP
Colors by ANDREW DALHOUSE
Cover by LEWIS LaROSA with LAURA MARTIN
PLUS:An All-New BAD IDEA B-SIDE
THREE ISSUES  |  BI-MONTHLY  
$5.99 EACH  |  40 PGS.  |  RATED T+  |  ON SALE APRIL 7, 2021

The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.

Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly over-budget, New York Times best-selling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and colorist extraordinaire Andrew Dalhouse (The Multiversity Guidebook) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with the first of THREE MEGA-SIZED ISSUES SHIPPING BIMONTHLY (that means every other month, don’t look it up). 

Tankers #1

ENIAC #2

Written by  MATT KINDT
Art by DOUG BRAITHWAITE
Colors by DIEGO RODRIGUEZ
Cover by LEWIS LaROSA with DIEGO RODRIGUEZ
PLUS: An All-New BAD IDEA B-SIDE
FOUR ISSUES  |  MONTHLY  
$3.99 EACH  |  32 PGS.  |  RATED T+  |  ON SALE APRIL 7, 2021

Seventy-seven years ago, the United States unlocked the key to defeating the Axis powers, but, in their desperation to end the war, accidentally created a far more powerful threat: ENIAC (Electronic Numerical Integrator and Computer). Designed to be a cutting-edge breakthrough in supercomputing that could deliver a decisive victory to the Allies, ENIAC did just that…by ordering the bombing Nagasaki without human consent or approval. A fully autonomous A.I free from the bounds of programming or morality, ENIAC spent the decades since manipulating global superpowers from the shadows, secretly shaping everything we thought we knew about the history of the geopolitical order. And, throughout it all, one classified question has plagued presidents and prime ministers, generals and spymasters alike: “What is ENIAC planning next?”

Now, after years of silence, ENIAC has re-emerged with a 72-hour countdown until it unleashes every weapon in Earth’s atomic arsenal. Its motives? Unknowable to humankind. Its endgame? Destruction on an unthinkable scale. As ENIAC’s clock rockets toward zero, it’s down to two covert operatives to infiltrate a Russian black site and free the one man alive who knows how to kill the machine…before it erases mankind, once and for all.

ENIAC #2

Review: Future State: Superman of Metropolis #1

Future State: Superman of Metropolis #1

One of the extended “Future State” issues, Future State: Superman of Metropolis #1 takes us to a future Metropolis protected by a new Superman, Jonathan Kent. His father is off somewhere (we’ll get that in another story) and it’s up to Jon to fill in the gap. Joining him is Supergirl who spends the issue mostly as an obstacle for this new Superman to battle.

In this Metropolis a tech company has low-jacked individuals with technology built from Brainiac. In the story, the villain, Brain Cells, are using the people for something leaving Jonathan to make a difficult decision to save the city and its people and attempt to not escalate things further. Which of course escalates things.

Writer Sean Lewis gives us a nice take on the character and world putting Jonathan in a difficult situation. The idea of a fairly new hero who’s not getting it right is a good spin to it all. It’s a hero who makes mistakes and whose decisions might have good intentions but the process to get there isn’t the best. It’s a hero who isn’t quite trusted, a rookie who makes mistakes. This is a Superman who has powers and fumbles something can ponder what would likely happen if any of us were to gain similar powers with similar responsibilites. It’s easier to relate to the character in this way.

The art by John Timms with color by Gabe Eltaeb, and lettering by Dave Sharpe is fantastic. The designs are really interesting though at times it takes a bit to make out exactly what everything is. There is a dynamic aspect to it all though and the battles and confrontations are full of excitement and tension. Sharpe’s lettering especially stands out with his take on Brain Cells’ unique world balloons. It’s a small detail that adds so much to the character.

The issue features so much more…

The Metropolis Menagerie” is written by Brandon Easton with art by Valentine de Landro, colors by Marissa Louise, and lettering by Sharpe. Shilo Norman is Mister Miracle in a fairly straightforward tale of a hero battling against odds and their powered suit failing. There’s something rather interesting and charming about it all. There’s a pulp sense about it all with the concept feeling like it’s something out of the era of Flash Gordon.

“The Guardian in Future State” is also written by Lewis with art by Cully Hamner and Michael Avon Oeming, color by Laura Martin, and lettering by AndWorld Design. We get to see a bit of a different aspect to the main story. The story focuses on The Guardian and some of the impact of Jonathan/Superman’s decision. It’s an interesting idea of having a shorter story that ties into the main one but I wish it was a bit clearer this was the case and maybe have taken a slightly different aspect with it all. I’m trying to not spoil it but showing more of the impact of Jonathan’s decision or the moments after would have possibly made for a more engaging story. The use of Hamner and Oeming is also a noticeable shift as the two style don’t quite match enough creating a jarring experience for the reader.

Future State: Superman of Metropolis #1 is a decent read but doesn’t quite have the excitement I was hoping for. As an arc for an ongoing series, it’d all be very interesting but as a two issue story it feels like we’re dropped into something well underway.

Story: Sean Lewis, Brandon Easton Art: John Timms, Valentine de Landro, Cully Hamner, Michael Avon Oeming
Color: Gabe Eltaeb, Marissa Louise, Laura Martin Letter: Dave Sharpe, AndWorld Design
Story: 7.0 Art: 7.95 Overall: 7.0 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review


Purchase: comiXologyAmazonKindleZeus Comics

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