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Enter the House of Slay from Einhorn’s Epic Productions, Jeremy Holt, Soo Lee, Kimi Lee, and Kevin Wada

Injustice, greed, and prejudice are running rampant, the vulnerable are in danger, and we need help from someone with the power to make an impact; a hero, or even better, a whole team of heroes. This is the foundation of the entire superhero genre, so it’s great to see a new take that goes all the way back to those roots in social justice. And that’s what you’re about to read in House of Slay, the brand new superhero comic from Einhorn’s Epic Productions (EEP), now available to read on Tapas!

The origins of House of Slay date back to the tumultuous events of last year, with the ongoing struggle for racial justice gaining momentum and anti-Asian hate crimes on the rise. Fashion designers Prabal Gurung and Phillip Lim,Laura Kim of Oscar De La Renta, and their friends Tina Leung and Ezra J William had banded together for support and solidarity as members of the AAPI community in fashion, making their voices heard on social media and at Black Lives Matter demonstrations. But with AAPI voices so often sidelined in the Eurocentric fashion world, they wanted a stronger, more visible presence.  

Turned into superheroes by the EEP creative team of writer Jeremy Holt, cover artist Kevin Wada, artist Soo Lee, colorist Kimi Lee, letterer AndWorld Design, and editor Alex Lu, House of Slay follows these real life friends on a fantastic adventure as they use their newfound abilities to face off against a villain powered by the hatred of everyday people. It’s a story told with real heart, steeped in comics history with an “othered” group of people protecting the innocent and trying to make the world a better place. And of course, our heroes are dressed to slay!

Review: Infinite Dark #1

The universe ended, but onboard the void station Orpheus, a skeleton crew of humanity survived: the last two thousand souls, waiting for a second big bang that may never come. Now, two years into their voyage, Security Director Deva Karrell investigates the station’s first murder-and the otherworldly motives behind it.

Humanity surviving some calamity on a spaceship/station is a story that is a dime a dozen. There being a murder on a spaceship/station is a common story too. However, the location being a space station that has survived the end of the universe? That’s pretty unique.

Writer Ryan Cady delivers a first issue that builds up the tension to a point the story shifts. What begins as a sci-fi story becomes horror by the end. Much of the first issue focuses on the reality these survivors live in. They’re the last of humanity. They witnessed the rest die. And they witnessed the universe die. Now, they’re surrounded by nothing and internally are struggling with that reality. They are experiencing survivor’s guilt.

Now, a crime has been committed and that leads to that twist. While the comic could easily devolve into a person who has lost their mind and that spreading across the ship resulting in carnage and death, it would seem we’re getting something different. That last panel especially left me pondering where this is all going.

The art by Andrea Muti with color by K. Michael Russell and lettering by Troy Peteri is solid mixing in the two genres quite well. There’s an unease in the art that emphasizes the coldness of it all. That’s helped by the color which uses lots of cold blues and grays and only goes elsewhere for emphasis.

The issue is a fantastic debut that blends genres and delivers an ending that’s something that’s unexpected. It seems the comic is going in directions that’s unexpected and will explore some really interesting topics. With a unique setting, this is a start that’s a hell of a debut.

Story: Ryan Cady Art: Andrea Muti
Color: K. Michael Russell Letterer: Troy Peteri of A Larger World
Story Editor: Alex Lu
Story: 8.25 Art: 8.25 Overall: 8.25 Recommendation: Buy

Image Comics provided Graphic Policy with a FREE copy for review