Big Hero 6 The Series continues the hit animated film. Based on a Marvel comic, the animated television show reunites most of the original voice cast. Big Hero 6 The Series Coming Fall 2017 to Disney XD.
Tag Archives: animation
After a lot of fan demand it looks like the social pressure has paid off as it has been announced that the much beloved animated series Young Justice will be getting a third season.
It’s unknown exactly where/how/when/what platform the series will be returning, but you better believe we’re excited!
Check out the full press release below.
The Team is back and it’s “business as usual.” Warner Bros. Animation has begun production on a third season of all-new episodes of the acclaimed hit, action-animated series “Young Justice,” based on the characters from DC Entertainment. Season three promises new twists, turns and dangerous new threats for the team, but most importantly, the opportunity for fans to finally continue the adventures of some of their favorite Super Heroes. Further details about the new season — including premiere date and network partner — will be announced at a later time.
Heralded by Entertainment Weekly as one of the “9 Best Animated TV Series Drawn from Comics,” “Young Justice” has been equally praised by critics and viewers for its impressive visuals and rich storytelling. The series reached more than 25 million unique viewers in each of its two seasons on Cartoon Network.
“The affection that fans have had for ‘Young Justice,’ and their rallying cry for more episodes, has always resonated with us,” said Sam Register, President, Warner Bros. Animation and Warner Digital Series. “We are excited to bring the show back for this loyal fanbase and to provide an opportunity for new viewers to discover this excellent series.”
Producers Brandon Vietti (Batman: Under the Red Hood, Superman: Doomsday) and Greg Weisman (Star Wars Rebels, Gargoyles) will be returning to the series.
In “Young Justice,” the teenage Super Heroes of the DC Universe come of age in a world of super powers, Super-Villains and super secrets. Used strategically as the secret covert weapon of the Justice League, Nightwing, Robin, Aqualad, Kid Flash, Superboy, Miss Martian and a host of others strive to prove to their legendary mentors, as well as to themselves, that they have what it takes to be heroes.
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Disney XD’s upcoming animated series Big Hero 6, based on Walt Disney Animation Studios’ Academy Award-winning feature film inspired by the Marvel comics of the same name, will reunite much of the original cast for its 2017 debut. Reprising their roles are: Maya Rudolph as Aunt Cass; Jamie Chung as no-nonsense, speed genius Go Go; Scott Adsit as huggable robot Baymax; Alan Tudyk as tech guru Alistair Krei; Ryan Potter as tech genius Hiro; Genesis Rodriguez as quirky scientist Honey Lemon; David Shaughnessy as the butler Heathcliff; and Marvel Comics legend Stan Lee as Fred’s dad.
Also joining the main voice cast are Khary Payton as control freak Wasabi and Brooks Wheelan as fanboy Fred.
The film, from Walt Disney Animation Studios, was inspired by the Marvel comic created by Man of Action.
The series picks up immediately following the events of the feature film and continues the adventures and friendship of 14-year-old tech genius Hiro and his compassionate, cutting-edge robot Baymax. Along with their friends Wasabi, Honey Lemon, Go Go and Fred, they form the legendary superhero team Big Hero 6 and embark on high-tech adventures as they protect their city from an array of scientifically enhanced villains. In his normal day-to-day life, Hiro faces daunting academic challenges and social trials as the new prodigy at San Fransokyo Institute of Technology.
Additional guest cast includes: Jenifer Lewis as strict Professor Granville; Andrew Scott as villain Obake; comedian Andy Richter as Globby; Diedrich Bader as Bluff Dunder; Susan Sullivan as Fred’s mother; Sean Giambrone as Richardson Mole; John Ross Bowie as Mel; and Haley Tju as classmate Karmi.
Emmy Award winners Mark McCorkle, Bob Schooley and Nick Filippi, the team behind the global hit Disney Channel series “Kim Possible,” serve as executive producers. Filippi also serves as supervising director. Big Hero 6 is a production of Disney Television Animation.
I’m about to get nostalgic here. This was one of the first series I ever watched, I rented the DVDs from Blockbuster, and have a lot of love for it. Except, recently, I re-watched it. Chrono Crusade is that anime. It was written and illustrated by Daisuke Moriyama also known for his work on World Embryo. Published in Comic Dragon and Monthly Dragon Age from November 1998- June 2004. It was then adapted into a 24-episode series by Gonzo, where it ran on Fuji TV, it’s run was from November 2003-June 2004. The anime, as most go, did not follow the original manga, which hurts its story immensely.
The story follows Sister Rosette Christopher and her assistant Chrono in the 1920s as they search for her long lost sibling. As well as deal with Chrono’s shadowy past as a demon/devil, which becomes more crucial as the plot advances. It also shows the Order of Magdalene which Rosette works for, a holy group made in order to fight the growing demon problem in the world, especially with the elusive group of demons called Sinners. Who may have something to do with Chrono? Along the way they gain new allies and enemies, while dealing with the issues at hand, such as finding the Apostles of God and stopping the end of the world.
Rosette Christopher is the protagonist of the series and is an elite exorcist of the order. Though she is impulsive and selfish, she genuinely tries her best. She has a mysterious past with Chrono, which is pretty much cleared up in the second volume. Rosette is also a contractor. Which means her life is slowly being drained by a demon. But that’s beside the point, she’s trying to make the most out of her short lifespan, often saying that despite her short life she’ll live longer than anyone ever believed she would. She often gets in trouble and is actually, in hindsight, sort of an annoying character that can grow on you the longer you read or watch. She’s to be the bright light of hope at the end of the tunnel who knows how short and precious life is in actuality.
Chrono is Rosette’s assistant and contractor. Surprise! It’s sort of revealed right away, so no worries. Yes, Chrono is a demon, but he’s trying to be a good person. This is because he owes Rosette his life and more, but also because he’s tired of hurting people. When compared to Rosette, he’s a much quieter, almost stoic. He plays the part of the mild young boy perfectly, though he is constantly plagued by everything he’s done and the continuing guilt in what has happened to Rosette because of him. His past continues to become more and more important as the plot grows, especially as it intertwines with Rosette’s. He’s the more endearing character of the series and this is because he’s the character that probably goes through the most character growth next to Rosette.
Azmaria Hendirch is the Songtress of Vegas, a twelve-year-old with the gift of healing through song. She’s soft spoken and easily shaken due to low self-worth. Rosette and Chrono save her and she begins tagging along on their adventures as a junior member of the Order. She looks up to Rosette, even if everyone questions it. Unfortunately, Azmaria doesn’t get a lot of actual growth till the last three volumes of the manga. Which, doesn’t make up for her being a tool to further Rosette’s storyline. She merely there for Rosette to see herself in and for sad comical relief.
There’s a lot more characters, but really to keep this as spoiler free as I can, I’ll cut it short here. It will also make the story seem complicated and contrived, which it really, really can be.
So, upfront, the manga is far prettier than the anime. Though, even that is dated. I can’t be too harsh though, because it was good at the time. Still, the anime was too bright at times and had uneven eye to face ratio. Just poor anatomy in general at times. It also really like fanservice, which was basically non-existent in the manga, at least overt fanservice wasn’t. It had a direction it was going for that was very much a part of its time, it wanted to appeal to a certain audience. In doing so, it made it have no appeal in the current times. The animation was done by Gonzo studio, better known for their work on Samurai 7 or Full Metal Panic! It also was just unkind to hair and the details that became so beautiful in the manga. On the subject of the manga, as I said, it is dated now, but holds up far better than the anime. It had far more attention to detail on the characters and really shined in the way hair moved on the pages or mouths were shaped. Like many series it became beautiful the longer it went on as a manga.
The sound of the series is a lot different, considering that the opening and ending themes are pretty beautiful and the stand out sounds of the series. Tsubasa wa Pleasure Line by Minami Kuribayashi was the theme and had an uplifting sound that showed the hopeful side of the series. Saeko Chiba’s Sayonara Solitaire was the ending them and acted as a literal building goodbye for the series and characters, the artist also was the voice of Azmaria in the Japanese release. The rest of the sound is nothing to really make a note, but was composed by Masumi Ito, known for her work on Azumanga Daioh and Scrapped Princess. The series, both English and Japanese, is not the prettiest to listen to and I would much rather recommend reading the manga. It’s actually pretty cringe worthy, considering that a majority of Rosette’s lines are fast and… Screechy. Hilary Haag voiced Rosette and is better known for her work as Satsuki Miyanoshita from Ghost Stories or Hermia from Princess Tutu. Greg Ayres played Chrono, but is better known for his voice as Kaoru Hitachiin from Ouran High School Host Club or Nagisa Hazuki from Free! Both of them worked hard and it’s clear, but the series is just very dated by the changes made to dialogue and how the characters just sound in general. Which isn’t to say the Japanese is much better, because it’s not. This is definitely a series that works best as a manga, where you can read things rather than listen.
This is a good series, I swear, just in a specific form. I fully endorse the manga where you’re going to get the original story, which frankly was much better when compared to the anime, and see it’s progression. It’s also a short read, only 8 volumes! While it’s a definitely a dated series it’s worth a look into. I’m not sure if it was popular or not, but it’s one of those series that I frequently tell people about and not many people know about it. At least not from what I’ve seen.
Overall Rating: 6.5/10
Until then, here’s some comic news and reviews from around the web.
Around the Tubes
Kotaku – The Politics of the Black Panther – A good read to get you ready.
Black Nerd Problem – The Shrewd And Cynical Brilliance With DC Universe Animated Movies – They’re really good usually.
Lawyers, Guns & Money – Superman Is Not The Bad Guy – A good read!
Around the Tubes Reviews
Newsarama – All-New, All-Different Avengers #7
Comic Vine – Batman #50
Newsarama – Batman #50
CBR – Batman #50
Flayrah – Klaw
Comic Vine – Ultimates #5
Arcana Studio and Shout! Factory today announced the casting of Golden Globe-winning actor Ron Perlman and Oscar-winning actor Christopher Plummer in the upcoming animated film Howard Lovecraft and the Frozen Kingdom. Perlman is set to voice the role of Shoggoth, and Plummer has been cast in the role of Dr. Herbert West.
Written, being directed and produced by Sean Patrick O’Reilly, Howard Lovecraft and the Frozen Kingdom is the movie adaptation of Arcana’s popular graphic novel of the same name, and introduces a new generation to the imaginative Lovecraft universe through a fantastical, cinematic adventure that entwines new storytelling, events of H.P. Lovecraft’s life, iconic elements of his writings and more!
A fun and thrilling animated feature for any Lovecraft fan, Howard Lovecraft and the Frozen Kingdom is slated for a fall 2016 release across major entertainment distribution platforms and in packaged media from Shout! Factory.
The film is based on the bestselling graphic novel by Bruce Brown, is written, being directed and produced by Sean Patrick O’Reilly; producer, Michelle O’Reilly; art director & senior modeler, Gary Yuen; senior editor, Brendan Hansell; CG supervisor, Haqui Gbadamosi.
*Spoiler alert for the entire Zootopia film*
The latest Disney animated film Zootopia wowed both audiences and critics grossing $75.1 million domestically, which is the biggest opening weekend for a non-Pixar Disney animated film, and getting 99% on Rotten Tomatoes. The film features anthropomorphic animals (Mostly mammals.) living in a society, not unlike contemporary American society with complex gender, class, and race divisions. It follows the first bunny police officer Judy Hopps (voiced by Once Upon A Time‘s Ginnifer Goodwin) as she moves from the rural Bunny Burrows to Zootopia and investigates a missing animal case with the help of fox con man and self-proclaimed hustler Nick Wilde (voiced by Jason Bateman). Along the way, she becomes aware of the problems, corruption, and overall complicated nature of living in a diverse society. The plot of the film is a crime thriller meets mystery with a dash of comedy and satire, and there are nods and homages to great crime stories, like Breaking Bad and The Godfather along with the slapstick and pitfalls of animated films. However, throughout the film, Zootopia is a deconstruction of the classic beast fable genre, which uses animals and their often stereotypical personalities to teach a moral lesson.
Beast fables are simple and usually straightforward tales that use animals to model ethics. For example, in the “The Nun’s Priest Tale“ found in Geoffrey Chaucer‘s Canterbury Tales, the fox Reynard symbolizes deception and evil while the doomed rooster protagonist Chanticleer symbolizes pride and its downfall. It’s a pithy, memorable tale with the lesson of not listening to flattery. But beneath the moral instruction and broad animal personalities, there is usually something nefarious dealing with the ideological conflicts or fears of the time period. In the 14th century, the Roman Catholic Church used the popular Reynard character to attack the English Lollard preachers, who believed that the common people should read and hear the Bible in their own language and not Latin. Later, in 1937, there was an anti-Semitic Dutch children’s story called Of Reynaert the Fox that was used as Nazi propaganda on the eve of World War II to show the lawlessness of Jewish people and socialists.
This story (and later animated film) is one of many that shows the power of children’s stories featuring talking and dressed animals to create social and racial divisions. Disney itself isn’t exempt from this with Dumbo (1940) featuring an actual character named Jim Crow, the singing Siamese cats in Lady in the Tramp (1955), and all of the Song of the South (1946), which has never been released on video or DVD, but is still featured as part of the Disney theme parks’ Splash Mountain ride. Basically, people attribute different personality qualities to animals that may have nothing to do with their actual nature, biological or otherwise, and apply them to people to demonize them and make them less than human. This happens in Zootopia, a world where predators and prey supposedly live in harmony, but Judy’s parents give her repellent and a taser specifically made for foxes before she goes off to the big city. The opening of the film shows a young Judy along with a tiger cub talking about how they have moved on from this primal state, but deeply engrained racist attitudes still persist even in a highly developed society, like Zootopia.
But, back to the fox. In many cultures, the fox symbolizes treachery. “Outfox” means to deceive someone, the German WWII general Erwin Rommel was nicknamed the “Desert Fox” because he confused Allied forces with his maneuvers in North Africa, and in Japanese folklore, the kitsune is a symbol of mischief. However, in the 1973 Disney animated classic Robin Hood, the title hero was a fox because of Robin Hood’s guerilla tactics to evade the forces of usurper Prince John while stealing the government’s money and giving it to the poor. Robin Hood may not obey the law, but he has the good of ordinary people in mind in his actions. The multiple writers of Zootopia apply this more nuanced characterization to Nick Wilde, the film’s deuteragonist while showing the pitfalls of profiling and stereotyping people through the animal metaphor. Sure, Nick’s a skilled con man, but he only does this job because as a child, some non-predator children beat and muzzled him when he wanted to become a Zootopia Scout. He felt trapped by the stereotype, and one of the most emotional parts of the film is young Nick crying with his muzzle beside him.
The writers of Zootopia present audiences with the stereotypes of foxes being crafty and deceitful with Nick Wilde pulling a con with his partner Finnick (a fennec fox), who pretends to be his little baby as he gets ice cream from a species-ist elephant and then mass produces them as popsicles to sell to lemming bankers in one of the film’s funniest jokes. It’s a clever sequence and sets up Nick’s character as a trickster in the beast fable tradition. Then, the writers subvert it by making him Judy’s partner as they look for a missing otter and end up being drawn into a vast conspiracy featuring gangsters, the mayor, and drugs that make Zootopia’s predators feral. Judy goes from forcing Nick to help her, or she’ll turn him in for tax evasion to actually becoming friends with him. But this “color blind” utopia idea is short lived once Judy tells the press that predators have a “biological” reason to attack prey, and Nick is hurt by her discrimination. This leads to a citywide crackdown on predators from the corrupt vice mayor Bellwether (voiced by former SNL cast member Jenny Slate), who wants to rule Zootopia by uniting the 90% of non-predators in fear against the 10% predators. It’s similar to the racially charged rhetoric that is marking Donald Trump’s Republican presidential campaign, but Bellwether has a meeker exterior.
The biggest turning point in Zootopia‘s deconstruction of the beast fables comes in a sequence where a savage Nick is chasing Judy around in a natural history diorama featuring deer that is an homage to the Disney classic Bambi. Bellwether (and some of the audience by extension) thinks that Nick is actually savage, and that she can spin a story of a predator killing a hero cop and stir up even more discrimination. But it is all a clever ruse as Nick has replaced the drug in Bellwether’s gun with harmless blueberries from Judy’s parents’ farm. This scene shows the foolishness of judging someone based on their species and by extension, their skin color, sexuality, religion, or gender as Zootopia‘s writers put the stereotypes of the classic beast fables out to pasture in a beautiful musical number by Gazelle (voiced by Shakira), who is a pop star activist, and has tiger backup dancers symbolizing equality. But even though the ending is happy, there is still discrimination going on in Zootopia, and even organized crime from multiple gangs featuring wolves and polar bears that still control whole territories of the city. (Judy and Nick get a lot of help from the polar bear gang led by a shrew named Mr. Big, who is like the animal reincarnation of Vito Corleone.) Just like in our world, there is plenty of work to be done to end racism, sexism, and other forms of discrimination.
Zootopia subverts the familiar stereotypes of beast fables and their successors, like the Redwall books where mice are good and animals like ferrets, rats, and weasels are evil simply because they are a certain species, and uses its animal characters to show a more nuanced view of the world. People aren’t bad or have a certain personality because they are a certain ethnicity or religion. Judy might be a bunny, but she’s not dumb. Nick is a fox, but he’s not evil. Instead of being like Dumbo or previous Disney cartoons and using animals to propagate racial stereotypes, Zootopia tears them down and even uses storytelling devices like the bait and switch with the berries and drug to get viewers to examine their own prejudices. It is also an entertaining buddy mystery comedy along the way.
Disney has announced that Big Hero 6 will be coming to Disney XD in 2017. The television show is based on the Walt Disney Animation Studios animated film as well as the Marvel comics of the same name.
Emmy Award-winning producers Mark McCorkle and Bob Schooley, creators and executive producers of the global hit Disney Channel series Kim Possible, are the executive producers. Reuniting with McCorkle and Schooley on the creative team is their Kim Possible colleague, Emmy Award-winning Nick Filippi, who serves as executive producer and supervising director.
Produced by Disney Television Animation, the series picks up immediately following the events in the feature film, and continues the adventures and friendship of 14-year-old tech genius Hiro and his compassionate, cutting-edge robot Baymax. Alongside Hiro and Baymax on their journey are control freak Wasabi, scientist Honey Lemon, fanboy Fred and no-nonsense Go Go, who together form the legendary superhero team, Big Hero 6. As the new prodigy at San Fransokyo Institute of Technology, Hiro now faces daunting academic challenges and the social trials of being the little man on campus. Off campus, the stakes are raised for the high-tech heroes as they must protect their city from an array of scientifically enhanced villains.
Big Hero 6 was released in October 2014 and became the biggest animated film of the year with over $657 million worldwide. In addition to being named Best Animated Picture by the Academy of Motion Picture Arts and Sciences, it was nominated for Golden Globe, Critics Choice and BAFTA awards, and was the recipient of five Visual Effects Society Awards, the most ever for an animated feature, as well as a Cinema Audio Society Award and a Kids’ Choice Award for Favorite Animated Movie.
Some people just really like dark stories. Like really dark stories. Like we’re going to kill your pet puppy because you’re a horned freak dark. Anyway, Elfen Lied is a manga written and illustrated by Lynn Okamoto, who has really done anything else big as of yet. It was serialized in Shueisha’s Weekly Young Jump from June 2002 to August 2005. The television show was produced by the studio Arms and was licensed by ADV Films here. The anime ran in 2004 from July to October, before the manga’s end, which means it had a different ending than the source material. For once though, that seems to be a good thing.
The story focuses on a new mutation of the human species, called Diclonius, who have horn like protrusions on the forehead and the ability to summon invisible telekinetic arms. It specifically follows one Diclonius, Lucy, who for a long time has been held captive in an experimental facility. She escapes and ends up with amnesia, due to an all too convenient head injury, under the new name Nyu. From there she meets Kohta and his cousin Yuka who proceed to care for her. And the story only ramps up from there. Lucy has to remember who she is and continue her fight for the Diclonius as their “queen.”
Now, this series is famous. Well, maybe not as famous as it used to be, but back in my day Elfen Lied was how you knew if someone liked grimdark anime or not, if they were hardcore. I remember watching this in a hush hush situation when I was too young to understand why a lot of the themes were a bit too extreme for a fourteen-year-old. Now the reason the series was famous was because it just went all out on nudity, gore, sexual themes, all around dark themes, and otherwise. Lucy escapes nude and spends a lot of time nude killing people in really gruesome ways, often to the point of excess. That isn’t to say that the series is good, because it really isn’t that good, but it was stretching what mainstream anime could be in 2004. Which is saying a lot. In hindsight though, at points, it seemed like it was just trying to be hardcore for the sake of it.
With the main characters I am about to introduce, I’ll focus on the anime as it is the part of the series I have actually seen.
Our lead character is Lucy or Nyu, who is probably the most advanced of the Diclonious. From a young age she was alienated by others and it caused to her to have a very bad outlook on the human race, to the point of having little to know feelings for them at all. She has a sadistic personality, often leaving others to bleed to death because she can, if not murdering them brutally. Lucy may have a past with Kohta, though it takes a while for that to be revealed. However, has Nyu she is very childlike, unable to say many words beyond ‘nyu’ and ‘Kohta.’ She is essentially all that is good in Lucy. However that doesn’t mean she isn’t cringe worthy at times, like nearly all the time.
Kohta is the story’s male protagonist who has decided to stay with his cousin Yuka while he is attending college. He has a bit of memory loss concerning his father and sister, but knows that they died horribly, but not how. He and his cousin find ‘Nyu’ on the beach and take her in. He’s your average bland male character who doesn’t have a lot of depth to him. He’s there for Lucy to have angst over and to be the token male character in what could have easily been a harem anime.
Yuka is Kohta’s cousin, who may or may not be attracted to said cousin. For a lot of the story she appears upset that Kohta doesn’t remember the time they spent together as children, despite the fact his memory loss is caused by horrible trauma. She is the mother character in the series, who essentially takes care of or cares for all the others. She also is there to be jealous of the tension between Kohta and Nyu. She much like Kohta doesn’t have much of a personality beyond these few traits.
Mayu is a young runaway who ends up living with our protagonists, Kohta and Yuka becoming her guardians. Before though, she was living on the beach with a stray puppy named Wanta, having run away from an abusive household. Over time, after moving in with the cousins, she begins going to school and ultimately has cheered up as a person. She acts as the core of the makeshift family, often breaking up fights.
Nana is a diclonious like Lucy, but treated much better, known as number 7. She is used as a test subject at the very same facility that Lucy escapes. However, she is treated as a daughter by the very man attempting to find Lucy, Kurama. This makes her almost the exact opposite of Lucy, as she is warm and has never harmed a human before. Originally, she is sent to capture Lucy, which she fails to do and ends up severely hurt, but alive. After the failure she ends up living with the other protagonists, but not without initial distrust towards Nyu.
There’s other characters, all who have their own arcs and what not, but the story ultimately falls around Lucy. The characters affect her and how she reacts. So, in hopes of keeping spoilers down and interest possibly up, some characters will be shelved for now. The characters, besides the ones stated above, are also not exactly the most interesting.
The art is one that is very dated by its 2004 airdate and it shows, especially in the face of the characters. The facial proportions are extremely off, but comparatively the rest of the body is on point, everything else is fine. The eyes are just too big at times and don’t match with the rest of the face and it hurts to look at sometimes. The faces are awkward and it shows greatly at times, but at other points, especially with Lucy, the faces are beautiful. Especially in the later episodes as the story begins building up. It also has a problem with the colors, at times seeming to rich and while yes it is animated, that doesn’t mean the color should be so forced and dull. One of the greater aspects of the animation was the opening, which made reference to Gustav Klimt’s painting The Kiss, Adele Bloch-Bauer I, and others with similar styles. The anime is definitely stronger art wise, as the manga seemed to have no aspect of actual anatomy and was at times almost too cutesy to match with its much darker themes. It’s one of those series that tricks you into thinking it’s going to be cutesy by the art, but then really is just a complete bend, like Higurashi. It also doesn’t have the beautiful opening, which accentuates the story perhaps the best within just a short amount of time. The anime was directed by Mamoru Kanbe, known for his work with Cardcaptor Sakura.
The sound for the anime was not the best, at least not the dub. However, it has perhaps, one of the most iconic opening themes in anime. Lillium, composed by Yukio Kondo, arranged by Kayo Konishi, and performed by Kumiko Noma. It echoes a sort of Gregorian chant and really echoes the feel of the story. The ending theme is not that much of note, especially in comparison to the beauty that is Lillium. So far as voice acting goes, the dub was subpar, the only person of note is Kira Vincent-Davis who played Lucy/Nyu, though she’s not much better than the others. The acting in the English dub is just so bad, it’s dry and emotionless, the delivery is just… Sad with what could have been a brilliant dub. Ultimately though, the Japanese is the better choice, especially in a series like this where some liberties were taken with the dub. Still, the series with sound seems to be just meh in general.
The series isn’t good, but it has aspects about it that seems to capture people. It really seems like a fever dream at points. People know about it, something that’s like sharing some secret with your best friend. Honestly, the show isn’t awful to get through, it might be hard at times, but honestly it’s one of the shows that seems to be a guilty pleasure for some. I can’t say much about the manga other than general appearance issues, but maybe it’s worth a try. However, you should only be watching the series if you are of age. This is a series with adult themes, gratuitous violence, and nudity.
Overall Rating: 6.5
The demonic forces of Trigon infiltrate the minds and bodies of the Justice League, turning the veteran super heroes against their youthful counterparts in the all-new DC Universe Original Movie, Justice League vs. Teen Titans. Produced by Warner Bros. Animation and DC Entertainment, the film will be available from Warner Bros. Home Entertainment on April 12, 2016 on Blu-Ray™ Deluxe Edition, Blu-Ray™ Combo Pack and DVD. Order due date is March 8, 2016.
Justice League vs. Teen Titans will be available on Blu-rayTM Deluxe Edition for $29.96 SRP, Blu-rayTM Combo Pack for $24.98 SRP, and DVD for $19.98 SRP. The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet. The Blu-ray™ Deluxe Edition will include all components of the Blu-Ray™ Combo Pack, along with an exclusive Robin figurine in a numbered, limited edition gift set. Fans can also own Justice League vs. Teen Titans in Digital HD on March 29, 2016 via purchase from digital retailers.
Justice League vs. Teen Titans welcomes the Teen Titans to the ever-expanding canon of classic DC Comics characters within the DC Universe Original Movies. When Damian’s over-aggressive tendencies almost destroy a Justice League mission, he is sent to learn teamwork by training alongside the Teen Titans. However, adjusting Damian’s attitude turns out to be the least of the Teen Titans’ troubles as Raven’s satanic, world-conquering father Trigon begins an escape from his inter-dimensional prison. To complete his return, Trigon must have Raven’s assistance – and to accomplish his goal, he spreads his demonic forces across the globe, infiltrating the minds and bodies of the Justice League to do his bidding. To save the universe and prevent a literal hell on Earth, the Teen Titans must rescue – or defeat – the Justice League, and intern Trigon for all eternity.
The voice cast for Justice League vs. Teen Titans includes several actors reprising their recent Justice League roles – Jason O’Mara (Complications, Terra Nova) as Batman, Jerry O’Connell (Crossing Jordan, Stand By Me) as Superman, Rosario Dawson (Sin City, Rent) as Wonder Woman, Shemar Moore (Criminal Minds) as Cyborg and Christopher Gorham (Covert Affairs, Ugly Betty) as Flash. Sean Maher (Firefly/Serenity, Batman: Bad Blood) also returns as Nightwing, as does Stuart Allan (Batman vs. Robin) as Robin/Damian. Making their Teen Titans voiceover debuts are Taissa Farmiga (American Horror Story, Wicked City) as Raven, Jake T. Austin (Wizards of Waverly Place, The Fosters) as Blue Beetle, Brandon Soo Hoo (Tropic Thunder, From Dusk Til Dawn: The Series) as Beast Boy and Kari Wahlgren (Phineas and Ferb, Legion of Superheroes) as Starfire. Jon Bernthal (The Walking Dead, Daredevil) takes the villainous center stage as Trigon.
Produced by Warner Bros. Animation and DC Entertainment, Justice League vs. Teen Titans is directed by Sam Liu from a screenplay by Bryan Q. Miller and Alan Burnett based on a story by Miller. James Tucker is Supervising Producer. Burnett is also co-Producer. Sam Register is Executive Producer.
Justice League vs. Teen Titans – Enhanced Content
- An exclusive sneak peek at the next DC Universe Original Movie.
Blu-ray™ Combo Pack
- An exclusive sneak peek at the next DC Universe Original Movie.
- Featurette – “Growing Up Titan” – The Teen Titans have fascinated readers for over 50 years due in part to their stories of valor, as well as earning empathy with comic book readers during their own trials growing up into adulthood. This documentary spotlights the importance of young voices in the DC Comics mythology, giving generations of readers a team of heroes that mirror their own life experiences.
- Featurette – “Heroes and Villains – Raven” – She is the daughter of one of DC Comics’ greatest villains, the demon Trigon. Raven is a powerful telepath who uses her soul-self as a means for astral projection. She is integral to the Teen Titans. This documentary is her story.
- Featurette – “Heroes and Villains – Trigon – The most fearsome and evil opponent the Teen Titans have encountered is this inter-dimensional demon. Trigon uses his immortality to shape worlds and exact his control. This documentary introduces the character and how he raises the stakes for the Teen Titans.
- From the DC Comics Vault– Two Classic Episodes of DC Comics cartoons