Tag Archives: alejandro arbona

Forever Carlyle sets out to Destroy the Oppressive Family Regime. Get an Early Look at Lazarus: Fallen

An early preview of the highly anticipated upcoming series Lazarus: Fallen shows that lead character Forever Carlyle is not afraid to get bloody to prove her point. As she sets out to destroy the Families–the wealthy few running this “near future” dystopian world—she’ll need to make allies along the way. Helmed by Eisner Award-winning creators writer Greg Rucka and artist Michael Lark, and colorist Santi Arcas, the New York Times bestselling dystopian sci-fi series Lazarus is returning for a final installment.

Fans of AndorSilo, and Blade Runner will enjoy this futuristic, and yet prescient, tale about what those in power will do to obtain more power and to silence those in opposition…and what rebels, whether genetically engineered or not, will do to stop them. Along with early preview pages from Lazarus: Fallen #2, a look at the process and cover artwork from the series tease a little of what’s to come soon.

Rucka, Lark, and Arcas are joined by letterer Ariana Maher, editor Alejandro Arbona, and graphic designers Eric Trautmann and Richard Howe for the new series, with issue #1 debuting June 25 (with a Final Order Cutoff deadline for retailers today, June 2). Lazarus: The Fourth Collection—a hardcover volume that collects Lazarus #27 and #28, and for the first time, the complete seven-issue run of Lazarus: Risen—is also now available, along with the first three collections, for those looking to catch up on the series ahead of Lazarus: Fallen.

The Lazarus series follows Forever Carlyle, an unkillable, genetically-engineered soldier, controlled by the mechanisms of her father, Malcolm Carlyle. Malcolm is the patriarch of one of the powerful Families that rose to rule the world after an economic-driven apocalypse. The Families now own everything and everyone; in this neo-feudalist order, you are either of value to the Families and made a Serf, or you are irrelevant, disposable labor, called Waste. 

But the Families are driven by greed, and in their unending pursuit of more and more, each created a Lazarus—a man or woman created and trained to be the loyal instrument of their Family’s will. Forever Carlyle is the Lazarus of the Carlyle Family, raised to absolutely believe in her duty to her family, and with an unquestioning loyalty to her father. That time is over, and now Forever—with the aid of her younger sister and next iteration of the Carlyle Lazarus, Infinity—means to destroy the world her father created.

Lazarus: Fallen #1 will be available at comic book shops on Wednesday, June 25, featuring a cover by Lark (Final Order Cutoff deadline for retailers is today, June 2; Lunar Code 0425IM294). Issue #2 hits shelves on July 30 (Final Order Cutoff deadline for retailers is July 7; Lunar Code 0525IM403), and issue #3 hits shelves on August 27 (Final Order Cutoff deadline for retailers is August 4; Lunar Code 0625IM356).

Lazarus: Fallen #1

Greg Rucka and Michael Lark return for Lazarus: Fallen

Greg Rucka and Michael Lark, the Eisner Award-winning creative team behind New York Times bestselling sci-fi series, Lazarus, are returning to their neo-feudalist world with the final installment, Lazarus: Fallen. For the new series, Rucka and Lark are joined by Lazarus colorist Santi Arcas, letterer Ariana Maher, editor Alejandro Arbona, and graphic designers Eric Trautmann and Richard Howe on the creative team. In Lazarus: Fallen, which launches this June, warrior Forever Carlyle is finally free from the control of the power-hungry Carlyle Family that wielded her like a weapon, and this time Forever Carlyle means to burn down the world of the Families…even her own.

The Lazarus series follows Forever Carlyle, an unkillable, genetically-engineered soldier, controlled by the mechanisms of her father, Malcolm Carlyle. Malcolm is the patriarch of one of the powerful Families that rose to rule the world after an economic-driven apocalypse. The Families now own everything and everyone; in this neo-feudalist order, you are either of value to the Families and made a Serf, or you are irrelevant, disposable labor, called Waste. 

But the Families are driven by greed, and in their unending pursuit of more and more, each created a Lazarus—a man or woman created and trained to be the loyal instrument of their Family’s will. Forever Carlyle is the Lazarus of the Carlyle Family, raised to absolutely believe in her duty to her family, and with an unquestioning loyalty to her father. That time is over, and now Forever—with the aid of her younger sister and next iteration of the Carlyle Lazarus, Infinity—means to destroy the world her father created.

Lazarus: Fallen #1 will be available at comic book shops on Wednesday, June 25, featuring a cover by Lark. The series will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Lazarus: Fallen #1

Bad Egg Publishing announces three new series!

 Bad Egg Publishing is kicking off the year with three massive first issues: Plague Seeker, followed by Void Silver and The Somewhat Incredible Jackie-Boy Man this spring!

Plague Seeker #1, the 80-page first issue from All-Star creator Charlie “Moist Cr1TiKaL” White with art from rising star artist Vamkire Trannel, features a limited edition foil variant, and original bonus prose story from Hugo Award nominee David Wellington with illustrations by John Bivens. Includes the prelude story from the sold out Plague Seeker #0.

Additionally, the full debut of creator JackSepticEye’s ALTRVERSE—Void Silver and The Somewhat Incredible Jackie-Boy Man—features two 40-page stories, each with its own limited edition foil variant.

Plague Seeker #1

(W) Charlie “Moist Cr1TiKaL” White (A/C/CA) Vamkire Trannel  (L) Dave Sharpe (CB) Brett Weldele (CC) Foil Variant by Vamkire Trannel

In the far future, humankind is on the brink of extinction. A thousand years after an apocalypse level event known as the Calamity, only small pockets of rough civilization exist. Ruling over Earth are a new race of monstrous beings — The Great Plagues. From Charlie “Moist Cr1TiKaL” White, with stunning art from rising star artist Vamkire Trannel, PLAGUE SEEKER is unlike any comic you’ve ever read.

Void Silver #1

(W) Alejandro Arbona (A/CA) Suzi Blake (C) Andrew Dalhouse  (L) Dave Sharpe (CB) Skylar Patridge

Magic exists alongside science and technology, and its practitioners dwell in every strata of modern society. Exceptional even among these exceptional individuals is the preternaturally gifted…the iconoclastic…the sarcastic and short-tempered…Marvin the Magnificent!

The Somewhat Incredible Jackie-Boy Man #1

(W) James Asmus (A/CA) Megan Huang (L) Dave Sharpe (CB) Laura Helsby

A long time ago, in a galax—no, wait. Gifted with Great Power and Great Respon–nope. Not that either. After a lifetime of fandom and fantasy, Jackie was caught in a strange, cosmic cock-up that gave him amazing powers! …Or at least, ‘fairly impressive physical abilities’? Now, inspired by the kinds of heroes from his favorite comics, anime, and video games, he’s trying to be a real-life super hero in an otherwise ordinary world, as the somewhat incredible JACKIE-BOY MAN!

NYCC 2023: JackSepticEye annoucnes the The Altrverse Project with Bad Egg

Announced during New York Comic Con 2023, online personality JackSepticEye will be launching The Alterverse Project with publisher Bad Egg. The Alterverse Project kicks off with two releases, Void Silver written by Alejandro Arbona with art by Suzi Blake, and The Somewhat Incredible Jackie-Boy Man! written by James Asmus, prologue story art by Connie Daidone, and main series art by Megan Huang.

Void Silver- Featuring Marvin, an eldritch magician seeking the secrets of the world unseen.

Set in a modern-day London that mirrors the real world in every way…save for the fact that magic exists. Only certain trained people are able to use magic, but they operate throughout society—it is a job that garners different levels of celebrity and status for different people, but it is a job. Magic-users operate in high-powered leadership roles, as functionaries in bureaucratic organizations, as researchers and inventors and tinkerers, and as entertainers who perform at every level of fame, from filling arenas, to gigging at parties and small theatres, to busking on street corners.

We’ll come to learn that the diverse roles in the magic industry are regimented and overseen by an imperious Magic Circle, governing who can and can’t do magic, controlling access to spells and magic technologies, and guarding the secrets of magic history. Our surrogate on this journey will be the man whose risky, even careless path of self-discovery gets him kicked out of the Magic Circle, yet whose innate ability and intense curiosity spur him on to defy the Circle’s limitations and change the world.

In our first issue, Marvin is pulled into a mystery, investigating a murder with his higher-ups in the Magic Circle. Our prologue comic will set the stage for Marvin’s world, and propel the reader into the greater mystery of the ALTRVERSE.

The Somewhat Incredible Jackie-Boy Man!

Jackie is adrift in an 20-something’s Catch22: he’s living in a big city to be near cool stuff and people his age, but he has to work a never-ending stack of under-paying gig-work to afford even the crappiest apartment / life, so he never has time to actually do that stuff. :(  Add modern alienation: app-based gig work means no coworkers, available connections are more virtual, less personal.  He struggles with validation – uses levity and comedy to break awkward silence & avoid serious conversations. His father died when he was young, they didn’t have that close a bond – after the death Jackie worked to become a caretaker and be a better person than him, he makes sure others don’t suffer as he had suffered.

In our first issue, Jackie has to interrupt his delivery gig and hero up when he catches glimpse of a disaster — collapsed building! Burning cars! And ROBOTS in the middle of it all?!? — Jackie immediately jumps to conclusions about all the evil robot media he’s seen as a fan, and knows he needs to stop this fast. He makes quick work of the ‘bots and hurries to intervene in the disasters — busting open a hydrant to put out the fire and knock out a bot at the same time, heave-ho-ing debris from the collapse to rescue… a DUMMY? Jackie’s confusion gives him enough pause that dudes are able to rush in and make it clear — THIS WAS A CONTROLLED DEMONSTRATION!! And one that cost CYBER MASS. a crap-ton of money! Plus, we now see there were some press and several fancy investors there, who look unimpressed and vocally question the value of bots that can be massively outdone by a cosplay weirdo.  Embarrassed (but semi-justifying that they should probably put some ‘Warning: Demo” signs around if they don’t want people to think it’s real), when the tech bros start arguing / begging investors, Jackie takes the opportunity to slip away, lest he lose his own money from failing to finish his delivery in time… 

The Somewhat Incredible Jackie-Boy Man!

Preview: Rick and Morty Presents Vol 4

Rick and Morty Presents Vol 4

(W) Alejandro Arbona, Alex Firer, Amy Chu, Alexander Chang, Chris Daniels (A) Marc Ellerby, Sarah Stern, Ryan Lee, Devaun Dowdy, Doug Garbark, Leonardo Ito, Phil Murphy, Crank!

Learn the secret stories and hidden pasts of your favorite Rick and Morty characters in Oni Press’s Rick and Morty™ Presents Volume 4! These four oversized comics, collected here for the first time, focus on fan-favorite characters and storylines, with writing and art from today’s top talent!

Featuring the origin of Rick and Mr. Nimbus’ feud, a trip to The Hotel Immortal, all-out dog vs. squirrel war, and a hunt for the spiciest substance in the galaxy!

Rick and Morty Presents Vol 4

Travel to Hotel Immortal with Rick and Morty in July

Coming soon from the Oni-Lion Forge Publishing Group and Adult Swim, a brand-new Rick and Morty comic crashes into comic book shops in July 2021 with Rick and Morty PresentsHotel Immortal from the creative team of writer Alejandro Arbona, illustrator Marc Ellerby, and colorist Leonardo Ito, with lettering by Crank!. The next installment of the Rick and Morty Presents series kicks off with a whodunnit in Rick and Morty PresentsHotel Immortal. When Cornvelious Daniels checks in for some R&R at the Hotel Immortal, bodies start dropping—and accusations start flying!

Rick and Morty PresentsHotel Immortal will be available online and in stores on July 14, 2021. 

Rick and Morty

Review: Doctor Tomorrow #5

Doctor Tomorrow #5

After a universe-spanning journey, Doctor Tomorrow must face his greatest foe yet: himself in Doctor Tomorrow #5! Will the combined forces of the Valiant Universe be enough to avert total annihilation After the epic conclusion, will there be a tomorrow?

I still don’t really know what day it is anymore, and as such, I have been falling way behind in my comics reading. Other than the Valiant books, which I will typically review here, I’m lucky if I remember to read the books I pick up. Y’see because I work Wednesdays at my LCS, I’m getting my books regularly… I’m just not reading them. Perhaps because of this, I was taken entirely by surprise when I found the advance review copy of Doctor Tomorrow #5 in my inbox.

The concluding chapter to the series has the Bart Simms we saw in the first issue return from the future after twenty years (and a lot of training) to confront the man who “killed” him when he was a kid; an alternate future version of himself called Doctor Tomorrow – believe it or not this actually makes a lot of sense if you’ve read the first four books, and it’s easy enough to tell the different because of the difference in costuming and the burnt face of Doctor Tomorrow.

But with the comic serving as the finale, and after we saw a classic montage in the form of Doctor Tomorrow #4, the final confrontation between Bart Simms and Doctor Tomorrow is as much a story about confronting your own demons as it is saving the world. As such, there are a lot of scenes within the book that feel oddly truncated; Alejandro Arbona has a lot interesting scenes within the book that need to be there, but the transitions felt a little forced. It’s not that Doctor Tomorrow #5 needed to be issues five and six, but maybe had Arbona been given another six pages or so the book would have a better flow to it. As it is, you get the meat of the story, but it feels like you’re missing some of the peas and carrots – you know those parts of a roast that you don’t look forward to but miss nonetheless if they’re not there?

That’s how the final chapter left me feeling. I wouldn’t cut anything from the book (other than the ads to give Arbona more space), but there’s just something missing from the initial read through to take you from one moment to the next. A shame, because a lot of what you get is really good; Bart vs Doctor Tomorrow is less a classic hero/villain smack down than you would expect, and more of a cerebral confrontation on Bart’s side. It serves to highlight the difference between the two men, and works well as a backdrop to the following scenes with Bart questioning who he is and who he will be now that he’s aged twenty years in thirty seconds.

Artist Jim Towe is joined again by colourist Diego Rodriguez, and the pair remain consistent for the finale. There’s a distinct style to the book that evokes a certain nostalgic feel for those of us of an age to have been glued to the television on Saturday mornings as kids, and it lends the book a youthful exuberance that carries the stories energy from the first to the final page. There were moments where it was harder to tell what was occurring on the page, but that had more to do with the review copy water mark than anything the artists had consciously done.

Doctor Tomorrow #5 brings this story to a close whilst also establishing a baseline for future stories with these characters – something that most miniseries from Valiant have been doing over the last year or two. On it’s own merits, though, the series was an interesting take on the traditional superhero/sidekick dynamic, and will be one that Valiant should mark firmly in the Win column. It may not have been as action packed as Bloodshot or as deep as Rai, but Doctor Tomorrow is just plain fun, and you really can’t go wrong with a good comic that’s entertaining.

Story: Alejandro Arbona Art: Jim Towe
Colors: Diego Rodriguez Letters: Clayton Cowles

Story: 8.3 Art: 8.2 Overall: 8.3 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review


Purchase: comiXology – Kindle – Zeus Comics

Preview: Doctor Tomorrow #5 (of 5)

DOCTOR TOMORROW #5 (of 5)

Written by ALEJANDRO ARBONA
Art by JIM TOWE
Colors by KELLY FITZPATRICK
Letters by CLAYTON COWLES 
Cover A by CLAYTON HENRY, ULISES ARREOLA
Cover B by KANO
Preorder Cover by CARY NORD
On sale AUGUST 26th | 32 pages, full color | $3.99 US | T+

  • After a universe-spanning journey, Doctor Tomorrow must face his greatest foe yet: himself!
  • Will the combined forces of the Valiant Universe be enough to avert total annihilation?
  • After the epic conclusion, will there be a tomorrow?
DOCTOR TOMORROW #5 (of 5)

Advance Review: Doctor Tomorrow #5

Doctor Tomorrow #5

Previously in Doctor Tomorrow, we met Bart Simms – many versions of Bart Simms, in fact. The youngest one meets an adult one who is locked in battle with foe capable of global destruction in Hadrian. Only in typical comic book fashion, we learn that Hadrian is another Bart Simms, who ends up blasting his younger version into an alternate future where his childhood best friend gives him years of training.

Doctor Tomorrow #5 picks up with our younger version of Bart all grown up and ready to fight the battle he has trained for in the future. But for those who followed this series, there was a lot more going on than just your typical battle. Bart’s home life was in shambles due to his mother’s passing and it had placed a strain between him and his father, who in this issue is quite shocked that his son is all grown up and that he missed those years of his life.

I thought the Doctor Tomorrow #5 creative team delivered an exciting finale to Doctor Tomorrow. Series writer Alejandro Arbona and artist Jim Towe are a team that I hope will be back to further the adventures of Bart in another series. Kelly Fitzpatrick‘s colors flowed well with Towe’s pencils. It helped give this series a bright look. Jim Towe’s pencils felt like they had a bit of a unique look to them that was pleasant to look at. I thought the effort put in to create the dialogue between Bart and his father was a pretty good moment and a spot that could have easily been passed over as a loose thread.  If I had to nitpick, it would be that there were a few times that the dialogue felt a bit too cliché during the big fight.

I’ve really enjoyed Doctor Tomorrow and for a few reasons. For one, it brought your regular superhero fisticuffs to the Valiant Universe, a place not necessarily brimming with heroes and villains. It was old school. It was the young hero, ready to face down his foe who was, in essence, himself. It gives Valiant a book with a huge all-ages feel that isn’t burdened by being only written for kids. Doctor Tomorrow brought out all the big Valiant characters but they really were only used as background spectators to Bart’s battle against his own Hadrian. While I never know how much anything Valiant does goes to bring in new fans, I think the regular fan of the publisher will enjoy Doctor Tomorrow very much.

Story: Alejandro Arbona Art: Jim Towe
Color: Kelly Fitzpatrick Letterer: Clayton Cowles
Story: 8.0 Art: 8.5 Overall: 8.25 Recommendation: Read

Valiant provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus Comics

Review: Doctor Tomorrow #4

Doctor Tomorrow #4

The true origin of Doctor Tomorrow is finally revealed in Doctor Tomorrow #4! Can Bart Simms ready himself in time to rescue the Universe from complete annihilation?

Despite comics coming back to shops with more regularity, Valiant hasn’t resumed their full pre-lockdown schedule just yet. I’m not honestly sure how many comics the company is publishing every month now. I’ve read far fewer Valiant books since publishing has resumed than I was expecting.

Doctor Tomorrow is Valiant’s first all-ages book set within the publisher’s continuity. After last issue’s apparent death of the young Bart Simms at the hands of the older Bart Simms (who had recently killed the slightly older Bart Simms… it sounds confusing when I write it like that, but it’s actually not), we discover pretty quickly what happened to the young hero in what amounts to a comic’s worth of a training montage.

Young Bart Simms travelled to slightly older Bart Simms time and ends up spending what appears to be several years training and learning how to defeat… himself.

Believe it or not, it’s a comic that works. And it works very well. We get some more exposition on the villain Hadrian. A touching relationship develops between two characters. It has echoes of Marty and the Doc from Back To The Future. It also adds enough to the mix so that the relationship doesn’t feel stale and too familiar. Doctor Tomorrow #3 was crammed with as many characters as writer Alejandro Arbona and artist Jim Towe could squeeze in. Doctor Tomorrow #4 is a much more personal affair. The issue gives readers a breather but also acts to set up the final act . It does so in such a way that new readers can jump into the miniseries on part four of five. I’d highly recommend the entire thing so far.

The more personal nature of this book, the relationships built upon, and the montage sequence itself does elevate it significantly over the previous issue. Arbona’s script allows Towe and colorist Diego Rodriguez to explore the world within the art; there may not be the sprawling space vistas from X-O Manowar, but the down to earth nature of the story lends itself very well to an art style that wouldn’t feel out of place on a Saturday morning cartoon (and no, that is far from a bad thing).

Jim Towe’s art seems to fall more toward what you’d consider an “all-ages style”, and he’s been pretty consistent throughout the series quality-wise. I’ve said before that the art reminds me of a Saturday morning cartoon in all the right ways, and I stand by that. This is a comic that has the ability to evoke a strong nostalgic feeling in people of a certain age despite this being a new character. After the dip of the third issue, Doctor Tomorrow comes roaring back for the finale that will likely add a new twist to a battle we’ve already seen several times in the series so far, and I fully expect to be launched into that fight almost immediately as Doctor Tomorrow #5 opens up.

Join me, won’t you?

Story: Alejandro Arbona Art: Jim Towe
Colors: Diego Rodriguez Letters: Clayton Cowles

Story: 8.4 Art: 8.1 Overall: 8.25 Recommendation: Buy

Valiant provided Graphic Policy with a FREE copy for review


Purchase: comiXologyKindleZeus Comics

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