Tag Archives: jose villarubia

Ferocious is a Soul-Seared Tale of Brutality, Intimacy, and the Unforgiving Path to Revenge

What happens when the only person who can teach you how to kill… is the one who destroyed everything you loved Coming this November from Mad Cave Studios, screenwriter Luke Piotrowski brings his character-driven horror sensibility to comics for the first time with Ferocious. Piotrowski teams with acclaimed Italian artist Emanuele Ercolani, colorist Paolo Raiteri, and letterer Carlos M. Mangual—with Cover A by Andy Clarke and Jose VillarubiaFerocious is a brutal new fantasy series that doesn’t flinch from blood, or heart! 

A tavern boy’s sheltered life is overturned by the arrival of a towering, draconic woman, a wayward soldier from a distant war who single-handedly lays waste to his entire village. He swears an oath of righteous vengeance, but in order to fulfill it he’ll have to seek training… from the warrior woman herself. Ferocious is epic fantasy on an intimate scale, a revenge thriller like no other, one that stirs the heart as it goes for the jugular. 

Ferocious #1 hits shelves November 19, 2025. Final order cutoff is October 27, 2025.

Harley Quinn & the Gotham City Sirens is entertaining but doesn’t really stand out

Graphic novels to read anywhere: DC Compact Comics collect DC’s bestselling, most iconic stories in a new size! Get Harley Quinn & the Gotham City Sirens for just $9.99!

Catwoman, Poison Ivy and Harley Quinn are tired of playing by other peoples’ rules regardless of which side of the law they’re on. They have a new agenda that’s all their own, and they’ll use any means necessary to pursue it. But can they get along and work as a team? And who will get hurt along the way?

It features Gotham City Sirens #1-13

Story: Paul Dini, Tony Bedard, Marc Andreyko, Scott Lobdell, Guillem March
Art: Guillem March, Raul Fernandez, Andres Guinaldo, David Lopez, Alvaro Lopez, Peter Nguyen, Jack Purcell
Color: Jose Villarubia, Tomeu Morrey, Ian Hannin, Tony Ayna
Letterer: Steve Wands, Travis Lanham, Sal Cipriano

Get your copy in comic shops! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Bookshop
Amazon


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Review: The Other History of the DC Universe #1

The Other History of the DC Universe #1

I had high expectations for John Ridley‘s The Other History of the DC Universe. But, I didn’t expect The Other History of the DC Universe #1 to crush those expectations so much. It’s that good and well worth the wait. Ridley is a producer and writer who has been behind such amazing productions as 12 Years a Slave and American Crime. The latter one being some of the best television in the last decade. And in this debut, Ridley does in one issue what others haven’t achieved in an entire run.

The Other History of the DC Universe #1 kicks off a new miniseries that explores the history of the DC Universe from the perspective of characters from disenfranchised groups. This isn’t the white-washed history written by winners, instead, it’s a brutal and honest take from perspectives we don’t get to often read and see.

The debut issue follows the story of Jefferson Pierce, the man who will one day become Black Lightning. Taking place between 1972 and 1995, we see Pierce’s growth from a young man to star athlete to teacher to hero. It shows us both the good and the bad in a condensed take on the character’s history. We get highs, lows, victories, and tragedies, all in one issue.

Ridley’s delivery is amazing. There’s a poetic flow to his narrative which forgoes traditional dialogue and instead pages are packed with Pierce’s thoughts. The issue feels more like a novel with amazing visuals than a traditional comic. This is more of a diary confession. Taken through the years we get a sense of how events impact Pierce and his decisions on each step of his journey. There’s good and bad as we see how those decisions both succeed and fail. It’s an honest assessment of the character and we can see his growth and failures as a person. In one comic Ridley gives us a fully fleshed out character full of flaws and an understandable perspective.

Through Pierce, Ridley explores the rise of DC’s superheroes including Superman, Wonder Woman, and Batman, and their impact on the world. It’s a brutal and honest take highlighting the focus on global threats but ignoring everyday suffering. Any of these heroes could potentially reshape so much of the social injustice but they choose not to. They stay out of the day to day struggles and slip into their roles as Gods protecting mankind. Black Lightning and Pierce are the antitheses of that, shaping children at the school level and then shaping the community in a battle against street crime. He also sees it as white heroes ignoring those of a different skin color. The trio, Green Arrow, the Flash, with the only person not quite fitting that being Martian Manhunter. Ridley explores, through Black Lightning, that these heroes didn’t dare cross into his territory to help, only to scold him.

Ridley is boosted by the jaw-dropping layouts and art. Giuseppe Camuncoli handles the layouts with Andrea Cucchi‘s finishes and the result is amazing. The pages are unreal in style, perspective, and use of panel. The line art itself captures the look of DC Comics during the time. The duo are helped by José Villarubia‘s colors which again echo the style of the 70s and 80s. This is a love letter when it comes to the classic art style of DC Comics from Neal Adams to Denny O’Neil with a little Frank Miller thrown in as well. Everything comes together visually for a treat and one of the best looking issues this year.

Steve Wands‘ lettering too just adds so much. When I mentioned there was a lot of text, I wasn’t joking. Pages are near prose level and Wands makes it flow packing in so much into each page. The skill to pull that off and not impact the imagery is at master level. What’s more impressive is the lettering at times looks like it was worked into the art, spaces purposely left to fill in with Ridley’s prose.

The Other History of the DC Universe #1 is a triumph of a comic. Though it’s main character has amazing powers, in the end it’s the man that truly matters. We see his impact, both good and bad, in the streets fighting and his role in the school guiding. Ridley shows us the fallout, the bodies piled up, the marriage shattered. He gives us a realistic and honest take on the superhero. And he does all of this in one issue.

Story: John Ridley Layouts: Giuseppe Camuncoli Finishes: Andrea Cucchi
Color: José Villarubia Letterer: Steve Wands
Story: 9.0 Art: 10 Overall: 9.75 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


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Review: Sweet Tooth: The Return #1

Sweet Tooth: The Return #1

I’ve never read an issue of Sweet Tooth. As much of a fan of Jeff Lemire as I am, I never went back and read the series, no matter how many good things I’ve heard. So, with its latest volume set to debut, I thought I’d dive in to Sweet Tooth: The Return #1. And, after the first issue, I’m intrigued…

Sweet Tooth: The Return isn’t a follow up it seems. From the solicits it’s described as a “bold re-imagining” of the mythology. It takes the elements of the original series and remixes them into something familiar but new. As I haven’t read the original, I can’t really comment on that. The comic and the world is new to me. So, I’ll leave others to go in that direction.

Writer and artist Jeff Lemire delivers a world of mystery. It’s a story of indoctrination with a theme and message that can be debated for some time. Where Lemire is going with it all, I’m not quite sure yet but there’s a clear focus on a cult-like world. That focus had me wondering if Lemire was giving us a series with commentary on our modern world, taking his classic concept with updating it with today’s sociopolitical world. Where the environment might have been a topic before, demagogic leaders is the theme of this one.

The debut issue introduces us to a mysterious world as its main character explores and discovers it, so do we. It’s a location where we feel captive and denied knowledge. An interesting debut that toys and plays with how much information is provided to the reader and when. Just when you think you’re about to break free, for instance, you don’t. Instead, the issue and its world remains somewhat claustrophobic and confined.

Lemire is joined by José Villarubia on the art. Lemire’s style is enhanced with Villarubia’s watercolor-like addition. The art is beautiful, as expected. There’s also a weird beauty of this world. It’s an almost sterile environment, perfect in design with nothing out of place. That leaves the small details to focus on. Dirty, crusty finger nails deliver a sense of malevolence. What seems like mechanical nurses adds a bit of unease. It’s a mystery of a debut that forces you to look for clues among the visuals.

Sweet Tooth: The Return #1 is an interesting debut. While it doesn’t have me wanting to see what has come before, I want to see where the series goes. The story of attempting to escape your current reality is something that’s very relevant to today and the religious aspect to it makes it all the more intriguing. As someone new to the world of Sweet Tooth, I’m excited to see where it all goes and watch Lemire work his usual magic.

Story: Jeff Lemire Art: Jeff Lemire
Color: José Villarubia Letterer: Steve Wands
Story: 8.15 Art: 8.5 Overall: 8.2 Recommendation: Buy

DC Comics provided Graphic Policy with a FREE copy for review


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Preview: Sweet Tooth: The Return #1

Sweet Tooth: The Return #1

Written by: Jeff Lemire
Art by: Jeff Lemire
Color: José Villarubia

Once upon a time there was a little boy named Gus. He had antlers and lived with his father in a little cabin in the woods. Then his father died, and the big man with cold eyes took Gus away. Gus went on many great adventures, found friends, love, happiness, family, and acceptance. Now, years later…it begins again. A young boy with antlers and deer-like feature wakes in a bizarre and completely foreign world where the last humans struggle to survive. They tell the boy he is special, he is chosen, and that he alone can lead them back to a world dominated by the oppressive Hybrids. Sweet Tooth: The Return is no re-hash of the original series, but rather a bold re-imagining of the Sweet Tooth mythology; taking elements of the original series and remixing them into something familiar, but totally new. A divided world. A planet long ago past the point of devastation. And at the center of it all, a child who didn’t ask to be born into any of this, but who has no choice but to try and forge some life for himself. His visions and dreams may not be real at all…they may just be fiction. But they are hope. And sometimes hope is enough. Acclaimed writer/artist Jeff Lemire reunites with colorist José Villarubia to bring you the next chapter in the saga of DC’s acclaimed series Sweet Tooth!

Sweet Tooth: The Return #1

The Other History of the DC Universe Gets Stunning Covers from Marco Matarazzo and Jamal Campbell

On November 24, John Ridley, Giuseppe Cammuncoli, Andrea Cucchi, and Jose Villarubia provide comic book fans with a new and provocative perspective on the World’s Greatest Super Heroes with the launch of The Other History of the DC Universe, a five-issue bi-monthly (every other month) miniseries that presents major events from throughout DC’s history through the eyes of its heroes of color – Black Lightning, Mal and Karen Duncan, Renee Montoya, Katana and Thunder (Anissa Pierce).

This never-before-told story features breathtaking cover art by series artist Cammuncoli in collaboration with painter Marco Matarazzo, and DC superstar artist Jamal Campbell. DC has revealed two new covers for this groundbreaking series:

On sale January 26, 2021, Book Two spotlights Mal Duncan and his wife, Karen Beecher-Duncan, also known as Bumblebee. One recently revealed cover for Book Two shows Mal in his costumed identity as The Guardian, while this companion “alternate” cover shows the couple with Mal in his earlier identity as the Teen Titans’ hero, The Herald. 

Also, in celebration of Local Comic Shop Day (Wednesday, November 25, 2020), DC has produced the exclusive The Other History of the DC Universe #1 Local Comic Shop Day Edition, featuring a silver metallic ink version of the cover to Book One by Jamal Campbell. Check with your local retailer for more details pre-ordering this fantastic cover.

Sweet Tooth Returns in November with Sweet Tooth: The Return

On November 3, acclaimed international bestseller Jeff Lemire and colorist José Villarubia reunite for a new six-issue post-apocalyptic fantasy miniseries featuring the bizarre, haunting, Sweet Tooth!

Once upon a time, there was a little boy named Gus. He had antlers and lived with his father in a little cabin in the woods. Then his father died, and the big man with cold eyes took Gus away. Gus went on many great adventures, found friends, love, happiness, family, and acceptance.

Now, years later…it begins again. A young boy with antlers and deer-like feature wakes in a bizarre and completely foreign world where the last humans struggle to survive. They tell the boy he is special, he is chosen, and that he alone can lead them back to a world dominated by the oppressive Hybrids.

Sweet Tooth: The Return is no re-hash of the original series, but rather a bold re-imagining of the Sweet Tooth mythology; taking elements of the original series and remixing them into something familiar, but totally new. A divided world. A planet long ago past the point of devastation. And at the center of it all, a child who didn’t ask to be born into any of this, but who has no choice but to try and forge some life for himself. His visions and dreams may not be real at all…they may just be fiction. But they are hope. And sometimes hope is enough.

Sweet Tooth: The Return #1, with a cover by creator Jeff Lemire and a card stock variant cover by Jim Lee, debuts November 3. New issues will ship monthly and the series will carry DC’s Black Label content descriptor, indicating content appropriate for readers 17+.

Sweet Tooth: The Return #1

Review: Cage #2

Cage #2

Bruce Willis is one of those actors whose presence onscreen is one of reassurance. He’s now known mostly for his tough-guy roles but that not has always been the case. As was shown in The Movies That Made Us, when he made Die Hard, most test screen audiences laughed at his very presence, because they remember him as the guy from the television show, Moonlighting. He would go on to make movies that straddled the line between tough-guy and comic relief, but most of his fans love his action movies.

Even Sylvester Stallone saw his bankability to put Willis in one of his Expendables movies before their offscreen tiff. One of my favorite movies by him was a period drama called Last Man Standing where he played a rogue gunman in the middle of a turf war. His character, no matter what he did, got pulled in deeper before he had no choice but to pick sides. In the second issue of Cage, our protagonist finds a bird in a hand, and looks to live up to the title of Hero for Hire.

We find Luke in a conversation with a dirty cop that knows about the case he just took and the implications that would occur if he gets close to the truth, giving him fair warning before trouble is headed his way. A warning that Luke doesn’t take heed, but looks to make money from. Soon Luke plots The Italian Mob, against the gang that controls Harlem, to the dirty cops that run the neighborhood, with none the wiser. By the issue’s end, a miscalculation by Luke leads to a vital witness being fatally shot which changes his plans completely.

Overall, an engaging issue that plays out like some of the best crime noir thrillers of yesteryear. The story by Brian Azzarello is electrifying. The art by the creative team is gorgeous. Altogether, an issue in this story that ramps up the action.

Story: Brian Azzarello
Art: Richard Corben, Wes Abbott, and  Jose Villarubia
Story: 9.5 Art: 9.5 Overall: 9.6 Recommendation: Buy

Preview: Punk Mambo #1

PUNK MAMBO #1 (of 5)

Written by CULLEN BUNN
Art by ADAM GORHAM
Colors by JOSE VILLARRUBIA
Letters by DAVE SHARPE
Cover A by DAN BRERETON
Cover B by ZU ORZU
Cover C by CRIS DELARA
Punk Variant Cover by DAN BRERETON
Pre-order Edition Cover by ADAM GORHAM 
Blank Cover Also Available
On sale
 April 24th, 2019
$3.99 | 32 pgs. | T+ | Full Color

New characters, new digs, same Punk attitude! 

From writer Cullen Bunn (Venom) and artist Adam Gorham (New Mutants: Dead Souls) comes this hilariously horrifying tale. Punk Mambo is a hard-living voodoo priestess who grew up in London, then relocated to Louisiana’s Bayou Country. Now, she’s a mystical mercenary for hire. In her first-ever solo series, Punk Mambo investigates a series of abductions in the New Orleans gutter punk scene, stumbling upon a deadlier mystery that takes her to the haunted shores of Haiti.

PUNK MAMBO #1

City of Others Gets a Tenth Anniversary Edition

Ten years ago, Steve Niles and Bernie Wrightson joined forces to create a comics series like no other! Dark Horse is celebrating the tenth anniversary of City of Others with a deluxe oversized hardcover edition colored by Jose Villarubia.

Stosh Bludowski, known simply as “Blud,” is a natural born killer with no human emotion other than rage. Blud spent years making a comfortable living as a contract killer until the day he runs across two targets who won’t die. As a grotesque mystery begins to unfold around him, the remorseless killer confronts a reality he could never imagine, and is invited to decide once and for all . . . is he human, or is he Other?

Collecting all four issues of the original comics series, City of Others: Tenth Anniversary Edition HC goes on sale June 5, 2019.

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