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Review: Edge of Spider-Geddon #2

After Gerard Way and Jake Wyatt created SP//dr back in Spider-Verse, she was one of the most requested heroes. With Spider-Geddon on the horizon, SP//dr is back. Edge of Spider-Geddon #2 brings you the next chapter in Peni Parker’s life and set the table for the Spider-Event of 2018!

Too short, that’s the problem with Edge of Spider-Geddon #2. Based on a story by Gerard Way, Lonnie Nadler and Zac Thompson craft what is a very entertaining re-introduction to Peni Parker. But, by the end, we’re given a bit too little. This is an issue that could have benefited from about 25-50% more pages to flesh out some concepts and scenes. But, that’s also a good thing in a way in that the character and concepts are really good too. While the comic feels a little rushed as far as story, things are set up so well that, much like the first issue of this miniseries, we want to see more of this character and world.

Peni Parker and her Spider mech suit is a familiar concept and with the young age of the character and some of the concepts within, it’s hard to not be reminded of Mech Cadet Yu by Grek Pak (this character originated that series). Pak has had a dozen issues to flesh out his ideas though and Nadler and Thompson do their best giving us more Peni and introducing us to this world’s Venom. There’s also Peni’s Uncle Ben and Aunt May to meet, as well as another twist on a villain, and you can see how so much is there, it’s hard to do it all justice. It’s still entertaining though and left us wanting more.

The art by Alberto Albuquerque with color by Tríona Farrell and lettering by Cory Petit is good. There’s of course mechs running around but there’s also a horror aspect to it all later in the issue. What’s shown, while not explained fully, has a bit of a scariness to it all. It’s a mix of the organic and mechanic in a way that is a bit of a flashback to Superman III (you know the scene we’re talking about). With some solid action and character designs, this is a series that feels like it’s made for the tween set, and succeeds in look and story.

More. That’s the gist of it. We want more. This is a great concept with interesting characters and too few pages to explore any of it enough. If an issue gets you to that point and leaves you wanting more instead of frustrated, that’s a good thing right?

Story: Lonnie Nadler, Zac Thompson, Gerard Way Art: Alberto Albuquerque
Ink: Alberto Albuquerque Color: Tríona Farrell Letterer: VC’s Cory Petit
Story: 7.5 Art: 7.85 Overall: 7.75 Recommendation: Read

Marvel provided Graphic Policy with a FREE copy for review

Exclusive Preview: Edge of Spider-Geddon #2 (of 4)

Edge of Spider-Geddon #2 (of 4)

Story: Lonnie Nadler, Zac Thompson, Gerard Way
Art: Alberto Albuquerque
Ink: Alberto Albuquerque
Color: Triona Farrell
Letterer: VC’s Cory Petit
Cover: Jake Wyatt
Variant Cover: Cully Hamner, Morry Hollowell
Rated T+
In Shops: Aug 29, 2018
SRP: $3.99

After Gerard Way (My Chemical Romance, The Umbrella Academy) and Jake Wyatt created SP//dr back in SPIDER-VERSE, she was one of the most requested heroes. With Spider-Geddon on the horizon, SP//dr is back. Zac Thompson and Lonnie Nadler are joining the team to bring you the next chapter in Peni Parker’s life and set the table for the Spider-Event of 2018!

Gerard Way and Gabriel Bá Reunite for The Umbrella Academy: Hotel Oblivion

The wunderkind brood returns in The Umbrella Academy: Hotel Oblivion! Gerard Way and Gabriel Bá will return to their Harvey, Eisner, and YALSA award winning and critically acclaimed series with colorist Nick Filardi, and letterer Nate Piekos signed on to bring more Umbrella Academy adventures to life! With a Netflix series soon to debut, the best-selling superhero series returns, stranger than ever—and our heroes’ pasts are coming back to hunt them.

The Umbrella Academy: Hotel Oblivion finds the Umbrella Academy scattered after Sir Reginald Hargreeves’ death. Number Five is a hired gun, Kraken is stalking big game, Rumor is dealing with the wreckage of her marriage, a rotund Spaceboy runs around the streets of Tokyo, Vanya continues her physical therapy after being shot in the head—and no one wants to even mention Seance until issue #2.

The Umbrella Academy fans don’t have to wait until October to reconnect with their favorite series! Dark Horse will debut two The Umbrella Academy convention exclusives at San Diego Comic-Con. The Umbrella Academy Hazel and Cha Cha Enamel Pin is a .125” enamel pin featuring the heads of Hazel and Cha Cha, the ultra-violent villains of The Umbrella Academy world. 1,000 enamel pins are available for $10 each. The Umbrella Academy Crest T-shirt will also be available at SDCC. This convention exclusive is a black cotton t-shirt featuring the crest of the Umbrella Academy on the front, and The Umbrella Academy logo on the back. Sizes include both women’s and men’s S-XXL. The Umbrella Academy Crest T-shirts retail for $25 each and are limited to a quantity of 400.

The Umbrella Academy: Hotel Oblivion #1 (of seven) goes on sale October 3, 2018, and is available for pre-order at your local comic shop.

Review: DC’s Young Animal Milk Wars

It’s Wednesday which means it’s new comic book day with new releases hitting shelves, both physical and digital, all across the world. This week we’ve got the collection of the non-event, Milk Wars!

Milk Wars is by Steve Orlando, Gerard Way, Jody Houser, Cecil Castellucci, Jon Rivera, Magdalene Visaggio, Aco, Ty Templeton, Mirka Andolfo, Langdon Foss, Dale Eaglesham, Nick Derington, Sonny Liew, Tamra Bonvillain, Marissa Louise, Keiren Smith, Nick Filardi, Clem Robins, John Workman, Saida Temofonte, Todd Klein, Frank Quitely, Rian Hughes, Clay Mann, and Marissa Louise.

Get your copy in comic shops today. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

 

DC Comics provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site

Preview: Doom Patrol #11

Doom Patrol #11

(W) Gerard Way (A/CA) Nick Derington
In Shops: Apr 25, 2018
SRP: $3.99

Featuring the conclusion of the “NADA” storyline the Doom Patrol fights Dada and someone becomes a mama. How did life and death become so intertwined? It’s Robotman versus a classic foe as Casey and Terry take us into a whole new territory we’ve never seen before. But could this newness also just be a whole lot of nothing?

Review: Doom Patrol/JLA Special #1

JLADPA_Cv1It’s safe to say that Doom Patrol/JLA Special is the best comic ever to feature superheroes inflated like beachballs saving the day. Writers Gerard Way and Steve Orlando, artists Dale Eaglesham and Nick Derington, and colorists Marissa Louise and Tamra Bonvillain deliver a story that is action packed, emotion filled, and cerebral too. Orlando and Way steep the book in DC history, like the collected works of Grant Morrison, the first appearance of Doom Patrol in My Greatest Adventure #80, and even Keith Giffen “Bwahaha” era of Justice LeagueHowever, they aren’t overwhelmed by history and/or nostalgia and craft a satisfying ending to the battle against the Retconn corporation that has real consequences for both the DC Universe and Young Animal world going forward.

Along with the stained glass psychedelic passion play that is the return of Doom Patrol founding member Rita Farr aka , the relationship between Casey Brinke and her son Milkman. Way, Orlando, and Eaglesham could just use him as a strawman representation of corporate comics, but they give the tabula rasa turned moralizing pitchman a human side. Much of Eaglesham’s work in Doom Patrol/JLA is bombastic with splash pages and topsy turvy layouts, but the scenes with Casey and Milkman showcase his skill with interpersonal drama.

Up to this point, Milkman has been a punch/(misogynist) insult machine, but Casey, who is more EMT than superhero, takes him away from the fight, clasps his hand, and says it’s okay that he’s a little screwed up. This is because all of Doom Patrol is a little weird. In a few pages, Way, Orlando, Eaglesham, and Bonvillain and Louise’s warm color palette create a beautiful mother/son relationship that is stripped away in a moment that could be a “put the toys back in the box” plot device moment, but really resonates. Derington even adds a grace note at the end with Casey thinking about Milkman while having a “Good job, rookie superhero” chat with Wonder Woman.

CaseyFeels

Like all good final crossover issues, JLA/Doom Patrol has some great superhero battles beginning with the first double page splash of the entire JLA and Doom Patrol plus special friends Mother Panic and Shade jumping out of Cave Carson’s cybernetic eye. However, the story shows the futility of fisticuffs and the power of healing and, of course, hope to save the world. There’s the aforementioned conversation between Casey and Milkman as well as dialogue from Vixen about the power of the Red (Contained in her ancestral totem) to heal, their plan to save reality as a “defebrillation” and finally Flex Mentallo’s big damn monologue.

It’s quite amusing to see the super serious Batman speaking about “muscle mystery”, and Gerard Way and Steve Orlando take a page out of the Grant Morrison Batman handbook and make him comfortable with the absurd. You can definitely see him dressing up in a rainbow suit to confuse bad guys. It’s also just plain clever to make the most metafictional character of the bunch literally reset the reboot button while getting an assist from the rest of the teams. It also dovetails nicely with the Rita storyline, which goes from gaudy and religious to primal and minimalist while also kind of reminding me of the video for “Take On Me” as Elastigirl leaves her fictional television world for the real to her, sadly fictional to us world of the DC Universe literally entering the panels of JLA/Doom Patrol Special. She faces the literal comic of her origin story as a victim of circumstance and re-enters the world as a formidable character and charter Doom Patrol member. Retcons can be pretty great some time, and I think Grant Morrison would be proud at this use of comic book as magic spell that calls back to Multiversity and the letters page of The Invisibles. (Think wankathon…)

Speaking of meta, Way, Orlando, Eaglesham, and Derington don’t just use the fourth wall breaking for jokes and jabs at superhero comics (Everything out of Shade’s mouth is comedic gold though.), but give the self-aware-that-he’s-a-comics-character Robotman some big character moments. It’s kind of adorable to see The Ray geek out on him and mention the impact that fictional superheroes had on him. This heat of battle rapport pays huge dividends in the epilogue. Let’s just say, there are hugs.

Doom Patrol/JLA Special isn’t just an entertaining comic that is filled to the brim with hopefulness, it’s a paradigm for how superhero stories can be told. Basically, Gerard Way, Steve Orlando, Dale Eaglesham, Nick Derington, Tamra Bonvillain, and Marissa Louise are saying that superhero comics are pretty damn weird, and they can embrace this strangeness, be inspirational and even funny, and not just be grist in the mill of real life Retconns aka their corporate overlords. Because of this, I’m excited to see what Young Animal does next with its Eternity GirlShade the Changing WomanMother Panic: Gotham A.D., and Cave Carson Has An Interstellar Eye comics that get short, unobtrusive teasers in Doom Patrol/JLA Special.

Story: Gerard Way and Steve Orlando Art: Dale Eaglesham and Nick Derington
Colors: Tamra Bonvillain and Marissa Louise
Story: 10 Art: 9.8 Overall: 9.9 Recommendation: Buy

DC Comics/Young Animal provided Graphic Policy with a FREE copy for review

Preview: Doom Patrol/JLA Special #1

Doom Patrol/JLA Special #1

(W) Steve Orlando, Gerard Way (A) Dale Eaglesham (CA) Clay Mann
In Shops: Feb 28, 2018
SRP: $4.99

“MILK WARS” finale! As RetCo’s foundation shatters, the Young Animal teams come together with the Justice League and even more DC Universe heroes to finish the job. The only problem is, Milkman Man and RetCo still stand in their way. To right reality, the heroes of Young Animal and the DC Universe will have to unlock an outrageous power never before seen on any world!

This mind-blowing conclusion will establish new realities for all of the DC’s Young Animal titles. Look for the return of Cave Carson, Shade and Mother Panic next month!

Review: Cave Carson Has A Cybernetic Eye Vol. 2 Every Me, Every You

It’s Tuesday which means it’s new comic book day at book stores! This week we’ve got Cave Carson!

Cave Carson Has A Cybernetic Eye Vol. 2 Every Me, Every You collects issues #7-12 by Gerard Way, Jonathan Rivera, and Michael Avon Oeming.

Get your copy. To find a comic shop near you, visit www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Amazon/Kindle/comiXology or TFAW

 

DC Comics provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

Femme Magnifique Gets a New Print Through IDW’s Black Crown

Femme Magnifique, the wildly successful Kickstarter comic book anthology, is headed back to print for a beautiful softcover edition this September. It is a celebration of 50 iconic women who shattered glass ceilings and changed the course of history in the process.

Told by over 100 of the most talented creators in comics from around the world, Femme Magnifique features 3-page short stories about women from the world of music, art, politics, and science. Explored from a personal angle, the subjects of these mini-biopics include Kate BushOctavia ButlerRumiko TakahashiAda LovelaceMisty CopelandMargaret SangerMichelle ObamaUrsula K. Le GuinSally RideHarriet Tubman and more!

Femme Magnifique was conceived and co-curated by Shelly Bond and Kristy Miller & Brian Miller of Hi-Fi Colour Design. It features contributions from such comic book luminaries as Cecil Castellucci, Marguerite BennettBill SienkiewiczJen BartelMike CareyKelly Sue DeConnickTini HowardElsa CharretierTess FowlerRafael AlbuquerqueTee FranklinGilbert HernandezMing DoyleMatt WagnerJim RuggGail SimoneMags VisaggioMarguerite SauvageGerard WayPhilip BondHope NicholsonSanford GreeneSonny LiewJen HickmanMark BuckinghamPeter GrossTyler CrookDan Parent, and Kieron Gillen, among many others.

Maxing out at nearly $100,000 raised for the Kickstarter edition, earning over 240% of its initial goal, Femme Magnifique found its audience swiftly. Now, those who missed out on the first go-round can add this collection to their library packed with new bonus material including a foreword, behind-the-scenes process pages, and more.

The new paperback edition of Femme Magnifique will become available on September 4, 2018 and can now be pre-ordered using ISBN: 978-1684053209

Review: JLA/Doom Patrol Special #1

JLA DOOM PATROL SPECIAL #1Grab a milkshake, put a cherry on top, and maybe add a shot of whiskey or two, and you’ve got JLA/Doom Patrol #1, the first chapter of the monthlong DC Comics/Young Animal “Milk Wars” crossover. Writers Gerard Way and Steve Orlando combine the surrealism and fourth wall obliterating metafiction of Doom Patrol  with the punching and personality-driven Justice League of America to create the soft serve chocolate swirl of “event” comics. It roasts these kind of stories while indulging in all the tropes, including a spread it all around your dorm room four page spread from artist Aco and colorists Tamra Bonvillain and Marissa Louise of the Doom Patrol fighting the literally homogenized version of the JLA.

It’s super entertaining, in general, to see the book go from a critique of corporate comics to a 1950s Americana small town mystery thriller, then a slugfest, and finally an unlikely team-up thanks to a couple stinger pages that put those Wolverine “post-credits” pages in inconsequential Marvel Comics to shame. The play of genre, tongue in cheek sense satire, and embrace of the strange side of superhero stories makes JLA/Doom Patrol generally fantastic. It’s the comic book equivalent of getting a tasty dessert and getting some nutritious visuals and ideas along the way.

From his first appearance on the obviously homaging All Star Superman cover from Frank Quitely, Milkman Man is a fantastic villain even if the real Big Bad is the aptly named Retconn corporation. Besides being connected to a plot point in the main Doom Patrol series, Milkman Man is Superman drained of all his inspirational power, connection to social activism, and humanity. Aco might homage Action Comics #1 when he lifts Danny the Ambulance and throws it at the Doom Patrol, but this is a Superman, who punches down and stands for the status quo. With his neighborhood watch buddies, including a thoroughly neutered (and hilarious) Lobo, he’s here to make sure that outsiders stay down, and that superhero comics are just mind numbing punch outs and don’t have any real connection to people, their feelings, and the world around him.

Milkman Man is cereal mascot at best and alt right “Politics don’t belong in my white DP_JLA_1_3male spandex clad power fantasies” mascot at worst. In his first appearance, Aco goes for pure horror with inset panels of him shoving milk down the throats of an average white Middle America family.  This powerful, nearly silent scene played against an idyllic color palette from Bonvillain and Louise is a reminder that even when art claims to be apolitical, just for fun, or not have a message that it, in fact, does have a message. The Retconn Corporation wants to “homogenize” the DC Comics characters, including their classic Trinity, and turn them from powerful icons of justice into basically toys and merchandise as revealed in a couple pages that seem like a “behind the scenes” of a corporate board meeting. Milkman Man’s reaction to reading the actual Action Comics #1 (After yet another gorgeous and meta as hell double page spread from Aco, Bonvillain, and Louise.) is a reminder of how powerful Superman’s origin story is from Way and Orlando, who realize that pop culture can change the world and immigrants get the job done.

Along with having strong metaphors, a well-written villain, and some knock your skull off your body visuals, JLA/Doom Patrol succeeds because Way, Orlando, Aco, Bonvillain, and Louise realize that one thing that makes DC Comics great is that they’re pretty fucking weird. As the unflappable comic book character brought to life Casey Brinke says to Milkman Man, “Some of the best people are weirdos.” I mean, this is a universe where their most iconic hero wears his underwear on the outside and saves cats from trees while a bisexual, chain smoking, left wing British magician can have 300 straight issues of his comic and age in real time.

Way and Orlando’s understanding of the weirdness of DC Comics really comes out when the JLA and Doom Patrol interact as (Not so.) regular people and not milk drinking, mind controlled Stepford superheroes towards the end of the book. Ray and Danny the Ambulance kind of, sort of flirt, Larry Trainor the Negative Man opens up way too much to Lobo, and Killer Frost and Crazy Jane really bond over trying to do good with their vast, yet unwieldy powers. After the punching of the first 2/3 of the comic, Aco settles down into a casual hangout vibe for these scenes before going stylized with the aforementioned “stinger” sequences. It’s a reminder that some of the best superhero stories aren’t just action figure fights, but treat their larger than life characters like human beings with thoughts, motivations, and of course, flaws.

In JLA/Doom Patrol Special #1, Gerard Way, Steve Orlando, Aco, Hugo Petrus, Tamra Bonvillain, and Marissa Louise combine the best of DC Rebirth and the best of Young Animal in one beautiful, oversized package. And as a bonus, Mags Visaggio and Sonny Liew begin to tell the poetic, retro-styled origin story of Eternity Girl in a two page backup.

Story: Gerard Way and Steve Orlando Art: Aco with Hugo Petrus Colors: Tamra Bonvillain and Marissa Louise
  Backup Story: Mags Visaggio Backup Art: Sonny Liew 
Story: 10 Art: 10 Overall: 10 Recommendation: Buy

DC Comics/Young Animal provided Graphic Policy with a FREE copy for review

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