Tag Archives: dark nights: death metal

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New McFarlane DC Multiverse Figures Includes Damian Wayne, Red Son Superman, The Drowned, and more!

McFarlane Toys has a new round of DC Multiverse Action Figures in shops now. New releases include Damian Wayne as Robin, Superman: Red Son, Batman Earth -11 The Drowned, Batman: Dark Nights Death Metal, and Batcycle Death Metal.

All premium action figures are ultra-poseable with 22 moving parts, character-specific accessories and each comes with a collectible art card. MSRP $19.99.

The Death Metal Batcycle is based on the cycle Batman rides in Dark Knights: Death Metal #1 (Comic 2020). It is designed with moving wheels and rotating handlebars, includes a collectible art card with Batman: Dark Knights: Death Metal #1 and is scaled to fit all Mcfarlane Toys DC Multiverse 7″ Action Figures. (Figure not included.) MSRP $24.99.

Damian Wayne as Robin

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Superman: Red Son

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Batman Earth -11 The Drowned

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Batman: Dark Nights Death Metal

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Batcycle Death Metal

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Batman Gets Death Metal with a New Funko Pop!

Batman rocks out with a guitar with the new Dark Nights: Death Metal Batman with Guitar Pop! from Funko. The Previews exclusive figure is available for pre-order now and is expected to ship in April 2021.

From the pages of DC’s Dark Nights: Death Metal by Scott Snyder and Greg Capullo, join the quest to stop Perpetua and the Batman Who Laughs with this Previews Exclusive Death Metal Batman with Guitar Pop! Vinyl figure! Batman appears in his heavy metal style complete with his face-meltingly cool scythe guitar! The Previews Exclusive Death Metal Batman measures about 3 3/4-inches tall and comes packaged in a window box. Don’t miss out on adding this heavy metal exclusive to your collection!

Previews Exclusive Death Metal Batman with Guitar Pop! Vinyl figure

This site contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from these sites. Making purchases through these links helps support the site.

Review: Dark Nights: Death Metal #7

Dark Nights: Death Metal #7

And this is it, the end of Dark Nights: Death Metal and the launch of a new DC Universe. The “Crisis Event” by a different name wraps up with Dark Nights: Death Metal #7 launching into a new era where anything can happen. The results, like much of the event, are a mixed bag.

Written by Scott Snyder, the series sees one final clash between the heroes and villains of the DC Universe taking a stand against the Darkest Knight. It’s an issue filled with grand ideas and grand visuals as Wonder Woman is front and center in the battle. Snyder makes things interesting by having unexpected characters make unexpected sacrifices. It keeps readers on their toes as to what might happen next and by who.

There’s some interesting concepts about the creation of the DC Universe thrown in and the various boundaries that have existed. In a meta sense the discussion of these boundaries is the most interesting aspect. It feels like a stance as to what has hampered the various eras of DC Comics. A limitation of worlds or multiverses or worlds is all brought up. In the end though, all of it is made cannon and an infinite number of possibilities is left on the table. What’s now possible is the real lasting impact and what’s hinted at to come is the most intriguing. Dark Nights: Death Metal #7 feels like the end to a messy attempt to right the ship. DC has stated in the past they’ve wanted continuity to not matter as much and the ability to tell whatever stories they’ve wanted. Dark Nights: Death Metal creates a clearer slate to do so. It took them a while but they’re finally really there with a best of all worlds scenario.

The art of the comic is over the top as expected. Greg Capullo handles most of the duties with Jonathan Glapion inking, FCO Plascencia on color and Tom Napolitano on lettering. Yanick Paquette and Bryan Hitch also provide pencils and inks while Nathan Fairbairn and Alex Sinclair also provide colors. The art is as it has been. There’s some very solid moments worth of the big screen and other moments that just feel off. The art itself feels a bit more “death metal” than previous issues as character die or battle it out in spectacular ways but overall there’s little images that feel iconic. For such a big event, the story and art come off as a bit forgettable. What they lead to is the bigger aspect. There’s a missing of that “it” moment.

While I can’t quite recommend Dark Nights: Death Metal #7 I also can’t quite say you can skip it either. It’s a curiosity more than anything else. It’s the end to an era and leading into what’s next shaking up the status-quo for DC Comics. If you’re interested in seeing how that comes about, it’s worth checking out. If not, then this is one you can pass on.

Story: Scott Snyder Art: Greg Capullo, Yanick Paquette, Bryan Hitch Letterer: Tom Napolitano
Ink: Jonathan Glapion, Yanick Paquette, Bryan Hitch Color: FCO Plascencia, Nathan Fairbairn, Alex Sinclair
Story: 6.5 Art: 7.0 Overall: 6.5 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review


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Preview: Dark Nights: Death Metal #7

Dark Nights: Death Metal #7

Written by: Scott Snyder
Art by: Bryan Hitch, Yanick Paquette, Greg Capullo

The song remains anything but the same as the house lights start to come up on DC’s biggest, baddest battle for control of the Multiverse! The Darkest Knight is on the verge of ending this concert once and for all, but Wonder Woman has more than just a greatest hit planned. The Amazonian warrior stands ready to shred the Darkest Knight, solo! Plus, this extra-sized finale issue includes not one but two mind-blowing epilogues that lead directly into the next phase of the DC Universe-and no fan will want to miss that!

Dark Nights: Death Metal #7

Preview: Dark Nights: Death Metal The Last 52: War of the Multiverses #1

Dark Nights: Death Metal The Last 52: War of the Multiverses #1

Written by: Che Grayson, , Scott Snyder, Joshua Williamson
Art by: Dexter Soy, Alitha Martinez, Alex Maleev, Scott Koblish

What would it take to get every being left in the Multiverse to side together in the ultimate, final showdown? Total decimation and the complete undoing of all existence? The Batman Who Laughs has made his final move, bringing the most horrifying opposition to the battleground, and now every hero and villain left alive will stand and fight together. This epic battle book details every side of the last war across the Multiverse-Wonder Woman leading the heroes, Superman leading the villains, and Batman leading the dead-everyone has to play their part. Everyone and everything is at stake…so join here for the last of the DCU as we know it!

Dark Nights: Death Metal The Last 52: War of the Multiverses #1

Review: Dark Nights: Death Metal #6

Dark Nights: Death Metal #6

I haven’t been the biggest fan of Dark Nights: Death Metal. The event as a whole has been uneven with an inconsistent voice. In an “anything can happen” sense, the comic has been fun for its insanity. That could have been part of the point and concept. As it begins to wrap up, we begin to get the big hits and moments. The heroes rally to take on the Darkest Knight and his nightmare worlds in their last stand. Dark Nights: Death Metal #6 is a combination of the night before the final battle in Les Miserable and Steve Rogers saying “I can do this all day”. The heroes rally to take on the forces against them as Wonder Woman attempts to succeed in her mission.

Writer Scott Snyder puts together an interesting mix of over the top imagery and touching moments in an issue that has a focus of that “last stand”. While gods battle above them, the remaining heroes and villains of Earth draw the line against the nightmare Batman gunning for them. Where Snyder hits it is his “grouping” of heroes putting an emphasis that these are families. While they may oppose each other at times, there’s something touching seeing the various pockets of the DC Universe standing together. Heroes and villains taking a stand of survival knowing their battle is likely a lost one with the slimmest of chances of success. Those moments are far too short but they deliver some heart to the bombastic issue that also sees a fight at a cosmic scale.

Part of the fun of the comic is its over the top visuals. Greg Capullo continues to deliver events on a grand scale. Characters are packed into pages or deities battle it out in space. Dark Nights: Death Metal #6, and the series as a whole, is one that’s very much a “show”. The comic seems to love going over the top in its imagery knowing its popcorn level of entertainment. This isn’t one about body language or facial expressions, this is about massive battles and tons of characters. Capullo is joined by Jonathan Glapion on ink and FCO Plascencia on color.

Tom Napolitano handles the lettering which stands out with such characters as Jarro. The slightly different lettering brings character to “Batman’s son”. The series as a whole has been gonzo in its designs bringing to the page some of the craziest ideas DC has presented in years and doing it all with the glee of a kid playing with their toys.

While Dark Nights: Death Metal #6 hasn’t won me over on the event, it does have its moments. There’s some of those that bring the good schmaltz. There’s far more that are popcorn worthy summer blockbuster visuals. It’s a turn off your brain and enjoy the ride of a comic and at times that’s a good thing.

Story: Scott Snyder Art: Greg Capullo
Ink: Jonathan Glapion Color: FCO Plascencia Letterer: Tom Napolitano
Story: 7.0 Art: 7.95 Overall: 7.15 Recommendation: Read

DC Comics provided Graphic Policy with a FREE copy for review


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Preview: Dark Nights: Death Metal #6

Dark Nights: Death Metal #6

Written by: Scott Snyder
Art by: Greg Capullo

The battle rages as the entire DC Universe stands against the Darkest Knight! Villains fight alongside heroes working as one to banish this demon from the deepest corners of the Dark Multiverse. Meanwhile, the Robin King lurks nearby, his army of Groblins in wait. The dogs of war are loose and no one is safe.

Dark Nights: Death Metal #6

Preview: Dark Nights: Death Metal The Last Stories of the DC Universe #1

Dark Nights: Death Metal The Last Stories of the DC Universe #1

Written by: Joshua Williamson, Gail Simone, Christopher Sebela, James Tynion IV, Cecil Castellucci, Mariko Tamaki, Jeff Lemire, Mark Waid, Scott Snyder
Art by: Francis Manapul, Christopher Mooneyham, Daniel Sampere, Meghan Hetrick, Mirka Andolfo, Travis G. Moore, Rafael Albuquerque

The last battle against the Batman Who Laughs is at hand…the final fight for everything in the universe. And while the night is usually darkest just before the dawn, what would be the last thing you’d do if you weren’t sure the dawn would ever arrive? Join our heroes in their waning hours as we show their journeys through what could be their final moments…heroes that have fought a million times before, but are keenly aware this could be their endgame. These are the stolen moments detailing the last stories of the DC Universe.

Dark Nights: Death Metal The Last Stories of the DC Universe #1

Review: Dark Nights: Death Metal The Multiverse That Laughs #1

Dark Nights: Death Metal The Multiverse Who Laughs

I’ve been vocal in my mixed feelings about Dark Nights: Death Metal. The main event has been mixed in quality and the one-shots, while they used to stand out, are now fumbling themselves. Dark Nights: Death Metal The Multiverse Who Laughs is another stumble presenting four stories with few standing out and most being forgettable.

Dark Nights: Death Metal The Multiverse Who Laughs opens with an introduction introducing the scary stories to follow. Written by Scott Snyder, James Tynion IV, and Joshua Williamson, the intro isn’t so much Cryptkeeper as it’s a tease. Juan Gedeon handles the art, Mike Spicer color, and Troy Peteri the lettering and the art is solidly entertaining. But, the tales the Robin Kings aren’t what’s presented, and sadly what is, is far less interesting. A nice introduction to lay out the concept of the comic but it actually hurts what’s really could have been accomplished with some text on the first page.

Patton Oswalt, Sanford Greene, David Baron, and Josh Reed to a twisted take on Zsasz in “Feeding the Beast”. Sadly, the story itself doesn’t make a whole lot of sense at all. It feels like interesting ideas chopped together without a strong narrative. To say it’s a frustrating start is an understatement and the issue stumbles from there.

The Super-Pets get the spotlight in “The Super-Threats“. Written by Amanda Conner and Jimmy Palmiotti, the story is a Super-Pets spin on DCeased. Krypto returns from space to find a planet ravaged and all that remains are the Super-Pets. It’s a nice horror short story packed in well and filled with a little bit of humor to make it different and stand out from DCeased. Chad Hardin‘s art with color by Enrica Eren Angiolini‘s color is solid as the animals are filled with emotion as the story unfolds. There’s a slight coloring issue when one infected creature is described as having yellow eyes and red teeth and neither being present. Lettering by Carlos M. Mangual really stands out with the unique speech bubbles that makes the story really fun.

In “Hard-Traveled“, Earth has been taken over by Hal Jordon who’s used his power to bring order to the planet. Standing in his way is Green Arrow. Saladin Ahmed‘s story is interesting in concept but sadly doesn’t get enough pages to really stand out. But, it’s a comic I’d love to read. What does stand out is Scot Eaton‘s art. With Norm Rapmund on ink and Hi-Fi on color, the story builds to a Rocky vs. Apollo ending.

Much like the story leading into it, “The Fear Index” also suffers from not enough pages. Steel has to deal with a planet that has been enveloped by Scarecrow’s toxin. It’s a great idea that we’re mostly teased with. Written by Brandon Thomas, the story itself is the trailer for a film we want to see more of. The art by Thomas Mandrake is solid. With color by Sian Mandrake, it comes off as the twisted fear-induced visions you’d expect. It’s not the over the top trip that has been done before but it’s presented as unsettled. That’s helped by Deron Bennett‘s lettering which enhances the hallucinations from the fear toxin. It emphasizes the situation and world.

There are some things to like about Dark Nights: Death Metal The Multiverse Who Laughs. The idea of an anthology telling stories in this twisted world has potential but few are given the space they’re needed to really be interesting. Instead, they all fall short as teases for something far more entertaining. Both the Green Arrow and Steel stories are worthy of their own one-shots and an entire line could be done like the other Dark Multiverse one-shots releases. But, as is, there’s not a lot here to get excited about.

Story: Scott Snyder, James Tynion IV, Joshua Williamson, Patton Oswalt, Amanda Conner, Jimmy Palmiotti, Saladin Ahmed, Brandon Thomas
Art: Juan Gedeon, Sanford Greene, Chad Hardin, Scot Eaton, Thomas Mandrake
Color: Mike Spicer, David Baron, Enrica Eren Angiolini, Sian Mandrake, Hi-Fi
Ink: Norm Rapmund
Letterer: Troy Peteri, Josh Reed, Carlos M. Mangual, Deron Bennett
Story: 6.0 Art: 7.0 Overall: 6.0 Recommendation: Pass

DC Comics provided Graphic Policy with a FREE copy for review


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