Created by husband and wife team Carrie and Alan Tupper, and the talented illustrator/designer Havana Nguyen, Kamikaze is set in a future dystopia where natural resources are scarce and what food there is controlled by corrupt factions. Markesha is a teenager who lost her mother and is caring for her blind father, making ends meet as a courier. When a routine delivery turns deadly, Markesha finds herself caught between warring factions. Now she’s an agent for the resistance organization that saved her and her secret identity “Kamikaze,” becomes a symbol of hope for her people.
The Florida based animation company Echo Bridge Pictures, led by animation director Esteban Valdez, is bringing the world of Kamikaze to life. The animated pilot will feature the voice talents of Dani Chambers (SSS.GRIDMAN, One Piece) as “Markesha Nin”, Monica Rial (Dragon Ball, gen:Lock,My Hero Academia) as her tech assist “Audrey Dalma” and Johnathan Young, Youtube famous for his genre music covers, as Markesha’s enemy “Toro Blackthorne”.
The Short Circuits anthology will feature a cadre of talented writers and artists including Robert K. Jeffrey (Green Lantern/DC Comics), Sceritz (Scorpio), Dan Jolley (Dr. Strange Marvel; G.I. Joe/Image Comics), Takeia Marie (Simone Visits the Museum), Malissa White from Comics Creators Club and more!
The brand-new RAI series makes its action-packed debut next Wednesday (November 20th), and metal band A Sound of Thunder is celebrating the can’t-miss comic with the song ‘Break Free!’
Featuring lyrics by series writer Dan Abnett, “Break Free” is offered exclusively through the band’s Kickstarter as a companion to their new album Parallel Eternity. The catchy single also comes with an exclusive RAI #1 variant cover by Paul Pelletier, which is an homage to Derek Riggs’ cover for Iron Maiden’s album Somewhere in Time. The limited edition variant is available with the modern trade dress (500 copies) and classic trade dress (200 copies).
Dan Abnett is a veteran of the comic industry, but this was his first time writing lyrics for a song!
This first-ever Beauty of Horror Kickstarter gives fans of coloring books, mystical predictions, and macabre monsters the opportunity to acquire the Tarot Card Set as either a fully-colored card deck or a black-and-white deck perfect for coloring! And, of course, there’s also the option for the most dedicated devotee of divination to get both sets — because why should you have to choose?
The “Fear Your Future” Deck is a traditional tarot set featuring art by Alan Robert and pre-colored by Jay Fotos, measuring the standard tarot card size of 70mm x 120mm and including a guidebook.
The “Color Your Destiny” Deck follows the Beauty of Horror adult coloring book tradition by offering tarot cards, printed on premium cardstock paper, with line art by Alan Robert. Oversized for best illustrative results, these cards measure 90mm x 154mm and come packaged with a guidebook.
Inspired by the classic Rider-Waite tarot deck published in 1910, Alan Robert has fashioned the Beauty of Horror Tarot Card Set with 78 cards per deck, with 22 Major Arcana cards (featuring such classic cards as The Magician, The Lovers, The Hanged Man, and more, plus a special appearance of Beauty of Horror icon Ghouliana as The Empress) and 56 Minor Arcana cards.
Supporters of this crowdfunding campaign will receive several free “Ghouliana’s Ghastly Gifts” as a reward, many of which will be exclusive through Kickstarter! In addition to these special gifts with purchase, fans will have an opportunity to upgrade their experience with a Beauty of Horror themed tarot cloth as well as a “Draw Your Own Terror” deck.
We’ve also been provided exclusive commentary from Robert about Beauty of Horror and its terrifying influences.
Q: Where do all of
these fantastic gory images originate from? Do you picture these images in your
dreams (or nightmares)?
Alan Robert: I
think I’ve always had a bit of a twisted sensibility… it’s in my DNA, and I have
definitely had some vivid and extremely graphic dreams in my life that have
influenced my art over the years. I can think back to my high school
days of drawing horrific monsters in my notebook sitting inside the school
cafeteria. My friends would hover around me to see what gory scene I’d draw up
next… Man, I’ve been
into horror for as long as I can remember. I’m also a product of all the 80s
horror flicks… which certainly didn’t help the situation! My favorites back
then were A Nightmare on Elm Street and Hellraiser, Evil Dead,
The Thing, Chainsaw Massacre, and all the zombie Living Dead
movies. Later on, I got into the more psychological horror like The Shining
and Jacobs Ladder. But, the one movie that really got me into
horror… the one movie that made the biggest impact on me was The
I begged my parents to
watch that movie when it came on HBO for the first time in the 80s, but I had
never seen an R-rated movie at that early age. It came on and I literally
lasted about 30 seconds. The opening title credits with the haunting chants
scared the pants off of me and I ran back to my room to hide under the covers.
The thing that scarred me the worst was that I was forced to listen to the
entire movie through the thin walls of our Brooklyn home! I think my
imagination went wild and proved to be WAY scarier than the actual movie. I
STILL remember how scared I was that night. I think that one event triggered my
entire fascination with horror.
Q: When you were
little, what were you afraid of?
AR: Living in a rough part of Brooklyn in the 70s and early
80s, I think I was probably most afraid of getting robbed or beaten up by
street gangs in the neighborhood. A bunch of my friends had been jumped by that
point, waiting for the bus, and my bike had been stolen from my backyard shed,
so I remember feeling pretty scared about that… especially riding the subway
Q: Can you share a
quick story about Halloween in your own life? Is there a page in your newest
book (The Beauty of Horror: Tricks and Treats) that reminds you of that?
AR: I can remember a few times as a kid, watching a horror
movie in my room and seeing something strange out of the corner of my eye, as
if I was being watched. Sometimes it turned out just to be my own reflection in
my pet lizard’s tank. But there was this one night around Halloween… I was
like 16 or so, where I was in bed, getting ready to doze off and I felt a
finger touch my nose. I immediately jumped out of bed and turned all the lights
on. I tore the place apart looking for someone hiding in my closet or the
bathroom. I was absolutely convinced that someone was there and was messing
with me. But once I came to the realization that I was alone, I got really
scared. Was it a ghost that was trying to connect with me? It makes me wonder
what really happened that night. Everyone knows the feeling of a touch… this
was not the feeling of a blanket or a pillow that accidentally touched my
face… it felt like a finger!
There is a page in The
Beauty of Horror “Tricks and Treats” coloring book where
Ghouliana is seen grabbing a doll out of the hands of an unhappy girl through
the reflection in a mirror. This ghostly connection of an evil spirit reaching
through a mirror into the human world kind of reminds me of that night.
Top Cow Productions has launched a brand-new Kickstarter anthology that benefits veterans in the arts. Soldier Storiesfeatures five compelling tales of military conflict all written by veterans who served. These first-person accounts of real-life warfare have been re-imagined across a variety of genres from sci-fi to horror to personal memoir.
Soldier Stories features tales by film and television writers Megan Ferrell Burke, Rev. William J. Bellamy, Jalysa Conway, Brian Anthony, and John Cullins! The Kickstarter funds raised will go to printing and distributing the rewards, and a portion of the profits will go to the United States Veterans’ Artists Alliance (USVAA).
USVAA provides opportunities for veterans in the arts by highlighting the work of veterans in the arts, humanities and entertainment industry along with the contributions veterans have made to the rich cultural history of our nation since the Revolutionary War.
Additionally, USVAA networks with veterans, artists, supportive individuals and organizations within the arts and veterans’ communities to find funding and support for individual artistic projects in theater, film, television, the visual/fine arts and a wide variety of crafts.
Cartoonist Shannon Wheeler has launched a Kickstarter to bring the Whistleblower Report and Ukranian Call transcript to comics.
The creator behind Too Much Coffee Man, and the bestselling book Sh*t My President Says: The Illustrated Tweets of Donald J. Trump is currently working on a graphic novel adaptation of the Mueller Report.
But, with the news moving so quickly, he decided to adapt the recent political rattling revelation and news.
Reward levels range from $7 for a digital version to $100 for a “super special edition” and original cartoon. The regular edition includes a print and digital copy is just $10 dollars. There’s a signed and numbered reward level at $20 as well. Print reward levels are limited to just 220 copies total.
Kickstarter is letting it’s anti-union flag fly as it’s fired two staffers who were attempting to organize a union at the company.
Taylor Moore and Clarissa Redwine were fired within a week of each other. Both were involved in a unionization effort that began last year. It’s reported the reason for the firings were “performance-related issues.”
Update: A third individual was told there was “no place for him at the company” according to Moore. It’s unknown if that individual is still employed with Kickstarter but the wording of Moore’s Tweet would indicate that’s not the case.
Redwine and the Office and Professional Employees International Union filed an unfair labor charge with the National Labor Relations Board. They allege that the severance agreement offered to her by Kickstarter contained an illegally phrased nondisparagement clause. The Professional Employees International Union was the organization employees were organizing through.
The company in response to the charge has said that it offered Redwine a narrowed nondisparagement clause focused on employees and not the company as a whole.
Redwine has since tweeted:
Talking to Slate, Redwine said she believes that it’s impossible for a former employee to “give an accurate, detailed depiction of their experience” with such a clause. She went on to say that she feels any “agreement that treats severance as repayment for silence is an unethical one.”
Unionization efforts sparked by a comic…
The unionization effort began in March. In May, CEO Aziz Hasan told employees the company wouldn’t voluntarily recognize the union if asked but would respect the results of a secret staff vote. Since then the company has expressed to staff that it doesn’t believe a union is right for Kickstarter. They claimed it’d be “expensive, disruptive, and slow the company down.”
Kickstarter United, the union effort, has concerns over workplace issues like salary equity, diversity in hiring, and a seat at the table concerning company decisions.
The effort stemmed from the handling of a comic project, Always Punch Nazis. That comic has run two successful campaigns ont he platform with a third incoming. The comic made thew news and far-right site Breitbart accused Kickstarter of violating its terms due to allowing a project that encouraged violence. The comics’ titel comes from the incident where white nationalist Richard Spencer was punched. The satirical graphic novel was about the country’s battle against racism.
Breitbart’s article rattled Kickstarter having them review the project. The Trust and Safety team initially decided to not act about the project but then management overruled them saying it had to be cancelled.
Employees felt management was giving in to bigots. An emergency meeting was called to hear employee concerns. Management said that the company needed to be consistent and enforce its policies and that the project shouldn’t have been approved to start.
A protest then ensued saying management was making a “both sides” argument. Not all staff agreed the project should remain but the overwhelming majority did. Management eventually reversed their decision.
In the weeks that followed the employee who shared the decision about the project to the company Slack channel was fired. Workers believed it was due to the posting. Threats from management against the Trust and Safety team were made about questioning decisions. Employees were then reminded that New York is an “at will” employment state meaning employees could be fired at any time.
From there, the discussion to unionize began with the majority off junior employees supporting it.
Kickstarter has become a vital tool in the comic industry where unionization has been a hot topic for years.
Comics have seen 14,670 projects launched on the platform with 8,383 of them successfully funding. Those successful comic projects have earned over $93.88 million dollars. There are nearly 241 projects raising almost $1 million currently running on the platform as of the publishing of this article. You can find daily updates stats on the Kickstarter site.
Comic creators have been vocal in recent years over comiXology’s support of creators and conventions and their parent company Amazon. Labor abuses and anti-union efforts by Amazon and their clients was one reason cited for concerns. It’s unknown if Kickstarter’s anti-labor stance will see similar ire. Kickstarter is sponsoring tables and the Ignatz Awards at this week’s Small Press Expo.
A haunted muscle car, a circus
crime family, a dancing bear, bearded women, methed out carnies, crab twins,
and a young woman teamed up with the ghost of her dead father on a mission of
vengeance: just some of the utter insanity that awaits you in the hot new comic
Death Trap, now launched on Kickstarter!
The 4-issue mini-series is the high-octane brainchild of creators Matt Miner (Toe Tag Riot, All We Ever Wanted) and Christopher Peterson (Grindhouse: Doors Open at Midnight). Josh Jensen and Matt Krotzer are the colorist and letterer on the book.
Recently, Matt and Chris took the time to answer a few questions for Graphic Policy about Death Trap and its inspiration.
Adam Cadmon: So the obvious question, why a Mercury Cougar? Does that model have personal significance?
Matt Miner: I mean, it’s a badass muscle car that doesn’t see enough
love in pop culture. Look at those
hidden headlights – just makes that front grill so sexy. It’s also the car I’m looking to buy, you
know, when I can afford it, and find one with a manual transmission that’s in
good running shape, because I’m a comic writing dog rescuer, not a mechanic.
Christopher Peterson: I think Matt decided to find a car that no one has
any extensive reference for me to draw … so I hope he likes 1968 Ford
Mustangs in half his panels. But seriously, it’s cool to have something
different instead of the usual muscle cars.
AC: The book’s press release states that Death Trap is a “love letter to carsploitation and revenge flicks of the 1970s and 1980s…” What made you want to explore this type of book now?
MM: Most of my previous
work has more of a political edge, but I think right now in the world of 2019,
we need fun escapes more and more. I’ve
been a huge fan of B-movies my whole life, and am stoked to partner up with
Chris, who has experience bringing the exploitation film feeling to
comics. This comic is an enormous amount
of wild and bloody fun.
CP: I like this era/style/genre because it’s got a lot of
clunk to it. I enjoy the grounded foundation where there’s no magic or
anything, just people in a rural area without all this slick technology and
style … and then we dump the wacky onto it. I love realism, but with a slight
kick to it – everything has just a bit of an aberrant or bizarre quality to it
that makes it fun
AC: You’ve done some socially conscious stuff in the past, Matt, will Death Trap address current events or is this a more localized story as regards Ollie and her family?
steers clear of real-life politics in an overt sense. At least for me, it’s nice to get a break
from that stuff that hangs over our heads every day, and dive into a world of
circus freaks and vendettas and dancing bears.
My fingerprints are all over this thing, though – it’s not like we
kicked our progressive sensibilities to the curb when creating the book.
our albino dancing bear’s name is Wojtek (pronounced Voy-tek) after the World War 2 Polish bear who carried artillery
shells and smashed Nazis.
CP: I think the main thread going through all this is that we
treat these characters like people, including backstories. We’re not here to
make fun of people with differences or laugh at their situation – we hope we’re
empowering them – and that hopefully comes across.
AC: This book crosses into several genres, that said, what overall tone are you going for?
A 4-issue miniseries, Death Trap is about a hunt for a killer. Ollie teams up with the ghost of her father, who haunts his old Mercury Cougar, to find his killer. Set in a world of circus sideshow freaks, dancing bears, bearded strong women, and methed-out carnies, the story is one of betrayal.
Released in 1921, The Royal Book Of Oz was the 15th in the Oz series and originally credited as the last written by creator L. Frank Baum (he passed away in 1919). In reality, it was the first book in the series written by Ruth Plumly Thompson.
Clover Press is currently running a Kickstarter for a new edition featuring all-new illustrations by Eisner Award-winning artist Sara Richard. It will also feature an afterword by Eisner Award-winning artist and writer Eric Shanower.
The Royal Book Of Oz is the FIFTEENTH book in the Oz series and it’s the source material for The Return to Oz movie.
In 1920 William F. Lee, one of the partners of the Oz book’s publisher, approached Thompson to continue the Oz series. She eventually took over as the new “Royal Historian of Oz,” the “official” title of each writer of the Oz series. It wasn’t until the 1960s that Thompson was given credit and listed as the author of the book.
The Kickstarter features pledges where you can get pins, signed editions, art prints, a lunch box, and more. It runs until September 27 at 5pm EDT and already passed the halfway point of its $15,000 goal.