The launch of Bad Idea is one of the reasons we’re excited for 2021! The publisher launches in March with ENIAC #1 from Matt Kindt, Doug Braithwaite, and Diego Rodriguez. But what after?
We’ve got some hints as to what to expect from the first issue, but what about ENIAC #2!?
We’ve got an exclusive first look at the second issue including the cover, some art, and the solicit text! The comic comes to store shelves on April 7, 2021. The comic is by Kindt, Braithwaite, and Rodriguez and features an all-new Bad Idea B-Side by Lewis Larosa and Diego Rodriguez! It’s 32 pages of awesome for $3.99.
After ENIAC #1 arrives on stands on March 3, 2021, you’ll never guess what happens next — THE NEXT ISSUE!
Yes, you’re reading that right! In a move that is as sequential as it is audacious, Bad Idea will be following up its momentously monumental and greedily anticipated March debut with (gasps) ENIAC #2 on April 7, 2021!
For the same $3.99 (cheap!) cover price, Bad Idea’s comics-addled readership can head into select comic shops worldwide to secure their second dose of all-out ENIAC-TION from the high-caliber creative team of New York Times best-selling writer Matt Kindt (Mind MGMT), incendiary artist Doug Braithwaite (Justice), and powerhouse colorist Diego Rodriguez (Hellblazer: Rise & Fall). PLUS: This ad-free, 32-page stunner is going to come complete with yet another ALL-NEW BAD IDEA “B-SIDE” story so shocking that we have to keep it under wraps until it hits stands.
What to know what to expect from Bad Idea’s shockingly secondary release in ENIAC #2? Here’s a little peek:
Seventy-seven years ago, the United States unlocked the key to defeating the Axis powers, but, in their desperation to end the war, accidentally created a far more powerful threat: ENIAC (Electronic Numerical Integrator and Computer). Designed to be a cutting-edge breakthrough in supercomputing that could deliver a decisive victory to the Allies, ENIAC did just that…by ordering the bombing Nagasaki without human consent or approval. A fully autonomous A.I free from the bounds of programming or morality, ENIAC spent the decades since manipulating global superpowers from the shadows, secretly shaping everything we thought we knew about the history of the geopolitical order. And, throughout it all, one classified question has plagued presidents and prime ministers, generals and spymasters alike: “What is ENIAC planning next?”
Now, after years of silence, ENIAC has re-emerged with a 72-hour countdown until it unleashes every weapon in Earth’s atomic arsenal. Its motives? Unknowable to humankind. Its endgame? Destruction on an unthinkable scale. As ENIAC’s clock rockets toward zero, it’s down to two covert operatives to infiltrate a Russian black site and free the one man alive who knows how to kill the machine…before it erases mankind, once and for all.
In a world beset by crisis, only one thing is certain: Bad Idea begins with ENIAC #1 on March 3, 2021…and then continues with ENIAC #2 on April 7, 2021…and then moves forward with ENIAC #3 in May…and, in daring move no one could have possibly expected, sallies forth with ENIAC #4 in June! Four issues in four months — it’s tough, but that’s how we came to play at Bad Idea.
Written by MATT KINDT // Art by DOUG BRAITHWAITE // Colors by DIEGO RODRIGUEZ PLUS:An All-New BAD IDEA B-SIDE: “SAVE NOW” Written by MATT KINDT // Art by TOMAS GIORELLO // Colors by DIEGO RODRIGUEZ Cover by LEWIS LAROSA with LAURA MARTIN FOUR ISSUES // MONTHLY $3.99 EACH // 48 PGS. // ON SALE MARCH 3, 2021
At the height of World War II, the world’s most ingenious minds began a race to create a super-weapon capable of ending the war with the push of a button. One of those projects gave us the atom bomb…and another produced the world’s first supercomputer: ENIAC (Electronic Numerical Integrator and Computer) — an immeasurably complex mathematical model that targeted the Axis war machine by calculating missile trajectories and troop deployments.
Everybody knows that. It’s real-life American history.
Or so we were told.
On August 6th, 1945, the United States dropped the nuclear bomb on Hiroshima.
Three days later, a second bomb was dropped on Nagasaki… Only President Truman wasn’t the one who gave order.
It was ENIAC.
In the Allies’ determination to end the war, they had accidentally created the world’s first autonomous machine intelligence…which had quickly deduced that one bomb wouldn’t be enough.
But ENIAC’s real plan was only just beginning…
Now, 75 years later, an encrypted countdown has just been detected in Earth’s satellite network and mankind only has three days left before ENIAC launches every weapon in the planet’s nuclear arsenal simultaneously. With few options and even less time, the Secretary of Defense has just given two covert operatives the most important mission in human history: kill ENIAC.
From the minds of New York Times best-selling writer Matt Kindt (Mind MGMT), incendiary artistDoug Braithwaite (Justice), and extraordinary colorist Diego Rodriguez (Hellblazer: Rise & Fall) comes ENIAC #1, the debut series from BAD IDEA – the unruly and experimental new comic publisher pushing the bounds of the medium (and your patience) one issue a time. This is no ordinary comic book… This is the long-classified history of an unspoken superpower more formidable than all of Earth’s nations combined…and now its story can finally be told.
Bad Idea is delivering another good idea for their upcoming releases. The publisher isn’t releasing their comics digitally or in trades, instead, they’ll be oversized single issues packed with stories. And they’re packing those issues with brand-new, never-before-seen “B-Side” stories. These are short-form, self-contained comics. Each issue Bad Idea publishes will have an oversized, ad-free page count that will always feature a new “B-Side” tale.
Every month, that “B-Side” will feature a standalone, done-in-one dose of high potency comics storytelling unlike anything we’ve published before — new genres, new characters, new concepts.
The first “B-Side” launches in ENIAC #1 in March, the new comic from Matt Kindt, Tomas Giorello, and Diego Rodriguez. The comic will be 48 pages in a prestige format for $3.99.
Future “B-Sides” will feature all-new contributions from creators like Karl Bollers, Sarah Burrini, Mae Catt, Khari Evans, Melissa Flores, Klaus Janson, David Lapham, Peter Milligan, Alex Paknadel, Eliot Rahal, Sean Ryan, Robert Venditti, and many, many more.
Here’s just a few of the Bad Idea “B-Sides” coming soon to a comic book near you:
“SAVE NOW” Matt Kindt (writer) ** Tomas Giorello (art) ** Diego Rodriguez (colors) ** Lewis LaRosa (cover)
“HANK HOWARD, PIZZA DETECTIVE” Robert Venditti (writer) ** David Lapham (art + cover) ** Jose Villarrubia (colors)
“MONSTERS IN MY LIFE” Peter Milligan (writer) ** Sarah Burrini (art + colors + cover)
“THE HERO TRADE” Matt Kindt (writer) ** David Lapham (art + letters + cover)
“THE PROVIDER” Sean Ryan (writer) ** Khari Evans (art + cover) ** Andrew Dalhouse (colors)
Even before the announcement of DC Future State and Future State: The Next Batman, by John Ridley, Nick Derington, and Laura Braga, the news that a person of color could be the next to don the cape and cowl as Gotham City’s protector created excitement and speculation as to how that person would be.
Today, the speculation finally ends with the reveal of this surprise variant cover to issue #2 of the four-issue January/February miniseries. Featuring striking art by Doug Braithwaite and Diego Rodriguez, Gotham’s defender in this dystopian future is revealed as Tim (Jace) Fox, estranged son of Lucius Fox and brother to the former Batwing Luke Fox.
Tim Fox’s first comic book appearance was in Batman #313, April 10, 1979. The character has since been teased in the current Batman line, first as a mention in “Family Ties,” the John Ridley/Olivier Coipel story from September’s Batman: The Joker War Zone anthology. In October’s Batman #101, he also shows up in a conversation between Batman and Lucius Fox, who has since acquired the Wayne fortune and technology as a result of The Joker War.
On February 23, 2021. Ridley and Coipel reunite to tell another story of The Next Batman and give him a sidekick as part of DC’s Batman: Black & White anthology series.
Future State: The Next Batman debuts in comic book stores and participating digital platforms on Tuesday, January 5, 2021, with new issues available every other week (issue #2 on January 26, issue #3 on February 2, and issue #4 on February 16). Each 64-page oversized issue includes backup stories of other Gotham City heroes and villains taking on the oppressive rule of The Magistrate and its war on vigilantes:
Future State: Arkham Knights, by Paul Jenkins and Jack Herbert (issues #1 and #3)
Future State: Outsiders, by Brandon Thomas and Sumit Kumar (issues #1 and #3)
Future State: Batgirls, by Vita Ayala and Aneke (issues #2 and #4)
Future State: Gotham City Sirens, by Paula Sevenbergen and Emanuela Lupacchino (issues #2 and #4)
Bad Idea is on the way! After an interesting build-up, the comic publisher is ready to do something new, get some comics on the shelves!
Beginning in March 2021, comic fans will be getting at least one brand-new Bad Idea release per month in a variety of tastes-good, feels-great formats by a fleet of world-class creators, including writers Matt Kindt, Robert Venditti, Marguerite Bennett, and Zeb Wells, artists Doug Braithwaite, Juan Jose Ryp, Adam Pollina, Renato Guedes, and Adam Pollina, and even more yet to come (like Mae Catt, Joshua Dysart, Tomas Giorello, Eric Heisserer, David Lapham, Lewis LaRosa, Jeff Lemire, Peter Milligan, and more).
Bad Idea is taking a new spin on comic distribution. Comic books will be sold exclusively in participating comic book stores. No digital releases. No trade paperbacks or hardcovers. And no variant covers, either. Just super-high quality comics that will always leave you wanting more – because they’ll never publish more than two in a given month.
The publisher’s goal is for every single issue to look and feel special with prestige-format package, deluxe matte laminate covers, and heavy-duty interior paper stock. There’ll also be extra-long page counts, guest appearances from artists, and standalone bonus stories in every issue at no extra cost. That means more The Hero Trade from Matt Kindt and David Lapham and… the bird of a shared universe!?
All of that for just $3.99 per issue.
You’ll have to visit a Bad Idea “destination store” – one of the 100 and counting comic shops around the world that have signed on to join our independent network of direct-distribution retail partners – and buy them on a Wednesday (or simply pre-order them in advance by phone or email and pick them up whenever you’re damn well ready).
What will we see next year? Lets find out!
ENIAC #1 (of 4)
MATT KINDT (writer) DOUG BRAITHWAITE (art) DIEGO RODRIGUEZ (colors) LEWIS LAROSA with LAURA MARTIN (covers)
Seventy-seven years ago, the United States unlocked the key to defeating the Axis powers, but, in their desperation to end the war, created a far more powerful threat: ENIAC (Electronic Numerator Integrator and Computer), the world’s first supercomputer. ENIAC’s calculations proved vital to turning the tide against Germany and Japan – until it ordered the second atomic bomb to be dropped on Nagasaki without any human order or approval. America had inadvertently created the first artificial intelligence without ever realizing the full extent of its abilities…or its ambitions. For the more than 50 years that followed, ENIAC manipulated global affairs from the shadows, waging a cold war that pitted spy against spy, nation against nation…until it went dark and disappeared from view. Now, years later, an encrypted countdown has just been detected in Earth’s satellite network and mankind only has three days left before ENIAC executes its endgame. With few options and even less time, the Secretary of Defense has just given two covert operatives the most important mission in human history: kill ENIAC…before it kills us.
From the minds of New York Times best-selling writer Matt Kindt (Mind MGMT), incendiary artist Doug Braithwaite (Justice), and colorist Diego Rodriguez (X-O Manowar), Bad Idea’s long-awaited debut starts here with a science-fiction thrill ride that will send shockwaves for decades to come.
FOUR ISSUES // MONTHLY // BEGINNING MARCH 2021
TANKERS #1 (of 3)
ROBERT VENDITTI (writer) JUAN JOSE RYP (art/covers) JORDIE BELLAIRE (colors)
The CEO of global energy conglomerate Greenleaf Oil has just discovered a terrifying secret: the planet only has a decade or less of petroleum left before it’s gone forever. But he has a plan to make sure his great-great grandchildren can continue to generate maximum shareholder value – and secure his own legacy in the process. Rather than develop a game-changing renewable energy source through the power of corporate innovation, Greenleaf has perfected the next best thing – time travel (duh) – so that a team of six field-rat contractors armed to the teeth in individually customized mech suits can go back to the Cretaceous Period, tweak the trajectory of the meteor that killed the dinosaurs, and give mankind another 500 millennia worth of oil reserves. What could go wrong? Only all of human history, of course – because when Greenleaf’s team of Tankers come home, they’ll discover that not only did the dinosaurs never die out, they’ve kept evolving for another 60 million years…and they’re more pissed off than ever.
Bone-shredding destruction! Wanton corporate malfeasance! Reckless use of industrial machinery! And lots and lots of ammunition. Like a Saturday morning cartoon that’s run irresponsibly overbudget, New York Times bestselling writer Robert Venditti (Justice League), blockbuster artist Juan Jose Ryp (Wolverine), and Eisner Award-winning colorist Jordie Bellaire (Pretty Deadly) are here to take all of our insecurities about mankind’s most self-destructive impulses and turn them up until the knob snaps off with THREE DOUBLE-SIZED ISSUES shipping BIMONTHLY (that means every other month, don’t look it up).
THREE ISSUES // DOUBLE-SIZED // BI-MONTHLY // BEGINNING APRIL 2021
MATT KINDT (writer) ADAM POLLINA (artist/cover) MATT HOLLINGSWORTH (colors)
You never thought you’d see a Bad Idea like this! From the limitless imaginations of New York Times best-selling writer Matt Kindt (Mind MGMT), veteran artist Adam Pollina (X-Force), and Eisner Award-winning colorist Matt Hollingsworth (Hawkeye) comes a very special whale tale for all ages (and species) in the tradition of Hayao Miyazaki and Pixar!
When young Wawae – the seaborn son of a whaling captain – is thrown overboard and swallowed whole by a whale, he knows his father will relentlessly pursue revenge against the creature that stole away his boy. What he didn’t expect, however, is what he’s about to find inside: the town of “Whalesville” – a colorful, cobbled-together village inhabited by an astounding collection of talking sea creatures, including a crab named Caleb, an angler fish called Angela, and a seadragon that prefers to go by Lilly. But, to Wawae’s new friends, Whalesville isn’t just their home, it’s the whole world – and they don’t understand the danger that now pursues them from above the waves or that they are even inside a whale at all. To rescue his new best buddies, Wawae will have to convince them of the truth…and save Whalesville before his own father sends them sinking into the inky depths forever.
In 1970, legendary filmmaker Oliver Larsen began production on his latest horror masterpiece on the lot of Los Angeles’ famed Cloverleaf Studios. Obsessed with bringing authenticity to the genre, the director insisted on casting real-life occultists to perform a genuine Satanic ritual live on camera – until something went horribly wrong. In the bloody aftermath, the production was shut down, the footage was confiscated, and the soundstage was forever shuttered.
On the heels of a promotion that’s just made her the youngest studio chief in decades, Aviva Copeland is planning to overhaul Cloverleaf’s fading image for the 21st century – starting with the prime piece of California real estate that’s gone unused for 50 years: the very same lost soundstage where Larsen filmed his doomed masterpiece. But, as Aviva will soon discover, this corner of the lot may have been closed for a half-century, but it’s far from empty…and the evil that lives within its haunted walls will soon seize its chance to kill again.
New York Times best-selling writer Marguerite Bennett (Animosity, A-Force) and artist Renato Guedes (DCeased: Hope at World’s End) present a terrifying vision of horror and Hollywood in the boldly bloody Bad Idea manner!
FOUR ISSUES // MONTHLY // ON SALE JULY 2021
SLAY BELLS #1
ZEB WELLS (writer) DAVID LAFUENTE (artist/cover) ULISES ARREOLA (colors)
You’ve heard of black comedies? Well, this is the first one that’s not just black, but red and green and covered in reams of extremely flammable tinsel that’s already been banned in Canada!
Every Christmas Eve, little Bobby Hamilton and his father rise at dawn for an early morning hunting trip. It was their favorite tradition – until they accidentally killed a certain red-nosed reindeer. They should have known better. They shouldn’t have tried to cover it up. Because Santa Claus knows that they’ve been naughty – and, now like so many fragile Christmas ornaments violently shaken free, the yuletide peace of a quaint Midwestern farming hamlet will forever be shattered as Old Saint Nick comes to town to reap the sweetest gift of all: vengeance.
This July, Emmy Award winner Zeb Wells (Hellions, Robot Chicken), mischief-making artistic all-star David Lafuente (Ultimate Spider-Man), and colorist Ulises Arreola (Action Comics) are ready to ruin Christmas a solid six months in advance with the only thing we really wanted this year, anyway: another king-sized Bad Idea one-shot that will soon go down in infamy!
John Constantine isn’t a character I know a lot about. I’ve read a couple dozen comics featuring him but the details of his history elude me. I have a good sense of the character but his relationships with specific characters or deep history of screwing over individuals isn’t something I know a ton of. So, going into Hellblazer: Rise and Fall Book One my plate was pretty clean.
This DC Black Label series dives into one of the many mistakes of Constantine’s past. It’s a mistake that turned deadly leading to the loss of a young kid. The story dives into his history beyond that, going further into his childhood, something I’ve never read about myself. Writer Tom Taylor delivers a character haunted by loss and the abuse spinning out of his early years. This is a kid who has been abandoned by family and acts out to gain power and thus control over his world. And, like any good Constantine story, his actions leave a wake of destruction in its path.
Taylor gives us an interesting take on the character. He feels a bit more pathetic than usual, a little more broken. Taylor focuses on those around him and his impact showing not everyone has been broken by him and some are off in better spaces. But, there’s also some groundwork laid as to why Constantine is the way he is. It creates a bit more tragic of a character and for me, as someone that’s relatively new, it also gives me a character I can relate to a bit more. Whether this has been presented before, I don’t know. But, to me as a reader, it feels new and delivers a bit more depth to a character who we generally enjoy for his attitude.
Hellblazer: Rise and Fall Book One also is a comic that’s full of small details that make it enjoyable. A conversation about stolen boyfriends as an example feels natural and gives us so much as far as the relationship between characters. It’s these moments that really made the comic for me taking it from a horror mystery to something a bit more.
Darick Robertson and Diego Rodriguez handle the art duties and for me it’s… ok. Robertson has his distinct style we’ve seen so many times before including the over the top gore. It’s such a distinct style it felt a little odd looking at it without Garth Ennis, a regular collaborator, writing. It’s fine in the overall look and very distinctive. It also doesn’t quite click for me. It’s hard to tell if the comic is supposed to be horror, more grounded, or even comedic. There’s also a little bit of inconsistency of the characters that feels like a regular Robertson thing. Again, not bad, it’s just not completely for me.
Hellblazer: Rise and Fall Book One is a fun comic with a balance of horror, humor, and a little bit of comedy. Constantine fans should enjoy this self-contained story. Those that are new to the character can dive in without any knowledge of the character. It’s not the best I’ve read featuring Constantine but it’s entertaining and there’s a lot of potential for where it’s all going. As is, the first issue is good but doesn’t quite have the spark to make it really stand out so far.
Story: Tom Taylor Art: Darick Robertson with Diego Rodriguez Story: 7.0 Art: 7.0 Overall: 7.0 Recommendation: Read
DC Comics provided Graphic Policy with a FREE copy for review
(W) Tom Taylor (A) Darick Robertson In Shops: Sep 01, 2020 SRP: $6.99
A billionaire falls out of the sky and is gruesomely skewered on a church spire. Bizarrely, Angel Wings are attached to his back. More follow until, hallelujah, it’s raining businessmen. Detective Aisha Bukhari is stumped by this, until she’s visited by her childhood friend, occult investigator John Constantine. DC’s Hellblazer discovers a link between the falling elite and a shocking moment in his and Aisha’s misspent youth. How do these killings tie to the first death on John’s hands? How does this involve heaven and hell? Even if this is kind of John’s fault, will Constantine be happy to let a few more rich bastards fall from the sky, like a vindictive Robin Hood? It’s an all-new DC Black Label mystery starring John Constantine in his very first tale spun by acclaimed writer Tom Taylor (DCeased) and artist Darick Robertson (The Boys)!
After a universe-spanning journey, Doctor Tomorrow must face his greatest foe yet: himself in Doctor Tomorrow #5! Will the combined forces of the Valiant Universe be enough to avert total annihilation After the epic conclusion, will there be a tomorrow?
I still don’t really know what day it is anymore, and as such, I have been falling way behind in my comics reading. Other than the Valiant books, which I will typically review here, I’m lucky if I remember to read the books I pick up. Y’see because I work Wednesdays at my LCS, I’m getting my books regularly… I’m just not reading them. Perhaps because of this, I was taken entirely by surprise when I found the advance review copy of Doctor Tomorrow #5 in my inbox.
The concluding chapter to the series has the Bart Simms we saw in the first issue return from the future after twenty years (and a lot of training) to confront the man who “killed” him when he was a kid; an alternate future version of himself called Doctor Tomorrow – believe it or not this actually makes a lot of sense if you’ve read the first four books, and it’s easy enough to tell the different because of the difference in costuming and the burnt face of Doctor Tomorrow.
But with the comic serving as the finale, and after we saw a classic montage in the form of Doctor Tomorrow #4, the final confrontation between Bart Simms and Doctor Tomorrow is as much a story about confronting your own demons as it is saving the world. As such, there are a lot of scenes within the book that feel oddly truncated; Alejandro Arbona has a lot interesting scenes within the book that need to be there, but the transitions felt a little forced. It’s not that Doctor Tomorrow #5 needed to be issues five and six, but maybe had Arbona been given another six pages or so the book would have a better flow to it. As it is, you get the meat of the story, but it feels like you’re missing some of the peas and carrots – you know those parts of a roast that you don’t look forward to but miss nonetheless if they’re not there?
That’s how the final chapter left me feeling. I wouldn’t cut anything from the book (other than the ads to give Arbona more space), but there’s just something missing from the initial read through to take you from one moment to the next. A shame, because a lot of what you get is really good; Bart vs Doctor Tomorrow is less a classic hero/villain smack down than you would expect, and more of a cerebral confrontation on Bart’s side. It serves to highlight the difference between the two men, and works well as a backdrop to the following scenes with Bart questioning who he is and who he will be now that he’s aged twenty years in thirty seconds.
Artist Jim Towe is joined again by colourist Diego Rodriguez, and the pair remain consistent for the finale. There’s a distinct style to the book that evokes a certain nostalgic feel for those of us of an age to have been glued to the television on Saturday mornings as kids, and it lends the book a youthful exuberance that carries the stories energy from the first to the final page. There were moments where it was harder to tell what was occurring on the page, but that had more to do with the review copy water mark than anything the artists had consciously done.
Doctor Tomorrow #5 brings this story to a close whilst also establishing a baseline for future stories with these characters – something that most miniseries from Valiant have been doing over the last year or two. On it’s own merits, though, the series was an interesting take on the traditional superhero/sidekick dynamic, and will be one that Valiant should mark firmly in the Win column. It may not have been as action packed as Bloodshot or as deep as Rai, but Doctor Tomorrow is just plain fun, and you really can’t go wrong with a good comic that’s entertaining.
Story: Alejandro Arbona Art: Jim Towe Colors: Diego Rodriguez Letters: Clayton Cowles Story: 8.3 Art: 8.2 Overall: 8.3 Recommendation: Buy
Valiant provided Graphic Policy with a FREE copy for review
The true origin of Doctor Tomorrow is finally revealed in Doctor Tomorrow #4! Can Bart Simms ready himself in time to rescue the Universe from complete annihilation?
Despite comics coming back to shops with more regularity, Valiant hasn’t resumed their full pre-lockdown schedule just yet. I’m not honestly sure how many comics the company is publishing every month now. I’ve read far fewer Valiant books since publishing has resumed than I was expecting.
Doctor Tomorrow is Valiant’s first all-ages book set within the publisher’s continuity. After last issue’s apparent death of the young Bart Simms at the hands of the older Bart Simms (who had recently killed the slightly older Bart Simms… it sounds confusing when I write it like that, but it’s actually not), we discover pretty quickly what happened to the young hero in what amounts to a comic’s worth of a training montage.
Young Bart Simms travelled to slightly older Bart Simms time and ends up spending what appears to be several years training and learning how to defeat… himself.
Believe it or not, it’s a comic that works. And it works very well. We get some more exposition on the villain Hadrian. A touching relationship develops between two characters. It has echoes of Marty and the Doc from Back To The Future. It also adds enough to the mix so that the relationship doesn’t feel stale and too familiar. Doctor Tomorrow #3 was crammed with as many characters as writer Alejandro Arbona and artist Jim Towe could squeeze in. Doctor Tomorrow #4 is a much more personal affair. The issue gives readers a breather but also acts to set up the final act . It does so in such a way that new readers can jump into the miniseries on part four of five. I’d highly recommend the entire thing so far.
The more personal nature of this book, the relationships built upon, and the montage sequence itself does elevate it significantly over the previous issue. Arbona’s script allows Towe and colorist Diego Rodriguez to explore the world within the art; there may not be the sprawling space vistas from X-O Manowar, but the down to earth nature of the story lends itself very well to an art style that wouldn’t feel out of place on a Saturday morning cartoon (and no, that is far from a bad thing).
Jim Towe’s art seems to fall more toward what you’d consider an “all-ages style”, and he’s been pretty consistent throughout the series quality-wise. I’ve said before that the art reminds me of a Saturday morning cartoon in all the right ways, and I stand by that. This is a comic that has the ability to evoke a strong nostalgic feeling in people of a certain age despite this being a new character. After the dip of the third issue, Doctor Tomorrow comes roaring back for the finale that will likely add a new twist to a battle we’ve already seen several times in the series so far, and I fully expect to be launched into that fight almost immediately as Doctor Tomorrow #5 opens up.
Join me, won’t you?
Story: Alejandro Arbona Art: Jim Towe Colors: Diego Rodriguez Letters: Clayton Cowles Story: 8.4 Art: 8.1 Overall: 8.25 Recommendation: Buy
Valiant provided Graphic Policy with a FREE copy for review