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Publishers Respond to Diamond’s Plan to Liquidate Stock

Diamond Comic Distributors

On June 25, 2025, Diamond Comic Distributors submitted a motion for the “sale or other disposition of consigned inventory.”

After Diamond’s sale of the majority of its assets to Universal Distribution and Ad Populum/Sparkle Pop, (old) Diamond still has a “significant inventory” that was sent on a consignment basis. I think we all assumed all inventory was moved to the two new owners, but that doesn’t seem to be the case. They had an option and that specific part of the purchase was left as to be determined. Instead, it’s sitting in (old) Diamond’s warehouse in Mississippi.

(Old) Diamond is claiming the consignors (the sellers) haven’t followed the legal steps to establish a superior claim to their inventory. In short, the publishers (owners of the product) haven’t done what’s require by law to protect their ownership rights. So now, (old) Diamond has to do something with all of that inventory.

So, (old) Diamond submitted a motion to approve their plan to market, sell, or dispose of the inventory to “minimize costs and maximize recoveries” and generate the “best result for the estates.” It is assumed that money raised from the sale would go towards paying off money owed to JPMorgan Chase Bank which has provided loans to the company throughout the Chapter 11 process. So, instead of money going towards publishers, it’d likely go towards a bank.

As you can imagine, publishers are pissed and frustrated by the lack of communication.

There’s a lot of questions out there like how much stock is being held by (old) Diamond and exactly what stock?

There are 128 publishers listed in the motion and we reached out to a large portion of them to get their responses and a better idea of what’s going on.

As you can imagine, the responses back were mostly filled with anger and frustration. While the majority didn’t respond and many responded with “no comment” due to it being legal matters, we did get some details, a lot on background, but it all help to paint a bigger picture.

This is a brazen and sleazy attempt to pilfer millions of dollars worth of books, many from small, independent publishers for whom this would be a catastrophic economic hardship. We intend to fight this wanton act of piracy with all legal means at our disposal.

-Gary Groth, the founder and publisher of Fantagraphics

I’m trying to make sense of what doesn’t make sense. As an independent creator and publisher, I feel betrayed. Our only crime is to have been loyal. To have trusted the process. Including Chapter 11. But seeing that, not only we haven’t received any payment while our books have been sold, for weeks but now Diamond plans to seize our inventory (our sole possession, basically our lifeline) and selling it for its own profit to absolve its management and pay their bank back on a technicality, is morally and economically unacceptable. It’s fraud in plain sight. We’re part of a group of 128 publishers that are victim of a situation that Diamond created and that they’re trying to solve on our backs. I can’t begin to tell you how frustrating and unfair it is.

I’ve been in publishing for 27 years. On two continents. I’ve never seen this.

I named my company FairSquare Graphics. I believe in best practices. And we’ve been fighting the good fight. Being fair to creators, my peers. Fair to the fans and retailers. All that on a tight budget with all the challenges of not having any seed money or investors. Yet, we published 46 titles in the past 5 years.

I’m an immigrant and a minority. We are a family business and we work more than everybody else. We have that mentality.

I’ve been naturalized American this past April. I swore to protect the rule of law. But where is it for me now? I feel I’ve been caught in a web of deceit. And, believe me, I’m not done fighting. FairSquare Graphics will survive this situation. Wounded. Not dead.

-Fabrice Sapolsky, Publisher FairSquare Graphics

I went into 2025 anticipating a major shake up with Diamond and preparing for the worst. The level of chaos that ensued exceeded my wildest expectations. But it was the lack of communication that was the most disappointing. Even the reps I could speak to were left in the dark up until the day they were no longer employed. There hasn’t been much for us to do but watch as things disintegrated around us.

-Tyler Chin-Tanner, Founder/Publisher A Wave Blue World

Michael Calero, the CEO/Publisher of Massive Publishing gave us not just a comment but also a look into what’s owed:

Thank you for your reporting on this matter. This is one of those cases where a bad situation somehow manages to get significantly worse due to the laws protecting a company that many would say has worked against the interest of its own creditors (Publishers) through the dishonest actions of feckless leadership. Diamond should never have been allowed to enter Chapter 11 bankruptcy, and I think if creditors would have been given the opportunity to provide the court with evidence of the manipulation of inventory and payments prior to the filing, they wouldn’t have approved it. This allowed them to accumulate even more debt, that we as consignment vendors are now being put on the hook for. Massive was one of the first companies to end our exclusive partnership over the original debt and as the sale of the company went forward, we asked for clarity on what would happen with our consignment inventory. Eventually we requested a No Cost Return (NCR) for many of our products. These requests were never properly addressed and new Diamond ownership misled us of what the status of our inventory was as recently as June 3rd. 

We have over 65,000 units of product at the Diamond warehouse which has not been paid for in any way. Consignment products which at the lowest end of our pricing ($4.99) would be worth over $325,000. 

Luckily, we did move some of our trade paperback inventory to Lunar earlier this year but that only accounted for a small portion of the inventory we had trusted to Diamond. Diamond’s contract language does not provide them with the rights to sell this product without compensating us directly, but apparently that is what they are trying to use legal loopholes to supersede. 

In short, I view this as theft. Plain and simple. Diamond is breaking its contractual agreement with us, attempting to sell the product we paid to produce, with no guarantee that we will see a single cent of the proceeds and they are using U.S. Bankruptcy court as their accomplice.

Numerous publishers described a lack of communication or confusing responses from Diamond directly. Overall, there seems to be a confusion as to what (old) Diamond still has versus what (new) Diamond has when it comes to stock and who is responsible for what. Some responses seemed to conflate this motion with Ad Populum’s lack of payments to publishers. Even those at Diamond that remain seem confused as to what’s going on.

One publisher recounted their representative told them to keep sending inventory and keep soliciting product even though the publisher stopped doing both in January. They did ask to send product in May for orders made by retailers and they expect they probably won’t be paid for that. Some publishers have asked for stock to be returned and been successful while others get no response.

Overall, the impact to publishers seems to vary. While some have said it wouldn’t impact them much, there’s others that it sounds like it’d put them on life support or even force them to close. Dynamic Forces moved to expedite their motion to get paid by (old) Diamond and state they’re now owed over $1 million and if they’re not paid, they wouldn’t be able to make their payroll.

Eight retailers opened their books to us with roughly $2.5 million in retail value and about $1 million owed to them currently tied up in this mess. It’s unknown what (old) Diamond has and what (new) Diamond has but the general feedback is they have yet to be paid for any of that either way. With 128 publishers listed in Diamond’s motion, that’s potentially well over $15 million owed to publishers.

There’s still time for publishers to speak up on this. A hearing is set before Honorable Judge Rice on July 21, 2025 at 10:00 am in Courtroom 9-D at the United States Bankruptcy Court for the District of Maryland, 101 W. Lombard St., Baltimore, MD 21201.

Objections to the Motion must be in writing and filed with the Clerk of the Bankruptcy Court, 101 West Lombard Street, Suite 8530, Baltimore, Maryland 21201, on or before July 16, 2025; and be served so as to be received on or before the Objection Deadline by the undersigned counsel for the Debtors.

(New) Diamond drops its No Cost Reorder Service for Publishers and more updates for Diamond’s Chapter 11

Diamond Comic Distributors

FairSquare Graphics Fabrice Sapolsky posted that Diamond has dropped a needed service for publishers, its “No Cost Reorder.” Through it, publishers would be able to get their books from Diamond’s warehouse when it was needed for conventions or signings.

Sapolsky has said that Diamond has 7,500 copies of their graphic novels now stuck at Diamond’s Olive Branch warehouse in Mississippi which the publisher needs. They’ve received no communication on any changes.

It has also come out that (new) Diamond has yet to pay publishers for stock sold on top of this sudden change. While weekly statements are given, the money, not so much.

Sapolsky stated in his post while also contemplating legal action:

We’re completely in the dark. No message. No email. No calls. No communication from the new Diamond management. This is bad. Really bad.

Retailers are also reporting that Diamond has changed their payment requirements, charging stores for product as soon as it is shipped as opposed to cash on delivery.

This is just the latest twist, change, headache, drama, insanity regarding Diamond’s Chapter 11 status which was announced in January 2025. What we don’t know are the specifics of the contracts with (old) Diamond, nor if any aspects to the contracts were made by (new) Diamond that would allow for such abrupt changes. We have a list of contracts assumed by Universal Distribution during this process and waiting on the same list regarding Ad Populum/Sparkle Pop. It tells us the “who” but not the “detailed what” when it comes to all of that.

We have reached out to Ad Populum/Sparkle Pop regarding all of these changes.

In other updates regarding the court process for that:

Stephenson Harwood LLP is asking for s £72,741.20 for compensation (80% of £90,926.50) and £14.00 for work they’ve done for Diamond during this process. The work was done between January 14, 2025 and March 31, 2025. What stands out is the amount sought is in £. It’s for work regarding Diamond Comic Distributors UK, which is incorporated under the laws of England and Wales.

Stephenson Harwood provided legal advice when the Debtors’ stalking horse purchaser initially contemplated a separate asset purchase agreement for Diamond UK’s assets.

So far, the status of Diamond UK has been up in the air and no one is quite sure as to where it stands. Going off these court documents, it would seem that Universal Distribution was attempting to purchase it at some point.

When it comes to the fights within the fight. Alliance Entertainment has retained the services of Randy Moonan in its ongoing legal disputes. Alliance had accused Diamond and various representatives of fraud during its initial bid and recently Sparkle Pop submitted a suit against Alliance for breaking NDAs and stealing secrets during the Chapter 11 process to compete against Sparkle Pop/Diamond. Moonan would help Alliance in both cases and is being asked to appear pro hac vice for the proceedings as counsel.

FairSquare Graphics announces new Manga for 2024 and 2025

FairSquare Graphics has revealed new manga titles as well as a new release from its NSFW imprint, Horny Dolphin. Check out below to see what’s coming soon!

  • III-The Three Musketeers (Vol. 1) by Tchao Nejib (9781960171177 | OSD: 8/21/24 (DM) and 9/3/24 (trade)).
  • III-The Three Musketeers (Vol. 2) – Milady (Vol. 2) (9781960171221 |  November 2024)
  • Butterfly Tears: Four Stories about Love, Loss, and Rebirth by Fang Yili (9781960171078 | OSD: 8/28/24 (DM) and 9/10/24 (trade))
  • Red Flower: The Young Rooster and the Sun by Lou-i (9781960171184 | OSD: 1/25/24 (DM) and 2/11/25 (trade))
  • The Legend of Hakutaku by Alba Cardona (9781960171238 | Spring 2025). A manga-inspired original Spanish language graphic.

Coming to NSFW readers this fall, Eat My Cape is the debut launch from the all-new imprint Horny Dolphin. Issue #1 will launch via Kickstarter fall 2024.

Eat My Cape follows three waitresses in a diner for superheroes—but there’s more to the diner than meets the eye as it’s actually a nonbinary member of the group and a fan of revving everyone’s excitement up, day or night.

Each issue will include two 10-page stories, plus extras.

Eat My Cape

FairSquare Comics Celebrates Fifth Anniversary with Rebranding

FairSquare Graphics

FairSquare Comics has announced their transition into FairSquare Graphics. The rebranding will continue the publisher’s mission of celebrating immigrant and minority voices as they celebrate their fifth anniversary today, June 20, 2024. The anniversary also celebrates the announcement of an all-new imprint and more, with five additional exciting announcements to come. While FairSquare Graphics will retain the use of the name FairSquare Comics for conventions and crowdfunding, future titles will be under the FairSquare Graphics name. 

Horny Dolphin

Joining the current catalog lineup, starting this summer, FairSquare Graphics will debut several ManFra titles (French manga) and Manhua titles. And in addition to a new name, this year will bring considerable changes to FairSquare Graphics with the inclusion of Horny Dolphin, a new imprint dedicated to NSFW with original and licensed titles. As with the primary FairSquare Graphics line, Horny Dolphin will focus primarily on immigrant and minority voices with the release of a flagship title in Fall 2024. 

FairSquare Graphics, formerly FairSquare Comics, is the brainchild of Fabrice Sapolsky, Kristal Adams, and Ethan Sapolsky and came onto the scene June 20, 2019  and launched their debut graphic novel, Noir is the New Black, which sold over 7000 copies in July 2020. Since then, Noir is the New Black has had three editions printed.

The flagship single issue series for FairSquare Comics, Mutiny: Black Girl Magik #1 was revitalized via Kickstarter in April. The “mascot” of the company, Mutiny is the culmination of pure Black femme effort with the writing, illustration, and editorial work of Black femme creatives. Issue two will debut on Kickstarter late summer 2024. 

Currently, FairSquare Graphics has shared that Lady-Bird, written by Fabrice Sapolsky and Dawn J. Starr with art by Daniele Sapuppo, is being adapted as a television series in Europe. Additionally, A Boy Named Rose by Gaelle Geniller is currently nominated for an Eisner Award in the Best U.S. Edition of International Material category. During their time on the scene as a small, independent publisher, FairSquare Graphics has released more than 40 titles since the start via Diamond Distributors and has attended more than 100 conventions, bringing their graphic novels direct to the readers and fans.

Representing FairSquare Graphics, Fabrice Sapolsky and Kristal Adams will be attending this year’s American Library Association conference from June 28th through July 1st in San Diego, California. They will be located at booth #119 in Artist’s Alley near the Pop Top Stage B off of the Exhibit Hall F entrance.