Tag Archives: axis

Marvel Weekly Graphic Novel Review: AXIS and Power Man & Iron Fist

It’s Wednesday which means new comic book day with new releases hitting shelves, both physical and digital, all across the world. We’ve got two volumes from Marvel covering some of their newer releases.

Avengers and X-Men: AXIS collecting issues #1-9 by Rick Remender, Adam Kubert, Leinil Francis Yu, Terry Dodson, and Jim Cheung.

Power Man and Iron Fist Vol. 2 Civil War II collecting issues #6-9 and Sweet Christmas Annual by David F. Walker, Flaviano, Sanford Greene, Scott Hepburn, John Rauch, and Matt Millia.

Find out what each trade has in store and whether you should grab yourself a copy. You can find all three in comic stores March 8 and bookstores March 21.

Get your copies now. To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.

Avengers and X-Men: AXIS
Amazon/Kindle/comiXology or TFAW

Power Man and Iron Fist Vol. 2 Civil War II
Amazon/Kindle/comiXology or TFAW

 

 

Marvel provided Graphic Policy with FREE copies for review
This post contains affiliate links, which means that if you click on one of the product links and make a purchase, we’ll receive a percentage of the sale. Graphic Policy does purchase items from this site. Making purchases through these links helps support the site.

Fan-Fiction as the “Uberization” of Canon

I recently came across a blog by Nassim Taleb Nicholas describing the “Uberization” of education, the proliferation, of bottom-up alternatives to education such as MOOCs and other means of training that are slowly catching up with the traditional paradigm of formal education. Nassim was making the point that decentralization and perhaps disruption is becoming the norm, allowing people a greater range of freedom by providing means to bypass rigid establishments (i.e. the University). This article was a timely find for me as I have been really obsessed and invested in all variants of decentralization and disruption both academically and by virtue of curiosity. The following is an example of some various forms of disruptive industry.

Digital DisruptionUpon some reflection I would  argue that fan-fiction could be considered an “uberized” response to traditional canon. Admittedly I am no expert on the phenomenon of fan-fiction, however I do know enough to recognize its mass and broadening appeal to people of many ages within various fandoms and tastes. Within the world of fan-fiction there truly appears to be something for everyone and this momentum doesn’t appear to be slowing down anytime soon. Fan-fictional works span from the fan imagined continuation of cancelled series, fictional universe mashups/crossovers, to the practice of romantic “shipping”  that ranges from platonic to the outright erotic (slash/fiction). I find this absolutely fascinating. There is a degree of creative wish fulfillment going on here that is very alluring and seemingly all encompassing. Perhaps fan-fiction represents the “made-to-order” consumer-oriented advent with respect to canonized fictional works. A lot of people forget that 50 Shades of Grey technically started out as erotic Twilight Fan-Fiction. Not that I’ve ever indulged in that swill *spits on the ground*

Phoenix and WandapngI experienced my appreciation for fan-fiction first hand after reading Marvel‘s mega event Avengers vs X-Men. AvX arrived with much marketing and fanfare, the culmination of years of Marvel lore, and a controversial smackdown between two major franchises. AvX excited me in the run up to the event but afterwards in its aftermath I was ultimately underwhelmed by it. In sum AvX was just too big. Too many writers, too many tie-ins to dance between. Overall the event felt constrained perhaps by editorial restrictions and glaring continuity errors. At 10 issues long I felt the overarching goal was to just sell as many issues as possible rather than to focus on good storytelling. Ulitmately the resurgence of mutantkind should have been a monumental occurrence, AvX made it feel like a whimper. Additionally The Phoenix force a pillar of X-Men lore was relegated to a mere plot device. Likewise Hope Summers a Character Marvel spent years investing and developing was essentially a McGuffin for the story. In my judgement mega comic events tend to  become productions that are too-big, and collapse under their own weight. Large teams of writers or “Architects” are enlisted and eventually things become cacaphonic.

Mutant ResurgenceSoon after I stumbled upon a fanfic on a website called Archive of Our Own titled Firebirds which was billed as the story that AvX should have been. A “fix-it” story as labelled in one if its tags. This was no lie, the story was everything an X-Fan or Avengers fan could want from the AvX conflict with some unexpected edge. The story was gritty, dark, violent and punctuated with some very shocking deaths that kept you reading. Oh and did I mention the profanity? That was nice touch to be included. Above all else I really loved the creative twist that the author took with the AvX storyline, the readers were to introduced some broader plot elements/factions that fleshed out the continuity, and the characterization was razor sharp.  You could really tell that the author knew the characters and their history and showcased this wonderfully in their interactions. Firebirds was my first bonafide foray into fanfiction and it was a surreal experience because it was a non-canon story that I enjoyed more than its canonical counterpart!  I remember uploading every single chapter to my kindle and waiting impatiently for each new update on the story after finishing each installment.

This experience made me realize that perhaps Marvel’s house of ideas and arguably other publishers alone don’t hold a monopoly on creative story telling. If Marvel’s AXIS was any indication, Marvel itself seems to be waning in this regard. There is even some evidence that most of Marvels’ acclaimed architects are gravitating towards more creator-owned ventures. Kieron Gillen, and Matt Fraction are notable examples. The glaring and more recent example of this dearth of creativity would be Marvel’s AXIS event, which rehashed so much of the plot of AvX and past event story-lines it was unbearable to endure.

The popularity and enjoyment of fan-fiction is definitely something to watch for I would argue, as other forms of media are poised for their own encounters with “uberization.” I follow an artist on Tumblr who has put together several X-Men team concepts one of which “Endless Summers” I would definitely pay to read . The concept is essentially a Summers reunion of sorts planned with some very appropriate villians with contemporary and fitting plot elements. Though it is way too early to say whether fan-fiction can maintain enough momentum to become a viable alternative to traditional fictional media, I believe there is a case to made that if publishers are looking to inject fresh blood into their respective house of ideas they should start paying close attention to fan-fiction or perhaps consider hiring fan-fic writers. Shameless Plug Alert, although I am not currently looking for work in the comic industry, I did put together a fan-fic of my own called Aerie. Inspired by Firebirds and my love for all things Shi’ar I wanted to put forth a creative story that was hybrid of sorts of the Shi’ar and the HBO series Rome. Life and school got in the way and I was not able to continue the venture, but I am very proud of the first chapter and the opportunity to add my own imagination to the growing tapestry of fan-fiction. Have a look if your curiosity has been piqued!

What do you think? Is Fan-Fiction an idle waste of time? Or is here to stay? What are the legal ramifications of it? Who “owns” the characters? are respectful disclaimers enough? Do fans have the right to write creatively about the characters they love? I’d love to hear some thoughts in the comments section below!

Review: Inhuman #9

inhumanThe latest issue of Inhuman has the unfortunate condition of tying into a company-wide crossover.  It seems as though every time recently that a crossover is forced on a series that the series ends up being muddled by the experience, and that is the case again here.  In this issue Medusa has returned from the events in Axis, and she is changed by the Axis influence of having more of an edge to her character.  While this is evident throughout, it equally doesn’t affect the issue as much, because the focus is elsewhere.  Instead it focuses on the Reader and his ward Xiaoyi who he is escorting to the Ennilux.  As he ventures across the wastelands of Asia with her, he finds that they are being pursued everywhere and does what he can to protect her.

In terms of a company-wide crossover, this is perhaps a better approach than what is usually done.  Instead of being thrown in neck deep into an out-of-place and unwanted story line,  the damage is minimized as much as possible here.  The two appearances of Axis Medusa before the end are more like interludes, and especially the first one is played for comedic value instead of focusing too much on the influence of this new Medusa.  This is to the benefit of the series and this issue, as so far the character has been a standout for this series in her present incarnation, and changing the formula unnecessarily could run the series somewhat off the tracks.

Unfortunately this is where this issue ends.  Instead of focusing on other stories, it focuses on a changed Medusa, or at least one somewhat different from previous issues, and if this carries on it might have a negative impact on coming issues.  At the same time though, the novel approach to the crossover here works and minimizes the damage, especially with the other story focusing on the other two characters on the run.  It is there where this issue finds its strength and it is well enough played, although this is the weakest issue in the series thus far.

Story: Charles Soule  Art: Ryan Stegman
Story:  7.9 Art: 7.9  Overall: 7.9  Recommendation: Read

 

Marvel Reveals First Cover & Details for Avengers & X-Men: AXIS!

This October, the Marvel Universe prepares for the biggest battle it’s ever faced – Marvel has released the first details for Avengers & X-Men: AXIS! AXIS, the nine part blockbuster comic event of the fall, brought to you by the chart topping creative team of Rick Remender, Adam Kubert, Leinil Yu, Terry Dodson and Jim Cheung, will take fans across the globe as the Avengers and the X-Men must band together to stop the destruction caused by one of the greatest villains in the Marvel Universe!

From the ashes of the once proud mutant haven Genosha, an evil power rises. Exploiting the limitless gifts of the world’s greatest telepath Charles Xavier, the Red Skull has enslaved thousands, amassed an army and now broadcasts his message of hate across the world. Channeling the unstoppable force known as Onslaught, the Red Skull’s ruthless and unparalleled evil now wields a destructive power unmatched by even the most powerful heroes.

The fractured teams of Avengers and X-Men are now all that stands in the way of total obliteration. Earth’s last hope now hinges on the fragile alliance of these two estranged teams. In the shadows of the Red Supremacy, can they fight as one? Even united, they may not be enough to stem the coming darkness. And if they fall, all hope is lost.

The battle begins this October in Act I of Avengers & X-Men: AXIS but fans anxiously awaiting the explosive first issue can get their first teases in March to AXIS, special lead in stories setting the stage for the epic event! The March to AXIS begins this September in Uncanny Avengers #24, Captain America #24, Magneto #9 and Loki: Agent of Asgard #6!

Avengers_&_X-Men_AXIS_1_Cover Avengers_&_X-Men_AXIS_Promo