Tag Archives: kyle strahm

Preview: Spread #5

Spread #5

Story By: Justin Jordan
Art By: Kyle Strahm
Cover By: Kyle Strahm
Cover Price: $3.50
Digital Price: $2.99
Diamond ID: SEP140756
Published: January 21, 2015

Ravello versus No, one-on-one.

Spread05_Cover

Preview: Spread #4

Spread #4

Story By: Justin Jordan
Art By: Kyle Strahm
Cover By: Kyle Strahm
Cover Price: $3.50
Digital Price: $2.99
Diamond ID: AUG140682
Published: November 5, 2014

Ravello and his raiders on one side, Church of the Risen God on the other, with No, Hope, and Molly in the middle. This probably won’t end well.

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Preview: Purgatori #1

Purgatori #1

Aaron Gillespie (w)
Javier Garcia Miranda (a)
Nei Ruffino, Kyle Strahm, Joyce Chin, José Luis, Tony Fleecs (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Teen+
FANS, ASK YOUR RETAILER FOR THE:
Nei Ruffino B&W Art retailer incentive cover
Tim Seeley B&W Art retailer incentive cover

Spinning out of Dynamite’s best-selling Chaos! Universe, Purgatori flies like a vampire bat out of hell into the pages of her own ongoing series! Trapped in hell, the bitch-queen learns that the Devil doesn’t play games. Can she outwit Lucifer or will he make her regret the day she crossed him? The titillating tale begins right here!

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Review: Purgatori #1

purI have been an on-again off-again reader of comics for pretty much my whole life. One of those off-again periods happened to coincide with the explosion in the 1990s of the “bad girl” comics, of which there were many representatives, but of which Lady Death was among the most successful. The basic characteristics of most of these characters were pretty similar. They would have ridiculously sculpted feminine physiques, ridiculous even by the standards of the usual presentation of comic book women, and their clothing were usually equally ridiculous. The other commonality was their power, a lot stronger than they looked, and usually derived from some supernatural source. I didn’t know them though, by the time that I had regained an interest on comics I was too late to catch up.

After the popularity of the characters died off, they kind of scattered. Some ended up at the same publishers though with less focus, while others bounced around a fair bit. One of those that bounced was Lady Death, but strangely her entourage did not, at least not in all parts. One of the more popular supporting characters, Purgatori, was sold off separately and also could not find a home for a while. Eventually the character ended up at Dynamite. Generally speaking Dynamite has been an industry leader in terms of revamping public domain characters and making them modern and approachable, but they generally have stayed away from such characters with recent pasts elsewhere.

As a reader of Purgatori #1, I am a little bit in the middle of the experience. Any #1 is a good place to start off with a new character, as creators usually have the insight to make the characters a little more approachable. At the same time, the theme matter of Purgatori is a little bit outside of what I am used to. A trend which I avoided mostly was the vampire trend in pop culture, including in comics. That Purgatori is a demon/vampire blend doesn’t really connect with me as a reader that tends more towards science-fiction. As an aspiring writer of fiction myself, I recognize that stories require one of two things – engaging concepts or engaging characters, though preferably both. In the case of this series, the concept is a little mundane, as the setting of Hell is not really a new one when even the likes of Superman and Iron Man have been there. Contrasted against that is the character of Purgatori. While the writer, Aaron Gillespie, has been given a pre-established character and has limited ability within which to make her unique from the concept, he at least succeeds in the characterization.

Though she is potentially new to a lot of readers, the main character is still approachable. She is bad, but also a little good, serious but also sassy. It makes for the kind of character that can hold a series even if the setting is not very interesting. As this series stands for me, I will check out issue #2 to see where it goes, even if it is not my style, just because the writer has made the character compelling enough.

Story: Aaron Gillespie Art: Javier Garcia Miranda
Story: 7.8 Art: 8.2 Overall: 7.8 Recommendation: Read

Dynamite Entertainment provided Graphic Policy with a FREE copy for review

Preview: Spread #1

Spread #1

Story By: Justin Jordan
Art By: Kyle Strahm
Cover By: Kyle Strahm
Cover Price: $3.50
Digital Price: $2.99
Diamond ID: MAY140579
Published: July 9, 2014

Ten years ago, we dug too deep. We unleashed something ancient that couldn’t be controlled. Something that couldn’t be stopped, twisting everything it touched into more of itself. The Spread. Humanity was nearly destroyed before we found a way to slow the Spread to a crawl. Now, deep inside the quarantined zone, one man has found the key to stopping it forever: a baby girl. And if he can save her, he might save the world.

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Excitement for this new series will Spread

Justin Jordan and Kyle Strahm team up for a new science-fiction thriller, Spread, a horrifying story of inevitable death and slim hope. Enthusiasm for Spread will prove infectious and launch with a social media contest. Post the cover image of Spread #1 with the caption “it’s spreading…” and tag @kstrahm and @Justin_Jordan on Twitter and/or Facebook with the hashtag #itsspreading for for a chance to cameo as an extra character in the book, plus other Spread swag. Winners will be revealed on the day of release, July 9.

Ten years ago, humanity dug too deep and unleashed something ancient that couldn’t be controlled. Something that couldn’t be stopped, twisting everything it touched into more of itself. The Spread. Humanity was nearly destroyed before finding a way to slow the Spread to a crawl. Now, deep inside the quarantined zone, one man has found what might be the key to stopping it forever: a baby girl. And if he can save her, he might save the world.

In a release Jordan said:

It’s Lone Wolf and Cub in a world where John Carpenter’s The Thing ate North America. Sean Shields, mostly called ‘No’ in the book—because he’s taciturn enough that it’s most of his dialogue—is one of the survivors. No is ‘Spread-immune,’ unable to be converted by the Spread biomass, and this means he can get closer to the Spread to scavenge useful bits of what used to be civilization—but not without danger.

The Spread itself is comprised of more than just its threat for virulence the creatures that lurk and thrive within it are equally nefarious.

In the same release Strahm said:

I’ve designed piles of crazy organisms that form the Spread ecosystem. [Colorist] Felipe Sobreiro and I have crafted a look for these things that we’re very proud of. From tiny scavengers to massive predators, every creature has a spot on the food chain and looks pretty cool occupying that spot. The organisms least equipped to survive in the Spread are human beings. Gross things happen when they get too close.

SPREAD #1 arrives in stores on 7/9 and is available for $3.50 and can be pre-ordered using Diamond Code MAY140579.

SPREAD #1

it’s spreading…

Review: Occupy Comics #1 and 12 Reasons to Die #1

Occupy Comics #1

OccupyComics-coverA_600pxStarted off in what seems forever ago, Occupy Comics initially started off as a Kickstarter project, it is now seeing print thanks to Black Mask Studios. An anthology, the comic was as political as they come and channeled the dissatisfaction with the status-quo represented by the Occupy Movement. The comics boast an impressive line-up of creators like Alan Moore, David Lloyd, Charlie Adlard, Art Spiegelman, Molly Crabapple, Matt Bors, Mike Allred, Ben Templesmith, J.M. DeMatteis, Tyler Crook, Joshua Hale Fialkov, Joe Infurnari, Ales Kot, Dean Haspiel, Joshua Dysart and Matt Pizzolo.

Each contribution is thought-provoking and entertaining and shockingly non-partisan. This is a perfect marriage of comics and politics. While many will see that word “occupy” how the stories presented are pretty non-partisan, reflecting the realistic economic times and the political world in which we live.

But on top of that political message, the comic is also entertaining. The stories contained within are smartly written and beautifully illustrated, making this a package that has depth in message as well as presentation, an awesome combination. It’s a perfect connection between emotion, facts and art.

The stories within vary too. They’re not all straight comics, and some mix it up with different forms of storytelling. This is an anthology with a theme first and foremost, not necessarily a “comic.” But it’s all golden. Everything I read had depth and was intelligent. It just grabbed me and I wanted to read more. It made we want more of this type of voice in the more mainstream comics many of these folks write.

On top of the solid stories and art, all revenue received by organizers/creators (past hard costs) will be donated to various Occupy-related initiatives.

This is a perfect example of the marriage of comics and politics. An awesome comic that I can’t wait to see more of.

Story and art: Alan Moore, David Lloyd, Charlie Adlard, Art Spiegelman, Molly Crabapple, Matt Bors, Mike Allred, Ben Templesmith, J.M. DeMatteis, Tyler Crook, Joshua Hale Fialkov, Joe Infurnari, Ales Kot, Dean Haspiel, Joshua Dysart and Matt Pizzolo
Story: 8.5 Art: 8.5 Overall: 8.5 Recommendation: Buy

12 Reasons to Die #1

12ReasonsToDie_issue1coverB_ChristopherMittenThis horror-crime hybrid is the latest comic book from the legendary Wu-Tang Clan’s RZA and Ghostface Killah.

A brutal tale of gangsters, betrayal, and one vengeful soul hunting the 12 most powerful crimelords in the world.

I’m a fan of crime comics. The idea of gangsters and crimelords is just entertaining to me. I tend to gravitate to those stories so this comic was right up my way. But what makes this comic and this “gangster” tale stand out is the horror part of it all. It’s a nice change to the straight up gangster story I was expecting and the type of story I was expecting when I saw that RZA and Ghostface Killah were involved.

There’s a lot going on in the comic, making it not the straightforward crime comic you’d expect. There’s different perspectives and intertwining storylines that’ll be interesting to see how they come together. This is a mystery/horror story with a gangster veneer and the first issue teases that mystery just enough to get me to want to come back and check out more.

You can tell this is a story being told the way they want to be told. It’s a high concept blending story, art and music together. Each section of the first issues is paired with the talents of an artist who does it justice and enhances the story.

What’s even cooler is this is an example of a multi-platform, transmedia concept project with a storyline that spans from the comic book to the new Ghostface Killah album released simultaneously by RZA’s Soul Temple Records. So, you have a soundtrack to check out while reading the comic.

Overall, this is an entertaining example of

Story: Adrian Younge, Ce Garcia, Matthew Rosenberg, Patrick Kindlon Art: Breno Tamura, Gus Storms, Kyle Strahm, Joe Infurnari
Story: 8 Art: 8 Overall: 8 Recommendation: Buy

Black Mask Studios provided Graphic Policy with FREE copies for review

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