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San Diego Comic-Con Special Edition to take place Thanksgiving Weekend

San Diego Comic-Con

San Diego Comic Convention has announced that San Diego Comic-Con will not be happening as normal in 2021 due to COVID but instead is getting a digital edition as well as a “mini” convention in the Fall. They have announced that an in-person convention will take place over Thanksgiving weekend, Friday, Saturday, and Sunday, November 26-28, 2021. The convention will take place at the San Diego Convention Center. It is the convention’s hope that by the Fall conditions will permit larger public gatherings.

Comic-Con Special Edition will be the first in-person convention produced by the organization since COmic-Con 2019 and their first since COVID-19 began.

Details are still being finalized including badge cost, attendance capacity, and more related information. We’ll have more updates as they’re provided.

Comic-Con at Home, the virtual convention, will take place over three days, July 23 to 25 and will be free to attend.

San Diego Comic-Con 2021 Goes Virtual With November In-Person Event

San Diego Comic-Con at home

With the COVID pandemic still raging and the future uncertain Comic-Con International has announced that San Diego Comic-Con 2021 will be going virtual. The convention organizers had already announced that Wonder Con, which was to take place in March, would be doing the same.

San Diego Comic-Con 2021 will again be virtual and free, like it was in 2020. The virtual event will span three days, July 23 to 25. They are limiting it to three days due to “limited financial resources”.

But, there’s a chance we’ll also get the bonus of an in-person event. San Diego Comic-Con is planning a three-day in-person convention in November. Specific details, attendance capacity, badge cost, etc., will be coming down the road.

For those with badges for 2021, those will be transfered to 2022 unless a refund is equested. The convention is working on possibly rolling things over to November’s event instead.

With two conventions cancelled and mention of it in their newsletter, there’s concern about the convention’s financial stability. It’s a concern being echoed about many conventions.

In their 2019 990 report, the convention had about $27.7 million in expenses for the year. It’s unknown what those expenses are now due to the pandemic with no in-person convention and instead 2020 being virtual. It’s also unknown what revenue they might have gained from that convention as well.

You can read their full statement below as well as a link where you can get more information if you’re a current badge holder.

SDCC 2020: San Diego Comic-Con Teases #ComicConatHome!

With San Diego Comic-Con and WonderCon canceled, Comic-Con International is taking the show on the virtual road!

The pop culture event has teased Comic Con at Home with “badges for all.”

The conventions have been doing virtual events under the WonderCon banner for a bit now but it’ll be interesting to see how San Diego Comic-Con is adapted. The convention is a major event for pop culture often making or breaking upcoming television shows and movies as well as being a springboard for much of what we see in the following year.

Comic-Con International and Lionsgate Unveil Launch Plans for Comic-Con HQ

CCHQ_3D_Logo_RGB_Final(TMBlack)Comic-Con International and Lionsgate have unveiled launch plans for Comic-Con HQ, their newly named subscription video-on-demand platform debuting shortly before San Diego Comic-Con this Summer. Comic-Con HQ will launch with free beta access on May 7 with its official premiere in June leading up to Comic-Con International: San Diego in July.

The ad-free streaming service will feature an evolving slate of programming including original scripted and unscripted series, recurring daily and weekly entertainment commentary, plus unique access to a growing library of live and archival programming from their world-class events, a highly-curated selection of film and TV genre titles, and behind-the-scenes access and bonus features from genre titles that defy and define pop culture.

Comic-Con HQ’s slate of original, licensed and live programming for the Comic-Con community and genre enthusiasts everywhere will include:

  • Recurring daily and weekly programs featuring well-known personalities curating entertainment news and commentary across all facets of pop culture. G4 alum Adam Sessler (X-Play) will executive produce programs on comics, science and gaming, along with hosting his own insightful 1:1 interview series. Fellow G4 star Kevin Pereira (Attack of the Show) and his company Attack Media will executive produce an entertainment pop culture news show and a late night talk show format. Other formats on the fast track are two roundtable discussion shows, one weekly movie talk in partnership with Complex’s Collider inspired by their popular Collider Movie Talk series, and another all-female panel on pop culture from a female perspective.
  • Original scripted and unscripted series debuting on the platform include: the scripted comedy series Kings of Con inspired by real-life fan convention experiences from Supernatural stars Richard Speight and Rob Benedict; the science entertainment program Impossible Science starring world champion illusionist Jason Latimer, who explores breakthrough technologies capable of achieving his seemingly impossible feats of magic with real science; and the formerly announced unscripted series with fangirl fashion company and lifestyle brand, Her Universe, hosted by founder and actress Ashley Eckstein, following contestants as they design their geek couture concepts for the catwalk of a live San Diego Comic-Con fashion show in July. These series are the first of many originals to be revealed in the weeks leading up to SDCC.
  • Unparalleled San Diego Comic-Con access with live-streamed CCHQ programming, airings of select Comic-Con panels, and immersive access to the convention floor and sanctioned events never before available to the public such as the Masquerade and the Eisner Awards. Members will enjoy interviews and previews available only on CCHQ in a growing library of new and archival panels, bonus features, behind-the-scenes previews and more.
  • An eclectic collection of licensed film & TV series featuring genre greats and hidden gems from science-fiction, fantasy, cult classics, action/adventure and horror.

More news about upcoming programming and partnerships will be announced in the coming weeks. Anyone can now pre-register for free beta access to enjoy a full platform of programming starting Free Comic Book Day on May 7 via their browsers and iOS/Android devices. The paid subscription service will roll out across more connected devises in the months to come such as Roku, AppleTV and Xbox One, with additional devices and distribution platforms becoming available throughout the year.

Comic-Con International 2014 Open Online Registration Announced

cci2014_topbannerv1Getting badges for San Diego Comic Con is always a mad rush full of overloaded servers, crashing websites and disappointed individuals. The convention has announced when this year’s mad rush will begin as well as what you can expect for the process to get a badge this year. Good luck everyone!

Comic-Con International is pleased to announce that Open Online Registration is finally here! Comic-Con 2014 Open Online Registration will begin shortly after 9:00 AM Pacific Time (PT) on Saturday, March 15, 2014.

The EPIC Registration landing page will open at 7:00 AM (PT) for you to enter your personal registration code and authorize your device to enter the waiting room.

Your personal registration code and link to the landing page will be sent to you via email at least 24 hours prior to the start of the sale. You can also access your registration code by logging in to your Member ID account and selecting the “Registration Info” tab. We suggest you add do-not-reply@comic-con.org as an approved/authorized sender to your email account.

You must authorize your registration code prior to 9:00 AM (PT) on March 15. The EPIC Registration waiting room will close for entry at 9:00 AM (PT).

Are you wondering what a registration code is? Confused about why there are two different opening times? For answers to these important questions and others, we strongly encourage you to read the Comic-Con 2014 Open Online Registration instructions.

You can also find important registration information and helpful tips on Toucan, the Official Blog of Comic-Con International, WonderCon, and APE. Click the “Registration Update” link on the categories menu for specific registration related topics.

Please keep in mind that not all eligible attendees will be able to purchase a badge during Open Online Registration. There are far more eligible attendees than badges available.You can increase your chances of obtaining a badge by reading all of the instructions carefully and having your personal information ready on the day of the sale.

Sincerely,
Comic-Con International

Superheroes@State. The US Department of State & Islamic Superheroes

Batman, Superman and… Jabbar the Powerful? These superheroes may have more in common than you think. Check out this webchat featuring David Glanzer, Director of Marketing for Comic-Con International, and Dr. Naif Al-Mutawa, exchange alumnus and creator of THE 99 — the world’s first superheroes based on Islamic culture and society.

The U.S. Department of State has turned to digital diplomacy in the form of their Co.Nx web portal which features video, audio, Twitter and more. It’s a space for an “interactive exchange of ideas” like the above that brought together members of the State Department and some one of the creators of the Mulsim superhero team The 99.

SDCC 2012 – Eisener Award Nominees 2012

Comic-Con International has announced this year’s Eisner nominees.  Congrats to everyone.

EISNER AWARD NOMINEES 2012

Best Short Story
“A Brief History of the Art Form Known as Hortisculpture,” by Adrian Tomine, in Optic Nerve #12 (Drawn & Quarterly)
“Harvest of Fear,” by Jim Woodring, in The Simpsons’ Treehouse of Horror #17 (Bongo)
“The Phototaker,” by Guy Davis, in Metal Hurlant vol. 2 (Humanoids)
“The Seventh,” by Darwyn Cooke, in Richard Stark’s Parker: The Martini Edition (IDW)
“The Speaker,” by Brandon Graham, in Dark Horse Presents #7 (Dark Horse)

Best Single Issue (or One-Shot)
Daredevil #7, by Mark Waid, Paolo Rivera, and Joe Rivera (Marvel)
Ganges #4, by Kevin Huizenga (Fantagraphics)
Locke & Key: Guide to the Known Keys, by Joe Hill and Gabriel Rodriguez (IDW)
Princeless #3, by Jeremy Whitley and M. Goodwin (Action Lab)
The Unwritten #24: “Stairway to Heaven” by Mike Carey, Peter Gross, and Al Davison (Vertigo/DC)

Best Continuing Series
Daredevil, by Mark Waid, Marcos Martin, Paolo Rivera, and Joe Rivera (Marvel)
Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
Rachel Rising, by Terry Moore (Abstract Studio)
Ultimate Comics Spider-Man, by Brian Michael Bendis and Sara Pichelli (Marvel)
Usagi Yojimbo, by Stan Sakai (Dark Horse)Best Limited Series
Atomic Robo and the Ghost of Station X, by Brian Clevinger and Scott Wegener (Red 5)
Criminal: The Last of the Innocent, by Ed Brubaker and Sean Phillips (Marvel Icon)
Flashpoint: Batman – Knight of Vengeance, by Brian Azzarello and Eduardo Risso (Vertigo/DC)
The New York Five, by Brian Wood and Ryan Kelly (Vertigo/DC)
Who Is Jake Ellis? by Nathan Edmondson & Tonci Zonjic (Image)

Best Publication for Early Readers (up to age 7)
Beauty and the Squat Bears, by Émile Bravo (Yen Press)
Benjamin Bear in Fuzzy Thinking, by Philippe Coudray (Candlewick/Toon Books)
Dragon Puncher Island, by James Kochalka (Top Shelf)
Nursery Rhyme Comics, edited by Chris Duffy (First Second)
Patrick in a Teddy Bear’s Picnic, by Geoffrey Hayes (Candlewick/Toon Books)

Best Publication for Kids (ages 8-12)
The All-New Batman: The Brave and the Bold, by Sholly Fisch, Rick Burchett, and Dan Davis (DC)
Amelia Rules: The Meaning of Life … And Other Stuff, by Jimmy Gownley (Atheneum)
The Ferret’s a Foot, by Colleen AF Venable and Stephanie Yue (Graphic Universe/Lerner)
Princeless, by Jeremy Whitley and M. Goodwin (Action Lab)
Snarked, by Roger Langridge (kaboom!)
Zita the Space Girl, by Ben Hatke (First Second)

Best Publication for Young Adults (Ages 12-17)
Anya’s Ghost, by Vera Brosgol (First Second)
Around the World, by Matt Phelan (Candlewick)
Level Up, by Gene Yang and Thien Pham (First Second)
Life with Archie, by Paul Kupperberg, Fernando Ruiz, Pat & Tim Kennedy, Norm Breyfogle et al. (Archie)
Mystic, by G. Willow Wilson and David Lopez (Marvel)

Best Anthology
Dark Horse Presents, edited by Mike Richardson (Dark Horse)
Nelson, edited by Rob Davis and Woodrow Phoenix (Blank Slate)
Nursery Rhyme Comics, edited by Chris Duffy (First Second)
The Someday Funnies, edited by Michel Choquette (Abrams ComicArts)
Yiddishkeit: Jewish Vernacular and the New Land, edited by Harvey Pekar and Paul Buhle (Abrams ComicArts)

Best Humor Publication
The Art of Doug Sneyd: A Collection of Playboy Cartoons (Dark Horse Books)
Chimichanga, by Eric Powell (Dark Horse)
Coffee: It’s What’s for Dinner, by Dave Kellett (Small Fish)
Kinky & Cosy, by Nix (NBM)
Milk & Cheese: Dairy Products Gone Bad, by Evan Dorkin (Dark Horse Books)

Best Digital Comic
Bahrain, by Josh Neufeld, http://www.cartoonmovement.com/comic/24
Battlepug, by Mike Norton, http://www.battlepug.com
Delilah Dirk and the Turkish Lieutenant, by Tony Cliff, http://www.delilahdirk.com
Outfoxed, by Dylan Meconis, http://www.dylanmeconis.com/outfoxed
Sarah and the Seed, by Ryan Andrews, http://www.ryan-a.com/comics/sarahandtheseed01.htm

Best Reality-Based Work
Around the World, by Matt Phelan (Candlewick)
Green River Killer: A True Detective Story, by Jeff Jensen and Jonathan Case (Dark Horse Books)
Marzi: A Memoir, by Marzena Sowa and Sylvain Savoia (Vertigo/DC)
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)
Vietnamerica, by GB Tran (Villard)

Best Graphic Album – New
Bubbles & Gondola, by Renaud Dillies (NBM)
Freeway, by Mark Kalesniko (Fantagraphics)
Habibi, by Craig Thompson (Pantheon)
Ivy, by Sarah Olekysk (Oni)
Jim Henson’s Tale of Sand, adapted by Ramón K. Pérez (Archaia)
One Soul, by Ray Fawkes (Oni)

Best Graphic Album – Reprint
Big Questions, by Anders Nilsen (Drawn & Quarterly)
The Death Ray, by Dan Clowes (Drawn & Quarterly)
Richard Stark’s Parker: The Martini Edition, by Darwyn Cooke (IDW)
WE3: The Deluxe Edition, by Grant Morrison and Frank Quitely (Vertigo/DC)
Zahra’s Paradise, by Amir and Khalil (First Second)

Best Archival Collection/Project – Strips
Flash Gordon and Jungle Jim, by Alex Raymond and Don Moore, edited by Dean Mullaney (IDW/Library of American Comics)
Forgotten Fantasy: Sunday Comics 1900-1915, edited by Peter Maresca (Sunday Press)
Prince Valiant vols. 3-4, by Hal Foster, edited by Kim Thompson (Fantagraphics)
Tarpé Mills’s Miss Fury Sensational Sundays, 1944-1949, edited by Trina Robbins (IDW/Library of American Comics)
Walt Disney’s Mickey Mouse vols. 1-2, by Floyd Gottfredson, edited by David Gerstein and Gary Groth (Fantagraphics)

Best Archival Collection/Project – Comic Books
Government Issue: Comics for the People: 1940s-2000s, edited by Richard L. Graham (Abrams ComicArts)
The MAD Fold-In Collection, by Al Jaffee (Chronicle)
PS Magazine: The Best of Preventive Maintenance Monthly, by Will Eisner (Abrams ComicArts)
The Sugar and Spike Archives, vol. 1, by Sheldon Mayer (DC)
Walt Simonson’s The Mighty Thor Artist’s Edition (IDW)

Best U.S. Edition of International Material
Bubbles & Gondola, by Renaud Dillies (NBM)
Isle of 100,000 Graves, by Fabien Vehlmann and Jason (Fantagraphics)
Like a Sniper Lining Up His Shot, by Jacques Tardi and Jean-Patrick Manchette (Fantagraphics)
The Manara Library,vol. 1: Indian Summer and Other Stories, by Milo Manara with Hugo Pratt (Dark Horse Books)
Night Animals: A Diptych About What Rushes Through the Bushes, by Brecht Evens (Top Shelf)

Best U.S. Edition of International Material – Asia
A Bride’s Story, by Kaoru Mori (Yen Press)
Drops of God, by Tadashi Agi and Shu Okimoto (Vertical)
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)
Saturn Apartments, vols. 3-4, by Hisae Iwaoka (VIZ Media)
Stargazing Dog, by Takashi Murakami (NBM)
Wandering Son, vol. 1, by Shimura Takako (Fantagraphics)

Best Writer
Cullen Bunn, The Sixth Gun (Oni)
Mike Carey, The Unwritten (Vertigo/DC)
Jeff Jensen, Green River Killer: A True Detective Story (Dark Horse Books)
Jeff Lemire, Animal Man, Flashpoint: Frankenstein and the Creatures of the Unknown, Frankenstein: Agent of S.H.A.D.E. (DC); Sweet Tooth (Vertigo/DC)
Mark Waid, Irredeemable, Incorruptible (BOOM!); Daredevil (Marvel)

Best Writer/Artist
Rick Geary, The Lives of Sacco and Vanzetti (NBM)
Terry Moore, Rachel Rising (Abstract Studio)
Sarah Oleksyk, Ivy (Oni)
Craig Thompson, Habibi (Pantheon)
Jim Woodring, Congress of the Animals (Fantagraphics), “Harvest of Fear,” in The Simpsons’ Treehouse of Horror #17 (Bongo)

Best Penciller/Inker or Penciller/Inker Team
Michael Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size SuperGinchy Special (Image)
Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)
Chris Samnee, Captain America and Bucky, Ultimate Spider-Man #155 (Marvel)
Marcos Martin, Daredevil (Marvel)
Paolo Rivera/Joe Rivera, Daredevil (Marvel)

Best Cover Artist
Michael Allred, iZombie (Vertigo/DC)
Francesco Francavilla, Black Panther (Marvel); Lone Ranger, Lone Ranger/Zorro, Dark Shadows, Warlord of Mars (Dynamite); Archie Meets Kiss (Archie)
Victor Kalvachev, Blue Estate (Image)
Marcos Martin, Daredevil, Amazing Spider-Man (Marvel)
Sean Phillips, Criminal: The Last of the Innocent (Marvel Icon)
Yuko Shimizu, The Unwritten (Vertigo/DC)

Best Coloring
Laura Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size SuperGinchy Special (Image)
Bill Crabtree, The Sixth Gun (Oni)
Ian Herring and Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)
Victor Kalvachev, Blue Estate (Image)
Cris Peter, Casanova: Avaritia, Casanova: Gula (Marvel Icon)

Best Lettering
Deron Bennett, Billy Fog, Jim Henson’s Dark Crystal, Jim Henson’s Tale of Sand, Mr. Murder Is Dead (Archaia); Helldorado, Puss N Boots,Richie Rich (APE Entertainment)
Jimmy Gownley, Amelia Rules! The Meaning of Life … And Other Stuff (Atheneum)
Laura Lee Gulledge, Page by Paige (Amulet Books/Abrams)
Tom Orzechowski, Manara Library, with L. Lois Buholis(Dark Horse); Manga Man (Houghton Mifflin); Savage Dragon (Image)
Stan Sakai, Usagi Yojimbo (Dark Horse)

Best Comics-Related Journalism
The AV Club Comics Panel, by Noel Murray, Oliver Sava et al., http://www.avclub.com/features/comics-panel/
The Beat, produced by Heidi MacDonald et al., http://www.comicsbeat.com
The Comics Journal, edited by Gary Groth, and The Comics Journal website, www.tcj.com, edited by Timothy Hodler and Dan Nadel (Fantagraphics)
The Comics Reporter, produced by Tom Spurgeon, http://www.comicsreporter.com
TwoMorrows Publications: Alter Ego edited by Roy Thomas, Back Issue edited by Michael Eury, Draw edited by Mike Manley, and Jack Kirby Collector edited by John Morrow

Best Educational/Academic Work
Alan Moore: Conversations, ed. by Eric Berlatsky (University Press of Mississippi)
Cartooning: Philosophy & Practice, by Ivan Brunetti (Yale University Press)
Critical Approaches to Comics: Theories and Methods, edited by Matthew J. Smith and Randy Duncan (Routledge)
Hand of Fire: The Comics Art of Jack Kirby, by Charles Hatfield (University Press of Mississippi)
Projections: Comics and the History of 21st Century Storytelling, by Jared Gardner (Stanford University Press)

Best Comics-Related Book
Archie: A Celebration of America’s Favorite Teenagers, edited by Craig Yoe (IDW/Yoe Books)
Caniff: A Visual Biography, edited by Dean Mullaney (IDW/Library of American Comics)
Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard (Fantagraphics/Marschall Books)
Genius Isolated: The Life and Art of Alex Toth, designed by Dean Mullaney (IDW/Library of American Comics)
MetaMaus, by Art Spiegelman (Pantheon)

Best Publication Design
Genius Isolated: The Life and Art of Alex Toth, designed by Dean Mullaney (IDW/Library of American Comics)
Jim Henson’s Tale of Sand, designed by Eric Skillman (Archaia)
Kinky & Cosy, designed by Nix (NBM)
The MAD Fold-In Collection, designed by Michael Morris (Chronicle)
Richard Stark’s Parker: The Martini Edition, designed by Darwyn Cooke (IDW)