Tag Archives: becka kinzie

Florida Hippopotamus Cocaine Massacre #4 delivers a rip roaring, line snorting conclusion

Florida Hippopotamus Cocaine Massacre #4

Florida Hippopotamus Cocaine Massacre (FHCM from here on out.) comes to a rip roaring, line snorting conclusion in its fourth issue. Seriously, I could read 44+ more Fred Kennedy penned, James Edward Clark drawn, and Becka Kinzie colored issues of the adventures of the Laser Drug Force fighting various random illegal substance-connected enemies, but I’ll settle for one hilarious, basically hour long animated length animated yarn for now. FHCM #4 channels night soap operas, violent 80s action schlock, Saturday morning cartoons, and just a touch of war cinema (Think Hawkeye, not Private Ryan.) to craft an epic conclusion. Kennedy and Clark throw everything but the kitchen sink at this story, and it all sticks.

Whereas the previous issues of FHCM had things like backstories, political intrigue, and even a look into the inner workings of Walt Disney World’s coked and disco ducked up theme park cousin, this comic is predominantly action with a slight twist that wouldn’t be out of place in a Steven Seagal film with an eco-friendly Ted Turner/Jane Fonda-approved twist. There are so many chases, even more gunplay, and one-liners galore. For such a silly series, Fred Kennedy gives each cast member their own sense of humor and voice from Miquel’s old school action hero charm to Agent Nebraska’s G.I. Jane crash-outs (Her origin issue is my favorite of the series.) and the cheesy earnestness of Bea, who stands up for worker rights and the Jungle Cruise style puns even while all her co-workers are senselessly gunned down around her.

And, then, there’s the literal Big Bad, Mr. Discau, who is a corpulent stand-in for every Global South dictator that the United States has propped up over the past century with plenty of Donald Trump and Walt Disney too. All he cares is making money off cocaine and controlled substances, but he’s also a disco diva who wants to make a show out of it while his bikini-clad minions are more straight to the point, Baywatch outfits aside. He openly confesses his wrongdoings in front of God, the strung-out-on-cocaine hippopotamuses, and the U.S. government, but old fashioned revenge is what takes him down. It’s so cathartic to see him get perforated after being an annoying piece of shit for four straight issues even though his amusement park and evil plans are comedy gold, especially when contrasted with Bea just trying to do her job and pay rent. Kennedy wisely winds down the evulz and monologuing and gives an epic showdown worthy of this book’s reputation.

Clark and Kinzie’s work on the visual aspects of FHCM truly make it great. Her day-glo palette and his over-the-top art style make this book a proper fever dream like some weird show on a channel that you rarely watch at 2 AM and can never find again. (This is also what makes the First Lady Laser VHS framing narrative work so well too.) There’s so much big hair, big punches, buckets of blood, sound effects, speed lines, and every cartoonist’s trick thrown into the mix in the service of telling the origin of a task force that makes ICE and the DEA look like pathetic losers. Sorry, none of y’all have hair and swagger like Miquel or karate kick action like the real Midwest princess (With apologies to Chappell Roan.) Agent Nebraska. I think classic action figure ads (Thank you Ronald Reagan and deregulation.) are also a major element of FHCM’s DNA crafting outlandish scenarios no reasonable suburb dwelling child could dream up. (It was a sad day when I learned that unfortunately the Buzz Lightyear toy couldn’t fly and didn’t include matches or explosives.) However, after their crazy antics, First Lady Laser puts them back in the toy box for some more adventures and propaganda just like the blurry photographs of the actual toys the hyperactive commercials were selling.

Florida Hippopotamus Cocaine Massacre is a bat shit crazy story that could only exist in the world of creator-owned comics. Fred Kennedy, James Edward Clark, and Becka Kinzie turn the script, art, colors, and letters up to eleven and tell a story that lives up to its incredibly memorable name, premise, and cover art. It’s the rare grindhouse movie that actually lives up to the sordid pleasures promised by its poster and is freaking hilarious too. Now, pretty please, I need a “Hippo Harder”, “Cocaine 2: Electric Boogaloo”, or a sequel with a much more clever title.

Story: Fred Kennedy Art/Letters: James Edward Clark Colors: Becka Kinzie
Story: 9.2 Art: 8.8 Overall: 9.0 Recommendation: Buy

Mad Cave Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus ComicsKindle

Florida Hippopotamus Cocaine Massacre #2 Continues the Insanity and Laughs

Florida Hippopotamus Cocaine Massacre #2

The hippos are LOOSE! Yes, an entire amusement park filled with ravenous hippopotami chomping on families and destroying property values! It’s a good thing Miquel Senecoza and Clarke Nebraska are on the case. Although it’s a shame that Nebraska has Miquel tied to a chair while she beats him with a phone book and reveals her tragic backstory that left her hungry… for justice! So adjust your karate belts, and get ready for more derring-do… Florida style! Florida Hippopotamus Cocaine Massacre #2…. America, fuck yeah.

If a comic could be on cocaine, it would be Florida Hippopotamus Cocaine Massacre #2 which takes the insanity of the first issue, says 11 is too low, and turns it up to 12 while dosing LCD and doing bath salts. The comic is insane… completely batshit insane. It’s everything you’d want if you enjoyed the first issue and more. Written by Fred Kennedy the comic is satire, absurdity, commentary, and action all rolled into one.

Florida Hippopotamus Cocaine Massacre #2 is more than pure chaos, it also lets readers get to know Miquel and Clarke, again playing into tropes and craziness, diving into their tragic stories… that aren’t all that tragic and really and far more absurd.

The art by James Edward Clark delivers the insanity perfectly. Kinetic doesn’t even begin to describe the art which is more infused with pure cocaine and a heavy dose of acid. It’s loud, it’s exaggerated, it’s hyperbolic, it’s fantastic. Becka Kinzie is the flatter and Clark handles lettering and this is a comic where the art perfectly matches the script/story. It’s just loud and over-the-top and delivers over and over.

Florida Hippopotamus Cocaine Massacre #2 is a comic that knows what it is and leans into it heavily. It’s a send-up of the 80s, satire, commentary, and just balls to the wall action all mixed together. The comic is completely insane in all of the right ways delivering a comic that feels like it has ADHD while dialing everything up to the max. It doesn’t take itself seriously and having tons of fun and it shows on every page.

Story: Fred Kennedy Art: James Edward Clark
Flatter: Becka Kinzie Letterer: James Edward Clark
Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Buy

Mad Cave Studios provided Graphic Policy with a FREE copy for review


Purchase: Zeus Comics

Florida Hippopotamus Cocaine Massacre #1 is as insane as it sounds… in a good way

Disco Hippo Wonderland is the number one amusement park in Flamingo City. But few realize its corpulent owner, Jans M’jor Discau, is about to release the most potent drug ever created: Coke45! Fortunately for humanity, Agent Clarke Nebraska is on the case! She’ll bring down Discau come heck or high water! That was the plan, until her undercover agent, Tico Senecoza, was captured! And before she can rescue him, Miquel—Tico’s sexy loose cannon of an older brother beats her to the punch, storming into the park with bullets flying. Discau panics, dumping the Coke45 into the hippo enclosure and letting them loose on the park, before fleeing into Wonderland’s tunnel network! Nebraska’s plans are totally off the rails, and things get worse when a marijuana smoke fueled hurricane drowns the park in torrential rain! Now it’s up to Nebraska and Miquel to create an uncomfortable truce to bring Discau down before he escapes!

Story: Fred Kennedy
Art: James Edward Clark
Flatter: Becka Kinzie
Letterer: James Edward Clark

Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Third Eye Comics


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Hope Nicholson Talks Gothic Tales of Haunted Love

The summer might be almost half over, but Hope Nicholson and her imprint Bedside Press are just getting started on a Kickstarter for their new anthology Gothic Tales of Haunted Love, stories that will chill the blood even on the warmest night.  

Image Credits: “Gothic Tales of Haunted Love”

cover art by Leslie Doyle, logo by Dylan Todd

(click on link to see anthology credits and details)

Or in Nicholson’s words herself:  “If you like horror, you’ll like this book. If you like suspense you’ll like this book. But if you need happy endings, well….you might NOT like this book!”

Blog544_Dark+Mansion+Forbidden+Love+Cover_1 1970s gothic romance

Image: Cover of a 1970s gothic romance comic; typical of the comics that inspired the anthology (not part of Gothic Tales of Haunted Love anthology)

The campaign itself started July 15 and ends on September 15.  After that point, the creators involved in the anthology have two months to finalize their stories before the anthology goes to print with January 2018 as the targeted delivery date.

Gothic Tales of Haunted Love, like Nicholson herself, has many inspirations.  It all started when she “was doing research for The Spectacular Sisterhood of Superwomen [published by Quirk Books].”  She discovered the 1970s comic genre of gothic romance, and had one reaction: “They were thrilling! After spending days reading romance comics, which were entertaining but usually pretty formulaic, it was so great to read stories just as emotional but with a lot more unpredictability.”

Hope elaborates on her love for the genre, saying it’s “interesting because though it still had many stories of pale beauties on the moors and dastardly lords, it was also very campy and supernatural. Lots of demons, witchery and ghosts!”

Despite her interest in this genre, though, she did admit that it had one drawback: “[These stories] were still mostly focused on North American creators, white girls, and straight romances.”

For anyone familiar with Bedside Press and Hope Nicholson, it’s no surprise that this lack of diversity troubled her–in her own words, that lack of diversity is “boring for an anthology”–and it’s something she’s looking to fix with Gothic Tales of Haunted Love.

sample5_hienpham

Image Credits: from “Minefield” by Hien Pham (told entirely in Vietnamese)

Specifically, to create an anthology that reflects true diversity and brings this genre into the 21st Century, they “did a half-curated, half-open call for new content and the stories…in this project have a focus on global gothic romance.”

And this is reflected in the stories themselves; one story has “two young men falling in love in Vietnam”, another has “pain and loss in Jamaica,” a third has “fashion intrigue in Taiwan, and [overall there are] lots of beautiful ghosts of all genders falling in love with mortals.”

The anthology itself is the reward Nicholson hopes most people enjoy.  

However, there are some other killer rewards: “Something really fun [Bedside Press] did was reach out to the estates of classic 1970s gothic romance cover artists and license artwork for special print reprints. So while [there is] a lot of new content, [Bedside Press] still [offers a] nod to the aesthetics of the old.”  Finally, as part of the rewards they “also have brand new prints from our creators as well!”

Next week, we’ll continue Nicholson’s interview, focusing on her journey as a self-publisher and Kickstarter Thought Leader.  But until then, make sure you check out the Kickstarter for Gothic Tales of Love!

 

*Note* All quoted language in this article was from Hope Nicholson.

sample1_janet

Image Credits: from “Crush” by Janet Hetherington, Ronn Sutton, Becka Kinzie, and Zakk Saam

 

sample_7

Image Credits: from “Fazenda do Sangue Azul” by Dante L. & H. Pueyo